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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C0694F it is the complementary color #3F96B0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C0694F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #C0694F: #C5694A, #D67B5D, #E78D70, #F89F83 and #FFB196

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C0694F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #C0694F: #C0694F, #AF573C, #9E4529, #8D3316 and #7C2103

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 45 / 59 / 25

HEX #C0694F

RGB 192 105 79

HSL 13.81, 0.47%, 0.53%

LAB 53.89, 32.22, 29.87

 

Complementary color

CMYK 64 / 15 / 0 / 31

HEX #3F96B0

RGB 63 150 176

HSL 193.81, 0.47%, 0.47%

LAB 58.04, -17.87, -21.32

 

CMYK 0 / 47 / 62 / 23

HEX #C5694A

RGB 197 105 74

HSL 15.12, 0.51%, 0.53%

LAB 54.52, 33.85, 33.6

 

CMYK 0 / 43 / 57 / 16

HEX #D67B5D

RGB 214 123 93

HSL 14.88, 0.6%, 0.6%

LAB 61, 32.48, 31.67

 

CMYK 0 / 39 / 52 / 9

HEX #E78D70

RGB 231 141 112

HSL 14.62, 0.71%, 0.67%

LAB 67.43, 31.24, 29.94

 

CMYK 0 / 36 / 47 / 3

HEX #F89F83

RGB 248 159 131

HSL 14.36, 0.89%, 0.74%

LAB 73.8, 30.11, 28.38

 

CMYK 0 / 31 / 41 / 0

HEX #FFB196

RGB 255 177 150

HSL 15.43, 1%, 0.79%

LAB 78.99, 25.29, 25.27

 

CMYK 0 / 45 / 59 / 25

HEX #C0694F

RGB 192 105 79

HSL 13.81, 0.47%, 0.53%

LAB 53.89, 32.22, 29.87

 

CMYK 0 / 50 / 66 / 31

HEX #AF573C

RGB 175 87 60

HSL 14.09, 0.49%, 0.46%

LAB 47.31, 33.66, 31.97

 

CMYK 0 / 56 / 74 / 38

HEX #9E4529

RGB 158 69 41

HSL 14.36, 0.59%, 0.39%

LAB 40.71, 35.2, 34.33

 

CMYK 0 / 64 / 84 / 45

HEX #8D3316

RGB 141 51 22

HSL 14.62, 0.73%, 0.32%

LAB 34.17, 36.76, 36.79

 

CMYK 0 / 73 / 98 / 51

HEX #7C2103

RGB 124 33 3

HSL 14.88, 0.95%, 0.25%

LAB 27.79, 38.07, 38.52

 

CMYK 0 / 45 / 59 / 25

HEX #C0694F

RGB 192 105 79

HSL 13.81, 0.47%, 0.53%

LAB 53.89, 32.22, 29.87

 

CMYK 0 / 36 / 59 / 25

HEX #BF7A4E

RGB 191 122 78

HSL 23.36, 0.47%, 0.53%

LAB 57.6, 22.5, 34.99

 

CMYK 0 / 27 / 59 / 25

HEX #BF8C4E

RGB 191 140 78

HSL 32.92, 0.47%, 0.53%

LAB 61.98, 12.57, 40.26

 

CMYK 0 / 17 / 59 / 25

HEX #BF9F4E

RGB 191 159 78

HSL 43.01, 0.47%, 0.53%

LAB 66.84, 2.19, 45.94

 

CMYK 0 / 7 / 59 / 25

HEX #BFB24E

RGB 191 178 78

HSL 53.1, 0.47%, 0.53%

LAB 71.87, -7.9, 51.64

 

CMYK 0 / 45 / 59 / 25

HEX #C0694F

RGB 192 105 79

HSL 13.81, 0.47%, 0.53%

LAB 53.89, 32.22, 29.87

 

CMYK 0 / 45 / 59 / 5

HEX #F38564

RGB 243 133 100

HSL 13.85, 0.86%, 0.67%

LAB 67.09, 39.06, 36.33

 

CMYK 0 / 46 / 59 / 85

HEX #271510

RGB 39 21 16

HSL 13.04, 0.42%, 0.11%

LAB 9.03, 8.47, 6.69

 

CMYK 0 / 46 / 59 / 65

HEX #5A3125

RGB 90 49 37

HSL 13.58, 0.42%, 0.25%

LAB 25.27, 17.23, 15.7

 

CMYK 0 / 45 / 59 / 45

HEX #8D4D3A

RGB 141 77 58

HSL 13.73, 0.42%, 0.39%

LAB 40.04, 25, 23.05

 

CMYK 0 / 45 / 59 / 25

HEX #C0694F

RGB 192 105 79

HSL 13.81, 0.47%, 0.53%

LAB 53.89, 32.22, 29.87

 

CMYK 25 / 0 / 59 / 25

HEX #90BF4E

RGB 144 191 78

HSL 84.96, 0.47%, 0.53%

LAB 72.06, -33.51, 50.9

 

CMYK 59 / 48 / 0 / 25

HEX #4E63BF

RGB 78 99 191

HSL 228.85, 0.47%, 0.53%

LAB 44.67, 20.26, -50.88

 

CMYK 0 / 45 / 59 / 25

HEX #C0694F

RGB 192 105 79

HSL 13.81, 0.47%, 0.53%

LAB 53.89, 32.22, 29.87

 

CMYK 59 / 0 / 46 / 25

HEX #4EBF67

RGB 78 191 103

HSL 133.27, 0.47%, 0.53%

LAB 69.37, -50.98, 34.94

 

CMYK 46 / 59 / 0 / 25

HEX #674EBF

RGB 103 78 191

HSL 253.27, 0.47%, 0.53%

LAB 41.37, 38.38, -56.1

 

CMYK 0 / 45 / 59 / 25

HEX #C0694F

RGB 192 105 79

HSL 13.81, 0.47%, 0.53%

LAB 53.89, 32.22, 29.87

 

CMYK 25 / 0 / 59 / 25

HEX #90BF4E

RGB 144 191 78

HSL 84.96, 0.47%, 0.53%

LAB 72.06, -33.51, 50.9

 

CMYK 59 / 13 / 0 / 25

HEX #4EA7BF

RGB 78 167 191

HSL 192.74, 0.47%, 0.53%

LAB 64.18, -19.5, -20.34

 

CMYK 35 / 59 / 0 / 25

HEX #7D4EBF

RGB 125 78 191

HSL 264.96, 0.47%, 0.53%

LAB 43.61, 43.33, -52.37

 

CMYK 0 / 45 / 59 / 25

HEX #C0694F

RGB 192 105 79

HSL 13.81, 0.47%, 0.53%

LAB 53.89, 32.22, 29.87

 

CMYK 42 / 0 / 59 / 25

HEX #6EBF4E

RGB 110 191 78

HSL 103.01, 0.47%, 0.53%

LAB 70.26, -45.45, 48.38

 

CMYK 59 / 13 / 0 / 25

HEX #4EA7BF

RGB 78 167 191

HSL 192.74, 0.47%, 0.53%

LAB 64.18, -19.5, -20.34

 

CMYK 17 / 59 / 0 / 25

HEX #9F4EBF

RGB 159 78 191

HSL 283.01, 0.47%, 0.53%

LAB 47.73, 51.65, -45.55

 

Description

Color code: HEX #C0694F | qconv.com Color code: HEX #C0694F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 192 red, 105 green and 79 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
192 105 79 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 45 magenta, 59 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 45% 59% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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