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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C040C5 it is the complementary color #3FBF3A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C040C5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C040C5 shade: #C540C0, #D652D3, #E764E6, #F876F9 and #FF88FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C040C5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C040C5 shade: #C040C5, #AF2EB2, #9E1C9F, #8D0A8C and #7C0079

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C040C5 shade: #BF40C4, #C440A6, #C44082, #C4405E and #C44040

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C040C5 shade: #BF40C4, #9C40C4, #7840C4, #5440C4 and #4040C4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C040C5 shade matches the following richer shades: #BF40C4, #D22CD8 and #E517ED

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C040C5 shade: #BF40C4, #AD54B0, #9A689C, #877C88 and #759173

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C040C5 shade: #7740C4, #9A40C4, #BE40C4, #C440A8 and #C44084

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C040C5 shade: #842A88, #A333A7, #BF40C4, #CA5FCE and #D47FD8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C040C5 shade: #C040C5, #C45440 and #40C489

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C040C5 shade: #C040C5, #C4BE40 and #40C4BE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C040C5 shade: #C040C5, #C45440, #46C440 and #40B0C4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C040C5 shade: #C040C5, #C47B40, #46C440 and #4089C4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 68 / 0 / 23

HEX #C040C5

RGB 192 64 197

HSL 297.74, 0.53%, 0.51%

LAB 50.58, 66.75, -44.2

 

Complementary color

CMYK 67 / 0 / 70 / 25

HEX #3FBF3A

RGB 63 191 58

HSL 117.74, 0.53%, 0.49%

LAB 68.48, -59.74, 54.44

 

CMYK 0 / 68 / 3 / 23

HEX #C540C0

RGB 197 64 192

HSL 302.26, 0.53%, 0.51%

LAB 51.09, 67.07, -40.46

 

CMYK 0 / 62 / 1 / 16

HEX #D652D3

RGB 214 82 211

HSL 301.36, 0.62%, 0.58%

LAB 57.11, 67.24, -41.68

 

CMYK 0 / 57 / 0 / 9

HEX #E764E6

RGB 231 100 230

HSL 300.46, 0.73%, 0.65%

LAB 63.19, 67.06, -42.63

 

CMYK 0 / 53 / 0 / 2

HEX #F876F9

RGB 248 118 249

HSL 299.54, 0.92%, 0.72%

LAB 69.29, 66.66, -43.39

 

CMYK 0 / 47 / 0 / 0

HEX #FF88FF

RGB 255 136 255

HSL 300, 1%, 0.77%

LAB 73.6, 61.18, -39.86

 

CMYK 3 / 68 / 0 / 23

HEX #C040C5

RGB 192 64 197

HSL 297.74, 0.53%, 0.51%

LAB 50.58, 66.75, -44.2

 

CMYK 2 / 74 / 0 / 30

HEX #AF2EB2

RGB 175 46 178

HSL 298.64, 0.59%, 0.44%

LAB 44.64, 66.07, -42.72

 

CMYK 1 / 82 / 0 / 38

HEX #9E1C9F

RGB 158 28 159

HSL 299.54, 0.7%, 0.37%

LAB 38.9, 64.53, -40.7

 

CMYK 0 / 93 / 1 / 45

HEX #8D0A8C

RGB 141 10 140

HSL 300.46, 0.87%, 0.3%

LAB 33.51, 61.69, -37.89

 

CMYK 0 / 100 / 2 / 51

HEX #7C0079

RGB 124 0 121

HSL 301.45, 1%, 0.24%

LAB 28.55, 57.14, -34.08

 

CMYK 3 / 67 / 0 / 23

HEX #BF40C4

RGB 191 64 196

HSL 297.73, 0.53%, 0.51%

LAB 50.37, 66.35, -43.97

 

CMYK 0 / 67 / 15 / 23

HEX #C440A6

RGB 196 64 166

HSL 313.64, 0.53%, 0.51%

LAB 49.68, 62.82, -27.47

 

