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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8D0A8C it is the complementary color #72F573. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8D0A8C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8D0A8C shade: #920A87, #A31C9A, #B42EAD, #C540C0 and #D652D3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8D0A8C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8D0A8C shade: #8D0A8C, #7C0079, #6B0066, #5A0053 and #490040

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8D0A8C shade: #8F098E, #8F096A, #8F0946, #8F0922 and #8F0909

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8D0A8C shade: #8F098E, #6C098F, #48098F, #24098F and #09098F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8D0A8C shade matches the following richer shades: #8F098E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8D0A8C shade: #8F098E, #821681, #762275, #692F69 and #5D3B5D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8D0A8C shade: #48098F, #6B098F, #8F098F, #8F096B and #8F0948

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8D0A8C shade: #410441, #680767, #8F098E, #B50CB4 and #DC0FDA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8D0A8C shade: #8D0A8C, #8F2409 and #098F59

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8D0A8C shade: #8D0A8C, #8F8F09 and #098F8F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8D0A8C shade: #8D0A8C, #8F2409, #098F09 and #09748F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8D0A8C shade: #8D0A8C, #8F4C09, #098F09 and #094C8F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 93 / 1 / 45

HEX #8D0A8C

RGB 141 10 140

HSL 300.46, 0.87%, 0.3%

LAB 33.51, 61.69, -37.89

 

Complementary color

CMYK 53 / 0 / 53 / 4

HEX #72F573

RGB 114 245 115

HSL 120.46, 0.87%, 0.7%

LAB 87.06, -61.3, 51.25

 

CMYK 0 / 93 / 8 / 43

HEX #920A87

RGB 146 10 135

HSL 304.85, 0.87%, 0.31%

LAB 34.14, 61.86, -33.72

 

CMYK 0 / 83 / 6 / 36

HEX #A31C9A

RGB 163 28 154

HSL 304, 0.71%, 0.37%

LAB 39.5, 64.74, -36.68

 

CMYK 0 / 74 / 4 / 29

HEX #B42EAD

RGB 180 46 173

HSL 303.13, 0.59%, 0.44%

LAB 45.18, 66.34, -38.85

 

CMYK 0 / 68 / 3 / 23

HEX #C540C0

RGB 197 64 192

HSL 302.26, 0.53%, 0.51%

LAB 51.09, 67.07, -40.46

 

CMYK 0 / 62 / 1 / 16

HEX #D652D3

RGB 214 82 211

HSL 301.36, 0.62%, 0.58%

LAB 57.11, 67.24, -41.68

 

CMYK 0 / 93 / 1 / 45

HEX #8D0A8C

RGB 141 10 140

HSL 300.46, 0.87%, 0.3%

LAB 33.51, 61.69, -37.89

 

CMYK 0 / 100 / 2 / 51

HEX #7C0079

RGB 124 0 121

HSL 301.45, 1%, 0.24%

LAB 28.55, 57.14, -34.08

 

CMYK 0 / 100 / 5 / 58

HEX #6B0066

RGB 107 0 102

HSL 302.8, 1%, 0.21%

LAB 23.95, 51.06, -29.38

 

CMYK 0 / 100 / 8 / 65

HEX #5A0053

RGB 90 0 83

HSL 304.67, 1%, 0.18%

LAB 19.22, 44.8, -24.49

 

CMYK 0 / 100 / 12 / 71

HEX #490040

RGB 73 0 64

HSL 307.4, 1%, 0.14%

LAB 14.33, 38.33, -19.34

 

CMYK 0 / 94 / 1 / 44

HEX #8F098E

RGB 143 9 142

HSL 300.45, 0.88%, 0.3%

LAB 33.96, 62.5, -38.38

 

CMYK 0 / 94 / 26 / 44

HEX #8F096A

RGB 143 9 106

HSL 316.57, 0.88%, 0.3%

LAB 31.98, 57.42, -18.85

 

CMYK 0 / 94 / 51 / 44

HEX #8F0946

RGB 143 9 70

HSL 332.69, 0.88%, 0.3%

LAB 30.59, 53.68, 2.62

 

CMYK 0 / 94 / 76 / 44

HEX #8F0922

RGB 143 9 34

HSL 348.81, 0.88%, 0.3%

LAB 29.79, 51.46, 25.46

 

CMYK 0 / 94 / 94 / 44

HEX #8F0909

RGB 143 9 9

HSL 0, 0.88%, 0.3%

LAB 29.55, 50.78, 39.19

 

CMYK 0 / 94 / 1 / 44

HEX #8F098E

RGB 143 9 142

HSL 300.45, 0.88%, 0.3%

LAB 33.96, 62.5, -38.38

 

CMYK 24 / 94 / 0 / 44

HEX #6C098F

RGB 108 9 143

HSL 284.33, 0.88%, 0.3%

LAB 27.75, 56.82, -49.32

 

CMYK 50 / 94 / 0 / 44

HEX #48098F

RGB 72 9 143

HSL 268.21, 0.88%, 0.3%

LAB 22.15, 52.19, -58.73

 

CMYK 75 / 94 / 0 / 44

HEX #24098F

RGB 36 9 143

HSL 252.09, 0.88%, 0.3%

LAB 18.16, 49.42, -65.46

 

CMYK 94 / 94 / 0 / 44

HEX #09098F

RGB 9 9 143

HSL 240, 0.88%, 0.3%

LAB 16.68, 48.55, -67.96

 

