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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C0AC19 it is the complementary color #3F53E6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C0AC19. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C0AC19 shade: #C5AC14, #D6BE27, #E7D03A, #F8E24D and #FFF460

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C0AC19. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C0AC19 shade: #C0AC19, #AF9A06, #9E8800, #8D7600 and #7C6400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C0AC19 shade: #C2AE19, #C28019, #C25319, #C22519 and #C21919

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C0AC19 shade: #C2AE19, #A9C219, #7BC219, #4EC219 and #20C219

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C0AC19 shade matches the following richer shades: #C2AE19 and #D4BB07

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C0AC19 shade: #C2AE19, #B0A02B, #9F933D, #8D854E and #7B7860

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C0AC19 shade: #C25219, #C27F19, #C2AC19, #ACC219 and #7FC219

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C0AC19 shade: #796C10, #9E8D14, #C2AE19, #E2CB22 and #E7D447

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C0AC19 shade: #C0AC19, #19C224 and #6819C2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C0AC19 shade: #C0AC19, #19C2AC and #AC19C2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C0AC19 shade: #C0AC19, #19C224, #1930C2 and #C219B7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C0AC19 shade: #C0AC19, #19C257, #1930C2 and #C21984

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 10 / 87 / 25

HEX #C0AC19

RGB 192 172 25

HSL 52.81, 0.77%, 0.43%

LAB 70.02, -6.81, 68.74

 

Complementary color

CMYK 73 / 64 / 0 / 10

HEX #3F53E6

RGB 63 83 230

HSL 232.81, 0.77%, 0.57%

LAB 42.7, 41.52, -76.47

 

CMYK 0 / 13 / 90 / 23

HEX #C5AC14

RGB 197 172 20

HSL 51.53, 0.82%, 0.43%

LAB 70.47, -4.7, 70.29

 

CMYK 0 / 11 / 82 / 16

HEX #D6BE27

RGB 214 190 39

HSL 51.77, 0.69%, 0.5%

LAB 76.84, -6.17, 71.79

 

CMYK 0 / 10 / 75 / 9

HEX #E7D03A

RGB 231 208 58

HSL 52.02, 0.78%, 0.57%

LAB 83.13, -7.43, 72.22

 

CMYK 0 / 9 / 69 / 3

HEX #F8E24D

RGB 248 226 77

HSL 52.28, 0.92%, 0.64%

LAB 89.34, -8.51, 71.99

 

CMYK 0 / 4 / 62 / 0

HEX #FFF460

RGB 255 244 96

HSL 55.85, 1%, 0.69%

LAB 94.66, -13.49, 70.26

 

CMYK 0 / 10 / 87 / 25

HEX #C0AC19

RGB 192 172 25

HSL 52.81, 0.77%, 0.43%

LAB 70.02, -6.81, 68.74

 

CMYK 0 / 12 / 97 / 31

HEX #AF9A06

RGB 175 154 6

HSL 52.54, 0.93%, 0.35%

LAB 63.54, -5.2, 66.23

 

CMYK 0 / 14 / 100 / 38

HEX #9E8800

RGB 158 136 0

HSL 51.65, 1%, 0.31%

LAB 56.96, -3.32, 61.63

 

CMYK 0 / 16 / 100 / 45

HEX #8D7600

RGB 141 118 0

HSL 50.21, 1%, 0.28%

LAB 50.24, -1.27, 56.07

 

CMYK 0 / 19 / 100 / 51

HEX #7C6400

RGB 124 100 0

HSL 48.39, 1%, 0.24%

LAB 43.36, 0.89, 50.39

 

CMYK 0 / 10 / 87 / 24

HEX #C2AE19

RGB 194 174 25

HSL 52.9, 0.77%, 0.43%

LAB 70.74, -6.97, 69.39

 

CMYK 0 / 34 / 87 / 24

HEX #C28019

RGB 194 128 25

HSL 36.57, 0.77%, 0.43%

LAB 58.95, 17.89, 59.89

 

