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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C0AF9F it is the complementary color #3F5060. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C0AF9F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C0AF9F shade: #C5AF9A, #D6C1AD, #E7D3C0, #F8E5D3 and #FFF7E6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C0AF9F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C0AF9F shade: #C0AF9F, #AF9D8C, #9E8B79, #8D7966 and #7C6753

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C0AF9F shade: #C1AF9F, #C1A69F and #C19F9F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C0AF9F shade: #C1AF9F, #C1B89F, #C0C19F, #B7C19F and #AEC19F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C0AF9F shade matches the following richer shades: #C1AF9F, #CDAF93, #DAAF86, #E7AE79 and #F4AE6C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C0AF9F shade: #C1AF9F, #B4B0AC, #A7B0B9, #9AB1C6 and #8DB1D3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C0AF9F shade: #C19FA1, #C1A79F, #C1AF9F, #C1B89F and #C0C19F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C0AF9F shade: #A0866D, #B09B86, #C1AF9F, #D1C4B8 and #E1D9D1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C0AF9F shade: #C0AF9F, #AAC19F and #A29FC1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C0AF9F shade: #C0AF9F, #9FC1AF and #AF9FC1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C0AF9F shade: #C0AF9F, #AAC19F, #9FB1C1 and #B69FC1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C0AF9F shade: #C0AF9F, #A0C19F, #9FB1C1 and #C09FC1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 9 / 17 / 25

HEX #C0AF9F

RGB 192 175 159

HSL 29.09, 0.21%, 0.69%

LAB 72.47, 3.45, 10.41

 

Complementary color

CMYK 34 / 17 / 0 / 62

HEX #3F5060

RGB 63 80 96

HSL 209.09, 0.21%, 0.31%

LAB 33.22, -2.27, -11.48

 

CMYK 0 / 11 / 22 / 23

HEX #C5AF9A

RGB 197 175 154

HSL 29.3, 0.27%, 0.69%

LAB 72.8, 4.58, 13.66

 

CMYK 0 / 10 / 19 / 16

HEX #D6C1AD

RGB 214 193 173

HSL 29.27, 0.33%, 0.76%

LAB 79.3, 4.21, 12.76

 

CMYK 0 / 9 / 17 / 9

HEX #E7D3C0

RGB 231 211 192

HSL 29.23, 0.45%, 0.83%

LAB 85.7, 3.88, 11.91

 

CMYK 0 / 8 / 15 / 3

HEX #F8E5D3

RGB 248 229 211

HSL 29.19, 0.73%, 0.9%

LAB 92, 3.59, 11.1

 

CMYK 0 / 3 / 10 / 0

HEX #FFF7E6

RGB 255 247 230

HSL 40.8, 1%, 0.95%

LAB 97.43, -0.15, 9.11

 

CMYK 0 / 9 / 17 / 25

HEX #C0AF9F

RGB 192 175 159

HSL 29.09, 0.21%, 0.69%

LAB 72.47, 3.45, 10.41

 

CMYK 0 / 10 / 20 / 31

HEX #AF9D8C

RGB 175 157 140

HSL 29.14, 0.18%, 0.62%

LAB 65.84, 3.79, 11.3

 

CMYK 0 / 12 / 23 / 38

HEX #9E8B79

RGB 158 139 121

HSL 29.19, 0.16%, 0.55%

LAB 59.08, 4.18, 12.25

 

CMYK 0 / 14 / 28 / 45

HEX #8D7966

RGB 141 121 102

HSL 29.23, 0.16%, 0.48%

LAB 52.17, 4.64, 13.28

 

CMYK 0 / 17 / 33 / 51

HEX #7C6753

RGB 124 103 83

HSL 29.27, 0.2%, 0.41%

LAB 45.1, 5.19, 14.42

 

CMYK 0 / 9 / 18 / 24

HEX #C1AF9F

RGB 193 175 159

HSL 28.24, 0.22%, 0.69%

LAB 72.56, 3.82, 10.54

 

CMYK 0 / 14 / 18 / 24

HEX #C1A69F

RGB 193 166 159

HSL 12.35, 0.22%, 0.69%

LAB 70.26, 8.71, 7.25

 

