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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 94 / 52 / 44 it is the complementary color CMYK 54 / 0 / 24 / 4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 94 / 52 / 44. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 94 / 52 / 44: CMYK 0 / 94 / 57 / 42, CMYK 0 / 84 / 50 / 35, CMYK 0 / 75 / 44 / 29, CMYK 0 / 68 / 39 / 22 and CMYK 0 / 63 / 35 / 15

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 94 / 52 / 44. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 94 / 52 / 44: CMYK 0 / 94 / 52 / 44, CMYK 0 / 100 / 60 / 51, CMYK 0 / 100 / 72 / 57, CMYK 0 / 100 / 87 / 64 and CMYK 0 / 100 / 100 / 71

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 94 / 52 / 44

HEX #8F0945

RGB 143 9 69

HSL 333.13, 0.88%, 0.3%

LAB 30.56, 53.59, 3.25

 

Complementary color

CMYK 54 / 0 / 24 / 4

HEX #70F6BA

RGB 112 246 186

HSL 153.13, 0.88%, 0.7%

LAB 88.4, -50.45, 17.9

 

CMYK 0 / 94 / 57 / 42

HEX #940940

RGB 148 9 64

HSL 336.26, 0.89%, 0.31%

LAB 31.49, 54.47, 8.05

 

CMYK 0 / 84 / 50 / 35

HEX #A51B53

RGB 165 27 83

HSL 335.65, 0.72%, 0.38%

LAB 36.76, 56.88, 3.59

 

CMYK 0 / 75 / 44 / 29

HEX #B62D66

RGB 182 45 102

HSL 335.04, 0.6%, 0.45%

LAB 42.43, 58.03, 0.17

 

CMYK 0 / 68 / 39 / 22

HEX #C73F79

RGB 199 63 121

HSL 334.41, 0.55%, 0.51%

LAB 48.36, 58.36, -2.48

 

CMYK 0 / 63 / 35 / 15

HEX #D8518C

RGB 216 81 140

HSL 333.78, 0.63%, 0.58%

LAB 54.42, 58.19, -4.59

 

CMYK 0 / 94 / 52 / 44

HEX #8F0945

RGB 143 9 69

HSL 333.13, 0.88%, 0.3%

LAB 30.56, 53.59, 3.25

 

CMYK 0 / 100 / 60 / 51

HEX #7E0032

RGB 126 0 50

HSL 336.19, 1%, 0.25%

LAB 25.76, 49.4, 8.81

 

CMYK 0 / 100 / 72 / 57

HEX #6D001F

RGB 109 0 31

HSL 342.94, 1%, 0.21%

LAB 21.39, 43.85, 15.51

 

CMYK 0 / 100 / 87 / 64

HEX #5C000C

RGB 92 0 12

HSL 352.17, 1%, 0.18%

LAB 17, 38.38, 21.35

 

CMYK 0 / 100 / 100 / 71

HEX #4B0000

RGB 75 0 0

HSL 0, 1%, 0.15%

LAB 12.58, 33.07, 19.75

 

CMYK 0 / 94 / 52 / 44

HEX #8F0945

RGB 143 9 69

HSL 333.13, 0.88%, 0.3%

LAB 30.56, 53.59, 3.25

 

CMYK 0 / 94 / 67 / 44

HEX #8F092F

RGB 143 9 47

HSL 342.99, 0.88%, 0.3%

LAB 30.01, 52.08, 17.2

 

CMYK 0 / 94 / 83 / 44

HEX #8F0918

RGB 143 9 24

HSL 353.28, 0.88%, 0.3%

LAB 29.67, 51.11, 31.54

 

CMYK 0 / 90 / 94 / 44

HEX #8F0F09

RGB 143 15 9

HSL 2.69, 0.88%, 0.3%

LAB 29.91, 49.74, 39.46

 

CMYK 0 / 73 / 94 / 44

HEX #8F2609

RGB 143 38 9

HSL 12.99, 0.88%, 0.3%

LAB 32.36, 42.87, 41.21

 

