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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C16350 it is the complementary color #3E9CAF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C16350. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C16350 shade: #C6634B, #D7755E, #E88771, #F99984 and #FFAB97

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C16350. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C16350 shade: #C16350, #B0513D, #9F3F2A, #8E2D17 and #7D1B04

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C16350 shade: #C26451 and #C25151

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C16350 shade: #C26451, #C28351, #C2A151, #C2BF51 and #A6C251

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C16350 shade matches the following richer shades: #C26451, #D5583E, #E84B2B and #FB3F18

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C16350 shade: #C26451, #AF7164, #9C7E77, #898A8A and #76979D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C16350 shade: #C2517B, #C2515D, #C26451, #C28251 and #C2A051

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C16350 shade: #8F4232, #AD503D, #C26451, #CD8070 and #D79B8E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C16350 shade: #C16350, #99C251 and #516CC2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C16350 shade: #C16350, #51C264 and #6451C2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C16350 shade: #C16350, #99C251, #51AFC2 and #7B51C2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C16350 shade: #C16350, #77C251, #51AFC2 and #9C51C2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 49 / 59 / 24

HEX #C16350

RGB 193 99 80

HSL 10.09, 0.48%, 0.54%

LAB 52.77, 35.86, 27.92

 

Complementary color

CMYK 65 / 11 / 0 / 31

HEX #3E9CAF

RGB 62 156 175

HSL 190.09, 0.48%, 0.46%

LAB 59.79, -21.52, -18.08

 

CMYK 0 / 50 / 62 / 22

HEX #C6634B

RGB 198 99 75

HSL 11.71, 0.52%, 0.54%

LAB 53.42, 37.44, 31.73

 

CMYK 0 / 46 / 56 / 16

HEX #D7755E

RGB 215 117 94

HSL 11.4, 0.6%, 0.61%

LAB 59.87, 36.1, 29.69

 

CMYK 0 / 42 / 51 / 9

HEX #E88771

RGB 232 135 113

HSL 11.09, 0.72%, 0.68%

LAB 66.27, 34.86, 27.89

 

CMYK 0 / 39 / 47 / 2

HEX #F99984

RGB 249 153 132

HSL 10.77, 0.91%, 0.75%

LAB 72.62, 33.72, 26.28

 

CMYK 0 / 33 / 41 / 0

HEX #FFAB97

RGB 255 171 151

HSL 11.54, 1%, 0.8%

LAB 77.65, 28.54, 22.91

 

CMYK 0 / 49 / 59 / 24

HEX #C16350

RGB 193 99 80

HSL 10.09, 0.48%, 0.54%

LAB 52.77, 35.86, 27.92

 

CMYK 0 / 54 / 65 / 31

HEX #B0513D

RGB 176 81 61

HSL 10.43, 0.49%, 0.46%

LAB 46.25, 37.24, 30.15

 

CMYK 0 / 60 / 74 / 38

HEX #9F3F2A

RGB 159 63 42

HSL 10.77, 0.58%, 0.39%

LAB 39.74, 38.64, 32.74

 

CMYK 0 / 68 / 84 / 44

HEX #8E2D17

RGB 142 45 23

HSL 11.09, 0.72%, 0.32%

LAB 33.33, 39.93, 35.56

 

CMYK 0 / 78 / 97 / 51

HEX #7D1B04

RGB 125 27 4

HSL 11.4, 0.94%, 0.25%

LAB 27.17, 40.75, 37.66

 

CMYK 0 / 48 / 58 / 24

HEX #C26451

RGB 194 100 81

HSL 10.09, 0.48%, 0.54%

LAB 53.14, 35.81, 27.85

 

CMYK 0 / 58 / 58 / 24

HEX #C25151

RGB 194 81 81

HSL 0, 0.48%, 0.54%

LAB 49.43, 45.32, 23.06

 

CMYK 0 / 48 / 58 / 24

HEX #C26451

RGB 194 100 81

HSL 10.09, 0.48%, 0.54%

LAB 53.14, 35.81, 27.85

 

CMYK 0 / 32 / 58 / 24

HEX #C28351

RGB 194 131 81

HSL 26.55, 0.48%, 0.54%

LAB 60.16, 19.03, 36.58

 

CMYK 0 / 17 / 58 / 24

HEX #C2A151

RGB 194 161 81

HSL 42.48, 0.48%, 0.54%

LAB 67.69, 2.63, 45.53

 

CMYK 0 / 2 / 58 / 24

HEX #C2BF51

RGB 194 191 81

HSL 58.41, 0.48%, 0.54%

LAB 75.65, -13.12, 54.56

 

CMYK 14 / 0 / 58 / 24

HEX #A6C251

RGB 166 194 81

HSL 74.87, 0.48%, 0.54%

LAB 74.37, -26.09, 52.55

 

CMYK 0 / 48 / 58 / 24

HEX #C26451

RGB 194 100 81

HSL 10.09, 0.48%, 0.54%

LAB 53.14, 35.81, 27.85

 

CMYK 0 / 59 / 71 / 16

HEX #D5583E

RGB 213 88 62

HSL 10.33, 0.64%, 0.54%

LAB 53.46, 47.7, 39.55

 

CMYK 0 / 68 / 81 / 9

HEX #E84B2B

RGB 232 75 43

HSL 10.16, 0.8%, 0.54%

LAB 54.41, 59.05, 51.28

 

CMYK 0 / 75 / 90 / 2

HEX #FB3F18

RGB 251 63 24

HSL 10.31, 0.97%, 0.54%

LAB 56.22, 68.72, 62.02

 

CMYK 0 / 48 / 58 / 24

HEX #C26451

RGB 194 100 81

HSL 10.09, 0.48%, 0.54%

LAB 53.14, 35.81, 27.85

 

