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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C0C9F94C it is the complementary color #3F36064C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C0C9F94C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C0C9F94C shade: #C5C9F44C, #D6DBFF4C, #E7EDFF4C, #F8FFFF4C and #FFFFFF4C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C0C9F94C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C0C9F94C shade: #C0C9F94C, #AFB7E64C, #9EA5D34C, #8D93C04C and #7C81AD4C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C0C9F94C shade: #BEC7F9, #C4BEF9, #D4BEF9, #E4BEF9 and #F4BEF9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C0C9F94C shade: #BEC7F9 and #BEBEF9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C0C9F94C shade matches the following richer shades: #BEC7F9 and #B8C3FF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C0C9F94C shade: #BEC7F9, #C3CBF3, #C9CFED, #CFD3E8 and #D5D7E2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C0C9F94C shade: #BEE7F9, #BED7F9, #BEC8F9, #C4BEF9 and #D3BEF9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C0C9F94C shade: #7286F2, #98A7F5, #BEC7F9, #E3E7FC and #FFFFFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C0C9F94C shade: #C0C9F9, #F9BEF7 and #DFF9BE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C0C9F94C shade: #C0C9F9, #F9BEC8 and #C8F9BE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C0C9F94C shade: #C0C9F9, #F9BEF7, #F9EFBE and #BEF9C0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C0C9F94C shade: #C0C9F9, #F9BEE5, #F9EFBE and #BEF9D1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 6 / 0 / 1

HEX #C0C9F94C

RGBA 192 201 249 0.3

HSLA 230.53, 0.83%, 0.86%, 0.3

LABA 81.74, 6.97, -24.6, 0.3

 

Complementary color

CMYK 0 / 4 / 27 / 23

HEX #3F36064C

RGBA 63 54 6 0.3

HSLA 50.53, 0.83%, 0.14%, 0.3

LABA 22.68, -1.96, 28.97, 0.3

 

CMYK 6 / 5 / 0 / 1

HEX #C5C9F44C

RGBA 197 201 244 0.3

HSLA 234.89, 0.68%, 0.86%, 0.3

LABA 81.93, 7.37, -21.61, 0.3

 

CMYK 5 / 4 / 0 / 0

HEX #D6DBFF4C

RGBA 214 219 255 0.3

HSLA 232.68, 1%, 0.92%, 0.3

LABA 88.05, 5.4, -18.06, 0.3

 

CMYK 3 / 2 / 0 / 0

HEX #E7EDFF4C

RGBA 231 237 255 0.3

HSLA 225, 1%, 0.95%, 0.3

LABA 93.79, 1.39, -9.36, 0.3

 

CMYK 1 / 0 / 0 / 0

HEX #F8FFFF4C

RGBA 248 255 255 0.3

HSLA 180, 1%, 0.99%, 0.3

LABA 99.49, -2.29, -0.81, 0.3

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF4C

RGBA 255 255 255 0.3

HSLA 0, 0%, 1%, 0.3

LABA 100, 0.01, -0.01, 0.3

 

CMYK 7 / 6 / 0 / 1

HEX #C0C9F94C

RGBA 192 201 249 0.3

HSLA 230.53, 0.83%, 0.86%, 0.3

LABA 81.74, 6.97, -24.6, 0.3

 

CMYK 7 / 6 / 0 / 3

HEX #AFB7E64C

RGBA 175 183 230 0.3

HSLA 231.27, 0.52%, 0.79%, 0.3

LABA 75.26, 7.27, -24.38, 0.3

 

CMYK 8 / 7 / 0 / 5

HEX #9EA5D34C

RGBA 158 165 211 0.3

HSLA 232.08, 0.38%, 0.72%, 0.3

LABA 68.67, 7.6, -24.19, 0.3

 

CMYK 8 / 7 / 0 / 7

HEX #8D93C04C

RGBA 141 147 192 0.3

HSLA 232.94, 0.29%, 0.65%, 0.3

LABA 61.94, 7.96, -24.02, 0.3

 

