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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C18685 it is the complementary color #3E797A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C18685. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C18685 shade: #C68680, #D79893, #E8AAA6, #F9BCB9 and #FFCECC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C18685. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C18685 shade: #C18685, #B07472, #9F625F, #8E504C and #7D3E39

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C18685 shade: #C18685 and #C18585

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C18685 shade: #C18685, #C19685, #C1A785, #C1B785 and #BCC185

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C18685 shade matches the following richer shades: #C18685, #D07876, #DF6967, #EE5B58 and #FD4C49

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C18685 shade: #C18685, #B39494, #A4A3A3, #95B1B1 and #86BFC0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C18685 shade: #C185A4, #C18594, #C18685, #C19685 and #C1A685

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C18685 shade: #A25352, #B46B69, #C18685, #CFA1A0 and #DDBCBC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C18685 shade: #C18685, #B4C185 and #859CC1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C18685 shade: #C18685, #85C186 and #8685C1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C18685 shade: #C18685, #B4C185, #85C0C1 and #9285C1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C18685 shade: #C18685, #A2C185, #85C0C1 and #A485C1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 31 / 31 / 24

HEX #C18685

RGB 193 134 133

HSL 1, 0.33%, 0.64%

LAB 61.72, 22.51, 9.67

 

Complementary color

CMYK 49 / 1 / 0 / 52

HEX #3E797A

RGB 62 121 122

HSL 181, 0.33%, 0.36%

LAB 47.11, -18.87, -6.5

 

CMYK 0 / 32 / 35 / 22

HEX #C68680

RGB 198 134 128

HSL 5.14, 0.38%, 0.64%

LAB 62.18, 23.8, 13.23

 

CMYK 0 / 29 / 32 / 16

HEX #D79893

RGB 215 152 147

HSL 4.41, 0.46%, 0.71%

LAB 68.76, 22.97, 12.08

 

CMYK 0 / 27 / 28 / 9

HEX #E8AAA6

RGB 232 170 166

HSL 3.64, 0.59%, 0.78%

LAB 75.24, 22.21, 11.04

 

CMYK 0 / 24 / 26 / 2

HEX #F9BCB9

RGB 249 188 185

HSL 2.81, 0.84%, 0.85%

LAB 81.63, 21.53, 10.07

 

CMYK 0 / 19 / 20 / 0

HEX #FFCECC

RGB 255 206 204

HSL 2.35, 1%, 0.9%

LAB 86.88, 16.96, 7.54

 

CMYK 0 / 31 / 31 / 24

HEX #C18685

RGB 193 134 133

HSL 1, 0.33%, 0.64%

LAB 61.72, 22.51, 9.67

 

CMYK 0 / 34 / 35 / 31

HEX #B07472

RGB 176 116 114

HSL 1.94, 0.28%, 0.57%

LAB 55.01, 23.38, 10.83

 

CMYK 0 / 38 / 40 / 38

HEX #9F625F

RGB 159 98 95

HSL 2.81, 0.25%, 0.5%

LAB 48.17, 24.36, 12.16

 

CMYK 0 / 44 / 46 / 44

HEX #8E504C

RGB 142 80 76

HSL 3.64, 0.3%, 0.43%

LAB 41.23, 25.47, 13.71

 

CMYK 0 / 50 / 54 / 51

HEX #7D3E39

RGB 125 62 57

HSL 4.41, 0.37%, 0.36%

LAB 34.19, 26.72, 15.6

 

CMYK 0 / 31 / 31 / 24

HEX #C18685

RGB 193 134 133

HSL 1, 0.33%, 0.64%

LAB 61.72, 22.51, 9.67

 

CMYK 0 / 31 / 31 / 24

HEX #C18585

RGB 193 133 133

HSL 0, 0.33%, 0.64%

LAB 61.49, 23.06, 9.33

 

CMYK 0 / 31 / 31 / 24

HEX #C18685

RGB 193 134 133

HSL 1, 0.33%, 0.64%

LAB 61.72, 22.51, 9.67

 

CMYK 0 / 22 / 31 / 24

HEX #C19685

RGB 193 150 133

HSL 17, 0.33%, 0.64%

LAB 65.63, 13.68, 15.15

 

CMYK 0 / 13 / 31 / 24

HEX #C1A785

RGB 193 167 133

HSL 34, 0.33%, 0.64%

LAB 69.94, 4.39, 21.1

 

CMYK 0 / 5 / 31 / 24

HEX #C1B785

RGB 193 183 133

HSL 50, 0.33%, 0.64%

LAB 74.12, -4.16, 26.76

 

CMYK 3 / 0 / 31 / 24

HEX #BCC185

RGB 188 193 133

HSL 65, 0.33%, 0.64%

LAB 76.39, -11.32, 29.7

 

CMYK 0 / 31 / 31 / 24

HEX #C18685

RGB 193 134 133

HSL 1, 0.33%, 0.64%

LAB 61.72, 22.51, 9.67

 

CMYK 0 / 42 / 43 / 18

HEX #D07876

RGB 208 120 118

HSL 1.33, 0.49%, 0.64%

LAB 60.02, 34.07, 16.12

 

CMYK 0 / 53 / 54 / 13

HEX #DF6967

RGB 223 105 103

HSL 1, 0.65%, 0.64%

LAB 58.76, 45.87, 23.36

 

CMYK 0 / 62 / 63 / 7

HEX #EE5B58

RGB 238 91 88

HSL 1.2, 0.82%, 0.64%

LAB 58.38, 56.45, 31.9

 

CMYK 0 / 70 / 71 / 1

HEX #FD4C49

RGB 253 76 73

HSL 1, 0.98%, 0.64%

LAB 58.54, 66.36, 41.11

 