CMYK 0 / 35 / 43 / 31

HEX #AF7164

RGB 175 113 100

HSL 10.4, 0.32%, 0.54%

LAB 53.86, 22.97, 17.37

 

CMYK 0 / 19 / 24 / 39

HEX #9C7E77

RGB 156 126 119

HSL 11.35, 0.16%, 0.54%

LAB 55.4, 10.45, 8.17

 

CMYK 1 / 0 / 0 / 46

HEX #898A8A

RGB 137 138 138

HSL 180, 0%, 0.54%

LAB 57.4, -0.37, -0.14

 

CMYK 25 / 4 / 0 / 38

HEX #76979D

RGB 118 151 157

HSL 189.23, 0.17%, 0.54%

LAB 60.27, -9.99, -6.91

 

CMYK 0 / 58 / 37 / 24

HEX #C2517B

RGB 194 81 123

HSL 337.7, 0.48%, 0.54%

LAB 50.43, 49.35, -0.73

 

CMYK 0 / 58 / 52 / 24

HEX #C2515D

RGB 194 81 93

HSL 353.63, 0.48%, 0.54%

LAB 49.67, 46.29, 16.21

 

CMYK 0 / 48 / 58 / 24

HEX #C26451

RGB 194 100 81

HSL 10.09, 0.48%, 0.54%

LAB 53.14, 35.81, 27.85

 

CMYK 0 / 33 / 58 / 24

HEX #C28251

RGB 194 130 81

HSL 26.02, 0.48%, 0.54%

LAB 59.91, 19.59, 36.29

 

CMYK 0 / 18 / 58 / 24

HEX #C2A051

RGB 194 160 81

HSL 41.95, 0.48%, 0.54%

LAB 67.43, 3.16, 45.23

 

CMYK 0 / 54 / 65 / 44

HEX #8F4232

RGB 143 66 50

HSL 10.32, 0.48%, 0.38%

LAB 37.78, 31.3, 25.09

 

CMYK 0 / 54 / 65 / 32

HEX #AD503D

RGB 173 80 61

HSL 10.18, 0.48%, 0.46%

LAB 45.58, 36.59, 29.23

 

CMYK 0 / 48 / 58 / 24

HEX #C26451

RGB 194 100 81

HSL 10.09, 0.48%, 0.54%

LAB 53.14, 35.81, 27.85

 

CMYK 0 / 38 / 45 / 20

HEX #CD8070

RGB 205 128 112

HSL 10.32, 0.48%, 0.62%

LAB 61.3, 27.99, 21.21

 

CMYK 0 / 28 / 34 / 16

HEX #D79B8E

RGB 215 155 142

HSL 10.68, 0.48%, 0.7%

LAB 69.36, 20.7, 15.7

 

CMYK 0 / 49 / 59 / 24

HEX #C16350

RGB 193 99 80

HSL 10.09, 0.48%, 0.54%

LAB 52.77, 35.86, 27.92

 

CMYK 21 / 0 / 58 / 24

HEX #99C251

RGB 153 194 81

HSL 81.77, 0.48%, 0.54%

LAB 73.51, -31.2, 51.35

 

CMYK 58 / 44 / 0 / 24

HEX #516CC2

RGB 81 108 194

HSL 225.66, 0.48%, 0.54%

LAB 47.46, 16.22, -48.14

 

CMYK 0 / 49 / 59 / 24

HEX #C16350

RGB 193 99 80

HSL 10.09, 0.48%, 0.54%

LAB 52.77, 35.86, 27.92

 

CMYK 58 / 0 / 48 / 24

HEX #51C264

RGB 81 194 100

HSL 130.09, 0.48%, 0.54%

LAB 70.35, -51.91, 37.71

 

CMYK 48 / 58 / 0 / 24

HEX #6451C2

RGB 100 81 194

HSL 250.09, 0.48%, 0.54%

LAB 41.98, 36.86, -56.86

 

CMYK 0 / 49 / 59 / 24

HEX #C16350

RGB 193 99 80

HSL 10.09, 0.48%, 0.54%

LAB 52.77, 35.86, 27.92

 

CMYK 21 / 0 / 58 / 24

HEX #99C251

RGB 153 194 81

HSL 81.77, 0.48%, 0.54%

LAB 73.51, -31.2, 51.35

 

CMYK 58 / 10 / 0 / 24

HEX #51AFC2

RGB 81 175 194

HSL 190.09, 0.48%, 0.54%

LAB 66.75, -22.18, -18.08

 

CMYK 37 / 58 / 0 / 24

HEX #7B51C2

RGB 123 81 194

HSL 262.3, 0.48%, 0.54%

LAB 44.22, 41.97, -53.14

 

CMYK 0 / 49 / 59 / 24

HEX #C16350

RGB 193 99 80

HSL 10.09, 0.48%, 0.54%

LAB 52.77, 35.86, 27.92

 

CMYK 39 / 0 / 58 / 24

HEX #77C251

RGB 119 194 81

HSL 99.82, 0.48%, 0.54%

LAB 71.62, -43.47, 48.69

 

CMYK 58 / 10 / 0 / 24

HEX #51AFC2

RGB 81 175 194

HSL 190.09, 0.48%, 0.54%

LAB 66.75, -22.18, -18.08

 

CMYK 20 / 58 / 0 / 24

HEX #9C51C2

RGB 156 81 194

HSL 279.82, 0.48%, 0.54%

LAB 48.07, 50.04, -46.77

 

Description

Color code: HEX #C16350 | qconv.com Color code: HEX #C16350 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 193 red, 99 green and 80 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
193 99 80 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 49 magenta, 59 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 49% 59% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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