CMYK 8 / 8 / 0 / 10

HEX #7C81AD4C

RGBA 124 129 173 0.3

HSLA 233.88, 0.23%, 0.58%, 0.3

LABA 55.08, 8.37, -23.88, 0.3

 

CMYK 24 / 20 / 0 / 2

HEX #BEC7F9

RGB 190 199 249

HSL 230.85, 0.83%, 0.86%

LAB 81.09, 7.45, -25.6

 

CMYK 21 / 24 / 0 / 2

HEX #C4BEF9

RGB 196 190 249

HSL 246.1, 0.83%, 0.86%

LAB 79.27, 14.12, -28.34

 

CMYK 15 / 24 / 0 / 2

HEX #D4BEF9

RGB 212 190 249

HSL 262.37, 0.83%, 0.86%

LAB 80.55, 19, -26.27

 

CMYK 8 / 24 / 0 / 2

HEX #E4BEF9

RGB 228 190 249

HSL 278.64, 0.83%, 0.86%

LAB 81.93, 24.02, -24.05

 

CMYK 2 / 24 / 0 / 2

HEX #F4BEF9

RGB 244 190 249

HSL 294.92, 0.83%, 0.86%

LAB 83.39, 29.12, -21.69

 

CMYK 24 / 20 / 0 / 2

HEX #BEC7F9

RGB 190 199 249

HSL 230.85, 0.83%, 0.86%

LAB 81.09, 7.45, -25.6

 

CMYK 24 / 24 / 0 / 2

HEX #BEBEF9

RGB 190 190 249

HSL 240, 0.83%, 0.86%

LAB 78.82, 12.32, -29.08

 

CMYK 24 / 20 / 0 / 2

HEX #BEC7F9

RGB 190 199 249

HSL 230.85, 0.83%, 0.86%

LAB 81.09, 7.45, -25.6

 

CMYK 28 / 24 / 0 / 0

HEX #B8C3FF

RGB 184 195 255

HSL 230.7, 1%, 0.86%

LAB 79.86, 9.26, -30.72

 

CMYK 24 / 20 / 0 / 2

HEX #BEC7F9

RGB 190 199 249

HSL 230.85, 0.83%, 0.86%

LAB 81.09, 7.45, -25.6

 

CMYK 20 / 16 / 0 / 5

HEX #C3CBF3

RGB 195 203 243

HSL 230, 0.67%, 0.86%

LAB 82.26, 5.46, -20.59

 

CMYK 15 / 13 / 0 / 7

HEX #C9CFED

RGB 201 207 237

HSL 230, 0.5%, 0.86%

LAB 83.53, 3.91, -15.45

 

CMYK 11 / 9 / 0 / 9

HEX #CFD3E8

RGB 207 211 232

HSL 230.4, 0.35%, 0.86%

LAB 84.83, 2.69, -10.79

 

CMYK 6 / 5 / 0 / 11

HEX #D5D7E2

RGB 213 215 226

HSL 230.77, 0.18%, 0.86%

LAB 86.13, 1.38, -5.64

 

CMYK 24 / 7 / 0 / 2

HEX #BEE7F9

RGB 190 231 249

HSL 198.31, 0.83%, 0.86%

LAB 89.36, -9.37, -13.11

 

CMYK 24 / 14 / 0 / 2

HEX #BED7F9

RGB 190 215 249

HSL 214.58, 0.83%, 0.86%

LAB 85.19, -1.07, -19.37

 

CMYK 24 / 20 / 0 / 2

HEX #BEC8F9

RGB 190 200 249

HSL 229.83, 0.83%, 0.86%

LAB 81.34, 6.91, -25.21

 

CMYK 21 / 24 / 0 / 2

HEX #C4BEF9

RGB 196 190 249

HSL 246.1, 0.83%, 0.86%

LAB 79.27, 14.12, -28.34

 

