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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C09925 it is the complementary color #3F66DA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C09925. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C09925 shade: #C59920, #D6AB33, #E7BD46, #F8CF59 and #FFE16C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C09925. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C09925 shade: #C09925, #AF8712, #9E7500, #8D6300 and #7C5100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C09925 shade: #C19A25, #C16F25, #C14525 and #C12525

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C09925 shade: #C19A25, #BEC125, #94C125, #6AC125 and #40C125

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C09925 shade matches the following richer shades: #C19A25 and #D3A312

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C09925 shade: #C19A25, #AE9037, #9C874A, #897E5C and #77756F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C09925 shade: #C14425, #C16E25, #C19725, #C1C125 and #97C125

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C09925 shade: #7B6218, #9E7E1E, #C19A25, #D9B036 and #DFBD59

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C09925 shade: #C09925, #2FC125 and #5925C1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C09925 shade: #C09925, #25C197 and #9725C1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C09925 shade: #C09925, #2FC125, #254EC1 and #B625C1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C09925 shade: #C09925, #25C149, #254EC1 and #C1259C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 20 / 81 / 25

HEX #C09925

RGB 192 153 37

HSL 44.9, 0.68%, 0.45%

LAB 65.06, 3.66, 61.3

 

Complementary color

CMYK 71 / 53 / 0 / 15

HEX #3F66DA

RGB 63 102 218

HSL 224.9, 0.68%, 0.55%

LAB 46.47, 25.39, -63.51

 

CMYK 0 / 22 / 84 / 23

HEX #C59920

RGB 197 153 32

HSL 44, 0.72%, 0.45%

LAB 65.56, 5.73, 63.48

 

CMYK 0 / 20 / 76 / 16

HEX #D6AB33

RGB 214 171 51

HSL 44.17, 0.67%, 0.52%

LAB 72, 4.2, 63.65

 

CMYK 0 / 18 / 70 / 9

HEX #E7BD46

RGB 231 189 70

HSL 44.35, 0.77%, 0.59%

LAB 78.36, 2.89, 63.14

 

CMYK 0 / 17 / 64 / 3

HEX #F8CF59

RGB 248 207 89

HSL 44.53, 0.92%, 0.66%

LAB 84.64, 1.76, 62.26

 

CMYK 0 / 12 / 58 / 0

HEX #FFE16C

RGB 255 225 108

HSL 47.76, 1%, 0.71%

LAB 89.95, -3.28, 59.94

 

CMYK 0 / 20 / 81 / 25

HEX #C09925

RGB 192 153 37

HSL 44.9, 0.68%, 0.45%

LAB 65.06, 3.66, 61.3

 

CMYK 0 / 23 / 90 / 31

HEX #AF8712

RGB 175 135 18

HSL 44.71, 0.81%, 0.38%

LAB 58.5, 5.35, 60.38

 

CMYK 0 / 26 / 100 / 38

HEX #9E7500

RGB 158 117 0

HSL 44.43, 1%, 0.31%

LAB 51.83, 7.31, 58.05

 

CMYK 0 / 30 / 100 / 45

HEX #8D6300

RGB 141 99 0

HSL 42.13, 1%, 0.28%

LAB 45.06, 9.66, 52.5

 

CMYK 0 / 35 / 100 / 51

HEX #7C5100

RGB 124 81 0

HSL 39.19, 1%, 0.24%

LAB 38.15, 12.14, 46.84

 

CMYK 0 / 20 / 81 / 24

HEX #C19A25

RGB 193 154 37

HSL 45, 0.68%, 0.45%

LAB 65.42, 3.57, 61.66

 

CMYK 0 / 42 / 81 / 24

HEX #C16F25

RGB 193 111 37

HSL 28.46, 0.68%, 0.45%

LAB 54.91, 27.1, 52.18

 

CMYK 0 / 64 / 81 / 24

HEX #C14525

RGB 193 69 37

HSL 12.31, 0.68%, 0.45%

LAB 46.61, 48.12, 44.38

 

CMYK 0 / 81 / 81 / 24

HEX #C12525

RGB 193 37 37

HSL 0, 0.68%, 0.45%

LAB 42.45, 59.58, 40.32

 

CMYK 0 / 20 / 81 / 24

HEX #C19A25

RGB 193 154 37

HSL 45, 0.68%, 0.45%

LAB 65.42, 3.57, 61.66

 

CMYK 2 / 0 / 81 / 24

HEX #BEC125

RGB 190 193 37

HSL 61.15, 0.68%, 0.45%

LAB 75.59, -18.1, 70.44

 

CMYK 23 / 0 / 81 / 24

HEX #94C125

RGB 148 193 37

HSL 77.31, 0.68%, 0.45%

LAB 72.61, -35.49, 66.67

 

CMYK 45 / 0 / 81 / 24

HEX #6AC125

RGB 106 193 37

HSL 93.46, 0.68%, 0.45%

LAB 70.41, -50.63, 63.87

 

CMYK 67 / 0 / 81 / 24

HEX #40C125

RGB 64 193 37

HSL 109.62, 0.68%, 0.45%

LAB 69.01, -61.7, 62.07

 

CMYK 0 / 20 / 81 / 24

HEX #C19A25

RGB 193 154 37

HSL 45, 0.68%, 0.45%

LAB 65.42, 3.57, 61.66

 

CMYK 0 / 23 / 91 / 17

HEX #D3A312

RGB 211 163 18

HSL 45.08, 0.84%, 0.45%

LAB 69.53, 6.24, 70.53

 

CMYK 0 / 20 / 81 / 24

HEX #C19A25

RGB 193 154 37

HSL 45, 0.68%, 0.45%

LAB 65.42, 3.57, 61.66

 

