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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C09BCE it is the complementary color #3F6431. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C09BCE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #C09BCE: #C59BC9, #D6ADDC, #E7BFEF, #F8D1FF and #FFE3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C09BCE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #C09BCE: #C09BCE, #AF89BB, #9E77A8, #8D6595 and #7C5382

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 25 / 0 / 19

HEX #C09BCE

RGB 192 155 206

HSL 283.53, 0.34%, 0.71%

LAB 68.83, 22.9, -20.92

 

Complementary color

CMYK 37 / 0 / 51 / 61

HEX #3F6431

RGB 63 100 49

HSL 103.53, 0.34%, 0.29%

LAB 38.54, -23.9, 24.71

 

CMYK 2 / 23 / 0 / 21

HEX #C59BC9

RGB 197 155 201

HSL 294.78, 0.3%, 0.7%

LAB 69.13, 23.58, -17.64

 

CMYK 3 / 21 / 0 / 14

HEX #D6ADDC

RGB 214 173 220

HSL 292.34, 0.4%, 0.77%

LAB 75.67, 23.02, -18.03

 

CMYK 3 / 20 / 0 / 6

HEX #E7BFEF

RGB 231 191 239

HSL 290, 0.6%, 0.84%

LAB 82.1, 22.51, -18.42

 

CMYK 3 / 18 / 0 / 0

HEX #F8D1FF

RGB 248 209 255

HSL 290.87, 1%, 0.91%

LAB 88.34, 21.47, -17.36

 

CMYK 0 / 11 / 0 / 0

HEX #FFE3FF

RGB 255 227 255

HSL 300, 1%, 0.95%

LAB 93.2, 14.35, -10.03

 

CMYK 7 / 25 / 0 / 19

HEX #C09BCE

RGB 192 155 206

HSL 283.53, 0.34%, 0.71%

LAB 68.83, 22.9, -20.92

 

CMYK 6 / 27 / 0 / 27

HEX #AF89BB

RGB 175 137 187

HSL 285.6, 0.27%, 0.64%

LAB 62.16, 23.49, -20.6

 

CMYK 6 / 29 / 0 / 34

HEX #9E77A8

RGB 158 119 168

HSL 287.76, 0.22%, 0.56%

LAB 55.37, 24.13, -20.28

 

CMYK 5 / 32 / 0 / 42

HEX #8D6595

RGB 141 101 149

HSL 290, 0.19%, 0.49%

LAB 48.44, 24.83, -19.95

 

CMYK 5 / 36 / 0 / 49

HEX #7C5382

RGB 124 83 130

HSL 292.34, 0.22%, 0.42%

LAB 41.35, 25.6, -19.61

 

CMYK 7 / 25 / 0 / 19

HEX #C09BCE

RGB 192 155 206

HSL 283.53, 0.34%, 0.71%

LAB 68.83, 22.9, -20.92

 

CMYK 3 / 25 / 0 / 19

HEX #C89BCE

RGB 200 155 206

HSL 292.94, 0.34%, 0.71%

LAB 69.6, 25.54, -19.68

 

CMYK 0 / 25 / 1 / 19

HEX #CE9BCB

RGB 206 155 203

HSL 303.53, 0.34%, 0.71%

LAB 70.09, 26.97, -17.22

 

CMYK 0 / 25 / 5 / 19

HEX #CE9BC3

RGB 206 155 195

HSL 312.94, 0.34%, 0.71%

LAB 69.83, 25.51, -13.18

 

CMYK 0 / 25 / 10 / 19

HEX #CE9BBA

RGB 206 155 186

HSL 323.53, 0.34%, 0.71%

LAB 69.55, 23.93, -8.6

 

CMYK 7 / 25 / 0 / 19

HEX #C09BCE

RGB 192 155 206

HSL 283.53, 0.34%, 0.71%

LAB 68.83, 22.9, -20.92

 

CMYK 0 / 0 / 0 / 99

HEX #020202

RGB 2 2 2

HSL 0, 0%, 0.01%

LAB 0.55, 0, -0

 

CMYK 8 / 25 / 0 / 79

HEX #312835

RGB 49 40 53

HSL 281.54, 0.14%, 0.18%

LAB 17.59, 7.18, -6.85

 

CMYK 7 / 25 / 0 / 59

HEX #614E68

RGB 97 78 104

HSL 283.85, 0.14%, 0.36%

LAB 35.96, 13.25, -12.06

 

CMYK 7 / 25 / 0 / 39

HEX #90759B

RGB 144 117 155

HSL 282.63, 0.16%, 0.53%

LAB 52.97, 17.77, -16.53

 

CMYK 7 / 25 / 0 / 19

HEX #C09BCE

RGB 192 155 206

HSL 283.53, 0.34%, 0.71%

LAB 68.83, 22.9, -20.92

 

CMYK 0 / 25 / 22 / 19

HEX #CE9BA0

RGB 206 155 160

HSL 354.12, 0.34%, 0.71%

LAB 68.83, 19.75, 4.81

 

CMYK 25 / 0 / 17 / 19

HEX #9BCEAB

RGB 155 206 171

HSL 138.82, 0.34%, 0.71%

LAB 78.49, -23.63, 12.09

 

CMYK 7 / 25 / 0 / 19

HEX #C09BCE

RGB 192 155 206

HSL 283.53, 0.34%, 0.71%

LAB 68.83, 22.9, -20.92

 

CMYK 0 / 7 / 25 / 19

HEX #CEBF9B

RGB 206 191 155

HSL 42.35, 0.34%, 0.71%

LAB 77.73, -0.37, 20.1

 

CMYK 25 / 0 / 7 / 19

HEX #9BCEBF

RGB 155 206 191

HSL 162.35, 0.34%, 0.71%

LAB 78.97, -19.67, 2.07

 

CMYK 7 / 25 / 0 / 19

HEX #C09BCE

RGB 192 155 206

HSL 283.53, 0.34%, 0.71%

LAB 68.83, 22.9, -20.92

 

CMYK 0 / 25 / 22 / 19

HEX #CE9BA0

RGB 206 155 160

HSL 354.12, 0.34%, 0.71%

LAB 68.83, 19.75, 4.81

 

CMYK 17 / 0 / 25 / 19

HEX #AACE9B

RGB 170 206 155

HSL 102.35, 0.34%, 0.71%

LAB 79.07, -21.36, 21.53

 

CMYK 25 / 0 / 2 / 19

HEX #9BCECA

RGB 155 206 202

HSL 175.29, 0.34%, 0.71%

LAB 79.26, -17.32, -3.41

 

CMYK 7 / 25 / 0 / 19

HEX #C09BCE

RGB 192 155 206

HSL 283.53, 0.34%, 0.71%

LAB 68.83, 22.9, -20.92

 

CMYK 0 / 19 / 25 / 19

HEX #CEA69B

RGB 206 166 155

HSL 12.94, 0.34%, 0.71%

LAB 71.39, 13.02, 11.25

 

CMYK 17 / 0 / 25 / 19

HEX #AACE9B

RGB 170 206 155

HSL 102.35, 0.34%, 0.71%

LAB 79.07, -21.36, 21.53

 

CMYK 25 / 5 / 0 / 19

HEX #9BC3CE

RGB 155 195 206

HSL 192.94, 0.34%, 0.71%

LAB 76.35, -10.75, -9.87

 

Description

Color code: HEX #C09BCE | qconv.com Color code: HEX #C09BCE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 192 red, 155 green and 206 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
192 155 206 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, 25 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 25% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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