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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C09BEC it is the complementary color #3F6413. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C09BEC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #C09BEC: #C59BE7, #D6ADFA, #E7BFFF, #F8D1FF and #FFE3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C09BEC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #C09BEC: #C09BEC, #AF89D9, #9E77C6, #8D65B3 and #7C53A0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 34 / 0 / 7

HEX #C09BEC

RGB 192 155 236

HSL 267.41, 0.68%, 0.77%

LAB 69.97, 29.27, -35.68

 

Complementary color

CMYK 37 / 0 / 81 / 61

HEX #3F6413

RGB 63 100 19

HSL 87.41, 0.68%, 0.23%

LAB 38.23, -26.96, 38.75

 

CMYK 15 / 33 / 0 / 9

HEX #C59BE7

RGB 197 155 231

HSL 273.16, 0.61%, 0.76%

LAB 70.23, 29.69, -32.5

 

CMYK 14 / 31 / 0 / 2

HEX #D6ADFA

RGB 214 173 250

HSL 271.95, 0.89%, 0.83%

LAB 76.73, 29.05, -32.66

 

CMYK 9 / 25 / 0 / 0

HEX #E7BFFF

RGB 231 191 255

HSL 277.5, 1%, 0.87%

LAB 82.63, 25.62, -26.15

 

CMYK 3 / 18 / 0 / 0

HEX #F8D1FF

RGB 248 209 255

HSL 290.87, 1%, 0.91%

LAB 88.34, 21.47, -17.36

 

CMYK 0 / 11 / 0 / 0

HEX #FFE3FF

RGB 255 227 255

HSL 300, 1%, 0.95%

LAB 93.2, 14.35, -10.03

 

CMYK 19 / 34 / 0 / 7

HEX #C09BEC

RGB 192 155 236

HSL 267.41, 0.68%, 0.77%

LAB 69.97, 29.27, -35.68

 

CMYK 19 / 37 / 0 / 15

HEX #AF89D9

RGB 175 137 217

HSL 268.5, 0.51%, 0.69%

LAB 63.36, 29.97, -35.6

 

CMYK 20 / 40 / 0 / 22

HEX #9E77C6

RGB 158 119 198

HSL 269.62, 0.41%, 0.62%

LAB 56.62, 30.73, -35.53

 

CMYK 21 / 44 / 0 / 30

HEX #8D65B3

RGB 141 101 179

HSL 270.77, 0.34%, 0.55%

LAB 49.77, 31.56, -35.49

 

CMYK 23 / 48 / 0 / 37

HEX #7C53A0

RGB 124 83 160

HSL 271.95, 0.32%, 0.48%

LAB 42.78, 32.45, -35.44

 

CMYK 19 / 34 / 0 / 7

HEX #C09BEC

RGB 192 155 236

HSL 267.41, 0.68%, 0.77%

LAB 69.97, 29.27, -35.68

 

CMYK 13 / 34 / 0 / 7

HEX #CD9CEC

RGB 205 156 236

HSL 276.75, 0.68%, 0.77%

LAB 71.43, 32.64, -33.32

 

CMYK 8 / 34 / 0 / 7

HEX #DA9CEC

RGB 218 156 236

HSL 286.5, 0.68%, 0.77%

LAB 72.72, 36.61, -31.22

 

CMYK 2 / 34 / 0 / 7

HEX #E89CEC

RGB 232 156 236

HSL 297, 0.68%, 0.77%

LAB 74.18, 40.93, -28.85

 

CMYK 0 / 34 / 4 / 7

HEX #EC9CE2

RGB 236 156 226

HSL 307.5, 0.68%, 0.77%

LAB 74.25, 40.39, -23.24

 

CMYK 19 / 34 / 0 / 7

HEX #C09BEC

RGB 192 155 236

HSL 267.41, 0.68%, 0.77%

LAB 69.97, 29.27, -35.68

 

CMYK 19 / 34 / 0 / 87

HEX #1A1520

RGB 26 21 32

HSL 267.27, 0.21%, 0.1%

LAB 7.77, 5.43, -6.77

 

CMYK 18 / 34 / 0 / 67

HEX #443753

RGB 68 55 83

HSL 267.86, 0.2%, 0.27%

LAB 25.52, 12.19, -14.85

 

CMYK 19 / 34 / 0 / 47

HEX #6D5886

RGB 109 88 134

HSL 267.39, 0.21%, 0.44%

LAB 41.14, 18.39, -22.49

 

CMYK 18 / 34 / 0 / 27

HEX #977AB9

RGB 151 122 185

HSL 267.62, 0.31%, 0.6%

LAB 56.09, 23.85, -29.01

 

CMYK 19 / 34 / 0 / 7

HEX #C09BEC

RGB 192 155 236

HSL 267.41, 0.68%, 0.77%

LAB 69.97, 29.27, -35.68

 

CMYK 0 / 34 / 22 / 7

HEX #EC9CB8

RGB 236 156 184

HSL 339, 0.68%, 0.77%

LAB 72.94, 33.64, -2.12

 

CMYK 34 / 0 / 32 / 7

HEX #9CECA0

RGB 156 236 160

HSL 123, 0.68%, 0.77%

LAB 86.8, -39.33, 29.32

 

CMYK 19 / 34 / 0 / 7

HEX #C09BEC

RGB 192 155 236

HSL 267.41, 0.68%, 0.77%

LAB 69.97, 29.27, -35.68

 

CMYK 0 / 19 / 34 / 7

HEX #ECC09C

RGB 236 192 156

HSL 27, 0.68%, 0.77%

LAB 80.7, 10.77, 24.08

 

CMYK 34 / 0 / 19 / 7

HEX #9CECC0

RGB 156 236 192

HSL 147, 0.68%, 0.77%

LAB 87.42, -33.66, 13.67

 

CMYK 19 / 34 / 0 / 7

HEX #C09BEC

RGB 192 155 236

HSL 267.41, 0.68%, 0.77%

LAB 69.97, 29.27, -35.68

 

CMYK 0 / 34 / 22 / 7

HEX #EC9CB8

RGB 236 156 184

HSL 339, 0.68%, 0.77%

LAB 72.94, 33.64, -2.12

 

CMYK 15 / 0 / 34 / 7

HEX #C8EC9C

RGB 200 236 156

HSL 87, 0.68%, 0.77%

LAB 89.24, -25.14, 35.04

 

CMYK 34 / 0 / 12 / 7

HEX #9CECD0

RGB 156 236 208

HSL 159, 0.68%, 0.77%

LAB 87.78, -30.45, 5.83

 

CMYK 19 / 34 / 0 / 7

HEX #C09BEC

RGB 192 155 236

HSL 267.41, 0.68%, 0.77%

LAB 69.97, 29.27, -35.68

 

CMYK 0 / 34 / 32 / 7

HEX #EC9CA0

RGB 236 156 160

HSL 357, 0.68%, 0.77%

LAB 72.33, 30.37, 10.26

 

CMYK 15 / 0 / 34 / 7

HEX #C8EC9C

RGB 200 236 156

HSL 87, 0.68%, 0.77%

LAB 89.24, -25.14, 35.04

 

CMYK 34 / 0 / 2 / 7

HEX #9CECE8

RGB 156 236 232

HSL 177, 0.68%, 0.77%

LAB 88.39, -25.21, -5.84

 

Description

Color code: HEX #C09BEC | qconv.com Color code: HEX #C09BEC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 192 red, 155 green and 236 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
192 155 236 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 34 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 34% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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