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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C19144 it is the complementary color #3E6EBB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C19144. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C19144 shade: #C6913F, #D7A352, #E8B565, #F9C778 and #FFD98B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C19144. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C19144 shade: #C19144, #B07F31, #9F6D1E, #8E5B0B and #7D4900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C19144 shade: #C19144, #C16F44, #C14D44 and #C14444

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C19144 shade: #C19144, #C1B244, #ADC144, #8BC144 and #6AC144

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C19144 shade matches the following richer shades: #C19144, #D5952F, #E99A1B and #FD9F07

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C19144 shade: #C19144, #AC8C58, #98876C, #848280 and #707E94

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C19144 shade: #C14C44, #C16D44, #C18F44, #C1B044 and #B0C144

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C19144 shade: #85632C, #A47A37, #C19144, #CBA363 and #D5B581

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C19144 shade: #C19144, #5DC144 and #5D44C1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C19144 shade: #C19144, #44C18F and #8F44C1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C19144 shade: #C19144, #5DC144, #4476C1 and #A844C1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C19144 shade: #C19144, #44C150, #4476C1 and #C144B4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 25 / 65 / 24

HEX #C19144

RGB 193 145 68

HSL 36.96, 0.5%, 0.51%

LAB 63.35, 9.98, 46.88

 

Complementary color

CMYK 67 / 41 / 0 / 27

HEX #3E6EBB

RGB 62 110 187

HSL 216.96, 0.5%, 0.49%

LAB 46.66, 9.01, -45.42

 

CMYK 0 / 27 / 68 / 22

HEX #C6913F

RGB 198 145 63

HSL 36.44, 0.54%, 0.51%

LAB 63.85, 11.84, 49.94

 

CMYK 0 / 24 / 62 / 16

HEX #D7A352

RGB 215 163 82

HSL 36.54, 0.62%, 0.58%

LAB 70.35, 10.57, 48.67

 

CMYK 0 / 22 / 56 / 9

HEX #E8B565

RGB 232 181 101

HSL 36.64, 0.74%, 0.65%

LAB 76.77, 9.48, 47.33

 

CMYK 0 / 20 / 52 / 2

HEX #F9C778

RGB 249 199 120

HSL 36.74, 0.91%, 0.72%

LAB 83.1, 8.54, 46

 

CMYK 0 / 15 / 45 / 0

HEX #FFD98B

RGB 255 217 139

HSL 40.34, 1%, 0.77%

LAB 88.33, 3.37, 43.21

 

CMYK 0 / 25 / 65 / 24

HEX #C19144

RGB 193 145 68

HSL 36.96, 0.5%, 0.51%

LAB 63.35, 9.98, 46.88

 

CMYK 0 / 28 / 72 / 31

HEX #B07F31

RGB 176 127 49

HSL 36.85, 0.56%, 0.44%

LAB 56.71, 11.35, 48.07

 

CMYK 0 / 31 / 81 / 38

HEX #9F6D1E

RGB 159 109 30

HSL 36.74, 0.68%, 0.37%

LAB 49.98, 13, 48.83

 

CMYK 0 / 36 / 92 / 44

HEX #8E5B0B

RGB 142 91 11

HSL 36.64, 0.86%, 0.3%

LAB 43.15, 14.99, 48.45

 

CMYK 0 / 42 / 100 / 51

HEX #7D4900

RGB 125 73 0

HSL 35.04, 1%, 0.25%

LAB 36.22, 17.37, 45.66

 

CMYK 0 / 25 / 65 / 24

HEX #C19144

RGB 193 145 68

HSL 36.96, 0.5%, 0.51%

LAB 63.35, 9.98, 46.88

 

CMYK 0 / 42 / 65 / 24

HEX #C16F44

RGB 193 111 68

HSL 20.64, 0.5%, 0.51%

LAB 55.2, 28.63, 37.55

 

