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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C0A391 it is the complementary color #3F5C6E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C0A391. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C0A391 shade: #C5A38C, #D6B59F, #E7C7B2, #F8D9C5 and #FFEBD8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C0A391. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C0A391 shade: #C0A391, #AF917E, #9E7F6B, #8D6D58 and #7C5B45

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C0A391 shade: #C0A391, #C09691 and #C09191

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C0A391 shade: #C0A391, #C0AF91, #C0BC91, #B7C091 and #AAC091

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C0A391 shade matches the following richer shades: #C0A391, #CEA083, #DC9C75, #EA9967 and #F89659

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C0A391 shade: #C0A391, #B2A69F, #A4A9AD, #96ADBB and #88B0C9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C0A391 shade: #C09199, #C09691, #C0A291, #C0AF91 and #C0BB91

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C0A391 shade: #A1775D, #B18D77, #C0A391, #CFB9AB and #DECFC5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C0A391 shade: #C0A391, #A5C091 and #9192C0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C0A391 shade: #C0A391, #91C0A2 and #A291C0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C0A391 shade: #C0A391, #A5C091, #91AFC0 and #AB91C0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C0A391 shade: #C0A391, #97C091, #91AFC0 and #B991C0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 24 / 25

HEX #C0A391

RGB 192 163 145

HSL 22.98, 0.27%, 0.66%

LAB 69.07, 7.83, 13.3

 

Complementary color

CMYK 43 / 16 / 0 / 57

HEX #3F5C6E

RGB 63 92 110

HSL 202.98, 0.27%, 0.34%

LAB 37.55, -5.55, -13.64

 

CMYK 0 / 17 / 29 / 23

HEX #C5A38C

RGB 197 163 140

HSL 24.21, 0.33%, 0.66%

LAB 69.44, 9.08, 16.63

 

CMYK 0 / 15 / 26 / 16

HEX #D6B59F

RGB 214 181 159

HSL 24, 0.4%, 0.73%

LAB 75.98, 8.56, 15.63

 

CMYK 0 / 14 / 23 / 9

HEX #E7C7B2

RGB 231 199 178

HSL 23.77, 0.52%, 0.8%

LAB 82.41, 8.1, 14.68

 

CMYK 0 / 13 / 21 / 3

HEX #F8D9C5

RGB 248 217 197

HSL 23.53, 0.78%, 0.87%

LAB 88.74, 7.69, 13.79

 

CMYK 0 / 8 / 15 / 0

HEX #FFEBD8

RGB 255 235 216

HSL 29.23, 1%, 0.92%

LAB 94.16, 3.76, 11.66

 

CMYK 0 / 15 / 24 / 25

HEX #C0A391

RGB 192 163 145

HSL 22.98, 0.27%, 0.66%

LAB 69.07, 7.83, 13.3

 

CMYK 0 / 17 / 28 / 31

HEX #AF917E

RGB 175 145 126

HSL 23.27, 0.23%, 0.59%

LAB 62.4, 8.35, 14.3

 

CMYK 0 / 20 / 32 / 38

HEX #9E7F6B

RGB 158 127 107

HSL 23.53, 0.21%, 0.52%

LAB 55.59, 8.94, 15.4

 

CMYK 0 / 23 / 38 / 45

HEX #8D6D58

RGB 141 109 88

HSL 23.77, 0.23%, 0.45%

LAB 48.64, 9.64, 16.6

 

CMYK 0 / 27 / 44 / 51

HEX #7C5B45

RGB 124 91 69

HSL 24, 0.28%, 0.38%

LAB 41.53, 10.49, 17.96

 

CMYK 0 / 15 / 24 / 25

HEX #C0A391

RGB 192 163 145

HSL 22.98, 0.27%, 0.66%

LAB 69.07, 7.83, 13.3

 

CMYK 0 / 22 / 24 / 25

HEX #C09691

RGB 192 150 145

HSL 6.38, 0.27%, 0.66%

LAB 65.8, 14.97, 8.66

 

