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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C13F7D it is the complementary color #3EC082. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C13F7D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C13F7D shade: #C63F78, #D7518B, #E8639E, #F975B1 and #FF87C4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C13F7D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C13F7D shade: #C13F7D, #B02D6A, #9F1B57, #8E0944 and #7D0031

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C13F7D shade: #C13E7D, #C13E59 and #C13E3E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C13F7D shade: #C13E7D, #C13EA0, #BE3EC1, #9B3EC1 and #783EC1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C13F7D shade matches the following richer shades: #C13E7D, #D52A7C, #EA157B and #FE017A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C13F7D shade: #C13E7D, #AC537D, #97687E, #837C7F and #6E9180

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C13F7D shade: #BE3EC1, #C13EA0, #C13E7D, #C13E5B and #C1453E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C13F7D shade: #822A54, #A13468, #C13E7D, #CB5E92 and #D57DA7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C13F7D shade: #C13F7D, #C19C3E and #3EB1C1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C13F7D shade: #C13F7D, #7DC13E and #3E7DC1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C13F7D shade: #C13F7D, #C19C3E, #3EC182 and #3E63C1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C13F7D shade: #C13F7D, #BEC13E, #3EC182 and #413EC1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 67 / 35 / 24

HEX #C13F7D

RGB 193 63 125

HSL 331.38, 0.51%, 0.5%

LAB 47.46, 57.05, -6.35

 

Complementary color

CMYK 68 / 0 / 32 / 25

HEX #3EC082

RGB 62 192 130

HSL 151.38, 0.51%, 0.5%

LAB 69.71, -49.65, 21.21

 

CMYK 0 / 68 / 39 / 22

HEX #C63F78

RGB 198 63 120

HSL 334.67, 0.54%, 0.51%

LAB 48.16, 57.96, -2.19

 

CMYK 0 / 62 / 35 / 16

HEX #D7518B

RGB 215 81 139

HSL 334.03, 0.63%, 0.58%

LAB 54.23, 57.78, -4.3

 

CMYK 0 / 57 / 32 / 9

HEX #E8639E

RGB 232 99 158

HSL 333.38, 0.74%, 0.65%

LAB 60.38, 57.3, -6.02

 

CMYK 0 / 53 / 29 / 2

HEX #F975B1

RGB 249 117 177

HSL 332.73, 0.92%, 0.72%

LAB 66.55, 56.67, -7.46

 

CMYK 0 / 47 / 23 / 0

HEX #FF87C4

RGB 255 135 196

HSL 329.5, 1%, 0.76%

LAB 71.26, 52.46, -11

 

CMYK 0 / 67 / 35 / 24

HEX #C13F7D

RGB 193 63 125

HSL 331.38, 0.51%, 0.5%

LAB 47.46, 57.05, -6.35

 

CMYK 0 / 74 / 40 / 31

HEX #B02D6A

RGB 176 45 106

HSL 332.06, 0.59%, 0.43%

LAB 41.45, 56.76, -3.9

 

CMYK 0 / 83 / 45 / 38

HEX #9F1B57

RGB 159 27 87

HSL 332.73, 0.71%, 0.36%

LAB 35.68, 55.66, -0.7

 

CMYK 0 / 94 / 52 / 44

HEX #8E0944

RGB 142 9 68

HSL 333.38, 0.88%, 0.3%

LAB 30.31, 53.26, 3.53

 

CMYK 0 / 100 / 61 / 51

HEX #7D0031

RGB 125 0 49

HSL 336.48, 1%, 0.25%

LAB 25.51, 49.08, 9.11

 

CMYK 0 / 68 / 35 / 24

HEX #C13E7D

RGB 193 62 125

HSL 331.15, 0.51%, 0.5%

LAB 47.32, 57.44, -6.56

 

CMYK 0 / 68 / 54 / 24

HEX #C13E59

RGB 193 62 89

HSL 347.63, 0.51%, 0.5%

LAB 46.32, 53.95, 14.02

 