CMYK 0 / 18 / 18 / 24

HEX #C19F9F

RGB 193 159 159

HSL 0, 0.22%, 0.69%

LAB 68.49, 12.54, 4.71

 

CMYK 0 / 9 / 18 / 24

HEX #C1AF9F

RGB 193 175 159

HSL 28.24, 0.22%, 0.69%

LAB 72.56, 3.82, 10.54

 

CMYK 0 / 5 / 18 / 24

HEX #C1B89F

RGB 193 184 159

HSL 44.12, 0.22%, 0.69%

LAB 74.9, -0.99, 13.85

 

CMYK 1 / 0 / 18 / 24

HEX #C0C19F

RGB 192 193 159

HSL 61.76, 0.22%, 0.69%

LAB 77.19, -6.11, 17.04

 

CMYK 5 / 0 / 18 / 24

HEX #B7C19F

RGB 183 193 159

HSL 77.65, 0.22%, 0.69%

LAB 76.5, -9.44, 15.98

 

CMYK 10 / 0 / 18 / 24

HEX #AEC19F

RGB 174 193 159

HSL 93.53, 0.22%, 0.69%

LAB 75.85, -12.71, 14.97

 

CMYK 0 / 9 / 18 / 24

HEX #C1AF9F

RGB 193 175 159

HSL 28.24, 0.22%, 0.69%

LAB 72.56, 3.82, 10.54

 

CMYK 0 / 15 / 28 / 20

HEX #CDAF93

RGB 205 175 147

HSL 28.97, 0.37%, 0.69%

LAB 73.38, 6.66, 18.39

 

CMYK 0 / 20 / 39 / 15

HEX #DAAF86

RGB 218 175 134

HSL 29.29, 0.53%, 0.69%

LAB 74.37, 10.14, 26.95

 

CMYK 0 / 25 / 48 / 9

HEX #E7AE79

RGB 231 174 121

HSL 28.91, 0.7%, 0.69%

LAB 75.23, 14.51, 35.21

 

CMYK 0 / 29 / 56 / 4

HEX #F4AE6C

RGB 244 174 108

HSL 29.12, 0.86%, 0.69%

LAB 76.43, 18.64, 43.72

 

CMYK 0 / 9 / 18 / 24

HEX #C1AF9F

RGB 193 175 159

HSL 28.24, 0.22%, 0.69%

LAB 72.56, 3.82, 10.54

 

CMYK 0 / 2 / 4 / 29

HEX #B4B0AC

RGB 180 176 172

HSL 30, 0.05%, 0.69%

LAB 72.05, 0.69, 2.54

 

CMYK 10 / 5 / 0 / 27

HEX #A7B0B9

RGB 167 176 185

HSL 210, 0.11%, 0.69%

LAB 71.4, -1.34, -5.68

 

CMYK 22 / 11 / 0 / 22

HEX #9AB1C6

RGB 154 177 198

HSL 208.64, 0.28%, 0.69%

LAB 71.14, -3.29, -13.31

 

CMYK 33 / 16 / 0 / 17

HEX #8DB1D3

RGB 141 177 211

HSL 209.14, 0.44%, 0.69%

LAB 70.74, -4.04, -21.13

 

CMYK 0 / 18 / 17 / 24

HEX #C19FA1

RGB 193 159 161

HSL 356.47, 0.22%, 0.69%

LAB 68.54, 12.86, 3.67

 

CMYK 0 / 13 / 18 / 24

HEX #C1A79F

RGB 193 167 159

HSL 14.12, 0.22%, 0.69%

LAB 70.51, 8.16, 7.62

 

CMYK 0 / 9 / 18 / 24

HEX #C1AF9F

RGB 193 175 159

HSL 28.24, 0.22%, 0.69%

LAB 72.56, 3.82, 10.54

 

CMYK 0 / 5 / 18 / 24

HEX #C1B89F

RGB 193 184 159

HSL 44.12, 0.22%, 0.69%

LAB 74.9, -0.99, 13.85

 