CMYK 15 / 24 / 0 / 2

HEX #D3BEF9

RGB 211 190 249

HSL 261.36, 0.83%, 0.86%

LAB 80.47, 18.69, -26.41

 

CMYK 53 / 45 / 0 / 5

HEX #7286F2

RGB 114 134 242

HSL 230.63, 0.83%, 0.7%

LAB 59.01, 22.66, -56.66

 

CMYK 38 / 32 / 0 / 4

HEX #98A7F5

RGB 152 167 245

HSL 230.32, 0.82%, 0.78%

LAB 70.11, 13.41, -40.61

 

CMYK 24 / 20 / 0 / 2

HEX #BEC7F9

RGB 190 199 249

HSL 230.85, 0.83%, 0.86%

LAB 81.09, 7.45, -25.6

 

CMYK 10 / 8 / 0 / 1

HEX #E3E7FC

RGB 227 231 252

HSL 230.4, 0.81%, 0.94%

LAB 91.91, 2.62, -10.61

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 23 / 19 / 0 / 2

HEX #C0C9F9

RGB 192 201 249

HSL 230.53, 0.83%, 0.86%

LAB 81.74, 6.97, -24.6

 

CMYK 0 / 24 / 1 / 2

HEX #F9BEF7

RGB 249 190 247

HSL 302.03, 0.83%, 0.86%

LAB 83.8, 30.36, -19.96

 

CMYK 10 / 0 / 24 / 2

HEX #DFF9BE

RGB 223 249 190

HSL 86.44, 0.83%, 0.86%

LAB 94.8, -18.46, 25.58

 

CMYK 23 / 19 / 0 / 2

HEX #C0C9F9

RGB 192 201 249

HSL 230.53, 0.83%, 0.86%

LAB 81.74, 6.97, -24.6

 

CMYK 0 / 24 / 20 / 2

HEX #F9BEC8

RGB 249 190 200

HSL 349.83, 0.83%, 0.86%

LAB 82.45, 22.62, 3.21

 

CMYK 20 / 0 / 24 / 2

HEX #C8F9BE

RGB 200 249 190

HSL 109.83, 0.83%, 0.86%

LAB 93.34, -26.33, 23.33

 

CMYK 23 / 19 / 0 / 2

HEX #C0C9F9

RGB 192 201 249

HSL 230.53, 0.83%, 0.86%

LAB 81.74, 6.97, -24.6

 

CMYK 0 / 24 / 1 / 2

HEX #F9BEF7

RGB 249 190 247

HSL 302.03, 0.83%, 0.86%

LAB 83.8, 30.36, -19.96

 

CMYK 0 / 4 / 24 / 2

HEX #F9EFBE

RGB 249 239 190

HSL 49.83, 0.83%, 0.86%

LAB 94.14, -4.17, 24.96

 

CMYK 24 / 0 / 23 / 2

HEX #BEF9C0

RGB 190 249 192

HSL 122.03, 0.83%, 0.86%

LAB 92.8, -29.28, 21.47

 

CMYK 23 / 19 / 0 / 2

HEX #C0C9F9

RGB 192 201 249

HSL 230.53, 0.83%, 0.86%

LAB 81.74, 6.97, -24.6

 

CMYK 0 / 24 / 8 / 2

HEX #F9BEE5

RGB 249 190 229

HSL 320.34, 0.83%, 0.86%

LAB 83.24, 27.22, -11.18

 

CMYK 0 / 4 / 24 / 2

HEX #F9EFBE

RGB 249 239 190

HSL 49.83, 0.83%, 0.86%

LAB 94.14, -4.17, 24.96

 

CMYK 24 / 0 / 16 / 2

HEX #BEF9D1

RGB 190 249 209

HSL 139.32, 0.83%, 0.86%

LAB 93.15, -26.31, 13.23

 

Description

Color code: HEX #C0C9F94C | qconv.com Color code: HEX #C0C9F94C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 192 red, 201 green and 249 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
192 201 249 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, 6 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 6% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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