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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C118CC it is the complementary color #3EE733. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C118CC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C118CC shade: #C618C7, #D72ADA, #E83CED, #F94EFF and #FF60FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C118CC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C118CC shade: #C118CC, #B006B9, #9F00A6, #8E0093 and #7D0080

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C118CC shade: #C218CD, #CD18A8, #CD1877, #CD1846 and #CD1818

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C118CC shade: #C218CD, #9118CD, #6118CD, #3018CD and #1818CD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C118CC shade matches the following richer shades: #C218CD and #D306E0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C118CC shade: #C218CD, #B22BBB, #A23DA8, #915096 and #816283

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C118CC shade: #6118CD, #9118CD, #C118CD, #CD18A9 and #CD1879

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C118CC shade: #7C0F84, #9F14A8, #C218CD, #DA29E6 and #E14EEA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C118CC shade: #C118CC, #CD3018 and #18CD79

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C118CC shade: #C118CC, #CDC118 and #18CDC1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C118CC shade: #C118CC, #CD3018, #24CD18 and #18B5CD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C118CC shade: #C118CC, #CD6718, #24CD18 and #187FCD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 88 / 0 / 20

HEX #C118CC

RGB 193 24 204

HSL 296.33, 0.79%, 0.45%

LAB 47.43, 78.79, -53.26

 

Complementary color

CMYK 73 / 0 / 78 / 9

HEX #3EE733

RGB 62 231 51

HSL 116.33, 0.79%, 0.55%

LAB 80.97, -73.2, 69.3

 

CMYK 1 / 88 / 0 / 22

HEX #C618C7

RGB 198 24 199

HSL 299.66, 0.78%, 0.44%

LAB 47.98, 78.88, -49.43

 

CMYK 1 / 81 / 0 / 15

HEX #D72ADA

RGB 215 42 218

HSL 298.98, 0.7%, 0.51%

LAB 53.13, 81.37, -51.96

 

CMYK 2 / 75 / 0 / 7

HEX #E83CED

RGB 232 60 237

HSL 298.31, 0.83%, 0.58%

LAB 58.51, 82.95, -53.93

 

CMYK 2 / 69 / 0 / 0

HEX #F94EFF

RGB 249 78 255

HSL 297.97, 1%, 0.65%

LAB 64.01, 83.69, -55.02

 

CMYK 0 / 62 / 0 / 0

HEX #FF60FF

RGB 255 96 255

HSL 300, 1%, 0.69%

LAB 67.16, 78.59, -49.97

 

CMYK 5 / 88 / 0 / 20

HEX #C118CC

RGB 193 24 204

HSL 296.33, 0.79%, 0.45%

LAB 47.43, 78.79, -53.26

 

CMYK 5 / 97 / 0 / 27

HEX #B006B9

RGB 176 6 185

HSL 296.98, 0.94%, 0.37%

LAB 42.56, 75.17, -50.16

 

CMYK 4 / 100 / 0 / 35

HEX #9F00A6

RGB 159 0 166

HSL 297.47, 1%, 0.33%

LAB 38.06, 70.1, -46.24

 

CMYK 3 / 100 / 0 / 42

HEX #8E0093

RGB 142 0 147

HSL 297.96, 1%, 0.29%

LAB 33.68, 64.33, -41.91

 

CMYK 2 / 100 / 0 / 50

HEX #7D0080

RGB 125 0 128

HSL 298.59, 1%, 0.25%

LAB 29.21, 58.42, -37.45

 

CMYK 5 / 88 / 0 / 20

HEX #C218CD

RGB 194 24 205

HSL 296.35, 0.79%, 0.45%

LAB 47.66, 79.11, -53.45

 

CMYK 0 / 88 / 18 / 20

HEX #CD18A8

RGB 205 24 168

HSL 312.27, 0.79%, 0.45%

LAB 47.57, 75.88, -31.83

 

