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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 14 / 23 / 9 it is the complementary color CMYK 70 / 28 / 0 / 70. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 14 / 23 / 9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 14 / 23 / 9: CMYK 0 / 16 / 27 / 7, CMYK 0 / 14 / 24 / 0, CMYK 0 / 7 / 17 / 0, CMYK 0 / 0 / 9 / 0 and CMYK 0 / 0 / 2 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 14 / 23 / 9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 14 / 23 / 9: CMYK 0 / 14 / 23 / 9, CMYK 0 / 15 / 26 / 16, CMYK 0 / 17 / 29 / 22, CMYK 0 / 19 / 33 / 29 and CMYK 0 / 22 / 37 / 36

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 14 / 23 / 9

HEX #E8C8B3

RGB 232 200 179

HSL 23.77, 0.54%, 0.81%

LAB 82.76, 8.09, 14.67

 

Complementary color

CMYK 70 / 28 / 0 / 70

HEX #17374C

RGB 23 55 76

HSL 203.77, 0.54%, 0.19%

LAB 21.71, -4.12, -16.38

 

CMYK 0 / 16 / 27 / 7

HEX #EDC8AE

RGB 237 200 174

HSL 24.76, 0.64%, 0.81%

LAB 83.11, 9.26, 17.87

 

CMYK 0 / 14 / 24 / 0

HEX #FEDAC1

RGB 254 218 193

HSL 24.59, 0.97%, 0.88%

LAB 89.42, 8.8, 16.93

 

CMYK 0 / 7 / 17 / 0

HEX #FFECD4

RGB 255 236 212

HSL 33.49, 1%, 0.92%

LAB 94.31, 2.65, 13.96

 

CMYK 0 / 0 / 9 / 0

HEX #FFFEE7

RGB 255 254 231

HSL 57.5, 1%, 0.95%

LAB 99.19, -3.51, 11.11

 

CMYK 0 / 0 / 2 / 0

HEX #FFFFFA

RGB 255 255 250

HSL 60, 1%, 0.99%

LAB 99.88, -0.86, 2.37

 

CMYK 0 / 14 / 23 / 9

HEX #E8C8B3

RGB 232 200 179

HSL 23.77, 0.54%, 0.81%

LAB 82.76, 8.09, 14.67

 

CMYK 0 / 15 / 26 / 16

HEX #D7B6A0

RGB 215 182 160

HSL 24, 0.41%, 0.74%

LAB 76.34, 8.55, 15.61

 

CMYK 0 / 17 / 29 / 22

HEX #C6A48D

RGB 198 164 141

HSL 24.21, 0.33%, 0.66%

LAB 69.81, 9.06, 16.61

 

CMYK 0 / 19 / 33 / 29

HEX #B5927A

RGB 181 146 122

HSL 24.41, 0.29%, 0.59%

LAB 63.17, 9.65, 17.7

 

CMYK 0 / 22 / 37 / 36

HEX #A48067

RGB 164 128 103

HSL 24.59, 0.25%, 0.52%

LAB 56.4, 10.33, 18.88

 

CMYK 0 / 14 / 23 / 9

HEX #E8C8B3

RGB 232 200 179

HSL 23.77, 0.54%, 0.81%

LAB 82.76, 8.09, 14.67

 

CMYK 0 / 10 / 22 / 9

HEX #E8D1B4

RGB 232 209 180

HSL 33.46, 0.53%, 0.81%

LAB 85.02, 3.52, 17.31

 

CMYK 0 / 6 / 22 / 9

HEX #E8D9B4

RGB 232 217 180

HSL 42.69, 0.53%, 0.81%

LAB 87.03, -0.61, 20.11

 

CMYK 0 / 3 / 22 / 9

HEX #E8E2B4

RGB 232 226 180

HSL 53.08, 0.53%, 0.81%

LAB 89.32, -5.21, 23.27

 

CMYK 1 / 0 / 22 / 9

HEX #E6E8B4

RGB 230 232 180

HSL 62.31, 0.53%, 0.81%

LAB 90.7, -8.98, 25.15

 