CMYK 0 / 67 / 34 / 23

HEX #C44082

RGB 196 64 130

HSL 330, 0.53%, 0.51%

LAB 48.28, 58.1, -8.1

 

CMYK 0 / 67 / 52 / 23

HEX #C4405E

RGB 196 64 94

HSL 346.36, 0.53%, 0.51%

LAB 47.25, 54.5, 12.33

 

CMYK 0 / 67 / 67 / 23

HEX #C44040

RGB 196 64 64

HSL 0, 0.53%, 0.51%

LAB 46.67, 52.43, 29.7

 

CMYK 3 / 67 / 0 / 23

HEX #BF40C4

RGB 191 64 196

HSL 297.73, 0.53%, 0.51%

LAB 50.37, 66.35, -43.97

 

CMYK 20 / 67 / 0 / 23

HEX #9C40C4

RGB 156 64 196

HSL 281.82, 0.53%, 0.51%

LAB 45.25, 58.51, -52.44

 

CMYK 39 / 67 / 0 / 23

HEX #7840C4

RGB 120 64 196

HSL 265.45, 0.53%, 0.51%

LAB 40.65, 50.94, -60.1

 

CMYK 57 / 67 / 0 / 23

HEX #5440C4

RGB 84 64 196

HSL 249.09, 0.53%, 0.51%

LAB 37, 44.45, -66.2

 

CMYK 67 / 67 / 0 / 23

HEX #4040C4

RGB 64 64 196

HSL 240, 0.53%, 0.51%

LAB 35.48, 41.59, -68.74

 

CMYK 3 / 67 / 0 / 23

HEX #BF40C4

RGB 191 64 196

HSL 297.73, 0.53%, 0.51%

LAB 50.37, 66.35, -43.97

 

CMYK 3 / 80 / 0 / 15

HEX #D22CD8

RGB 210 44 216

HSL 297.91, 0.69%, 0.51%

LAB 52.35, 79.67, -52.1

 

CMYK 3 / 90 / 0 / 7

HEX #E517ED

RGB 229 23 237

HSL 297.76, 0.86%, 0.51%

LAB 55.47, 89.86, -58.82

 

CMYK 3 / 67 / 0 / 23

HEX #BF40C4

RGB 191 64 196

HSL 297.73, 0.53%, 0.51%

LAB 50.37, 66.35, -43.97

 

CMYK 2 / 52 / 0 / 31

HEX #AD54B0

RGB 173 84 176

HSL 298.04, 0.37%, 0.51%

LAB 49.93, 49.46, -33.21

 

CMYK 1 / 33 / 0 / 39

HEX #9A689C

RGB 154 104 156

HSL 297.69, 0.21%, 0.51%

LAB 50.89, 28.94, -20.2

 

CMYK 1 / 9 / 0 / 47

HEX #877C88

RGB 135 124 136

HSL 295, 0.05%, 0.51%

LAB 53.32, 6.52, -4.99

 

CMYK 19 / 0 / 21 / 43

HEX #759173

RGB 117 145 115

HSL 116, 0.12%, 0.51%

LAB 57.34, -15.99, 12.73

 

CMYK 39 / 67 / 0 / 23

HEX #7740C4

RGB 119 64 196

HSL 265, 0.53%, 0.51%

LAB 40.53, 50.75, -60.29

 

CMYK 21 / 67 / 0 / 23

HEX #9A40C4

RGB 154 64 196

HSL 280.91, 0.53%, 0.51%

LAB 44.97, 58.07, -52.89

 

CMYK 3 / 67 / 0 / 23

HEX #BE40C4

RGB 190 64 196

HSL 297.27, 0.53%, 0.51%

LAB 50.22, 66.13, -44.22

 

CMYK 0 / 67 / 14 / 23

HEX #C440A8

RGB 196 64 168

HSL 312.73, 0.53%, 0.51%

LAB 49.77, 63.12, -28.51

 

CMYK 0 / 67 / 33 / 23

HEX #C44084

RGB 196 64 132

HSL 329.09, 0.53%, 0.51%

LAB 48.35, 58.33, -9.21

 