CMYK 0 / 24 / 24 / 25

HEX #C09191

RGB 192 145 145

HSL 0, 0.27%, 0.66%

LAB 64.57, 17.74, 6.9

 

CMYK 0 / 15 / 24 / 25

HEX #C0A391

RGB 192 163 145

HSL 22.98, 0.27%, 0.66%

LAB 69.07, 7.83, 13.3

 

CMYK 0 / 9 / 24 / 25

HEX #C0AF91

RGB 192 175 145

HSL 38.3, 0.27%, 0.66%

LAB 72.17, 1.34, 17.62

 

CMYK 0 / 2 / 24 / 25

HEX #C0BC91

RGB 192 188 145

HSL 54.89, 0.27%, 0.66%

LAB 75.59, -5.56, 22.32

 

CMYK 5 / 0 / 24 / 25

HEX #B7C091

RGB 183 192 145

HSL 71.49, 0.27%, 0.66%

LAB 75.95, -11.06, 22.71

 

CMYK 11 / 0 / 24 / 25

HEX #AAC091

RGB 170 192 145

HSL 88.09, 0.27%, 0.66%

LAB 75.01, -15.91, 21.26

 

CMYK 0 / 15 / 24 / 25

HEX #C0A391

RGB 192 163 145

HSL 22.98, 0.27%, 0.66%

LAB 69.07, 7.83, 13.3

 

CMYK 0 / 22 / 36 / 19

HEX #CEA083

RGB 206 160 131

HSL 23.2, 0.43%, 0.66%

LAB 69.4, 13.1, 21.66

 

CMYK 0 / 29 / 47 / 14

HEX #DC9C75

RGB 220 156 117

HSL 22.72, 0.6%, 0.66%

LAB 69.67, 19.33, 29.89

 

CMYK 0 / 35 / 56 / 8

HEX #EA9967

RGB 234 153 103

HSL 22.9, 0.76%, 0.66%

LAB 70.35, 25.32, 38.56

 

CMYK 0 / 40 / 64 / 3

HEX #F89659

RGB 248 150 89

HSL 23.02, 0.92%, 0.66%

LAB 71.21, 31.52, 47.2

 

CMYK 0 / 15 / 24 / 25

HEX #C0A391

RGB 192 163 145

HSL 22.98, 0.27%, 0.66%

LAB 69.07, 7.83, 13.3

 

CMYK 0 / 7 / 11 / 30

HEX #B2A69F

RGB 178 166 159

HSL 22.11, 0.11%, 0.66%

LAB 68.93, 3.11, 5.17

 

CMYK 5 / 2 / 0 / 32

HEX #A4A9AD

RGB 164 169 173

HSL 206.67, 0.05%, 0.66%

LAB 68.96, -0.98, -2.68

 

CMYK 20 / 7 / 0 / 27

HEX #96ADBB

RGB 150 173 187

HSL 202.7, 0.21%, 0.66%

LAB 69.44, -4.88, -9.82

 

CMYK 32 / 12 / 0 / 21

HEX #88B0C9

RGB 136 176 201

HSL 203.08, 0.38%, 0.66%

LAB 69.83, -7.43, -17.05

 

CMYK 0 / 24 / 20 / 25

HEX #C09199

RGB 192 145 153

HSL 349.79, 0.27%, 0.66%

LAB 64.77, 18.95, 2.69

 

CMYK 0 / 22 / 24 / 25

HEX #C09691

RGB 192 150 145

HSL 6.38, 0.27%, 0.66%

LAB 65.8, 14.97, 8.66

 

CMYK 0 / 16 / 24 / 25

HEX #C0A291

RGB 192 162 145

HSL 21.7, 0.27%, 0.66%

LAB 68.82, 8.38, 12.94

 

CMYK 0 / 9 / 24 / 25

HEX #C0AF91

RGB 192 175 145

HSL 38.3, 0.27%, 0.66%

LAB 72.17, 1.34, 17.62

 

CMYK 0 / 3 / 24 / 25

HEX #C0BB91

RGB 192 187 145

HSL 53.62, 0.27%, 0.66%

LAB 75.32, -5.03, 21.96

 