CMYK 0 / 60 / 65 / 24

HEX #C14D44

RGB 193 77 68

HSL 4.32, 0.5%, 0.51%

LAB 48.34, 45.96, 29.28

 

CMYK 0 / 65 / 65 / 24

HEX #C14444

RGB 193 68 68

HSL 0, 0.5%, 0.51%

LAB 46.83, 49.98, 27.4

 

CMYK 0 / 25 / 65 / 24

HEX #C19144

RGB 193 145 68

HSL 36.96, 0.5%, 0.51%

LAB 63.35, 9.98, 46.88

 

CMYK 0 / 8 / 65 / 24

HEX #C1B244

RGB 193 178 68

HSL 52.8, 0.5%, 0.51%

LAB 71.96, -7.72, 56.22

 

CMYK 10 / 0 / 65 / 24

HEX #ADC144

RGB 173 193 68

HSL 69.6, 0.5%, 0.51%

LAB 74.47, -23.74, 58.38

 

CMYK 28 / 0 / 65 / 24

HEX #8BC144

RGB 139 193 68

HSL 85.92, 0.5%, 0.51%

LAB 72.26, -37.14, 55.36

 

CMYK 45 / 0 / 65 / 24

HEX #6AC144

RGB 106 193 68

HSL 101.76, 0.5%, 0.51%

LAB 70.61, -48.5, 53.09

 

CMYK 0 / 25 / 65 / 24

HEX #C19144

RGB 193 145 68

HSL 36.96, 0.5%, 0.51%

LAB 63.35, 9.98, 46.88

 

CMYK 0 / 30 / 78 / 16

HEX #D5952F

RGB 213 149 47

HSL 36.87, 0.66%, 0.51%

LAB 66.4, 15.41, 59.84

 

CMYK 0 / 34 / 88 / 9

HEX #E99A1B

RGB 233 154 27

HSL 36.99, 0.82%, 0.51%

LAB 69.83, 20.75, 69.96

 

CMYK 0 / 37 / 97 / 1

HEX #FD9F07

RGB 253 159 7

HSL 37.07, 0.98%, 0.51%

LAB 73.35, 26.28, 76.98

 

CMYK 0 / 25 / 65 / 24

HEX #C19144

RGB 193 145 68

HSL 36.96, 0.5%, 0.51%

LAB 63.35, 9.98, 46.88

 

CMYK 0 / 19 / 49 / 33

HEX #AC8C58

RGB 172 140 88

HSL 37.14, 0.34%, 0.51%

LAB 60.1, 5.29, 32.22

 

CMYK 0 / 11 / 29 / 40

HEX #98876C

RGB 152 135 108

HSL 36.82, 0.18%, 0.51%

LAB 57.16, 2.09, 16.89

 

CMYK 0 / 2 / 3 / 48

HEX #848280

RGB 132 130 128

HSL 30, 0.02%, 0.51%

LAB 54.48, 0.36, 1.34

 

CMYK 24 / 15 / 0 / 42

HEX #707E94

RGB 112 126 148

HSL 216.67, 0.14%, 0.51%

LAB 52.4, -0, -13.56

 

CMYK 0 / 61 / 65 / 24

HEX #C14C44

RGB 193 76 68

HSL 3.84, 0.5%, 0.51%

LAB 48.16, 46.42, 29.06

 

CMYK 0 / 44 / 65 / 24

HEX #C16D44

RGB 193 109 68

HSL 19.68, 0.5%, 0.51%

LAB 54.75, 29.71, 37.03

 

CMYK 0 / 26 / 65 / 24

HEX #C18F44

RGB 193 143 68

HSL 36, 0.5%, 0.51%

LAB 62.84, 11.07, 46.31

 

CMYK 0 / 9 / 65 / 24

HEX #C1B044

RGB 193 176 68

HSL 51.84, 0.5%, 0.51%

LAB 71.42, -6.68, 55.65

 

CMYK 9 / 0 / 65 / 24

HEX #B0C144

RGB 176 193 68

HSL 68.16, 0.5%, 0.51%

LAB 74.69, -22.51, 58.67

 