CMYK 0 / 88 / 42 / 20

HEX #CD1877

RGB 205 24 119

HSL 328.51, 0.79%, 0.45%

LAB 45.59, 70.51, -5.23

 

CMYK 0 / 88 / 66 / 20

HEX #CD1846

RGB 205 24 70

HSL 344.75, 0.79%, 0.45%

LAB 44.34, 67, 23.5

 

CMYK 0 / 88 / 88 / 20

HEX #CD1818

RGB 205 24 24

HSL 0, 0.79%, 0.45%

LAB 43.8, 65.44, 49

 

CMYK 5 / 88 / 0 / 20

HEX #C218CD

RGB 194 24 205

HSL 296.35, 0.79%, 0.45%

LAB 47.66, 79.11, -53.45

 

CMYK 29 / 88 / 0 / 20

HEX #9118CD

RGB 145 24 205

HSL 280.11, 0.79%, 0.45%

LAB 39.72, 71.53, -66.7

 

CMYK 53 / 88 / 0 / 20

HEX #6118CD

RGB 97 24 205

HSL 264.2, 0.79%, 0.45%

LAB 33.14, 65.84, -77.74

 

CMYK 77 / 88 / 0 / 20

HEX #3018CD

RGB 48 24 205

HSL 247.96, 0.79%, 0.45%

LAB 28.61, 62.4, -85.38

 

CMYK 88 / 88 / 0 / 20

HEX #1818CD

RGB 24 24 205

HSL 240, 0.79%, 0.45%

LAB 27.45, 61.6, -87.36

 

CMYK 5 / 88 / 0 / 20

HEX #C218CD

RGB 194 24 205

HSL 296.35, 0.79%, 0.45%

LAB 47.66, 79.11, -53.45

 

CMYK 6 / 97 / 0 / 12

HEX #D306E0

RGB 211 6 224

HSL 296.42, 0.95%, 0.45%

LAB 51.11, 86.63, -58.65

 

CMYK 5 / 88 / 0 / 20

HEX #C218CD

RGB 194 24 205

HSL 296.35, 0.79%, 0.45%

LAB 47.66, 79.11, -53.45

 

CMYK 5 / 77 / 0 / 27

HEX #B22BBB

RGB 178 43 187

HSL 296.25, 0.63%, 0.45%

LAB 45.33, 69.09, -46.87

 

CMYK 4 / 64 / 0 / 34

HEX #A23DA8

RGB 162 61 168

HSL 296.64, 0.47%, 0.45%

LAB 44.01, 55.76, -37.92

 

CMYK 3 / 47 / 0 / 41

HEX #915096

RGB 145 80 150

HSL 295.71, 0.3%, 0.45%

LAB 44.17, 38.27, -27.1

 

CMYK 2 / 25 / 0 / 49

HEX #816283

RGB 129 98 131

HSL 296.36, 0.14%, 0.45%

LAB 45.69, 18.64, -13.52

 

CMYK 53 / 88 / 0 / 20

HEX #6118CD

RGB 97 24 205

HSL 264.2, 0.79%, 0.45%

LAB 33.14, 65.84, -77.74

 

CMYK 29 / 88 / 0 / 20

HEX #9118CD

RGB 145 24 205

HSL 280.11, 0.79%, 0.45%

LAB 39.72, 71.53, -66.7

 

CMYK 6 / 88 / 0 / 20

HEX #C118CD

RGB 193 24 205

HSL 296.02, 0.79%, 0.45%

LAB 47.49, 78.94, -53.73

 

CMYK 0 / 88 / 18 / 20

HEX #CD18A9

RGB 205 24 169

HSL 311.93, 0.79%, 0.45%

LAB 47.62, 76, -32.34

 

CMYK 0 / 88 / 41 / 20

HEX #CD1879

RGB 205 24 121

HSL 327.85, 0.79%, 0.45%

LAB 45.65, 70.69, -6.36

 