CMYK 0 / 26 / 42 / 37

HEX #A1775D

RGB 161 119 93

HSL 22.94, 0.27%, 0.5%

LAB 53.56, 12.98, 20.72

 

CMYK 0 / 20 / 33 / 31

HEX #B18D77

RGB 177 141 119

HSL 22.76, 0.27%, 0.58%

LAB 61.42, 10.42, 16.91

 

CMYK 0 / 15 / 24 / 25

HEX #C0A391

RGB 192 163 145

HSL 22.98, 0.27%, 0.66%

LAB 69.07, 7.83, 13.3

 

CMYK 0 / 11 / 17 / 19

HEX #CFB9AB

RGB 207 185 171

HSL 23.33, 0.27%, 0.74%

LAB 76.62, 5.56, 9.95

 

CMYK 0 / 7 / 11 / 13

HEX #DECFC5

RGB 222 207 197

HSL 24, 0.27%, 0.82%

LAB 84.06, 3.52, 6.82

 

CMYK 0 / 15 / 24 / 25

HEX #C0A391

RGB 192 163 145

HSL 22.98, 0.27%, 0.66%

LAB 69.07, 7.83, 13.3

 

CMYK 14 / 0 / 24 / 25

HEX #A5C091

RGB 165 192 145

HSL 94.47, 0.27%, 0.66%

LAB 74.66, -17.73, 20.73

 

CMYK 24 / 24 / 0 / 25

HEX #9192C0

RGB 145 146 192

HSL 238.72, 0.27%, 0.66%

LAB 61.98, 9.77, -23.93

 

CMYK 0 / 15 / 24 / 25

HEX #C0A391

RGB 192 163 145

HSL 22.98, 0.27%, 0.66%

LAB 69.07, 7.83, 13.3

 

CMYK 24 / 0 / 16 / 25

HEX #91C0A2

RGB 145 192 162

HSL 141.7, 0.27%, 0.66%

LAB 73.76, -21.65, 10.13

 

CMYK 16 / 24 / 0 / 25

HEX #A291C0

RGB 162 145 192

HSL 261.7, 0.27%, 0.66%

LAB 63.13, 15.75, -22.06

 

CMYK 0 / 15 / 24 / 25

HEX #C0A391

RGB 192 163 145

HSL 22.98, 0.27%, 0.66%

LAB 69.07, 7.83, 13.3

 

CMYK 14 / 0 / 24 / 25

HEX #A5C091

RGB 165 192 145

HSL 94.47, 0.27%, 0.66%

LAB 74.66, -17.73, 20.73

 

CMYK 24 / 9 / 0 / 25

HEX #91AFC0

RGB 145 175 192

HSL 201.7, 0.27%, 0.66%

LAB 69.81, -6.39, -12.06

 

CMYK 11 / 24 / 0 / 25

HEX #AB91C0

RGB 171 145 192

HSL 273.19, 0.27%, 0.66%

LAB 63.93, 18.69, -20.76

 

CMYK 0 / 15 / 24 / 25

HEX #C0A391

RGB 192 163 145

HSL 22.98, 0.27%, 0.66%

LAB 69.07, 7.83, 13.3

 

CMYK 21 / 0 / 24 / 25

HEX #97C091

RGB 151 192 145

HSL 112.34, 0.27%, 0.66%

LAB 73.75, -22.7, 19.34

 

CMYK 24 / 9 / 0 / 25

HEX #91AFC0

RGB 145 175 192

HSL 201.7, 0.27%, 0.66%

LAB 69.81, -6.39, -12.06

 

CMYK 4 / 24 / 0 / 25

HEX #B991C0

RGB 185 145 192

HSL 291.06, 0.27%, 0.66%

LAB 65.26, 23.35, -18.62

 

Description

Color code: HEX #C0A391 | qconv.com Color code: HEX #C0A391 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 192 red, 163 green and 145 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
192 163 145 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 24 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 24% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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