CMYK 1 / 0 / 18 / 24

HEX #C0C19F

RGB 192 193 159

HSL 61.76, 0.22%, 0.69%

LAB 77.19, -6.11, 17.04

 

CMYK 0 / 16 / 32 / 37

HEX #A0866D

RGB 160 134 109

HSL 29.41, 0.21%, 0.53%

LAB 57.68, 6.07, 17.16

 

CMYK 0 / 12 / 24 / 31

HEX #B09B86

RGB 176 155 134

HSL 30, 0.21%, 0.61%

LAB 65.27, 4.37, 13.85

 

CMYK 0 / 9 / 18 / 24

HEX #C1AF9F

RGB 193 175 159

HSL 28.24, 0.22%, 0.69%

LAB 72.56, 3.82, 10.54

 

CMYK 0 / 6 / 12 / 18

HEX #D1C4B8

RGB 209 196 184

HSL 28.8, 0.21%, 0.77%

LAB 79.9, 2.52, 7.64

 

CMYK 0 / 4 / 7 / 12

HEX #E1D9D1

RGB 225 217 209

HSL 30, 0.21%, 0.85%

LAB 87.11, 1.36, 4.9

 

CMYK 0 / 9 / 17 / 25

HEX #C0AF9F

RGB 192 175 159

HSL 29.09, 0.21%, 0.69%

LAB 72.47, 3.45, 10.41

 

CMYK 12 / 0 / 18 / 24

HEX #AAC19F

RGB 170 193 159

HSL 100.59, 0.22%, 0.69%

LAB 75.57, -14.14, 14.53

 

CMYK 16 / 18 / 0 / 24

HEX #A29FC1

RGB 162 159 193

HSL 245.29, 0.22%, 0.69%

LAB 66.77, 8.07, -17.07

 

CMYK 0 / 9 / 17 / 25

HEX #C0AF9F

RGB 192 175 159

HSL 29.09, 0.21%, 0.69%

LAB 72.47, 3.45, 10.41

 

CMYK 18 / 0 / 9 / 24

HEX #9FC1AF

RGB 159 193 175

HSL 148.24, 0.22%, 0.69%

LAB 75.21, -15.01, 5.28

 

CMYK 9 / 18 / 0 / 24

HEX #AF9FC1

RGB 175 159 193

HSL 268.24, 0.22%, 0.69%

LAB 67.84, 12.37, -15.35

 

CMYK 0 / 9 / 17 / 25

HEX #C0AF9F

RGB 192 175 159

HSL 29.09, 0.21%, 0.69%

LAB 72.47, 3.45, 10.41

 

CMYK 12 / 0 / 18 / 24

HEX #AAC19F

RGB 170 193 159

HSL 100.59, 0.22%, 0.69%

LAB 75.57, -14.14, 14.53

 

CMYK 18 / 8 / 0 / 24

HEX #9FB1C1

RGB 159 177 193

HSL 208.24, 0.22%, 0.69%

LAB 71.33, -2.83, -10.24

 

CMYK 6 / 18 / 0 / 24

HEX #B69FC1

RGB 182 159 193

HSL 280.59, 0.22%, 0.69%

LAB 68.45, 14.73, -14.37

 

CMYK 0 / 9 / 17 / 25

HEX #C0AF9F

RGB 192 175 159

HSL 29.09, 0.21%, 0.69%

LAB 72.47, 3.45, 10.41

 

CMYK 17 / 0 / 18 / 24

HEX #A0C19F

RGB 160 193 159

HSL 118.24, 0.22%, 0.69%

LAB 74.9, -17.66, 13.49

 

CMYK 18 / 8 / 0 / 24

HEX #9FB1C1

RGB 159 177 193

HSL 208.24, 0.22%, 0.69%

LAB 71.33, -2.83, -10.24

 

CMYK 1 / 18 / 0 / 24

HEX #C09FC1

RGB 192 159 193

HSL 298.24, 0.22%, 0.69%

LAB 69.36, 18.14, -12.91

 

Description

Color code: HEX #C0AF9F | qconv.com Color code: HEX #C0AF9F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 192 red, 175 green and 159 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
192 175 159 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 9 magenta, 17 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 9% 17% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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