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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C0AA8E it is the complementary color #3F5571. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C0AA8E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #C0AA8E: #C5AA89, #D6BC9C, #E7CEAF, #F8E0C2 and #FFF2D5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C0AA8E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #C0AA8E: #C0AA8E, #AF987B, #9E8668, #8D7455 and #7C6242

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 11 / 26 / 25

HEX #C0AA8E

RGB 192 170 142

HSL 33.6, 0.28%, 0.65%

LAB 70.81, 3.6, 17.37

 

Complementary color

CMYK 44 / 25 / 0 / 56

HEX #3F5571

RGB 63 85 113

HSL 213.6, 0.28%, 0.35%

LAB 35.49, -0.3, -18.65

 

CMYK 0 / 14 / 30 / 23

HEX #C5AA89

RGB 197 170 137

HSL 33, 0.34%, 0.65%

LAB 71.16, 4.88, 20.65

 

CMYK 0 / 12 / 27 / 16

HEX #D6BC9C

RGB 214 188 156

HSL 33.1, 0.41%, 0.73%

LAB 77.68, 4.42, 19.61

 

CMYK 0 / 11 / 24 / 9

HEX #E7CEAF

RGB 231 206 175

HSL 33.21, 0.54%, 0.8%

LAB 84.08, 4.01, 18.62

 

CMYK 0 / 10 / 22 / 3

HEX #F8E0C2

RGB 248 224 194

HSL 33.33, 0.79%, 0.87%

LAB 90.4, 3.65, 17.69

 

CMYK 0 / 5 / 16 / 0

HEX #FFF2D5

RGB 255 242 213

HSL 41.43, 1%, 0.92%

LAB 95.82, -0.24, 15.57

 

CMYK 0 / 11 / 26 / 25

HEX #C0AA8E

RGB 192 170 142

HSL 33.6, 0.28%, 0.65%

LAB 70.81, 3.6, 17.37

 

CMYK 0 / 13 / 30 / 31

HEX #AF987B

RGB 175 152 123

HSL 33.46, 0.25%, 0.58%

LAB 64.16, 4.05, 18.42

 

CMYK 0 / 15 / 34 / 38

HEX #9E8668

RGB 158 134 104

HSL 33.33, 0.22%, 0.51%

LAB 57.38, 4.58, 19.55

 

CMYK 0 / 18 / 40 / 45

HEX #8D7455

RGB 141 116 85

HSL 33.21, 0.25%, 0.44%

LAB 50.46, 5.2, 20.8

 

CMYK 0 / 21 / 47 / 51

HEX #7C6242

RGB 124 98 66

HSL 33.1, 0.31%, 0.37%

LAB 43.38, 5.97, 22.17

 

CMYK 0 / 11 / 26 / 25

HEX #C0AA8E

RGB 192 170 142

HSL 33.6, 0.28%, 0.65%

LAB 70.81, 3.6, 17.37

 

CMYK 0 / 7 / 26 / 25

HEX #BEB08C

RGB 190 176 140

HSL 43.2, 0.28%, 0.65%

LAB 72.16, -0.68, 20.29

 

CMYK 0 / 3 / 26 / 25

HEX #BEB88C

RGB 190 184 140

HSL 52.8, 0.28%, 0.65%

LAB 74.27, -4.92, 23.17

 

CMYK 1 / 0 / 26 / 25

HEX #BCBE8C

RGB 188 190 140

HSL 62.4, 0.28%, 0.65%

LAB 75.71, -8.83, 25.09

 

CMYK 6 / 0 / 26 / 25

HEX #B3BE8C

RGB 179 190 140

HSL 73.2, 0.28%, 0.65%

LAB 75.02, -12.27, 24.04

 

CMYK 0 / 11 / 26 / 25

HEX #C0AA8E

RGB 192 170 142

HSL 33.6, 0.28%, 0.65%

LAB 70.81, 3.6, 17.37

 

CMYK 0 / 12 / 26 / 5

HEX #F3D7B4

RGB 243 215 180

HSL 33.33, 0.72%, 0.83%

LAB 87.46, 4.5, 20.85

 

CMYK 0 / 10 / 26 / 85

HEX #27231D

RGB 39 35 29

HSL 36, 0.15%, 0.13%

LAB 13.96, 0.59, 4.71

 

CMYK 0 / 11 / 26 / 65

HEX #5A5043

RGB 90 80 67

HSL 33.91, 0.15%, 0.31%

LAB 34.63, 1.77, 9.18

 

CMYK 0 / 11 / 26 / 45

HEX #8D7D68

RGB 141 125 104

HSL 34.05, 0.15%, 0.48%

LAB 53.31, 2.65, 13.7

 

CMYK 0 / 11 / 26 / 25

HEX #C0AA8E

RGB 192 170 142

HSL 33.6, 0.28%, 0.65%

LAB 70.81, 3.6, 17.37

 

CMYK 19 / 0 / 26 / 25

HEX #99BE8C

RGB 153 190 140

HSL 104.4, 0.28%, 0.65%

LAB 73.22, -21.84, 21.29

 

CMYK 22 / 26 / 0 / 25

HEX #948CBE

RGB 148 140 190

HSL 249.6, 0.28%, 0.65%

LAB 60.58, 13.67, -24.94

 

CMYK 0 / 11 / 26 / 25

HEX #C0AA8E

RGB 192 170 142

HSL 33.6, 0.28%, 0.65%

LAB 70.81, 3.6, 17.37

 

CMYK 26 / 0 / 12 / 25

HEX #8CBEA8

RGB 140 190 168

HSL 153.6, 0.28%, 0.65%

LAB 73.04, -21.05, 5.81

 

CMYK 12 / 26 / 0 / 25

HEX #A88CBE

RGB 168 140 190

HSL 273.6, 0.28%, 0.65%

LAB 62.34, 20.11, -22.09

 

CMYK 0 / 11 / 26 / 25

HEX #C0AA8E

RGB 192 170 142

HSL 33.6, 0.28%, 0.65%

LAB 70.81, 3.6, 17.37

 

CMYK 19 / 0 / 26 / 25

HEX #99BE8C

RGB 153 190 140

HSL 104.4, 0.28%, 0.65%

LAB 73.22, -21.84, 21.29

 

CMYK 26 / 14 / 0 / 25

HEX #8CA3BE

RGB 140 163 190

HSL 212.4, 0.28%, 0.65%

LAB 66.13, -1.84, -16.53

 

CMYK 6 / 26 / 0 / 25

HEX #B28CBE

RGB 178 140 190

HSL 285.6, 0.28%, 0.65%

LAB 63.29, 23.41, -20.54

 

CMYK 0 / 11 / 26 / 25

HEX #C0AA8E

RGB 192 170 142

HSL 33.6, 0.28%, 0.65%

LAB 70.81, 3.6, 17.37

 

CMYK 26 / 0 / 25 / 25

HEX #8CBE8F

RGB 140 190 143

HSL 123.6, 0.28%, 0.65%

LAB 72.49, -25.82, 18.56

 

CMYK 26 / 14 / 0 / 25

HEX #8CA3BE

RGB 140 163 190

HSL 212.4, 0.28%, 0.65%

LAB 66.13, -1.84, -16.53

 

CMYK 0 / 26 / 1 / 25

HEX #BE8CBC

RGB 190 140 188

HSL 302.4, 0.28%, 0.65%

LAB 64.43, 27.04, -17.58

 

Description

Color code: HEX #C0AA8E | qconv.com Color code: HEX #C0AA8E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 192 red, 170 green and 142 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
192 170 142 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 11 magenta, 26 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 11% 26% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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