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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AEC144 it is the complementary color #513EBB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AEC144. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AEC144 shade: #B3C13F, #C4D352, #D5E565, #E6F778 and #F7FF8B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AEC144. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AEC144 shade: #AEC144, #9DAF31, #8C9D1E, #7B8B0B and #6A7900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AEC144 shade: #AEC144, #C1B244, #C19044, #C16E44 and #C14D44

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AEC144 shade: #AEC144, #8CC144, #6AC144, #48C144 and #44C160

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AEC144 shade matches the following richer shades: #AEC144, #BCD52F, #CAE91B and #D8FD07

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AEC144 shade: #AEC144, #9FAC58, #91986C, #838480 and #757094

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AEC144 shade: #C19144, #C1B244, #AEC144, #8CC144 and #6BC144

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AEC144 shade: #78852C, #93A437, #AEC144, #BBCB63 and #C8D581

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AEC144 shade: #AEC144, #44C16F and #A144C1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AEC144 shade: #AEC144, #44AEC1 and #C144AE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AEC144 shade: #AEC144, #44C16F, #5644C1 and #C14495

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AEC144 shade: #AEC144, #44C195, #5644C1 and #C1446F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 0 / 65 / 24

HEX #AEC144

RGB 174 193 68

HSL 69.12, 0.5%, 0.51%

LAB 74.54, -23.33, 58.47

 

Complementary color

CMYK 57 / 67 / 0 / 27

HEX #513EBB

RGB 81 62 187

HSL 249.12, 0.5%, 0.49%

LAB 35.56, 42.35, -63.28

 

CMYK 7 / 0 / 67 / 24

HEX #B3C13F

RGB 179 193 63

HSL 66.46, 0.51%, 0.5%

LAB 74.88, -21.58, 60.92

 

CMYK 7 / 0 / 61 / 17

HEX #C4D352

RGB 196 211 82

HSL 66.98, 0.59%, 0.57%

LAB 81.26, -22.19, 60.3

 

CMYK 7 / 0 / 56 / 10

HEX #D5E565

RGB 213 229 101

HSL 67.5, 0.71%, 0.65%

LAB 87.55, -22.68, 59.43

 

CMYK 7 / 0 / 51 / 3

HEX #E6F778

RGB 230 247 120

HSL 68.03, 0.89%, 0.72%

LAB 93.75, -23.09, 58.42

 

CMYK 3 / 0 / 45 / 0

HEX #F7FF8B

RGB 247 255 139

HSL 64.14, 1%, 0.77%

LAB 97.29, -18.66, 54.2

 

CMYK 10 / 0 / 65 / 24

HEX #AEC144

RGB 174 193 68

HSL 69.12, 0.5%, 0.51%

LAB 74.54, -23.33, 58.47

 

CMYK 10 / 0 / 72 / 31

HEX #9DAF31

RGB 157 175 49

HSL 68.57, 0.56%, 0.44%

LAB 68.06, -22.68, 58.85

 

CMYK 11 / 0 / 81 / 38

HEX #8C9D1E

RGB 140 157 30

HSL 68.03, 0.68%, 0.37%

LAB 61.47, -21.85, 58.49

 

CMYK 12 / 0 / 92 / 45

HEX #7B8B0B

RGB 123 139 11

HSL 67.5, 0.85%, 0.29%

LAB 54.76, -20.77, 56.77

 

CMYK 12 / 0 / 100 / 53

HEX #6A7900

RGB 106 121 0

HSL 67.44, 1%, 0.24%

LAB 47.93, -19.4, 52.95

 

CMYK 10 / 0 / 65 / 24

HEX #AEC144

RGB 174 193 68

HSL 69.12, 0.5%, 0.51%

LAB 74.54, -23.33, 58.47

 

CMYK 0 / 8 / 65 / 24

HEX #C1B244

RGB 193 178 68

HSL 52.8, 0.5%, 0.51%

LAB 71.96, -7.72, 56.22

 

CMYK 0 / 25 / 65 / 24

HEX #C19044

RGB 193 144 68

HSL 36.48, 0.5%, 0.51%

LAB 63.1, 10.53, 46.6

 

