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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BEC8F9 it is the complementary color #413706. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BEC8F9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BEC8F9 shade: #C3C8F4, #D4DAFF, #E5ECFF, #F6FEFF and #FFFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BEC8F9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BEC8F9 shade: #BEC8F9, #ADB6E6, #9CA4D3, #8B92C0 and #7A80AD

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BEC8F9 shade: #BEC8F9, #C4BEF9, #D4BEF9, #E4BEF9 and #F4BEF9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BEC8F9 shade: #BEC8F9 and #BEBEF9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BEC8F9 shade matches the following richer shades: #BEC8F9 and #B8C4FF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BEC8F9 shade: #BEC8F9, #C3CCF3, #C9CFED, #CFD3E8 and #D5D7E2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BEC8F9 shade: #BEE8F9, #BED8F9, #BEC9F9, #C3BEF9 and #D2BEF9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BEC8F9 shade: #7288F2, #98A8F5, #BEC8F9, #E3E8FC and #FFFFFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BEC8F9 shade: #BEC8F9, #F9BEF8 and #E0F9BE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BEC8F9 shade: #BEC8F9, #F9BEC9 and #C9F9BE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BEC8F9 shade: #BEC8F9, #F9BEF8, #F9EEBE and #BEF9BF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BEC8F9 shade: #BEC8F9, #F9BEE6, #F9EEBE and #BEF9D0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 20 / 0 / 2

HEX #BEC8F9

RGB 190 200 249

HSL 229.83, 0.83%, 0.86%

LAB 81.34, 6.91, -25.21

 

Complementary color

CMYK 0 / 15 / 91 / 75

HEX #413706

RGB 65 55 6

HSL 49.83, 0.83%, 0.14%

LAB 23.23, -1.53, 29.61

 

CMYK 20 / 18 / 0 / 4

HEX #C3C8F4

RGB 195 200 244

HSL 233.88, 0.69%, 0.86%

LAB 81.53, 7.29, -22.23

 

CMYK 17 / 15 / 0 / 0

HEX #D4DAFF

RGB 212 218 255

HSL 231.63, 1%, 0.92%

LAB 87.66, 5.31, -18.67

 

CMYK 10 / 7 / 0 / 0

HEX #E5ECFF

RGB 229 236 255

HSL 223.85, 1%, 0.95%

LAB 93.39, 1.27, -9.96

 

CMYK 4 / 0 / 0 / 0

HEX #F6FEFF

RGB 246 254 255

HSL 186.67, 1%, 0.98%

LAB 99.1, -2.43, -1.4

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 24 / 20 / 0 / 2

HEX #BEC8F9

RGB 190 200 249

HSL 229.83, 0.83%, 0.86%

LAB 81.34, 6.91, -25.21

 

CMYK 25 / 21 / 0 / 10

HEX #ADB6E6

RGB 173 182 230

HSL 230.53, 0.53%, 0.79%

LAB 74.86, 7.22, -25.01

 

CMYK 26 / 22 / 0 / 17

HEX #9CA4D3

RGB 156 164 211

HSL 231.27, 0.38%, 0.72%

LAB 68.26, 7.55, -24.83

 

CMYK 28 / 24 / 0 / 25

HEX #8B92C0

RGB 139 146 192

HSL 232.08, 0.3%, 0.65%

LAB 61.53, 7.92, -24.67

 

CMYK 29 / 26 / 0 / 32

HEX #7A80AD

RGB 122 128 173

HSL 232.94, 0.24%, 0.58%

LAB 54.65, 8.34, -24.55

 

CMYK 24 / 20 / 0 / 2

HEX #BEC8F9

RGB 190 200 249

HSL 229.83, 0.83%, 0.86%

LAB 81.34, 6.91, -25.21

 

CMYK 21 / 24 / 0 / 2

HEX #C4BEF9

RGB 196 190 249

HSL 246.1, 0.83%, 0.86%

LAB 79.27, 14.12, -28.34

 

CMYK 15 / 24 / 0 / 2

HEX #D4BEF9

RGB 212 190 249

HSL 262.37, 0.83%, 0.86%

LAB 80.55, 19, -26.27

 

CMYK 8 / 24 / 0 / 2

HEX #E4BEF9

RGB 228 190 249

HSL 278.64, 0.83%, 0.86%

LAB 81.93, 24.02, -24.05

 

CMYK 2 / 24 / 0 / 2

HEX #F4BEF9

RGB 244 190 249

HSL 294.92, 0.83%, 0.86%

LAB 83.39, 29.12, -21.69

 

CMYK 24 / 20 / 0 / 2

HEX #BEC8F9

RGB 190 200 249

HSL 229.83, 0.83%, 0.86%

LAB 81.34, 6.91, -25.21

 

CMYK 24 / 24 / 0 / 2

HEX #BEBEF9

RGB 190 190 249

HSL 240, 0.83%, 0.86%

LAB 78.82, 12.32, -29.08

 

CMYK 24 / 20 / 0 / 2

HEX #BEC8F9

RGB 190 200 249

HSL 229.83, 0.83%, 0.86%

LAB 81.34, 6.91, -25.21

 

CMYK 28 / 23 / 0 / 0

HEX #B8C4FF

RGB 184 196 255

HSL 229.86, 1%, 0.86%

LAB 80.12, 8.72, -30.33

 

CMYK 24 / 20 / 0 / 2

HEX #BEC8F9

RGB 190 200 249

HSL 229.83, 0.83%, 0.86%

LAB 81.34, 6.91, -25.21

 

