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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BEC125 it is the complementary color #413EDA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BEC125. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BEC125 shade: #C3C120, #D4D333, #E5E546, #F6F759 and #FFFF6C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BEC125. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BEC125 shade: #BEC125, #ADAF12, #9C9D00, #8B8B00 and #7A7900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BEC125 shade: #BEC125, #C19A25, #C17025, #C14625 and #C12525

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BEC125 shade: #BEC125, #94C125, #6AC125, #40C125 and #25C134

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BEC125 shade matches the following richer shades: #BEC125 and #D0D312

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BEC125 shade: #BEC125, #ACAE37, #9A9C4A, #88895C and #76776F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BEC125 shade: #C17025, #C19A25, #BEC125, #95C125 and #6BC125

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BEC125 shade: #7A7B18, #9C9E1E, #BEC125, #D6D936 and #DDDF59

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BEC125 shade: #BEC125, #25C147 and #8525C1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BEC125 shade: #BEC125, #25BEC1 and #C125BE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BEC125 shade: #BEC125, #25C147, #2725C1 and #C1259F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BEC125 shade: #BEC125, #25C175, #2725C1 and #C12570

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 0 / 81 / 24

HEX #BEC125

RGB 190 193 37

HSL 61.15, 0.68%, 0.45%

LAB 75.59, -18.1, 70.44

 

Complementary color

CMYK 70 / 72 / 0 / 15

HEX #413EDA

RGB 65 62 218

HSL 241.15, 0.68%, 0.55%

LAB 37.17, 50.06, -78.7

 

CMYK 0 / 1 / 84 / 24

HEX #C3C120

RGB 195 193 32

HSL 59.26, 0.72%, 0.45%

LAB 75.97, -16.1, 72.16

 

CMYK 0 / 0 / 76 / 17

HEX #D4D333

RGB 212 211 51

HSL 59.63, 0.65%, 0.52%

LAB 82.28, -17.22, 73.08

 

CMYK 0 / 0 / 69 / 10

HEX #E5E546

RGB 229 229 70

HSL 60, 0.75%, 0.59%

LAB 88.51, -18.17, 73.2

 

CMYK 0 / 0 / 64 / 3

HEX #F6F759

RGB 246 247 89

HSL 60.38, 0.91%, 0.66%

LAB 94.67, -18.98, 72.81

 

CMYK 0 / 0 / 58 / 0

HEX #FFFF6C

RGB 255 255 108

HSL 60, 1%, 0.71%

LAB 97.58, -18.05, 68.48

 

CMYK 2 / 0 / 81 / 24

HEX #BEC125

RGB 190 193 37

HSL 61.15, 0.68%, 0.45%

LAB 75.59, -18.1, 70.44

 

CMYK 1 / 0 / 90 / 31

HEX #ADAF12

RGB 173 175 18

HSL 60.76, 0.81%, 0.38%

LAB 69.17, -16.88, 68.72

 

CMYK 1 / 0 / 100 / 38

HEX #9C9D00

RGB 156 157 0

HSL 60.38, 1%, 0.31%

LAB 62.66, -15.45, 65.66

 

CMYK 0 / 0 / 100 / 45

HEX #8B8B00

RGB 139 139 0

HSL 60, 1%, 0.27%

LAB 56.04, -13.73, 60.16

 

CMYK 0 / 1 / 100 / 52

HEX #7A7900

RGB 122 121 0

HSL 59.51, 1%, 0.24%

LAB 49.27, -11.95, 54.54

 

CMYK 2 / 0 / 81 / 24

HEX #BEC125

RGB 190 193 37

HSL 61.15, 0.68%, 0.45%

LAB 75.59, -18.1, 70.44

 

CMYK 0 / 20 / 81 / 24

HEX #C19A25

RGB 193 154 37

HSL 45, 0.68%, 0.45%

LAB 65.42, 3.57, 61.66

 

