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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C04B42 it is the complementary color #3FB4BD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C04B42. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C04B42 shade: #C54B3D, #D65D50, #E76F63, #F88176 and #FF9389

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C04B42. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C04B42 shade: #C04B42, #AF392F, #9E271C, #8D1509 and #7C0300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C04B42 shade: #C14D44 and #C14444

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C04B42 shade: #C14D44, #C16E44, #C19044, #C1B244 and #AEC144

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C04B42 shade matches the following richer shades: #C14D44, #D53B2F, #E92A1B and #FD1907

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C04B42 shade: #C14D44, #AC5E58, #986F6C, #848080 and #709294

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C04B42 shade: #C1447E, #C1445D, #C14C44, #C16D44 and #C18F44

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C04B42 shade: #85332C, #A43F37, #C14D44, #CB6A63 and #D58781

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C04B42 shade: #C04B42, #9FC144 and #446DC1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C04B42 shade: #C04B42, #44C14C and #4C44C1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C04B42 shade: #C04B42, #9FC144, #44B8C1 and #6544C1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C04B42 shade: #C04B42, #7AC144, #44B8C1 and #8A44C1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 61 / 66 / 25

HEX #C04B42

RGB 192 75 66

HSL 4.29, 0.5%, 0.51%

LAB 47.79, 46.4, 29.74

 

Complementary color

CMYK 67 / 5 / 0 / 26

HEX #3FB4BD

RGB 63 180 189

HSL 184.29, 0.5%, 0.49%

LAB 67.56, -29.23, -14.15

 

CMYK 0 / 62 / 69 / 23

HEX #C54B3D

RGB 197 75 61

HSL 6.18, 0.54%, 0.51%

LAB 48.56, 47.89, 33.74

 

CMYK 0 / 57 / 63 / 16

HEX #D65D50

RGB 214 93 80

HSL 5.82, 0.62%, 0.58%

LAB 54.77, 46.73, 31.1

 

CMYK 0 / 52 / 57 / 9

HEX #E76F63

RGB 231 111 99

HSL 5.45, 0.73%, 0.65%

LAB 61.01, 45.52, 28.8

 

CMYK 0 / 48 / 52 / 3

HEX #F88176

RGB 248 129 118

HSL 5.08, 0.9%, 0.72%

LAB 67.25, 44.33, 26.81

 

CMYK 0 / 42 / 46 / 0

HEX #FF9389

RGB 255 147 137

HSL 5.08, 1%, 0.77%

LAB 72.18, 39.53, 23.09

 

CMYK 0 / 61 / 66 / 25

HEX #C04B42

RGB 192 75 66

HSL 4.29, 0.5%, 0.51%

LAB 47.79, 46.4, 29.74

 

CMYK 0 / 67 / 73 / 31

HEX #AF392F

RGB 175 57 47

HSL 4.69, 0.58%, 0.44%

LAB 41.6, 47.39, 32.74

 

CMYK 0 / 75 / 82 / 38

HEX #9E271C

RGB 158 39 28

HSL 5.08, 0.7%, 0.36%

LAB 35.6, 47.98, 36.15

 

CMYK 0 / 85 / 94 / 45

HEX #8D1509

RGB 141 21 9

HSL 5.45, 0.88%, 0.29%

LAB 29.96, 47.78, 39.31

 

CMYK 0 / 98 / 100 / 51

HEX #7C0300

RGB 124 3 0

HSL 1.45, 1%, 0.24%

LAB 24.8, 46.38, 37.03

 

CMYK 0 / 60 / 65 / 24

HEX #C14D44

RGB 193 77 68

HSL 4.32, 0.5%, 0.51%

LAB 48.34, 45.96, 29.28

 

CMYK 0 / 65 / 65 / 24

HEX #C14444

RGB 193 68 68

HSL 0, 0.5%, 0.51%

LAB 46.83, 49.98, 27.4

 

CMYK 0 / 60 / 65 / 24

HEX #C14D44

RGB 193 77 68

HSL 4.32, 0.5%, 0.51%

LAB 48.34, 45.96, 29.28

 

CMYK 0 / 43 / 65 / 24

HEX #C16E44

RGB 193 110 68

HSL 20.16, 0.5%, 0.51%

LAB 54.98, 29.17, 37.29

 

CMYK 0 / 25 / 65 / 24

HEX #C19044

RGB 193 144 68

HSL 36.48, 0.5%, 0.51%

LAB 63.1, 10.53, 46.6

 

CMYK 0 / 8 / 65 / 24

HEX #C1B244

RGB 193 178 68

HSL 52.8, 0.5%, 0.51%

LAB 71.96, -7.72, 56.22

 

CMYK 10 / 0 / 65 / 24

HEX #AEC144

RGB 174 193 68

HSL 69.12, 0.5%, 0.51%

LAB 74.54, -23.33, 58.47

 

CMYK 0 / 60 / 65 / 24

HEX #C14D44

RGB 193 77 68

HSL 4.32, 0.5%, 0.51%

LAB 48.34, 45.96, 29.28

 

CMYK 0 / 72 / 78 / 16

HEX #D53B2F

RGB 213 59 47

HSL 4.34, 0.66%, 0.51%

LAB 48.86, 59.04, 42.64

 

CMYK 0 / 82 / 88 / 9

HEX #E92A1B

RGB 233 42 27

HSL 4.37, 0.82%, 0.51%

LAB 50.76, 69.37, 55.43

 

CMYK 0 / 90 / 97 / 1

HEX #FD1907

RGB 253 25 7

HSL 4.39, 0.98%, 0.51%

LAB 53.59, 77.5, 65.4

 

CMYK 0 / 60 / 65 / 24

HEX #C14D44

RGB 193 77 68

HSL 4.32, 0.5%, 0.51%

LAB 48.34, 45.96, 29.28

 