CMYK 20 / 16 / 0 / 5

HEX #C3CCF3

RGB 195 204 243

HSL 228.75, 0.67%, 0.86%

LAB 82.52, 4.93, -20.2

 

CMYK 15 / 13 / 0 / 7

HEX #C9CFED

RGB 201 207 237

HSL 230, 0.5%, 0.86%

LAB 83.53, 3.91, -15.45

 

CMYK 11 / 9 / 0 / 9

HEX #CFD3E8

RGB 207 211 232

HSL 230.4, 0.35%, 0.86%

LAB 84.83, 2.69, -10.79

 

CMYK 6 / 5 / 0 / 11

HEX #D5D7E2

RGB 213 215 226

HSL 230.77, 0.18%, 0.86%

LAB 86.13, 1.38, -5.64

 

CMYK 24 / 7 / 0 / 2

HEX #BEE8F9

RGB 190 232 249

HSL 197.29, 0.83%, 0.86%

LAB 89.63, -9.88, -12.71

 

CMYK 24 / 13 / 0 / 2

HEX #BED8F9

RGB 190 216 249

HSL 213.56, 0.83%, 0.86%

LAB 85.45, -1.6, -18.98

 

CMYK 24 / 19 / 0 / 2

HEX #BEC9F9

RGB 190 201 249

HSL 228.81, 0.83%, 0.86%

LAB 81.6, 6.37, -24.83

 

CMYK 22 / 24 / 0 / 2

HEX #C3BEF9

RGB 195 190 249

HSL 245.08, 0.83%, 0.86%

LAB 79.2, 13.82, -28.47

 

CMYK 16 / 24 / 0 / 2

HEX #D2BEF9

RGB 210 190 249

HSL 260.34, 0.83%, 0.86%

LAB 80.39, 18.39, -26.54

 

CMYK 53 / 44 / 0 / 5

HEX #7288F2

RGB 114 136 242

HSL 229.69, 0.83%, 0.7%

LAB 59.52, 21.47, -55.84

 

CMYK 38 / 31 / 0 / 4

HEX #98A8F5

RGB 152 168 245

HSL 229.68, 0.82%, 0.78%

LAB 70.37, 12.85, -40.21

 

CMYK 24 / 20 / 0 / 2

HEX #BEC8F9

RGB 190 200 249

HSL 229.83, 0.83%, 0.86%

LAB 81.34, 6.91, -25.21

 

CMYK 10 / 8 / 0 / 1

HEX #E3E8FC

RGB 227 232 252

HSL 228, 0.81%, 0.94%

LAB 92.16, 2.11, -10.24

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 24 / 20 / 0 / 2

HEX #BEC8F9

RGB 190 200 249

HSL 229.83, 0.83%, 0.86%

LAB 81.34, 6.91, -25.21

 

CMYK 0 / 24 / 0 / 2

HEX #F9BEF8

RGB 249 190 248

HSL 301.02, 0.83%, 0.86%

LAB 83.83, 30.54, -20.44

 

CMYK 10 / 0 / 24 / 2

HEX #E0F9BE

RGB 224 249 190

HSL 85.42, 0.83%, 0.86%

LAB 94.87, -18.11, 25.68

 

CMYK 24 / 20 / 0 / 2

HEX #BEC8F9

RGB 190 200 249

HSL 229.83, 0.83%, 0.86%

LAB 81.34, 6.91, -25.21

 

CMYK 0 / 24 / 19 / 2

HEX #F9BEC9

RGB 249 190 201

HSL 348.81, 0.83%, 0.86%

LAB 82.48, 22.77, 2.71

 

CMYK 19 / 0 / 24 / 2

HEX #C9F9BE

RGB 201 249 190

HSL 108.81, 0.83%, 0.86%

LAB 93.4, -26, 23.42

 

CMYK 24 / 20 / 0 / 2

HEX #BEC8F9

RGB 190 200 249

HSL 229.83, 0.83%, 0.86%

LAB 81.34, 6.91, -25.21

 

CMYK 0 / 24 / 0 / 2

HEX #F9BEF8

RGB 249 190 248

HSL 301.02, 0.83%, 0.86%

LAB 83.83, 30.54, -20.44

 

CMYK 0 / 4 / 24 / 2

HEX #F9EEBE

RGB 249 238 190

HSL 48.81, 0.83%, 0.86%

LAB 93.89, -3.66, 24.62

 

CMYK 24 / 0 / 23 / 2

HEX #BEF9BF

RGB 190 249 191

HSL 121.02, 0.83%, 0.86%

LAB 92.78, -29.45, 21.95

 

CMYK 24 / 20 / 0 / 2

HEX #BEC8F9

RGB 190 200 249

HSL 229.83, 0.83%, 0.86%

LAB 81.34, 6.91, -25.21

 

CMYK 0 / 24 / 8 / 2

HEX #F9BEE6

RGB 249 190 230

HSL 319.32, 0.83%, 0.86%

LAB 83.27, 27.39, -11.67

 

CMYK 0 / 4 / 24 / 2

HEX #F9EEBE

RGB 249 238 190

HSL 48.81, 0.83%, 0.86%

LAB 93.89, -3.66, 24.62

 

CMYK 24 / 0 / 16 / 2

HEX #BEF9D0

RGB 190 249 208

HSL 138.31, 0.83%, 0.86%

LAB 93.12, -26.5, 13.71

 

Description

Color code: HEX #BEC8F9 | qconv.com Color code: HEX #BEC8F9 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 190 red, 200 green and 249 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
190 200 249 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, 20 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 20% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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