CMYK 0 / 42 / 81 / 24

HEX #C17025

RGB 193 112 37

HSL 28.85, 0.68%, 0.45%

LAB 55.13, 26.56, 52.39

 

CMYK 0 / 64 / 81 / 24

HEX #C14625

RGB 193 70 37

HSL 12.69, 0.68%, 0.45%

LAB 46.78, 47.68, 44.54

 

CMYK 0 / 81 / 81 / 24

HEX #C12525

RGB 193 37 37

HSL 0, 0.68%, 0.45%

LAB 42.45, 59.58, 40.32

 

CMYK 2 / 0 / 81 / 24

HEX #BEC125

RGB 190 193 37

HSL 61.15, 0.68%, 0.45%

LAB 75.59, -18.1, 70.44

 

CMYK 23 / 0 / 81 / 24

HEX #94C125

RGB 148 193 37

HSL 77.31, 0.68%, 0.45%

LAB 72.61, -35.49, 66.67

 

CMYK 45 / 0 / 81 / 24

HEX #6AC125

RGB 106 193 37

HSL 93.46, 0.68%, 0.45%

LAB 70.41, -50.63, 63.87

 

CMYK 67 / 0 / 81 / 24

HEX #40C125

RGB 64 193 37

HSL 109.62, 0.68%, 0.45%

LAB 69.01, -61.7, 62.07

 

CMYK 81 / 0 / 73 / 24

HEX #25C134

RGB 37 193 52

HSL 125.77, 0.68%, 0.45%

LAB 68.59, -65, 56.66

 

CMYK 2 / 0 / 81 / 24

HEX #BEC125

RGB 190 193 37

HSL 61.15, 0.68%, 0.45%

LAB 75.59, -18.1, 70.44

 

CMYK 1 / 0 / 91 / 17

HEX #D0D312

RGB 208 211 18

HSL 60.93, 0.84%, 0.45%

LAB 81.86, -19.77, 79.84

 

CMYK 2 / 0 / 81 / 24

HEX #BEC125

RGB 190 193 37

HSL 61.15, 0.68%, 0.45%

LAB 75.59, -18.1, 70.44

 

CMYK 1 / 0 / 68 / 32

HEX #ACAE37

RGB 172 174 55

HSL 61.01, 0.52%, 0.45%

LAB 68.98, -15.45, 57.9

 

CMYK 1 / 0 / 53 / 39

HEX #9A9C4A

RGB 154 156 74

HSL 61.46, 0.36%, 0.45%

LAB 62.63, -12.47, 42.15

 

CMYK 1 / 0 / 33 / 46

HEX #88895C

RGB 136 137 92

HSL 61.33, 0.2%, 0.45%

LAB 55.99, -7.86, 24.07

 

CMYK 1 / 0 / 7 / 53

HEX #76776F

RGB 118 119 111

HSL 67.5, 0.03%, 0.45%

LAB 49.73, -1.95, 4.26

 

CMYK 0 / 42 / 81 / 24

HEX #C17025

RGB 193 112 37

HSL 28.85, 0.68%, 0.45%

LAB 55.13, 26.56, 52.39

 

CMYK 0 / 20 / 81 / 24

HEX #C19A25

RGB 193 154 37

HSL 45, 0.68%, 0.45%

LAB 65.42, 3.57, 61.66

 

CMYK 2 / 0 / 81 / 24

HEX #BEC125

RGB 190 193 37

HSL 61.15, 0.68%, 0.45%

LAB 75.59, -18.1, 70.44

 

CMYK 23 / 0 / 81 / 24

HEX #95C125

RGB 149 193 37

HSL 76.92, 0.68%, 0.45%

LAB 72.67, -35.09, 66.75

 

CMYK 45 / 0 / 81 / 24

HEX #6BC125

RGB 107 193 37

HSL 93.08, 0.68%, 0.45%

LAB 70.45, -50.31, 63.92

 