CMYK 0 / 17 / 68 / 32

HEX #AE9037

RGB 174 144 55

HSL 44.87, 0.52%, 0.45%

LAB 60.98, 1.37, 49.75

 

CMYK 0 / 13 / 53 / 39

HEX #9C874A

RGB 156 135 74

HSL 44.63, 0.36%, 0.45%

LAB 56.97, -0.21, 35.46

 

CMYK 0 / 8 / 33 / 46

HEX #897E5C

RGB 137 126 92

HSL 45.33, 0.2%, 0.45%

LAB 52.96, -1.31, 20.06

 

CMYK 0 / 2 / 7 / 53

HEX #77756F

RGB 119 117 111

HSL 45, 0.03%, 0.45%

LAB 49.24, -0.4, 3.57

 

CMYK 0 / 65 / 81 / 24

HEX #C14425

RGB 193 68 37

HSL 11.92, 0.68%, 0.45%

LAB 46.45, 48.56, 44.23

 

CMYK 0 / 43 / 81 / 24

HEX #C16E25

RGB 193 110 37

HSL 28.08, 0.68%, 0.45%

LAB 54.68, 27.64, 51.98

 

CMYK 0 / 22 / 81 / 24

HEX #C19725

RGB 193 151 37

HSL 43.85, 0.68%, 0.45%

LAB 64.65, 5.19, 60.98

 

CMYK 0 / 0 / 81 / 24

HEX #C1C125

RGB 193 193 37

HSL 60, 0.68%, 0.45%

LAB 75.83, -16.81, 70.74

 

CMYK 22 / 0 / 81 / 24

HEX #97C125

RGB 151 193 37

HSL 76.15, 0.68%, 0.45%

LAB 72.79, -34.3, 66.91

 

CMYK 0 / 20 / 80 / 52

HEX #7B6218

RGB 123 98 24

HSL 44.85, 0.67%, 0.29%

LAB 42.78, 2.25, 42.98

 

CMYK 0 / 20 / 81 / 38

HEX #9E7E1E

RGB 158 126 30

HSL 45, 0.68%, 0.37%

LAB 54.33, 2.91, 52.72

 

CMYK 0 / 20 / 81 / 24

HEX #C19A25

RGB 193 154 37

HSL 45, 0.68%, 0.45%

LAB 65.42, 3.57, 61.66

 

CMYK 0 / 19 / 75 / 15

HEX #D9B036

RGB 217 176 54

HSL 44.91, 0.68%, 0.53%

LAB 73.59, 2.97, 64.17

 

CMYK 0 / 15 / 60 / 13

HEX #DFBD59

RGB 223 189 89

HSL 44.78, 0.68%, 0.61%

LAB 77.76, 0.65, 53.99

 

CMYK 0 / 20 / 81 / 25

HEX #C09925

RGB 192 153 37

HSL 44.9, 0.68%, 0.45%

LAB 65.06, 3.66, 61.3

 

CMYK 76 / 0 / 81 / 24

HEX #2FC125

RGB 47 193 37

HSL 116.15, 0.68%, 0.45%

LAB 68.66, -64.7, 61.61

 

CMYK 54 / 81 / 0 / 24

HEX #5925C1

RGB 89 37 193

HSL 260, 0.68%, 0.45%

LAB 32.47, 57.65, -71.85

 

CMYK 0 / 20 / 81 / 25

HEX #C09925

RGB 192 153 37

HSL 44.9, 0.68%, 0.45%

LAB 65.06, 3.66, 61.3

 

CMYK 81 / 0 / 22 / 24

HEX #25C197

RGB 37 193 151

HSL 163.85, 0.68%, 0.45%

LAB 70.01, -48.61, 10.25

 

CMYK 22 / 81 / 0 / 24

HEX #9725C1

RGB 151 37 193

HSL 283.85, 0.68%, 0.45%

LAB 40.82, 66.89, -57.87

 

CMYK 0 / 20 / 81 / 25

HEX #C09925

RGB 192 153 37

HSL 44.9, 0.68%, 0.45%

LAB 65.06, 3.66, 61.3

 

CMYK 76 / 0 / 81 / 24

HEX #2FC125

RGB 47 193 37

HSL 116.15, 0.68%, 0.45%

LAB 68.66, -64.7, 61.61

 

CMYK 81 / 60 / 0 / 24

HEX #254EC1

RGB 37 78 193

HSL 224.23, 0.68%, 0.45%

LAB 37.28, 28.68, -64.09

 

CMYK 6 / 81 / 0 / 24

HEX #B625C1

RGB 182 37 193

HSL 295.77, 0.68%, 0.45%

LAB 45.8, 72.47, -49.6

 

CMYK 0 / 20 / 81 / 25

HEX #C09925

RGB 192 153 37

HSL 44.9, 0.68%, 0.45%

LAB 65.06, 3.66, 61.3

 

CMYK 81 / 0 / 62 / 24

HEX #25C149

RGB 37 193 73

HSL 133.85, 0.68%, 0.45%

LAB 68.76, -62.91, 48.36

 

CMYK 81 / 60 / 0 / 24

HEX #254EC1

RGB 37 78 193

HSL 224.23, 0.68%, 0.45%

LAB 37.28, 28.68, -64.09

 

CMYK 0 / 81 / 19 / 24

HEX #C1259C

RGB 193 37 156

HSL 314.23, 0.68%, 0.45%

LAB 45.72, 69.24, -27.73

 

Description

Color code: HEX #C09925 | qconv.com Color code: HEX #C09925 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 192 red, 153 green and 37 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
192 153 37 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 20 magenta, 81 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 20% 81% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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