CMYK 0 / 45 / 49 / 33

HEX #AC5E58

RGB 172 94 88

HSL 4.29, 0.34%, 0.51%

LAB 48.86, 31, 17.55

 

CMYK 0 / 27 / 29 / 40

HEX #986F6C

RGB 152 111 108

HSL 4.09, 0.18%, 0.51%

LAB 50.84, 15.81, 8.06

 

CMYK 0 / 3 / 3 / 48

HEX #848080

RGB 132 128 128

HSL 0, 0.02%, 0.51%

LAB 53.92, 1.51, 0.53

 

CMYK 24 / 1 / 0 / 42

HEX #709294

RGB 112 146 148

HSL 183.33, 0.14%, 0.51%

LAB 58.17, -11.29, -4.94

 

CMYK 0 / 65 / 35 / 24

HEX #C1447E

RGB 193 68 126

HSL 332.16, 0.5%, 0.51%

LAB 48.23, 55.14, -5.81

 

CMYK 0 / 65 / 52 / 24

HEX #C1445D

RGB 193 68 93

HSL 348, 0.5%, 0.51%

LAB 47.32, 51.81, 12.95

 

CMYK 0 / 61 / 65 / 24

HEX #C14C44

RGB 193 76 68

HSL 3.84, 0.5%, 0.51%

LAB 48.16, 46.42, 29.06

 

CMYK 0 / 44 / 65 / 24

HEX #C16D44

RGB 193 109 68

HSL 19.68, 0.5%, 0.51%

LAB 54.75, 29.71, 37.03

 

CMYK 0 / 26 / 65 / 24

HEX #C18F44

RGB 193 143 68

HSL 36, 0.5%, 0.51%

LAB 62.84, 11.07, 46.31

 

CMYK 0 / 62 / 67 / 48

HEX #85332C

RGB 133 51 44

HSL 4.72, 0.5%, 0.35%

LAB 33, 34.74, 22.49

 

CMYK 0 / 62 / 66 / 36

HEX #A43F37

RGB 164 63 55

HSL 4.4, 0.5%, 0.43%

LAB 40.77, 41.23, 26.55

 

CMYK 0 / 60 / 65 / 24

HEX #C14D44

RGB 193 77 68

HSL 4.32, 0.5%, 0.51%

LAB 48.34, 45.96, 29.28

 

CMYK 0 / 48 / 51 / 20

HEX #CB6A63

RGB 203 106 99

HSL 4.04, 0.5%, 0.59%

LAB 55.99, 37.65, 21.46

 

CMYK 0 / 37 / 39 / 16

HEX #D58781

RGB 213 135 129

HSL 4.29, 0.5%, 0.67%

LAB 64.21, 29.18, 15.76

 

CMYK 0 / 61 / 66 / 25

HEX #C04B42

RGB 192 75 66

HSL 4.29, 0.5%, 0.51%

LAB 47.79, 46.4, 29.74

 

CMYK 18 / 0 / 65 / 24

HEX #9FC144

RGB 159 193 68

HSL 76.32, 0.5%, 0.51%

LAB 73.5, -29.41, 57.05

 

CMYK 65 / 44 / 0 / 24

HEX #446DC1

RGB 68 109 193

HSL 220.32, 0.5%, 0.51%

LAB 47, 12.8, -48.34

 

CMYK 0 / 61 / 66 / 25

HEX #C04B42

RGB 192 75 66

HSL 4.29, 0.5%, 0.51%

LAB 47.79, 46.4, 29.74

 

CMYK 65 / 0 / 61 / 24

HEX #44C14C

RGB 68 193 76

HSL 123.84, 0.5%, 0.51%

LAB 69.39, -57.58, 47.9

 

CMYK 61 / 65 / 0 / 24

HEX #4C44C1

RGB 76 68 193

HSL 243.84, 0.5%, 0.51%

LAB 36.97, 39.91, -64.52

 

CMYK 0 / 61 / 66 / 25

HEX #C04B42

RGB 192 75 66

HSL 4.29, 0.5%, 0.51%

LAB 47.79, 46.4, 29.74

 

CMYK 18 / 0 / 65 / 24

HEX #9FC144

RGB 159 193 68

HSL 76.32, 0.5%, 0.51%

LAB 73.5, -29.41, 57.05

 

CMYK 65 / 5 / 0 / 24

HEX #44B8C1

RGB 68 184 193

HSL 184.32, 0.5%, 0.51%

LAB 69.01, -29.24, -14.16

 

CMYK 48 / 65 / 0 / 24

HEX #6544C1

RGB 101 68 193

HSL 255.84, 0.5%, 0.51%

LAB 39.16, 44.29, -60.86

 

CMYK 0 / 61 / 66 / 25

HEX #C04B42

RGB 192 75 66

HSL 4.29, 0.5%, 0.51%

LAB 47.79, 46.4, 29.74

 

CMYK 37 / 0 / 65 / 24

HEX #7AC144

RGB 122 193 68

HSL 94.08, 0.5%, 0.51%

LAB 71.35, -43.25, 54.11

 

CMYK 65 / 5 / 0 / 24

HEX #44B8C1

RGB 68 184 193

HSL 184.32, 0.5%, 0.51%

LAB 69.01, -29.24, -14.16

 

CMYK 28 / 65 / 0 / 24

HEX #8A44C1

RGB 138 68 193

HSL 273.6, 0.5%, 0.51%

LAB 43.34, 52.02, -53.88

 

Description

Color code: HEX #C04B42 | qconv.com Color code: HEX #C04B42 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 192 red, 75 green and 66 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
192 75 66 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 61 magenta, 66 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 61% 66% 25% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

28% - PPAL Bureau de asunt...
Link: http://ppal.com.mx

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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