CMYK 0 / 43 / 65 / 24

HEX #C16E44

RGB 193 110 68

HSL 20.16, 0.5%, 0.51%

LAB 54.98, 29.17, 37.29

 

CMYK 0 / 60 / 65 / 24

HEX #C14D44

RGB 193 77 68

HSL 4.32, 0.5%, 0.51%

LAB 48.34, 45.96, 29.28

 

CMYK 10 / 0 / 65 / 24

HEX #AEC144

RGB 174 193 68

HSL 69.12, 0.5%, 0.51%

LAB 74.54, -23.33, 58.47

 

CMYK 27 / 0 / 65 / 24

HEX #8CC144

RGB 140 193 68

HSL 85.44, 0.5%, 0.51%

LAB 72.32, -36.77, 55.44

 

CMYK 45 / 0 / 65 / 24

HEX #6AC144

RGB 106 193 68

HSL 101.76, 0.5%, 0.51%

LAB 70.61, -48.5, 53.09

 

CMYK 63 / 0 / 65 / 24

HEX #48C144

RGB 72 193 68

HSL 118.08, 0.5%, 0.51%

LAB 69.42, -57.6, 51.46

 

CMYK 65 / 0 / 50 / 24

HEX #44C160

RGB 68 193 96

HSL 133.44, 0.5%, 0.51%

LAB 69.62, -54.95, 38.7

 

CMYK 10 / 0 / 65 / 24

HEX #AEC144

RGB 174 193 68

HSL 69.12, 0.5%, 0.51%

LAB 74.54, -23.33, 58.47

 

CMYK 12 / 0 / 78 / 16

HEX #BCD52F

RGB 188 213 47

HSL 69.04, 0.66%, 0.51%

LAB 81.01, -28.31, 72.43

 

CMYK 13 / 0 / 88 / 9

HEX #CAE91B

RGB 202 233 27

HSL 69.03, 0.82%, 0.51%

LAB 87.44, -32.54, 82.74

 

CMYK 15 / 0 / 97 / 1

HEX #D8FD07

RGB 216 253 7

HSL 69.02, 0.98%, 0.51%

LAB 93.82, -36.32, 90.28

 

CMYK 10 / 0 / 65 / 24

HEX #AEC144

RGB 174 193 68

HSL 69.12, 0.5%, 0.51%

LAB 74.54, -23.33, 58.47

 

CMYK 8 / 0 / 49 / 33

HEX #9FAC58

RGB 159 172 88

HSL 69.29, 0.34%, 0.51%

LAB 67.71, -17.34, 41.35

 

CMYK 5 / 0 / 29 / 40

HEX #91986C

RGB 145 152 108

HSL 69.55, 0.18%, 0.51%

LAB 61.27, -10.12, 22.37

 

CMYK 1 / 0 / 3 / 48

HEX #838480

RGB 131 132 128

HSL 75, 0.02%, 0.51%

LAB 54.96, -1.15, 2.02

 

CMYK 21 / 24 / 0 / 42

HEX #757094

RGB 117 112 148

HSL 248.33, 0.14%, 0.51%

LAB 48.89, 9.92, -18.86

 

CMYK 0 / 25 / 65 / 24

HEX #C19144

RGB 193 145 68

HSL 36.96, 0.5%, 0.51%

LAB 63.35, 9.98, 46.88

 

CMYK 0 / 8 / 65 / 24

HEX #C1B244

RGB 193 178 68

HSL 52.8, 0.5%, 0.51%

LAB 71.96, -7.72, 56.22

 

CMYK 10 / 0 / 65 / 24

HEX #AEC144

RGB 174 193 68

HSL 69.12, 0.5%, 0.51%

LAB 74.54, -23.33, 58.47

 

CMYK 27 / 0 / 65 / 24

HEX #8CC144

RGB 140 193 68

HSL 85.44, 0.5%, 0.51%

LAB 72.32, -36.77, 55.44

 

