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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CD18A8 it is the complementary color #32E757. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CD18A8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CD18A8 shade: #D218A3, #E32AB6, #F43CC9, #FF4EDC and #FF60EF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CD18A8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CD18A8 shade: #CD18A8, #BC0695, #AB0082, #9A006F and #89005C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CD18A8 shade: #CD18A8, #CD1877, #CD1847 and #CD1818

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CD18A8 shade: #CD18A8, #C218CD, #9118CD, #6018CD and #2F18CD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CD18A8 shade matches the following richer shades: #CD18A8 and #E006B3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CD18A8 shade: #CD18A8, #BB2B9D, #A83D92, #965087 and #83627C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CD18A8 shade: #9118CD, #C118CD, #CD18A9, #CD1879 and #CD1848

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CD18A8 shade: #840F6C, #A8148A, #CD18A8, #E629BF and #EA4ECA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CD18A8 shade: #CD18A8, #CD6118 and #18CDA9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CD18A8 shade: #CD18A8, #A9CD18 and #18A9CD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CD18A8 shade: #CD18A8, #CD6118, #18CD3C and #1885CD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CD18A8 shade: #CD18A8, #CD9718, #18CD3C and #184ECD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 88 / 18 / 20

HEX #CD18A8

RGB 205 24 168

HSL 312.27, 0.79%, 0.45%

LAB 47.57, 75.88, -31.83

 

Complementary color

CMYK 78 / 0 / 62 / 9

HEX #32E757

RGB 50 231 87

HSL 132.27, 0.79%, 0.55%

LAB 81.03, -71.79, 56.22

 

CMYK 0 / 89 / 22 / 18

HEX #D218A3

RGB 210 24 163

HSL 315.16, 0.79%, 0.46%

LAB 48.26, 76.26, -27.72

 

CMYK 0 / 81 / 20 / 11

HEX #E32AB6

RGB 227 42 182

HSL 314.59, 0.77%, 0.53%

LAB 53.35, 78.73, -30.75

 

CMYK 0 / 75 / 18 / 4

HEX #F43CC9

RGB 244 60 201

HSL 314.02, 0.89%, 0.6%

LAB 58.68, 80.3, -33.18

 

CMYK 0 / 69 / 14 / 0

HEX #FF4EDC

RGB 255 78 220

HSL 311.86, 1%, 0.65%

LAB 63.24, 79.8, -36.7

 

CMYK 0 / 62 / 6 / 0

HEX #FF60EF

RGB 255 96 239

HSL 306.04, 1%, 0.69%

LAB 66.41, 76.07, -42.33

 

CMYK 0 / 88 / 18 / 20

HEX #CD18A8

RGB 205 24 168

HSL 312.27, 0.79%, 0.45%

LAB 47.57, 75.88, -31.83

 

CMYK 0 / 97 / 21 / 26

HEX #BC0695

RGB 188 6 149

HSL 312.86, 0.94%, 0.38%

LAB 42.75, 72.29, -28.21

 

CMYK 0 / 100 / 24 / 33

HEX #AB0082

RGB 171 0 130

HSL 314.39, 1%, 0.34%

LAB 38.32, 67.28, -23.71

 

CMYK 0 / 100 / 28 / 40

HEX #9A006F

RGB 154 0 111

HSL 316.75, 1%, 0.3%

LAB 34.02, 61.6, -18.71

 

CMYK 0 / 100 / 33 / 46

HEX #89005C

RGB 137 0 92

HSL 319.71, 1%, 0.27%

LAB 29.64, 55.82, -13.47

 

CMYK 0 / 88 / 18 / 20

HEX #CD18A8

RGB 205 24 168

HSL 312.27, 0.79%, 0.45%

LAB 47.57, 75.88, -31.83

 

CMYK 0 / 88 / 42 / 20

HEX #CD1877

RGB 205 24 119

HSL 328.51, 0.79%, 0.45%

LAB 45.59, 70.51, -5.23

 