CMYK 0 / 68 / 68 / 24

HEX #C13E3E

RGB 193 62 62

HSL 0, 0.51%, 0.5%

LAB 45.81, 52.14, 29.7

 

CMYK 0 / 68 / 35 / 24

HEX #C13E7D

RGB 193 62 125

HSL 331.15, 0.51%, 0.5%

LAB 47.32, 57.44, -6.56

 

CMYK 0 / 68 / 17 / 24

HEX #C13EA0

RGB 193 62 160

HSL 315.11, 0.51%, 0.5%

LAB 48.66, 61.95, -25.54

 

CMYK 2 / 68 / 0 / 24

HEX #BE3EC1

RGB 190 62 193

HSL 298.63, 0.51%, 0.5%

LAB 49.79, 66.36, -43.16

 

CMYK 20 / 68 / 0 / 24

HEX #9B3EC1

RGB 155 62 193

HSL 282.6, 0.51%, 0.5%

LAB 44.61, 58.54, -51.73

 

CMYK 38 / 68 / 0 / 24

HEX #783EC1

RGB 120 62 193

HSL 266.56, 0.51%, 0.5%

LAB 40.06, 51.19, -59.29

 

CMYK 0 / 68 / 35 / 24

HEX #C13E7D

RGB 193 62 125

HSL 331.15, 0.51%, 0.5%

LAB 47.32, 57.44, -6.56

 

CMYK 0 / 80 / 42 / 16

HEX #D52A7C

RGB 213 42 124

HSL 331.23, 0.67%, 0.5%

LAB 48.58, 69.12, -3.68

 

CMYK 0 / 91 / 47 / 8

HEX #EA157B

RGB 234 21 123

HSL 331.27, 0.84%, 0.5%

LAB 51.22, 77.87, 1.26

 

CMYK 0 / 100 / 52 / 0

HEX #FE017A

RGB 254 1 122

HSL 331.3, 0.99%, 0.5%

LAB 54.55, 83.85, 7.17

 

CMYK 0 / 68 / 35 / 24

HEX #C13E7D

RGB 193 62 125

HSL 331.15, 0.51%, 0.5%

LAB 47.32, 57.44, -6.56

 

CMYK 0 / 52 / 27 / 33

HEX #AC537D

RGB 172 83 125

HSL 331.69, 0.35%, 0.5%

LAB 47.54, 41.29, -6.58

 

CMYK 0 / 31 / 17 / 41

HEX #97687E

RGB 151 104 126

HSL 331.91, 0.18%, 0.5%

LAB 49.48, 22.31, -4.6

 

CMYK 0 / 5 / 3 / 49

HEX #837C7F

RGB 131 124 127

HSL 334.29, 0.03%, 0.5%

LAB 52.7, 3.24, -0.69

 

CMYK 24 / 0 / 12 / 43

HEX #6E9180

RGB 110 145 128

HSL 150.86, 0.14%, 0.5%

LAB 57.2, -15.88, 5.06

 

CMYK 2 / 68 / 0 / 24

HEX #BE3EC1

RGB 190 62 193

HSL 298.63, 0.51%, 0.5%

LAB 49.79, 66.36, -43.16

 

CMYK 0 / 68 / 17 / 24

HEX #C13EA0

RGB 193 62 160

HSL 315.11, 0.51%, 0.5%

LAB 48.66, 61.95, -25.54

 

CMYK 0 / 68 / 35 / 24

HEX #C13E7D

RGB 193 62 125

HSL 331.15, 0.51%, 0.5%

LAB 47.32, 57.44, -6.56

 

CMYK 0 / 68 / 53 / 24

HEX #C13E5B

RGB 193 62 91

HSL 346.72, 0.51%, 0.5%

LAB 46.36, 54.11, 12.85

 

CMYK 0 / 64 / 68 / 24

HEX #C1453E

RGB 193 69 62

HSL 3.21, 0.51%, 0.5%

LAB 46.9, 49.21, 31.02

 