CMYK 0 / 31 / 31 / 24

HEX #C18685

RGB 193 134 133

HSL 1, 0.33%, 0.64%

LAB 61.72, 22.51, 9.67

 

CMYK 0 / 17 / 17 / 30

HEX #B39494

RGB 179 148 148

HSL 0, 0.17%, 0.64%

LAB 64.08, 11.58, 4.34

 

CMYK 0 / 1 / 1 / 36

HEX #A4A3A3

RGB 164 163 163

HSL 0, 0.01%, 0.64%

LAB 67.07, 0.36, 0.12

 

CMYK 16 / 0 / 0 / 31

HEX #95B1B1

RGB 149 177 177

HSL 180, 0.15%, 0.64%

LAB 70.18, -9.53, -3.21

 

CMYK 30 / 1 / 0 / 25

HEX #86BFC0

RGB 134 191 192

HSL 181.03, 0.32%, 0.64%

LAB 73.63, -18.08, -6.43

 

CMYK 0 / 31 / 15 / 24

HEX #C185A4

RGB 193 133 164

HSL 329, 0.33%, 0.64%

LAB 62.33, 27.71, -7.11

 

CMYK 0 / 31 / 23 / 24

HEX #C18594

RGB 193 133 148

HSL 345, 0.33%, 0.64%

LAB 61.87, 25.19, 1.32

 

CMYK 0 / 31 / 31 / 24

HEX #C18685

RGB 193 134 133

HSL 1, 0.33%, 0.64%

LAB 61.72, 22.51, 9.67

 

CMYK 0 / 22 / 31 / 24

HEX #C19685

RGB 193 150 133

HSL 17, 0.33%, 0.64%

LAB 65.63, 13.68, 15.15

 

CMYK 0 / 14 / 31 / 24

HEX #C1A685

RGB 193 166 133

HSL 33, 0.33%, 0.64%

LAB 69.69, 4.93, 20.75

 

CMYK 0 / 49 / 49 / 36

HEX #A25352

RGB 162 83 82

HSL 0.75, 0.33%, 0.48%

LAB 44.91, 32.44, 15.54

 

CMYK 0 / 41 / 42 / 29

HEX #B46B69

RGB 180 107 105

HSL 1.6, 0.33%, 0.56%

LAB 53.21, 28.86, 13.65

 

CMYK 0 / 31 / 31 / 24

HEX #C18685

RGB 193 134 133

HSL 1, 0.33%, 0.64%

LAB 61.72, 22.51, 9.67

 

CMYK 0 / 22 / 23 / 19

HEX #CFA1A0

RGB 207 161 160

HSL 1.28, 0.33%, 0.72%

LAB 70.38, 16.85, 7.06

 

CMYK 0 / 15 / 15 / 13

HEX #DDBCBC

RGB 221 188 188

HSL 0, 0.33%, 0.8%

LAB 79.02, 11.76, 4.37

 

CMYK 0 / 31 / 31 / 24

HEX #C18685

RGB 193 134 133

HSL 1, 0.33%, 0.64%

LAB 61.72, 22.51, 9.67

 

CMYK 7 / 0 / 31 / 24

HEX #B4C185

RGB 180 193 133

HSL 73, 0.33%, 0.64%

LAB 75.78, -14.4, 28.79

 

CMYK 31 / 19 / 0 / 24

HEX #859CC1

RGB 133 156 193

HSL 217, 0.33%, 0.64%

LAB 63.85, 0.7, -21.71

 

CMYK 0 / 31 / 31 / 24

HEX #C18685

RGB 193 134 133

HSL 1, 0.33%, 0.64%

LAB 61.72, 22.51, 9.67

 

CMYK 31 / 0 / 31 / 24

HEX #85C186

RGB 133 193 134

HSL 121, 0.33%, 0.64%

LAB 72.79, -31.14, 23.72

 

CMYK 31 / 31 / 0 / 24

HEX #8685C1

RGB 134 133 193

HSL 241, 0.33%, 0.64%

LAB 57.75, 14.21, -31.11

 

CMYK 0 / 31 / 31 / 24

HEX #C18685

RGB 193 134 133

HSL 1, 0.33%, 0.64%

LAB 61.72, 22.51, 9.67

 

CMYK 7 / 0 / 31 / 24

HEX #B4C185

RGB 180 193 133

HSL 73, 0.33%, 0.64%

LAB 75.78, -14.4, 28.79

 

CMYK 31 / 1 / 0 / 24

HEX #85C0C1

RGB 133 192 193

HSL 181, 0.33%, 0.64%

LAB 73.89, -18.65, -6.6

 

CMYK 24 / 31 / 0 / 24

HEX #9285C1

RGB 146 133 193

HSL 253, 0.33%, 0.64%

LAB 58.73, 17.82, -29.5

 

CMYK 0 / 31 / 31 / 24

HEX #C18685

RGB 193 134 133

HSL 1, 0.33%, 0.64%

LAB 61.72, 22.51, 9.67

 

CMYK 16 / 0 / 31 / 24

HEX #A2C185

RGB 162 193 133

HSL 91, 0.33%, 0.64%

LAB 74.52, -21.16, 26.87

 

CMYK 31 / 1 / 0 / 24

HEX #85C0C1

RGB 133 192 193

HSL 181, 0.33%, 0.64%

LAB 73.89, -18.65, -6.6

 

CMYK 15 / 31 / 0 / 24

HEX #A485C1

RGB 164 133 193

HSL 271, 0.33%, 0.64%

LAB 60.35, 23.45, -26.86

 

Description

Color code: HEX #C18685 | qconv.com Color code: HEX #C18685 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 193 red, 134 green and 133 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
193 134 133 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 31 magenta, 31 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 31% 31% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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