CMYK 0 / 57 / 87 / 24

HEX #C25319

RGB 194 83 25

HSL 20.59, 0.77%, 0.43%

LAB 49.16, 41.68, 51.97

 

CMYK 0 / 81 / 87 / 24

HEX #C22519

RGB 194 37 25

HSL 4.26, 0.77%, 0.43%

LAB 42.56, 59.57, 46.6

 

CMYK 0 / 87 / 87 / 24

HEX #C21919

RGB 194 25 25

HSL 0, 0.77%, 0.43%

LAB 41.59, 62.32, 45.81

 

CMYK 0 / 10 / 87 / 24

HEX #C2AE19

RGB 194 174 25

HSL 52.9, 0.77%, 0.43%

LAB 70.74, -6.97, 69.39

 

CMYK 13 / 0 / 87 / 24

HEX #A9C219

RGB 169 194 25

HSL 68.88, 0.77%, 0.43%

LAB 74.25, -27.8, 71.41

 

CMYK 37 / 0 / 87 / 24

HEX #7BC219

RGB 123 194 25

HSL 85.21, 0.77%, 0.43%

LAB 71.46, -45.75, 67.96

 

CMYK 60 / 0 / 87 / 24

HEX #4EC219

RGB 78 194 25

HSL 101.18, 0.77%, 0.43%

LAB 69.66, -59.44, 65.71

 

CMYK 84 / 0 / 87 / 24

HEX #20C219

RGB 32 194 25

HSL 117.51, 0.77%, 0.43%

LAB 68.72, -67.48, 64.52

 

CMYK 0 / 10 / 87 / 24

HEX #C2AE19

RGB 194 174 25

HSL 52.9, 0.77%, 0.43%

LAB 70.74, -6.97, 69.39

 

CMYK 0 / 12 / 97 / 17

HEX #D4BB07

RGB 212 187 7

HSL 52.68, 0.94%, 0.43%

LAB 75.79, -6.08, 76.66

 

CMYK 0 / 10 / 87 / 24

HEX #C2AE19

RGB 194 174 25

HSL 52.9, 0.77%, 0.43%

LAB 70.74, -6.97, 69.39

 

CMYK 0 / 9 / 76 / 31

HEX #B0A02B

RGB 176 160 43

HSL 52.78, 0.61%, 0.43%

LAB 65.39, -6.99, 58.99

 

CMYK 0 / 8 / 62 / 38

HEX #9F933D

RGB 159 147 61

HSL 52.65, 0.45%, 0.43%

LAB 60.4, -6.54, 45.98

 

CMYK 0 / 6 / 45 / 45

HEX #8D854E

RGB 141 133 78

HSL 52.38, 0.29%, 0.43%

LAB 55.06, -5.24, 30.65

 

CMYK 0 / 2 / 22 / 52

HEX #7B7860

RGB 123 120 96

HSL 53.33, 0.12%, 0.43%

LAB 50.08, -3.15, 13.62

 

CMYK 0 / 58 / 87 / 24

HEX #C25219

RGB 194 82 25

HSL 20.24, 0.77%, 0.43%

LAB 48.98, 42.17, 51.82

 

CMYK 0 / 35 / 87 / 24

HEX #C27F19

RGB 194 127 25

HSL 36.21, 0.77%, 0.43%

LAB 58.71, 18.44, 59.69

 

CMYK 0 / 11 / 87 / 24

HEX #C2AC19

RGB 194 172 25

HSL 52.19, 0.77%, 0.43%

LAB 70.21, -5.92, 68.96

 

CMYK 11 / 0 / 87 / 24

HEX #ACC219

RGB 172 194 25

HSL 67.81, 0.77%, 0.43%

LAB 74.46, -26.55, 71.68

 

CMYK 35 / 0 / 87 / 24

HEX #7FC219

RGB 127 194 25

HSL 83.79, 0.77%, 0.43%

LAB 71.67, -44.32, 68.21

 