CMYK 3 / 69 / 0 / 47

HEX #842A88

RGB 132 42 136

HSL 297.45, 0.53%, 0.35%

LAB 34.68, 50.48, -33.64

 

CMYK 2 / 69 / 0 / 35

HEX #A333A7

RGB 163 51 167

HSL 297.93, 0.53%, 0.43%

LAB 42.68, 59.83, -39.43

 

CMYK 3 / 67 / 0 / 23

HEX #BF40C4

RGB 191 64 196

HSL 297.73, 0.53%, 0.51%

LAB 50.37, 66.35, -43.97

 

CMYK 2 / 54 / 0 / 19

HEX #CA5FCE

RGB 202 95 206

HSL 297.84, 0.53%, 0.59%

LAB 57.27, 57.6, -38.7

 

CMYK 2 / 41 / 0 / 15

HEX #D47FD8

RGB 212 127 216

HSL 297.3, 0.53%, 0.67%

LAB 65.07, 46.33, -32.07

 

CMYK 3 / 68 / 0 / 23

HEX #C040C5

RGB 192 64 197

HSL 297.74, 0.53%, 0.51%

LAB 50.58, 66.75, -44.2

 

CMYK 0 / 57 / 67 / 23

HEX #C45440

RGB 196 84 64

HSL 9.09, 0.53%, 0.51%

LAB 50.03, 43.49, 33.75

 

CMYK 67 / 0 / 30 / 23

HEX #40C489

RGB 64 196 137

HSL 153.18, 0.53%, 0.51%

LAB 71.13, -49.45, 19.42

 

CMYK 3 / 68 / 0 / 23

HEX #C040C5

RGB 192 64 197

HSL 297.74, 0.53%, 0.51%

LAB 50.58, 66.75, -44.2

 

CMYK 0 / 3 / 67 / 23

HEX #C4BE40

RGB 196 190 64

HSL 57.27, 0.53%, 0.51%

LAB 75.41, -12.86, 61.51

 

CMYK 67 / 0 / 3 / 23

HEX #40C4BE

RGB 64 196 190

HSL 177.27, 0.53%, 0.51%

LAB 72.42, -36.4, -7.43

 

CMYK 3 / 68 / 0 / 23

HEX #C040C5

RGB 192 64 197

HSL 297.74, 0.53%, 0.51%

LAB 50.58, 66.75, -44.2

 

CMYK 0 / 57 / 67 / 23

HEX #C45440

RGB 196 84 64

HSL 9.09, 0.53%, 0.51%

LAB 50.03, 43.49, 33.75

 

CMYK 64 / 0 / 67 / 23

HEX #46C440

RGB 70 196 64

HSL 117.27, 0.53%, 0.51%

LAB 70.28, -59.47, 54.03

 

CMYK 67 / 10 / 0 / 23

HEX #40B0C4

RGB 64 176 196

HSL 189.09, 0.53%, 0.51%

LAB 66.62, -24.99, -19.44

 

CMYK 3 / 68 / 0 / 23

HEX #C040C5

RGB 192 64 197

HSL 297.74, 0.53%, 0.51%

LAB 50.58, 66.75, -44.2

 

CMYK 0 / 37 / 67 / 23

HEX #C47B40

RGB 196 123 64

HSL 26.82, 0.53%, 0.51%

LAB 58.29, 23.1, 43.29

 

CMYK 64 / 0 / 67 / 23

HEX #46C440

RGB 70 196 64

HSL 117.27, 0.53%, 0.51%

LAB 70.28, -59.47, 54.03

 

CMYK 67 / 30 / 0 / 23

HEX #4089C4

RGB 64 137 196

HSL 206.82, 0.53%, 0.51%

LAB 55.04, -3.81, -37.33

 

Description

Color code: HEX #C040C5 | qconv.com Color code: HEX #C040C5 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 192 red, 64 green and 197 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
192 64 197 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, 68 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 68% 0% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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