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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C08F68 it is the complementary color #3F7097. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C08F68. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #C08F68: #C58F63, #D6A176, #E7B389, #F8C59C and #FFD7AF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C08F68. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #C08F68: #C08F68, #AF7D55, #9E6B42, #8D592F and #7C471C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 26 / 46 / 25

HEX #C08F68

RGB 192 143 104

HSL 26.59, 0.41%, 0.58%

LAB 63.22, 13.68, 27.95

 

Complementary color

CMYK 58 / 26 / 0 / 41

HEX #3F7097

RGB 63 112 151

HSL 206.59, 0.41%, 0.42%

LAB 45.47, -4.53, -26.21

 

CMYK 0 / 27 / 50 / 23

HEX #C58F63

RGB 197 143 99

HSL 26.94, 0.46%, 0.58%

LAB 63.69, 15.25, 31.39

 

CMYK 0 / 25 / 45 / 16

HEX #D6A176

RGB 214 161 118

HSL 26.88, 0.54%, 0.65%

LAB 70.24, 14.31, 29.99

 

CMYK 0 / 23 / 41 / 9

HEX #E7B389

RGB 231 179 137

HSL 26.81, 0.66%, 0.72%

LAB 76.7, 13.5, 28.69

 

CMYK 0 / 21 / 37 / 3

HEX #F8C59C

RGB 248 197 156

HSL 26.74, 0.87%, 0.79%

LAB 83.07, 12.78, 27.49

 

CMYK 0 / 16 / 31 / 0

HEX #FFD7AF

RGB 255 215 175

HSL 30, 1%, 0.84%

LAB 88.43, 8.36, 24.95

 

CMYK 0 / 26 / 46 / 25

HEX #C08F68

RGB 192 143 104

HSL 26.59, 0.41%, 0.58%

LAB 63.22, 13.68, 27.95

 

CMYK 0 / 29 / 51 / 31

HEX #AF7D55

RGB 175 125 85

HSL 26.67, 0.36%, 0.51%

LAB 56.52, 14.67, 29.4

 

CMYK 0 / 32 / 58 / 38

HEX #9E6B42

RGB 158 107 66

HSL 26.74, 0.41%, 0.44%

LAB 49.71, 15.84, 30.98

 

CMYK 0 / 37 / 67 / 45

HEX #8D592F

RGB 141 89 47

HSL 26.81, 0.5%, 0.37%

LAB 42.78, 17.25, 32.68

 

CMYK 0 / 43 / 77 / 51

HEX #7C471C

RGB 124 71 28

HSL 26.88, 0.63%, 0.3%

LAB 35.74, 18.96, 34.38

 

CMYK 0 / 26 / 46 / 25

HEX #C08F68

RGB 192 143 104

HSL 26.59, 0.41%, 0.58%

LAB 63.22, 13.68, 27.95

 

CMYK 0 / 18 / 46 / 25

HEX #BF9C67

RGB 191 156 103

HSL 36.14, 0.41%, 0.58%

LAB 66.39, 6.03, 32.57

 

CMYK 0 / 10 / 46 / 25

HEX #BFAB67

RGB 191 171 103

HSL 46.36, 0.41%, 0.58%

LAB 70.3, -2.05, 37.52

 

CMYK 0 / 3 / 46 / 25

HEX #BFB967

RGB 191 185 103

HSL 55.91, 0.41%, 0.58%

LAB 74.03, -9.41, 42.15

 

CMYK 4 / 0 / 46 / 25

HEX #B7BF67

RGB 183 191 103

HSL 65.45, 0.41%, 0.58%

LAB 75.02, -15.74, 43.21

 

CMYK 0 / 26 / 46 / 25

HEX #C08F68

RGB 192 143 104

HSL 26.59, 0.41%, 0.58%

LAB 63.22, 13.68, 27.95

 

CMYK 0 / 26 / 46 / 5

HEX #F3B584

RGB 243 181 132

HSL 26.49, 0.82%, 0.74%

LAB 78.33, 16.67, 33.7

 

CMYK 0 / 26 / 46 / 85

HEX #271D15

RGB 39 29 21

HSL 26.67, 0.3%, 0.12%

LAB 11.72, 3.43, 7.35

 

CMYK 0 / 26 / 46 / 65

HEX #5A4331

RGB 90 67 49

HSL 26.34, 0.29%, 0.27%

LAB 30.42, 7.24, 14.76

 

CMYK 0 / 26 / 46 / 45

HEX #8D694C

RGB 141 105 76

HSL 26.77, 0.3%, 0.43%

LAB 47.35, 10.52, 21.89

 

CMYK 0 / 26 / 46 / 25

HEX #C08F68

RGB 192 143 104

HSL 26.59, 0.41%, 0.58%

LAB 63.22, 13.68, 27.95

 

CMYK 29 / 0 / 46 / 25

HEX #88BF67

RGB 136 191 103

HSL 97.5, 0.41%, 0.58%

LAB 71.88, -33.75, 38.63

 

CMYK 45 / 46 / 0 / 25

HEX #6A67BF

RGB 106 103 191

HSL 242.05, 0.41%, 0.58%

LAB 47.66, 23.99, -45.99

 

CMYK 0 / 26 / 46 / 25

HEX #C08F68

RGB 192 143 104

HSL 26.59, 0.41%, 0.58%

LAB 63.22, 13.68, 27.95

 

CMYK 46 / 0 / 26 / 25

HEX #67BF8E

RGB 103 191 142

HSL 146.59, 0.41%, 0.58%

LAB 70.94, -37.72, 16.67

 

CMYK 26 / 46 / 0 / 25

HEX #8E67BF

RGB 142 103 191

HSL 266.59, 0.41%, 0.58%

LAB 50.94, 33.58, -40.58

 

CMYK 0 / 26 / 46 / 25

HEX #C08F68

RGB 192 143 104

HSL 26.59, 0.41%, 0.58%

LAB 63.22, 13.68, 27.95

 

CMYK 29 / 0 / 46 / 25

HEX #88BF67

RGB 136 191 103

HSL 97.5, 0.41%, 0.58%

LAB 71.88, -33.75, 38.63

 

CMYK 46 / 20 / 0 / 25

HEX #6799BF

RGB 103 153 191

HSL 205.91, 0.41%, 0.58%

LAB 61.16, -6.39, -24.87

 

CMYK 17 / 46 / 0 / 25

HEX #9F67BF

RGB 159 103 191

HSL 278.18, 0.41%, 0.58%

LAB 52.77, 38.46, -37.57

 

CMYK 0 / 26 / 46 / 25

HEX #C08F68

RGB 192 143 104

HSL 26.59, 0.41%, 0.58%

LAB 63.22, 13.68, 27.95

 

CMYK 43 / 0 / 46 / 25

HEX #6DBF67

RGB 109 191 103

HSL 115.91, 0.41%, 0.58%

LAB 70.52, -42.69, 36.64

 

CMYK 46 / 20 / 0 / 25

HEX #6799BF

RGB 103 153 191

HSL 205.91, 0.41%, 0.58%

LAB 61.16, -6.39, -24.87

 

CMYK 3 / 46 / 0 / 25

HEX #B967BF

RGB 185 103 191

HSL 295.91, 0.41%, 0.58%

LAB 55.86, 46.09, -32.5

 

Description

Color code: HEX #C08F68 | qconv.com Color code: HEX #C08F68 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 192 red, 143 green and 104 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
192 143 104 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 26 magenta, 46 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 26% 46% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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