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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C15F74 it is the complementary color #3EA08B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C15F74. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #C15F74: #C65F6F, #D77182, #E88395, #F995A8 and #FFA7BB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C15F74. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #C15F74: #C15F74, #B04D61, #9F3B4E, #8E293B and #7D1728

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 51 / 40 / 24

HEX #C15F74

RGB 193 95 116

HSL 347.14, 0.44%, 0.56%

LAB 52.71, 41.35, 6.72

 

Complementary color

CMYK 61 / 0 / 13 / 37

HEX #3EA08B

RGB 62 160 139

HSL 167.14, 0.44%, 0.44%

LAB 59.92, -33.76, 2.47

 

CMYK 0 / 52 / 44 / 22

HEX #C65F6F

RGB 198 95 111

HSL 350.68, 0.47%, 0.57%

LAB 53.32, 42.59, 10.64

 

CMYK 0 / 47 / 40 / 16

HEX #D77182

RGB 215 113 130

HSL 350, 0.56%, 0.64%

LAB 59.77, 41.61, 9

 

CMYK 0 / 44 / 36 / 9

HEX #E88395

RGB 232 131 149

HSL 349.31, 0.69%, 0.71%

LAB 66.18, 40.65, 7.58

 

CMYK 0 / 40 / 33 / 2

HEX #F995A8

RGB 249 149 168

HSL 348.6, 0.89%, 0.78%

LAB 72.54, 39.74, 6.34

 

CMYK 0 / 35 / 27 / 0

HEX #FFA7BB

RGB 255 167 187

HSL 346.36, 1%, 0.83%

LAB 77.57, 34.99, 3.24

 

CMYK 0 / 51 / 40 / 24

HEX #C15F74

RGB 193 95 116

HSL 347.14, 0.44%, 0.56%

LAB 52.71, 41.35, 6.72

 

CMYK 0 / 56 / 45 / 31

HEX #B04D61

RGB 176 77 97

HSL 347.88, 0.39%, 0.5%

LAB 46.18, 42.28, 8.51

 

CMYK 0 / 63 / 51 / 38

HEX #9F3B4E

RGB 159 59 78

HSL 348.6, 0.46%, 0.43%

LAB 39.66, 43.09, 10.72

 

CMYK 0 / 71 / 58 / 44

HEX #8E293B

RGB 142 41 59

HSL 349.31, 0.55%, 0.36%

LAB 33.25, 43.59, 13.56

 

CMYK 0 / 82 / 68 / 51

HEX #7D1728

RGB 125 23 40

HSL 350, 0.69%, 0.29%

LAB 27.09, 43.39, 17.34

 

CMYK 0 / 51 / 40 / 24

HEX #C15F74

RGB 193 95 116

HSL 347.14, 0.44%, 0.56%

LAB 52.71, 41.35, 6.72

 

CMYK 0 / 52 / 49 / 25

HEX #C05D62

RGB 192 93 98

HSL 356.97, 0.44%, 0.56%

LAB 51.74, 40.13, 16.02

 

CMYK 0 / 46 / 52 / 25

HEX #C0685D

RGB 192 104 93

HSL 6.67, 0.44%, 0.56%

LAB 53.92, 33.93, 21.89

 

CMYK 0 / 37 / 52 / 25

HEX #C0795D

RGB 192 121 93

HSL 16.97, 0.44%, 0.56%

LAB 57.72, 24.73, 26.89

 

CMYK 0 / 29 / 52 / 25

HEX #C0895D

RGB 192 137 93

HSL 26.67, 0.44%, 0.56%

LAB 61.56, 15.91, 31.81

 

CMYK 0 / 51 / 40 / 24

HEX #C15F74

RGB 193 95 116

HSL 347.14, 0.44%, 0.56%

LAB 52.71, 41.35, 6.72

 

CMYK 0 / 51 / 40 / 4

HEX #F47893

RGB 244 120 147

HSL 346.94, 0.85%, 0.71%

LAB 65.57, 50.11, 8.06

 

CMYK 0 / 50 / 40 / 84

HEX #281418

RGB 40 20 24

HSL 348, 0.33%, 0.12%

LAB 9.14, 10.93, 1.56

 

CMYK 0 / 51 / 40 / 64

HEX #5B2D37

RGB 91 45 55

HSL 346.96, 0.34%, 0.27%

LAB 24.88, 22.24, 3.2

 

CMYK 0 / 51 / 40 / 44

HEX #8E4655

RGB 142 70 85

HSL 347.5, 0.34%, 0.42%

LAB 39.22, 32.1, 5.31

 

CMYK 0 / 51 / 40 / 24

HEX #C15F74

RGB 193 95 116

HSL 347.14, 0.44%, 0.56%

LAB 52.71, 41.35, 6.72

 

CMYK 0 / 1 / 52 / 25

HEX #C0BE5D

RGB 192 190 93

HSL 58.79, 0.44%, 0.56%

LAB 75.34, -12.49, 48.62

 

CMYK 52 / 20 / 0 / 25

HEX #5D9AC0

RGB 93 154 192

HSL 203.03, 0.44%, 0.56%

LAB 61, -9.05, -25.72

 

CMYK 0 / 51 / 40 / 24

HEX #C15F74

RGB 193 95 116

HSL 347.14, 0.44%, 0.56%

LAB 52.71, 41.35, 6.72

 

CMYK 41 / 0 / 52 / 25

HEX #72C05D

RGB 114 192 93

HSL 107.27, 0.44%, 0.56%

LAB 70.92, -42.88, 42.14

 

CMYK 52 / 41 / 0 / 25

HEX #5D72C0

RGB 93 114 192

HSL 227.27, 0.44%, 0.56%

LAB 49.7, 14.44, -43.38

 

CMYK 0 / 51 / 40 / 24

HEX #C15F74

RGB 193 95 116

HSL 347.14, 0.44%, 0.56%

LAB 52.71, 41.35, 6.72

 

CMYK 0 / 1 / 52 / 25

HEX #C0BE5D

RGB 192 190 93

HSL 58.79, 0.44%, 0.56%

LAB 75.34, -12.49, 48.62

 

CMYK 52 / 0 / 11 / 25

HEX #5DC0AA

RGB 93 192 170

HSL 166.67, 0.44%, 0.56%

LAB 71.51, -34.42, 2.23

 

CMYK 52 / 51 / 0 / 25

HEX #5D5FC0

RGB 93 95 192

HSL 238.79, 0.44%, 0.56%

LAB 44.68, 26.2, -51.38

 

CMYK 0 / 51 / 40 / 24

HEX #C15F74

RGB 193 95 116

HSL 347.14, 0.44%, 0.56%

LAB 52.71, 41.35, 6.72

 

CMYK 15 / 0 / 52 / 25

HEX #A4C05D

RGB 164 192 93

HSL 76.97, 0.44%, 0.56%

LAB 73.79, -24.82, 46.27

 

CMYK 52 / 0 / 11 / 25

HEX #5DC0AA

RGB 93 192 170

HSL 166.67, 0.44%, 0.56%

LAB 71.51, -34.42, 2.23

 

CMYK 37 / 52 / 0 / 25

HEX #795DC0

RGB 121 93 192

HSL 256.97, 0.44%, 0.56%

LAB 46.58, 34.04, -48.21

 

Description

Color code: HEX #C15F74 | qconv.com Color code: HEX #C15F74 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 193 red, 95 green and 116 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
193 95 116 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 51 magenta, 40 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 51% 40% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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