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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C15D79 it is the complementary color #3EA286. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C15D79. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C15D79 shade: #C65D74, #D76F87, #E8819A, #F993AD and #FFA5C0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C15D79. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C15D79 shade: #C15D79, #B04B66, #9F3953, #8E2740 and #7D152D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C15D79 shade: #C15C79, #C15C5D and #C15C5C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C15D79 shade: #C15C79, #C15C94, #C15CAF, #B85CC1 and #9D5CC1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C15D79 shade matches the following richer shades: #C15C79, #D34A71, #E63869 and #F82661

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C15D79 shade: #C15C79, #AF6E81, #9D8189, #8B9391 and #79A599

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C15D79 shade: #C15CAF, #C15C94, #C15C79, #C15C5E and #C1765C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C15D79 shade: #933851, #B14362, #C15C79, #CD7A91 and #D898AA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C15D79 shade: #C15D79, #C1B95C and #5CA1C1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C15D79 shade: #C15D79, #79C15C and #5C79C1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C15D79 shade: #C15D79, #C1B95C, #5CC1A5 and #5C65C1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C15D79 shade: #C15D79, #ABC15C, #5CC1A5 and #725CC1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 52 / 37 / 24

HEX #C15D79

RGB 193 93 121

HSL 343.2, 0.45%, 0.56%

LAB 52.45, 42.94, 3.37

 

Complementary color

CMYK 62 / 0 / 17 / 36

HEX #3EA286

RGB 62 162 134

HSL 163.2, 0.45%, 0.44%

LAB 60.41, -35.95, 6.01

 

CMYK 0 / 53 / 41 / 22

HEX #C65D74

RGB 198 93 116

HSL 346.86, 0.48%, 0.57%

LAB 53.05, 44.13, 7.31

 

CMYK 0 / 48 / 37 / 16

HEX #D76F87

RGB 215 111 135

HSL 346.15, 0.57%, 0.64%

LAB 59.49, 43.2, 5.71

 

CMYK 0 / 44 / 34 / 9

HEX #E8819A

RGB 232 129 154

HSL 345.44, 0.69%, 0.71%

LAB 65.9, 42.28, 4.34

 

CMYK 0 / 41 / 31 / 2

HEX #F993AD

RGB 249 147 173

HSL 344.71, 0.89%, 0.78%

LAB 72.24, 41.39, 3.14

 

CMYK 0 / 35 / 25 / 0

HEX #FFA5C0

RGB 255 165 192

HSL 342, 1%, 0.82%

LAB 77.27, 36.71, 0.07

 

CMYK 0 / 52 / 37 / 24

HEX #C15D79

RGB 193 93 121

HSL 343.2, 0.45%, 0.56%

LAB 52.45, 42.94, 3.37

 

CMYK 0 / 57 / 42 / 31

HEX #B04B66

RGB 176 75 102

HSL 343.96, 0.4%, 0.49%

LAB 45.94, 43.79, 5.11

 

CMYK 0 / 64 / 48 / 38

HEX #9F3953

RGB 159 57 83

HSL 344.71, 0.47%, 0.42%

LAB 39.45, 44.48, 7.27

 

CMYK 0 / 73 / 55 / 44

HEX #8E2740

RGB 142 39 64

HSL 345.44, 0.57%, 0.35%

LAB 33.08, 44.8, 10.07

 

CMYK 0 / 83 / 64 / 51

HEX #7D152D

RGB 125 21 45

HSL 346.15, 0.71%, 0.29%

LAB 26.98, 44.32, 13.83

 

CMYK 0 / 52 / 37 / 24

HEX #C15C79

RGB 193 92 121

HSL 342.77, 0.45%, 0.56%

LAB 52.26, 43.45, 3.09

 

CMYK 0 / 52 / 52 / 24

HEX #C15C5D

RGB 193 92 93

HSL 359.41, 0.45%, 0.56%

LAB 51.59, 40.54, 18.79

 