CMYK 0 / 68 / 35 / 49

HEX #822A54

RGB 130 42 84

HSL 331.36, 0.51%, 0.34%

LAB 31.9, 41.78, -4.96

 

CMYK 0 / 68 / 35 / 37

HEX #A13468

RGB 161 52 104

HSL 331.38, 0.51%, 0.42%

LAB 39.64, 49.57, -5.63

 

CMYK 0 / 68 / 35 / 24

HEX #C13E7D

RGB 193 62 125

HSL 331.15, 0.51%, 0.5%

LAB 47.32, 57.44, -6.56

 

CMYK 0 / 54 / 28 / 20

HEX #CB5E92

RGB 203 94 146

HSL 331.38, 0.51%, 0.58%

LAB 54.84, 48.95, -7.72

 

CMYK 0 / 41 / 22 / 16

HEX #D57DA7

RGB 213 125 167

HSL 331.36, 0.51%, 0.66%

LAB 63.01, 39.5, -7.55

 

CMYK 0 / 67 / 35 / 24

HEX #C13F7D

RGB 193 63 125

HSL 331.38, 0.51%, 0.5%

LAB 47.46, 57.05, -6.35

 

CMYK 0 / 19 / 68 / 24

HEX #C19C3E

RGB 193 156 62

HSL 43.05, 0.51%, 0.5%

LAB 66.11, 3.62, 52.64

 

CMYK 68 / 8 / 0 / 24

HEX #3EB1C1

RGB 62 177 193

HSL 187.33, 0.51%, 0.5%

LAB 66.76, -26.7, -17.57

 

CMYK 0 / 67 / 35 / 24

HEX #C13F7D

RGB 193 63 125

HSL 331.38, 0.51%, 0.5%

LAB 47.46, 57.05, -6.35

 

CMYK 35 / 0 / 68 / 24

HEX #7DC13E

RGB 125 193 62

HSL 91.15, 0.51%, 0.5%

LAB 71.45, -42.69, 56.7

 

CMYK 68 / 35 / 0 / 24

HEX #3E7DC1

RGB 62 125 193

HSL 211.15, 0.51%, 0.5%

LAB 51.31, 1.92, -41.49

 

CMYK 0 / 67 / 35 / 24

HEX #C13F7D

RGB 193 63 125

HSL 331.38, 0.51%, 0.5%

LAB 47.46, 57.05, -6.35

 

CMYK 0 / 19 / 68 / 24

HEX #C19C3E

RGB 193 156 62

HSL 43.05, 0.51%, 0.5%

LAB 66.11, 3.62, 52.64

 

CMYK 68 / 0 / 33 / 24

HEX #3EC182

RGB 62 193 130

HSL 151.15, 0.51%, 0.5%

LAB 70.02, -50.04, 21.63

 

CMYK 68 / 49 / 0 / 24

HEX #3E63C1

RGB 62 99 193

HSL 223.05, 0.51%, 0.5%

LAB 43.94, 18.13, -53.25

 

CMYK 0 / 67 / 35 / 24

HEX #C13F7D

RGB 193 63 125

HSL 331.38, 0.51%, 0.5%

LAB 47.46, 57.05, -6.35

 

CMYK 2 / 0 / 68 / 24

HEX #BEC13E

RGB 190 193 62

HSL 61.37, 0.51%, 0.5%

LAB 75.72, -17.02, 62.44

 

CMYK 68 / 0 / 33 / 24

HEX #3EC182

RGB 62 193 130

HSL 151.15, 0.51%, 0.5%

LAB 70.02, -50.04, 21.63

 

CMYK 66 / 68 / 0 / 24

HEX #413EC1

RGB 65 62 193

HSL 241.37, 0.51%, 0.5%

LAB 34.84, 41.91, -68.03

 

Description

Color code: HEX #C13F7D | qconv.com Color code: HEX #C13F7D | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 193 red, 63 green and 125 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
193 63 125 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 67 magenta, 35 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 67% 35% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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