CMYK 6 / 89 / 0 / 48

HEX #7C0F84

RGB 124 15 132

HSL 295.9, 0.8%, 0.29%

LAB 30.14, 56.39, -38.48

 

CMYK 5 / 88 / 0 / 34

HEX #9F14A8

RGB 159 20 168

HSL 296.35, 0.79%, 0.37%

LAB 39.07, 67.84, -45.83

 

CMYK 5 / 88 / 0 / 20

HEX #C218CD

RGB 194 24 205

HSL 296.35, 0.79%, 0.45%

LAB 47.66, 79.11, -53.45

 

CMYK 5 / 82 / 0 / 10

HEX #DA29E6

RGB 218 41 230

HSL 296.19, 0.79%, 0.53%

LAB 54.24, 83.99, -56.95

 

CMYK 4 / 67 / 0 / 8

HEX #E14EEA

RGB 225 78 234

HSL 296.54, 0.79%, 0.61%

LAB 59.34, 75.16, -51

 

CMYK 5 / 88 / 0 / 20

HEX #C118CC

RGB 193 24 204

HSL 296.33, 0.79%, 0.45%

LAB 47.43, 78.79, -53.26

 

CMYK 0 / 77 / 88 / 20

HEX #CD3018

RGB 205 48 24

HSL 7.96, 0.79%, 0.45%

LAB 45.85, 59.63, 50.57

 

CMYK 88 / 0 / 41 / 20

HEX #18CD79

RGB 24 205 121

HSL 152.15, 0.79%, 0.45%

LAB 73.05, -60.68, 30.3

 

CMYK 5 / 88 / 0 / 20

HEX #C118CC

RGB 193 24 204

HSL 296.33, 0.79%, 0.45%

LAB 47.43, 78.79, -53.26

 

CMYK 0 / 6 / 88 / 20

HEX #CDC118

RGB 205 193 24

HSL 56.02, 0.79%, 0.45%

LAB 76.79, -11.97, 74.83

 

CMYK 88 / 0 / 6 / 20

HEX #18CDC1

RGB 24 205 193

HSL 176.02, 0.79%, 0.45%

LAB 74.64, -43.46, -5.83

 

CMYK 5 / 88 / 0 / 20

HEX #C118CC

RGB 193 24 204

HSL 296.33, 0.79%, 0.45%

LAB 47.43, 78.79, -53.26

 

CMYK 0 / 77 / 88 / 20

HEX #CD3018

RGB 205 48 24

HSL 7.96, 0.79%, 0.45%

LAB 45.85, 59.63, 50.57

 

CMYK 82 / 0 / 88 / 20

HEX #24CD18

RGB 36 205 24

HSL 116.02, 0.79%, 0.45%

LAB 72.3, -70.27, 67.85

 

CMYK 88 / 12 / 0 / 20

HEX #18B5CD

RGB 24 181 205

HSL 187.96, 0.79%, 0.45%

LAB 67.76, -28.67, -22.73

 

CMYK 5 / 88 / 0 / 20

HEX #C118CC

RGB 193 24 204

HSL 296.33, 0.79%, 0.45%

LAB 47.43, 78.79, -53.26

 

CMYK 0 / 50 / 88 / 20

HEX #CD6718

RGB 205 103 24

HSL 26.19, 0.79%, 0.45%

LAB 54.81, 35.94, 57.52

 

CMYK 82 / 0 / 88 / 20

HEX #24CD18

RGB 36 205 24

HSL 116.02, 0.79%, 0.45%

LAB 72.3, -70.27, 67.85

 

CMYK 88 / 38 / 0 / 20

HEX #187FCD

RGB 24 127 205

HSL 205.86, 0.79%, 0.45%

LAB 51.59, 0.95, -47.96

 

Description

Color code: HEX #C118CC | qconv.com Color code: HEX #C118CC | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 193 red, 24 green and 204 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
193 24 204 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, 88 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 88% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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