CMYK 0 / 94 / 52 / 44

HEX #8F0945

RGB 143 9 69

HSL 333.13, 0.88%, 0.3%

LAB 30.56, 53.59, 3.25

 

CMYK 0 / 94 / 52 / 24

HEX #C20C5E

RGB 194 12 94

HSL 332.97, 0.88%, 0.4%

LAB 42.06, 67.51, 4.96

 

CMYK 0 / 94 / 52 / 4

HEX #F50F76

RGB 245 15 118

HSL 333.13, 0.92%, 0.51%

LAB 53.02, 80.6, 7.16

 

CMYK 0 / 93 / 51 / 84

HEX #290314

RGB 41 3 20

HSL 333.16, 0.86%, 0.09%

LAB 5.3, 20.35, -1.14

 

CMYK 0 / 93 / 52 / 64

HEX #5C062C

RGB 92 6 44

HSL 333.49, 0.88%, 0.19%

LAB 18.31, 38.63, 1.4

 

CMYK 0 / 94 / 52 / 44

HEX #8F0945

RGB 143 9 69

HSL 333.13, 0.88%, 0.3%

LAB 30.56, 53.59, 3.25

 

CMYK 0 / 23 / 94 / 44

HEX #8F6E09

RGB 143 110 9

HSL 45.22, 0.88%, 0.3%

LAB 48.27, 4.41, 52.87

 

CMYK 94 / 14 / 0 / 44

HEX #097B8F

RGB 9 123 143

HSL 188.96, 0.88%, 0.3%

LAB 47.25, -20.71, -18.85

 

CMYK 0 / 94 / 52 / 44

HEX #8F0945

RGB 143 9 69

HSL 333.13, 0.88%, 0.3%

LAB 30.56, 53.59, 3.25

 

CMYK 52 / 0 / 94 / 44

HEX #458F09

RGB 69 143 9

HSL 93.13, 0.88%, 0.3%

LAB 52.87, -43.78, 54.27

 

CMYK 94 / 52 / 0 / 44

HEX #09458F

RGB 9 69 143

HSL 213.13, 0.88%, 0.3%

LAB 30.15, 12.62, -45.8

 

CMYK 0 / 94 / 52 / 44

HEX #8F0945

RGB 143 9 69

HSL 333.13, 0.88%, 0.3%

LAB 30.56, 53.59, 3.25

 

CMYK 0 / 23 / 94 / 44

HEX #8F6E09

RGB 143 110 9

HSL 45.22, 0.88%, 0.3%

LAB 48.27, 4.41, 52.87

 

CMYK 94 / 0 / 42 / 44

HEX #098F53

RGB 9 143 83

HSL 153.13, 0.88%, 0.3%

LAB 52.21, -46.72, 23.05

 

CMYK 94 / 71 / 0 / 44

HEX #092A8F

RGB 9 42 143

HSL 225.22, 0.88%, 0.3%

LAB 22.64, 31.39, -58.07

 

CMYK 0 / 94 / 52 / 44

HEX #8F0945

RGB 143 9 69

HSL 333.13, 0.88%, 0.3%

LAB 30.56, 53.59, 3.25

 

CMYK 4 / 0 / 94 / 44

HEX #898F09

RGB 137 143 9

HSL 62.69, 0.88%, 0.3%

LAB 57.06, -16.58, 59.39

 

CMYK 94 / 0 / 42 / 44

HEX #098F53

RGB 9 143 83

HSL 153.13, 0.88%, 0.3%

LAB 52.21, -46.72, 23.05

 

CMYK 90 / 94 / 0 / 44

HEX #0F098F

RGB 15 9 143

HSL 242.69, 0.88%, 0.3%

LAB 16.89, 48.67, -67.6

 

Description

Color code: CMYK 0 / 94 / 52 / 44 | qconv.com Color code: CMYK 0 / 94 / 52 / 44 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 143 red, 9 green and 69 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
143 9 69 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 94 magenta, 52 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 94% 52% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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