CMYK 0 / 52 / 52 / 24

HEX #C15C5C

RGB 193 92 92

HSL 0, 0.45%, 0.56%

LAB 51.57, 40.46, 19.36

 

CMYK 0 / 52 / 37 / 24

HEX #C15C79

RGB 193 92 121

HSL 342.77, 0.45%, 0.56%

LAB 52.26, 43.45, 3.09

 

CMYK 0 / 52 / 23 / 24

HEX #C15C94

RGB 193 92 148

HSL 326.73, 0.45%, 0.56%

LAB 53.09, 46.97, -11.67

 

CMYK 0 / 52 / 9 / 24

HEX #C15CAF

RGB 193 92 175

HSL 310.69, 0.45%, 0.56%

LAB 54.12, 51.15, -25.9

 

CMYK 5 / 52 / 0 / 24

HEX #B85CC1

RGB 184 92 193

HSL 294.65, 0.45%, 0.56%

LAB 53.7, 51.76, -37.04

 

CMYK 19 / 52 / 0 / 24

HEX #9D5CC1

RGB 157 92 193

HSL 278.61, 0.45%, 0.56%

LAB 50.3, 44.34, -42.63

 

CMYK 0 / 52 / 37 / 24

HEX #C15C79

RGB 193 92 121

HSL 342.77, 0.45%, 0.56%

LAB 52.26, 43.45, 3.09

 

CMYK 0 / 65 / 46 / 17

HEX #D34A71

RGB 211 74 113

HSL 342.92, 0.61%, 0.56%

LAB 51.77, 56.79, 7.55

 

CMYK 0 / 76 / 54 / 10

HEX #E63869

RGB 230 56 105

HSL 343.1, 0.78%, 0.56%

LAB 52.59, 68.12, 13.99

 

CMYK 0 / 85 / 61 / 3

HEX #F82661

RGB 248 38 97

HSL 343.14, 0.94%, 0.56%

LAB 54.24, 76.73, 21.62

 

CMYK 0 / 52 / 37 / 24

HEX #C15C79

RGB 193 92 121

HSL 342.77, 0.45%, 0.56%

LAB 52.26, 43.45, 3.09

 

CMYK 0 / 37 / 26 / 31

HEX #AF6E81

RGB 175 110 129

HSL 342.46, 0.29%, 0.56%

LAB 53.87, 28.41, 0.41

 

CMYK 0 / 18 / 13 / 38

HEX #9D8189

RGB 157 129 137

HSL 342.86, 0.13%, 0.56%

LAB 56.76, 12.09, -0.28

 

CMYK 5 / 0 / 1 / 42

HEX #8B9391

RGB 139 147 145

HSL 165, 0.04%, 0.56%

LAB 60.25, -3.29, 0.05

 

CMYK 27 / 0 / 7 / 35

HEX #79A599

RGB 121 165 153

HSL 163.64, 0.2%, 0.56%

LAB 64.38, -17.43, 1.42

 

CMYK 0 / 52 / 9 / 24

HEX #C15CAF

RGB 193 92 175

HSL 310.69, 0.45%, 0.56%

LAB 54.12, 51.15, -25.9

 

CMYK 0 / 52 / 23 / 24

HEX #C15C94

RGB 193 92 148

HSL 326.73, 0.45%, 0.56%

LAB 53.09, 46.97, -11.67

 

CMYK 0 / 52 / 37 / 24

HEX #C15C79

RGB 193 92 121

HSL 342.77, 0.45%, 0.56%

LAB 52.26, 43.45, 3.09

 

CMYK 0 / 52 / 51 / 24

HEX #C15C5E

RGB 193 92 94

HSL 358.81, 0.45%, 0.56%

LAB 51.61, 40.63, 18.23

 

CMYK 0 / 39 / 52 / 24

HEX #C1765C

RGB 193 118 92

HSL 15.45, 0.45%, 0.56%

LAB 57.14, 26.69, 26.72

 