CMYK 0 / 14 / 23 / 9

HEX #E8C8B3

RGB 232 200 179

HSL 23.77, 0.54%, 0.81%

LAB 82.76, 8.09, 14.67

 

CMYK 0 / 14 / 21 / 89

HEX #1C1816

RGB 28 24 22

HSL 20, 0.12%, 0.1%

LAB 8.64, 1.52, 2.11

 

CMYK 0 / 14 / 23 / 69

HEX #4F443D

RGB 79 68 61

HSL 23.33, 0.13%, 0.27%

LAB 29.75, 3.37, 5.96

 

CMYK 0 / 14 / 23 / 49

HEX #827064

RGB 130 112 100

HSL 24, 0.13%, 0.45%

LAB 48.58, 5.01, 9.27

 

CMYK 0 / 14 / 23 / 29

HEX #B59C8C

RGB 181 156 140

HSL 23.41, 0.22%, 0.63%

LAB 66.13, 6.67, 11.78

 

CMYK 0 / 14 / 23 / 9

HEX #E8C8B3

RGB 232 200 179

HSL 23.77, 0.54%, 0.81%

LAB 82.76, 8.09, 14.67

 

CMYK 13 / 0 / 22 / 9

HEX #CAE8B4

RGB 202 232 180

HSL 94.62, 0.53%, 0.81%

LAB 88.72, -19.01, 22.1

 

CMYK 22 / 22 / 0 / 9

HEX #B4B5E8

RGB 180 181 232

HSL 238.85, 0.53%, 0.81%

LAB 75.19, 10.34, -25.54

 

CMYK 0 / 14 / 23 / 9

HEX #E8C8B3

RGB 232 200 179

HSL 23.77, 0.54%, 0.81%

LAB 82.76, 8.09, 14.67

 

CMYK 22 / 0 / 14 / 9

HEX #B4E8C8

RGB 180 232 200

HSL 143.08, 0.53%, 0.81%

LAB 87.77, -22.93, 10.17

 

CMYK 14 / 22 / 0 / 9

HEX #C8B4E8

RGB 200 180 232

HSL 263.08, 0.53%, 0.81%

LAB 76.53, 17.09, -23.36

 

CMYK 0 / 14 / 23 / 9

HEX #E8C8B3

RGB 232 200 179

HSL 23.77, 0.54%, 0.81%

LAB 82.76, 8.09, 14.67

 

CMYK 13 / 0 / 22 / 9

HEX #CAE8B4

RGB 202 232 180

HSL 94.62, 0.53%, 0.81%

LAB 88.72, -19.01, 22.1

 

CMYK 22 / 9 / 0 / 9

HEX #B4D4E8

RGB 180 212 232

HSL 203.08, 0.53%, 0.81%

LAB 83.24, -6.28, -13.36

 

CMYK 9 / 22 / 0 / 9

HEX #D2B4E8

RGB 210 180 232

HSL 274.62, 0.53%, 0.81%

LAB 77.38, 20.28, -21.98

 

CMYK 0 / 14 / 23 / 9

HEX #E8C8B3

RGB 232 200 179

HSL 23.77, 0.54%, 0.81%

LAB 82.76, 8.09, 14.67

 

CMYK 20 / 0 / 22 / 9

HEX #BAE8B4

RGB 186 232 180

HSL 113.08, 0.53%, 0.81%

LAB 87.7, -24.5, 20.54

 

CMYK 22 / 9 / 0 / 9

HEX #B4D4E8

RGB 180 212 232

HSL 203.08, 0.53%, 0.81%

LAB 83.24, -6.28, -13.36

 

CMYK 3 / 22 / 0 / 9

HEX #E2B4E8

RGB 226 180 232

HSL 293.08, 0.53%, 0.81%

LAB 78.83, 25.46, -19.64

 

Description

Color code: CMYK 0 / 14 / 23 / 9 | qconv.com Color code: CMYK 0 / 14 / 23 / 9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 232 red, 200 green and 179 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
232 200 179 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 14 magenta, 23 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 14% 23% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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