CMYK 0 / 11 / 87 / 53

HEX #796C10

RGB 121 108 16

HSL 52.57, 0.77%, 0.27%

LAB 45.4, -4.79, 47.9

 

CMYK 0 / 11 / 87 / 38

HEX #9E8D14

RGB 158 141 20

HSL 52.61, 0.78%, 0.35%

LAB 58.39, -5.69, 59.1

 

CMYK 0 / 10 / 87 / 24

HEX #C2AE19

RGB 194 174 25

HSL 52.9, 0.77%, 0.43%

LAB 70.74, -6.97, 69.39

 

CMYK 0 / 10 / 85 / 11

HEX #E2CB22

RGB 226 203 34

HSL 52.81, 0.77%, 0.51%

LAB 81.29, -7.79, 77.18

 

CMYK 0 / 8 / 69 / 9

HEX #E7D447

RGB 231 212 71

HSL 52.88, 0.77%, 0.59%

LAB 84.24, -8.87, 68.67

 

CMYK 0 / 10 / 87 / 25

HEX #C0AC19

RGB 192 172 25

HSL 52.81, 0.77%, 0.43%

LAB 70.02, -6.81, 68.74

 

CMYK 87 / 0 / 81 / 24

HEX #19C224

RGB 25 194 36

HSL 123.91, 0.77%, 0.43%

LAB 68.69, -67.6, 61.81

 

CMYK 46 / 87 / 0 / 24

HEX #6819C2

RGB 104 25 194

HSL 268.05, 0.77%, 0.43%

LAB 32.99, 63.72, -71.52

 

CMYK 0 / 10 / 87 / 25

HEX #C0AC19

RGB 192 172 25

HSL 52.81, 0.77%, 0.43%

LAB 70.02, -6.81, 68.74

 

CMYK 87 / 0 / 11 / 24

HEX #19C2AC

RGB 25 194 172

HSL 172.19, 0.77%, 0.43%

LAB 70.71, -44.51, -0.2

 

CMYK 11 / 87 / 0 / 24

HEX #AC19C2

RGB 172 25 194

HSL 292.19, 0.77%, 0.43%

LAB 43.3, 73.47, -54.28

 

CMYK 0 / 10 / 87 / 25

HEX #C0AC19

RGB 192 172 25

HSL 52.81, 0.77%, 0.43%

LAB 70.02, -6.81, 68.74

 

CMYK 87 / 0 / 81 / 24

HEX #19C224

RGB 25 194 36

HSL 123.91, 0.77%, 0.43%

LAB 68.69, -67.6, 61.81

 

CMYK 87 / 75 / 0 / 24

HEX #1930C2

RGB 25 48 194

HSL 231.83, 0.77%, 0.43%

LAB 29.95, 47.04, -76.75

 

CMYK 0 / 87 / 6 / 24

HEX #C219B7

RGB 194 25 183

HSL 303.91, 0.77%, 0.43%

LAB 46.42, 75.64, -42.63

 

CMYK 0 / 10 / 87 / 25

HEX #C0AC19

RGB 192 172 25

HSL 52.81, 0.77%, 0.43%

LAB 70.02, -6.81, 68.74

 

CMYK 87 / 0 / 55 / 24

HEX #19C257

RGB 25 194 87

HSL 142.01, 0.77%, 0.43%

LAB 69.1, -62.55, 42.27

 

CMYK 87 / 75 / 0 / 24

HEX #1930C2

RGB 25 48 194

HSL 231.83, 0.77%, 0.43%

LAB 29.95, 47.04, -76.75

 

CMYK 0 / 87 / 32 / 24

HEX #C21984

RGB 194 25 132

HSL 322.01, 0.77%, 0.43%

LAB 43.99, 69.14, -15.84

 

Description

Color code: HEX #C0AC19 | qconv.com Color code: HEX #C0AC19 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 192 red, 172 green and 25 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
192 172 25 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 10 magenta, 87 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 10% 87% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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