CMYK 0 / 88 / 65 / 20

HEX #CD1847

RGB 205 24 71

HSL 344.42, 0.79%, 0.45%

LAB 44.36, 67.06, 22.9

 

CMYK 0 / 88 / 88 / 20

HEX #CD1818

RGB 205 24 24

HSL 0, 0.79%, 0.45%

LAB 43.8, 65.44, 49

 

CMYK 0 / 88 / 18 / 20

HEX #CD18A8

RGB 205 24 168

HSL 312.27, 0.79%, 0.45%

LAB 47.57, 75.88, -31.83

 

CMYK 5 / 88 / 0 / 20

HEX #C218CD

RGB 194 24 205

HSL 296.35, 0.79%, 0.45%

LAB 47.66, 79.11, -53.45

 

CMYK 29 / 88 / 0 / 20

HEX #9118CD

RGB 145 24 205

HSL 280.11, 0.79%, 0.45%

LAB 39.72, 71.53, -66.7

 

CMYK 53 / 88 / 0 / 20

HEX #6018CD

RGB 96 24 205

HSL 263.87, 0.79%, 0.45%

LAB 33.02, 65.75, -77.94

 

CMYK 77 / 88 / 0 / 20

HEX #2F18CD

RGB 47 24 205

HSL 247.62, 0.79%, 0.45%

LAB 28.55, 62.36, -85.49

 

CMYK 0 / 88 / 18 / 20

HEX #CD18A8

RGB 205 24 168

HSL 312.27, 0.79%, 0.45%

LAB 47.57, 75.88, -31.83

 

CMYK 0 / 97 / 20 / 12

HEX #E006B3

RGB 224 6 179

HSL 312.39, 0.95%, 0.45%

LAB 50.96, 82.75, -32.76

 

CMYK 0 / 88 / 18 / 20

HEX #CD18A8

RGB 205 24 168

HSL 312.27, 0.79%, 0.45%

LAB 47.57, 75.88, -31.83

 

CMYK 0 / 77 / 16 / 27

HEX #BB2B9D

RGB 187 43 157

HSL 312.5, 0.63%, 0.45%

LAB 45.26, 66.43, -29.12

 

CMYK 0 / 64 / 13 / 34

HEX #A83D92

RGB 168 61 146

HSL 312.34, 0.47%, 0.45%

LAB 43.85, 53.61, -24.94

 

CMYK 0 / 47 / 10 / 41

HEX #965087

RGB 150 80 135

HSL 312.86, 0.3%, 0.45%

LAB 44.19, 37.05, -17.99

 

CMYK 0 / 25 / 5 / 49

HEX #83627C

RGB 131 98 124

HSL 312.73, 0.14%, 0.45%

LAB 45.66, 17.96, -9.35

 

CMYK 29 / 88 / 0 / 20

HEX #9118CD

RGB 145 24 205

HSL 280.11, 0.79%, 0.45%

LAB 39.72, 71.53, -66.7

 

CMYK 6 / 88 / 0 / 20

HEX #C118CD

RGB 193 24 205

HSL 296.02, 0.79%, 0.45%

LAB 47.49, 78.94, -53.73

 

CMYK 0 / 88 / 18 / 20

HEX #CD18A9

RGB 205 24 169

HSL 311.93, 0.79%, 0.45%

LAB 47.62, 76, -32.34

 

CMYK 0 / 88 / 41 / 20

HEX #CD1879

RGB 205 24 121

HSL 327.85, 0.79%, 0.45%

LAB 45.65, 70.69, -6.36

 

CMYK 0 / 88 / 65 / 20

HEX #CD1848

RGB 205 24 72

HSL 344.09, 0.79%, 0.45%

LAB 44.38, 67.11, 22.31

 