CMYK 45 / 0 / 65 / 24

HEX #6BC144

RGB 107 193 68

HSL 101.28, 0.5%, 0.51%

LAB 70.65, -48.19, 53.15

 

CMYK 10 / 0 / 67 / 48

HEX #78852C

RGB 120 133 44

HSL 68.76, 0.5%, 0.35%

LAB 52.89, -17.54, 44.62

 

CMYK 10 / 0 / 66 / 36

HEX #93A437

RGB 147 164 55

HSL 69.36, 0.5%, 0.43%

LAB 64.19, -21.06, 52.37

 

CMYK 10 / 0 / 65 / 24

HEX #AEC144

RGB 174 193 68

HSL 69.12, 0.5%, 0.51%

LAB 74.54, -23.33, 58.47

 

CMYK 8 / 0 / 51 / 20

HEX #BBCB63

RGB 187 203 99

HSL 69.23, 0.5%, 0.59%

LAB 78.57, -20.52, 49.47

 

CMYK 6 / 0 / 39 / 16

HEX #C8D581

RGB 200 213 129

HSL 69.29, 0.5%, 0.67%

LAB 82.62, -17.27, 40.02

 

CMYK 10 / 0 / 65 / 24

HEX #AEC144

RGB 174 193 68

HSL 69.12, 0.5%, 0.51%

LAB 74.54, -23.33, 58.47

 

CMYK 65 / 0 / 42 / 24

HEX #44C16F

RGB 68 193 111

HSL 140.64, 0.5%, 0.51%

LAB 69.84, -52.54, 31.39

 

CMYK 17 / 65 / 0 / 24

HEX #A144C1

RGB 161 68 193

HSL 284.64, 0.5%, 0.51%

LAB 46.39, 57.25, -48.82

 

CMYK 10 / 0 / 65 / 24

HEX #AEC144

RGB 174 193 68

HSL 69.12, 0.5%, 0.51%

LAB 74.54, -23.33, 58.47

 

CMYK 65 / 10 / 0 / 24

HEX #44AEC1

RGB 68 174 193

HSL 189.12, 0.5%, 0.51%

LAB 66.02, -24.27, -18.68

 

CMYK 0 / 65 / 10 / 24

HEX #C144AE

RGB 193 68 174

HSL 309.12, 0.5%, 0.51%

LAB 50.13, 61.7, -31.51

 

CMYK 10 / 0 / 65 / 24

HEX #AEC144

RGB 174 193 68

HSL 69.12, 0.5%, 0.51%

LAB 74.54, -23.33, 58.47

 

CMYK 65 / 0 / 42 / 24

HEX #44C16F

RGB 68 193 111

HSL 140.64, 0.5%, 0.51%

LAB 69.84, -52.54, 31.39

 

CMYK 55 / 65 / 0 / 24

HEX #5644C1

RGB 86 68 193

HSL 248.64, 0.5%, 0.51%

LAB 37.78, 41.56, -63.17

 

CMYK 0 / 65 / 23 / 24

HEX #C14495

RGB 193 68 149

HSL 321.12, 0.5%, 0.51%

LAB 49.06, 58.05, -18.38

 

CMYK 10 / 0 / 65 / 24

HEX #AEC144

RGB 174 193 68

HSL 69.12, 0.5%, 0.51%

LAB 74.54, -23.33, 58.47

 

CMYK 65 / 0 / 23 / 24

HEX #44C195

RGB 68 193 149

HSL 158.88, 0.5%, 0.51%

LAB 70.55, -44.88, 12.18

 

CMYK 55 / 65 / 0 / 24

HEX #5644C1

RGB 86 68 193

HSL 248.64, 0.5%, 0.51%

LAB 37.78, 41.56, -63.17

 

CMYK 0 / 65 / 42 / 24

HEX #C1446F

RGB 193 68 111

HSL 339.36, 0.5%, 0.51%

LAB 47.78, 53.49, 2.63

 

Description

Color code: HEX #AEC144 | qconv.com Color code: HEX #AEC144 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 174 red, 193 green and 68 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
174 193 68 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, none magenta, 65 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 0% 65% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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