CMYK 0 / 26 / 67 / 48

HEX #85632C

RGB 133 99 44

HSL 37.08, 0.5%, 0.35%

LAB 44.36, 7.52, 35.79

 

CMYK 0 / 26 / 66 / 36

HEX #A47A37

RGB 164 122 55

HSL 36.88, 0.5%, 0.43%

LAB 54.12, 9.15, 42.06

 

CMYK 0 / 25 / 65 / 24

HEX #C19144

RGB 193 145 68

HSL 36.96, 0.5%, 0.51%

LAB 63.35, 9.98, 46.88

 

CMYK 0 / 20 / 51 / 20

HEX #CBA363

RGB 203 163 99

HSL 36.92, 0.5%, 0.59%

LAB 69.32, 6.86, 38.62

 

CMYK 0 / 15 / 39 / 16

HEX #D5B581

RGB 213 181 129

HSL 37.14, 0.5%, 0.67%

LAB 75.31, 4.38, 30.77

 

CMYK 0 / 25 / 65 / 24

HEX #C19144

RGB 193 145 68

HSL 36.96, 0.5%, 0.51%

LAB 63.35, 9.98, 46.88

 

CMYK 52 / 0 / 65 / 24

HEX #5DC144

RGB 93 193 68

HSL 108, 0.5%, 0.51%

LAB 70.09, -52.34, 52.38

 

CMYK 52 / 65 / 0 / 24

HEX #5D44C1

RGB 93 68 193

HSL 252, 0.5%, 0.51%

LAB 38.4, 42.8, -62.13

 

CMYK 0 / 25 / 65 / 24

HEX #C19144

RGB 193 145 68

HSL 36.96, 0.5%, 0.51%

LAB 63.35, 9.98, 46.88

 

CMYK 65 / 0 / 26 / 24

HEX #44C18F

RGB 68 193 143

HSL 156, 0.5%, 0.51%

LAB 70.42, -46.23, 15.24

 

CMYK 26 / 65 / 0 / 24

HEX #8F44C1

RGB 143 68 193

HSL 276, 0.5%, 0.51%

LAB 43.98, 53.14, -52.82

 

CMYK 0 / 25 / 65 / 24

HEX #C19144

RGB 193 145 68

HSL 36.96, 0.5%, 0.51%

LAB 63.35, 9.98, 46.88

 

CMYK 52 / 0 / 65 / 24

HEX #5DC144

RGB 93 193 68

HSL 108, 0.5%, 0.51%

LAB 70.09, -52.34, 52.38

 

CMYK 65 / 39 / 0 / 24

HEX #4476C1

RGB 68 118 193

HSL 216, 0.5%, 0.51%

LAB 49.54, 7.2, -44.29

 

CMYK 13 / 65 / 0 / 24

HEX #A844C1

RGB 168 68 193

HSL 288, 0.5%, 0.51%

LAB 47.38, 58.88, -47.19

 

CMYK 0 / 25 / 65 / 24

HEX #C19144

RGB 193 145 68

HSL 36.96, 0.5%, 0.51%

LAB 63.35, 9.98, 46.88

 

CMYK 65 / 0 / 59 / 24

HEX #44C150

RGB 68 193 80

HSL 125.76, 0.5%, 0.51%

LAB 69.43, -57.11, 46.13

 

CMYK 65 / 39 / 0 / 24

HEX #4476C1

RGB 68 118 193

HSL 216, 0.5%, 0.51%

LAB 49.54, 7.2, -44.29

 

CMYK 0 / 65 / 7 / 24

HEX #C144B4

RGB 193 68 180

HSL 306.24, 0.5%, 0.51%

LAB 50.41, 62.65, -34.58

 

Description

Color code: HEX #C19144 | qconv.com Color code: HEX #C19144 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 193 red, 145 green and 68 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
193 145 68 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 25 magenta, 65 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 25% 65% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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