CMYK 1 / 0 / 80 / 52

HEX #7A7B18

RGB 122 123 24

HSL 60.61, 0.67%, 0.29%

LAB 49.94, -12.39, 49.47

 

CMYK 1 / 0 / 81 / 38

HEX #9C9E1E

RGB 156 158 30

HSL 60.94, 0.68%, 0.37%

LAB 63.02, -15.33, 60.35

 

CMYK 2 / 0 / 81 / 24

HEX #BEC125

RGB 190 193 37

HSL 61.15, 0.68%, 0.45%

LAB 75.59, -18.1, 70.44

 

CMYK 1 / 0 / 75 / 15

HEX #D6D936

RGB 214 217 54

HSL 61.1, 0.68%, 0.53%

LAB 84.06, -19.22, 73.85

 

CMYK 1 / 0 / 60 / 13

HEX #DDDF59

RGB 221 223 89

HSL 60.9, 0.68%, 0.61%

LAB 86.44, -17.43, 63.53

 

CMYK 2 / 0 / 81 / 24

HEX #BEC125

RGB 190 193 37

HSL 61.15, 0.68%, 0.45%

LAB 75.59, -18.1, 70.44

 

CMYK 81 / 0 / 63 / 24

HEX #25C147

RGB 37 193 71

HSL 133.08, 0.68%, 0.45%

LAB 68.74, -63.14, 49.21

 

CMYK 31 / 81 / 0 / 24

HEX #8525C1

RGB 133 37 193

HSL 276.92, 0.68%, 0.45%

LAB 38.13, 63.89, -62.36

 

CMYK 2 / 0 / 81 / 24

HEX #BEC125

RGB 190 193 37

HSL 61.15, 0.68%, 0.45%

LAB 75.59, -18.1, 70.44

 

CMYK 81 / 2 / 0 / 24

HEX #25BEC1

RGB 37 190 193

HSL 181.15, 0.68%, 0.45%

LAB 70.23, -35.82, -12.39

 

CMYK 0 / 81 / 2 / 24

HEX #C125BE

RGB 193 37 190

HSL 301.15, 0.68%, 0.45%

LAB 47.47, 74.08, -45.07

 

CMYK 2 / 0 / 81 / 24

HEX #BEC125

RGB 190 193 37

HSL 61.15, 0.68%, 0.45%

LAB 75.59, -18.1, 70.44

 

CMYK 81 / 0 / 63 / 24

HEX #25C147

RGB 37 193 71

HSL 133.08, 0.68%, 0.45%

LAB 68.74, -63.14, 49.21

 

CMYK 80 / 81 / 0 / 24

HEX #2725C1

RGB 39 37 193

HSL 240.77, 0.68%, 0.45%

LAB 28.39, 53.23, -78.73

 

CMYK 0 / 81 / 18 / 24

HEX #C1259F

RGB 193 37 159

HSL 313.08, 0.68%, 0.45%

LAB 45.86, 69.64, -29.31

 

CMYK 2 / 0 / 81 / 24

HEX #BEC125

RGB 190 193 37

HSL 61.15, 0.68%, 0.45%

LAB 75.59, -18.1, 70.44

 

CMYK 81 / 0 / 39 / 24

HEX #25C175

RGB 37 193 117

HSL 150.77, 0.68%, 0.45%

LAB 69.34, -56.07, 27.51

 

CMYK 80 / 81 / 0 / 24

HEX #2725C1

RGB 39 37 193

HSL 240.77, 0.68%, 0.45%

LAB 28.39, 53.23, -78.73

 

CMYK 0 / 81 / 42 / 24

HEX #C12570

RGB 193 37 112

HSL 331.15, 0.68%, 0.45%

LAB 43.99, 64.24, -3.52

 

Description

Color code: HEX #BEC125 | qconv.com Color code: HEX #BEC125 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 190 red, 193 green and 37 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
190 193 37 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, none magenta, 81 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 0% 81% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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