CMYK 0 / 89 / 18 / 48

HEX #840F6C

RGB 132 15 108

HSL 312.31, 0.8%, 0.29%

LAB 30.23, 54.28, -23.02

 

CMYK 0 / 88 / 18 / 34

HEX #A8148A

RGB 168 20 138

HSL 312.16, 0.79%, 0.37%

LAB 39, 65.13, -27.63

 

CMYK 0 / 88 / 18 / 20

HEX #CD18A8

RGB 205 24 168

HSL 312.27, 0.79%, 0.45%

LAB 47.57, 75.88, -31.83

 

CMYK 0 / 82 / 17 / 10

HEX #E629BF

RGB 230 41 191

HSL 312.38, 0.79%, 0.53%

LAB 54.21, 80.71, -34.59

 

CMYK 0 / 67 / 14 / 8

HEX #EA4ECA

RGB 234 78 202

HSL 312.31, 0.79%, 0.61%

LAB 59.16, 72.29, -33.12

 

CMYK 0 / 88 / 18 / 20

HEX #CD18A8

RGB 205 24 168

HSL 312.27, 0.79%, 0.45%

LAB 47.57, 75.88, -31.83

 

CMYK 0 / 53 / 88 / 20

HEX #CD6118

RGB 205 97 24

HSL 24.2, 0.79%, 0.45%

LAB 53.59, 39, 56.57

 

CMYK 88 / 0 / 18 / 20

HEX #18CDA9

RGB 24 205 169

HSL 168.07, 0.79%, 0.45%

LAB 74.01, -49.95, 6.21

 

CMYK 0 / 88 / 18 / 20

HEX #CD18A8

RGB 205 24 168

HSL 312.27, 0.79%, 0.45%

LAB 47.57, 75.88, -31.83

 

CMYK 18 / 0 / 88 / 20

HEX #A9CD18

RGB 169 205 24

HSL 71.93, 0.79%, 0.45%

LAB 77.38, -33, 74.16

 

CMYK 88 / 18 / 0 / 20

HEX #18A9CD

RGB 24 169 205

HSL 191.93, 0.79%, 0.45%

LAB 64.14, -22.61, -28.28

 

CMYK 0 / 88 / 18 / 20

HEX #CD18A8

RGB 205 24 168

HSL 312.27, 0.79%, 0.45%

LAB 47.57, 75.88, -31.83

 

CMYK 0 / 53 / 88 / 20

HEX #CD6118

RGB 205 97 24

HSL 24.2, 0.79%, 0.45%

LAB 53.59, 39, 56.57

 

CMYK 88 / 0 / 71 / 20

HEX #18CD3C

RGB 24 205 60

HSL 131.93, 0.79%, 0.45%

LAB 72.35, -69.14, 57.55

 

CMYK 88 / 35 / 0 / 20

HEX #1885CD

RGB 24 133 205

HSL 203.87, 0.79%, 0.45%

LAB 53.36, -2.65, -45.15

 

CMYK 0 / 88 / 18 / 20

HEX #CD18A8

RGB 205 24 168

HSL 312.27, 0.79%, 0.45%

LAB 47.57, 75.88, -31.83

 

CMYK 0 / 26 / 88 / 20

HEX #CD9718

RGB 205 151 24

HSL 42.1, 0.79%, 0.45%

LAB 65.89, 10.16, 66.21

 

CMYK 88 / 0 / 71 / 20

HEX #18CD3C

RGB 24 205 60

HSL 131.93, 0.79%, 0.45%

LAB 72.35, -69.14, 57.55

 

CMYK 88 / 62 / 0 / 20

HEX #184ECD

RGB 24 78 205

HSL 222.1, 0.79%, 0.45%

LAB 37.93, 32.34, -70.02

 

Description

Color code: HEX #CD18A8 | qconv.com Color code: HEX #CD18A8 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 205 red, 24 green and 168 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
205 24 168 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 88 magenta, 18 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 88% 18% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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