CMYK 0 / 62 / 45 / 42

HEX #933851

RGB 147 56 81

HSL 343.52, 0.45%, 0.4%

LAB 37.16, 40.65, 5.01

 

CMYK 0 / 62 / 45 / 31

HEX #B14362

RGB 177 67 98

HSL 343.09, 0.45%, 0.48%

LAB 44.58, 47.46, 5.65

 

CMYK 0 / 52 / 37 / 24

HEX #C15C79

RGB 193 92 121

HSL 342.77, 0.45%, 0.56%

LAB 52.26, 43.45, 3.09

 

CMYK 0 / 40 / 29 / 20

HEX #CD7A91

RGB 205 122 145

HSL 343.37, 0.45%, 0.64%

LAB 60.73, 35.16, 1.56

 

CMYK 0 / 30 / 21 / 15

HEX #D898AA

RGB 216 152 170

HSL 343.13, 0.45%, 0.72%

LAB 69.44, 26.56, 0.26

 

CMYK 0 / 52 / 37 / 24

HEX #C15D79

RGB 193 93 121

HSL 343.2, 0.45%, 0.56%

LAB 52.45, 42.94, 3.37

 

CMYK 0 / 4 / 52 / 24

HEX #C1B95C

RGB 193 185 92

HSL 55.25, 0.45%, 0.56%

LAB 74.07, -9.59, 47.63

 

CMYK 52 / 17 / 0 / 24

HEX #5CA1C1

RGB 92 161 193

HSL 199.01, 0.45%, 0.56%

LAB 63.02, -12.81, -23.17

 

CMYK 0 / 52 / 37 / 24

HEX #C15D79

RGB 193 93 121

HSL 343.2, 0.45%, 0.56%

LAB 52.45, 42.94, 3.37

 

CMYK 37 / 0 / 52 / 24

HEX #79C15C

RGB 121 193 92

HSL 102.77, 0.45%, 0.56%

LAB 71.54, -41.16, 43.45

 

CMYK 52 / 37 / 0 / 24

HEX #5C79C1

RGB 92 121 193

HSL 222.77, 0.45%, 0.56%

LAB 51.61, 10.25, -40.93

 

CMYK 0 / 52 / 37 / 24

HEX #C15D79

RGB 193 93 121

HSL 343.2, 0.45%, 0.56%

LAB 52.45, 42.94, 3.37

 

CMYK 0 / 4 / 52 / 24

HEX #C1B95C

RGB 193 185 92

HSL 55.25, 0.45%, 0.56%

LAB 74.07, -9.59, 47.63

 

CMYK 52 / 0 / 15 / 24

HEX #5CC1A5

RGB 92 193 165

HSL 163.37, 0.45%, 0.56%

LAB 71.64, -36.31, 5.15

 

CMYK 52 / 48 / 0 / 24

HEX #5C65C1

RGB 92 101 193

HSL 234.65, 0.45%, 0.56%

LAB 46.22, 22.57, -49.5

 

CMYK 0 / 52 / 37 / 24

HEX #C15D79

RGB 193 93 121

HSL 343.2, 0.45%, 0.56%

LAB 52.45, 42.94, 3.37

 

CMYK 11 / 0 / 52 / 24

HEX #ABC15C

RGB 171 193 92

HSL 73.07, 0.45%, 0.56%

LAB 74.55, -22.63, 47.77

 

CMYK 52 / 0 / 15 / 24

HEX #5CC1A5

RGB 92 193 165

HSL 163.37, 0.45%, 0.56%

LAB 71.64, -36.31, 5.15

 

CMYK 41 / 52 / 0 / 24

HEX #725CC1

RGB 114 92 193

HSL 253.07, 0.45%, 0.56%

LAB 45.75, 33.18, -50.16

 

Description

Color code: HEX #C15D79 | qconv.com Color code: HEX #C15D79 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 193 red, 93 green and 121 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
193 93 121 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 52 magenta, 37 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 52% 37% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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