CMYK 0 / 94 / 1 / 44

HEX #8F098E

RGB 143 9 142

HSL 300.45, 0.88%, 0.3%

LAB 33.96, 62.5, -38.38

 

CMYK 0 / 94 / 1 / 44

HEX #8F098E

RGB 143 9 142

HSL 300.45, 0.88%, 0.3%

LAB 33.96, 62.5, -38.38

 

CMYK 0 / 83 / 1 / 49

HEX #821681

RGB 130 22 129

HSL 300.56, 0.71%, 0.3%

LAB 31.59, 55.46, -34.22

 

CMYK 0 / 71 / 1 / 54

HEX #762275

RGB 118 34 117

HSL 300.71, 0.55%, 0.3%

LAB 30.11, 46.78, -29.14

 

CMYK 0 / 55 / 0 / 59

HEX #692F69

RGB 105 47 105

HSL 300, 0.38%, 0.3%

LAB 29.55, 34.81, -22.5

 

CMYK 0 / 37 / 0 / 64

HEX #5D3B5D

RGB 93 59 93

HSL 300, 0.22%, 0.3%

LAB 30.02, 21.24, -14.18

 

CMYK 50 / 94 / 0 / 44

HEX #48098F

RGB 72 9 143

HSL 268.21, 0.88%, 0.3%

LAB 22.15, 52.19, -58.73

 

CMYK 25 / 94 / 0 / 44

HEX #6B098F

RGB 107 9 143

HSL 283.88, 0.88%, 0.3%

LAB 27.58, 56.67, -49.61

 

CMYK 0 / 94 / 0 / 44

HEX #8F098F

RGB 143 9 143

HSL 300, 0.88%, 0.3%

LAB 34.02, 62.66, -38.9

 

CMYK 0 / 94 / 25 / 44

HEX #8F096B

RGB 143 9 107

HSL 316.12, 0.88%, 0.3%

LAB 32.03, 57.55, -19.42

 

CMYK 0 / 94 / 50 / 44

HEX #8F0948

RGB 143 9 72

HSL 331.79, 0.88%, 0.3%

LAB 30.65, 53.85, 1.38

 

CMYK 0 / 94 / 0 / 75

HEX #410441

RGB 65 4 65

HSL 300, 0.88%, 0.14%

LAB 13.18, 35.28, -21.97

 

CMYK 0 / 93 / 1 / 59

HEX #680767

RGB 104 7 103

HSL 300.62, 0.87%, 0.22%

LAB 23.92, 49.18, -30.13

 

CMYK 0 / 94 / 1 / 44

HEX #8F098E

RGB 143 9 142

HSL 300.45, 0.88%, 0.3%

LAB 33.96, 62.5, -38.38

 

CMYK 0 / 93 / 1 / 29

HEX #B50CB4

RGB 181 12 180

HSL 300.36, 0.88%, 0.38%

LAB 43.33, 74.66, -45.92

 

CMYK 0 / 93 / 1 / 14

HEX #DC0FDA

RGB 220 15 218

HSL 300.59, 0.87%, 0.46%

LAB 52.53, 86.48, -52.86

 

CMYK 0 / 93 / 1 / 45

HEX #8D0A8C

RGB 141 10 140

HSL 300.46, 0.87%, 0.3%

LAB 33.51, 61.69, -37.89

 

CMYK 0 / 75 / 94 / 44

HEX #8F2409

RGB 143 36 9

HSL 12.09, 0.88%, 0.3%

LAB 32.08, 43.64, 41.01

 

CMYK 94 / 0 / 38 / 44

HEX #098F59

RGB 9 143 89

HSL 155.82, 0.88%, 0.3%

LAB 52.31, -45.46, 19.87

 

CMYK 0 / 93 / 1 / 45

HEX #8D0A8C

RGB 141 10 140

HSL 300.46, 0.87%, 0.3%

LAB 33.51, 61.69, -37.89

 

CMYK 0 / 0 / 94 / 44

HEX #8F8F09

RGB 143 143 9

HSL 60, 0.88%, 0.3%

LAB 57.56, -13.86, 60

 

CMYK 94 / 0 / 0 / 44

HEX #098F8F

RGB 9 143 143

HSL 180, 0.88%, 0.3%

LAB 53.69, -30.84, -9.09

 

CMYK 0 / 93 / 1 / 45

HEX #8D0A8C

RGB 141 10 140

HSL 300.46, 0.87%, 0.3%

LAB 33.51, 61.69, -37.89

 

CMYK 0 / 75 / 94 / 44

HEX #8F2409

RGB 143 36 9

HSL 12.09, 0.88%, 0.3%

LAB 32.08, 43.64, 41.01

 

CMYK 94 / 0 / 94 / 44

HEX #098F09

RGB 9 143 9

HSL 120, 0.88%, 0.3%

LAB 51.52, -55.12, 52.59

 

CMYK 94 / 19 / 0 / 44

HEX #09748F

RGB 9 116 143

HSL 192.09, 0.88%, 0.3%

LAB 44.99, -16.9, -22.33

 

CMYK 0 / 93 / 1 / 45

HEX #8D0A8C

RGB 141 10 140

HSL 300.46, 0.87%, 0.3%

LAB 33.51, 61.69, -37.89

 

CMYK 0 / 47 / 94 / 44

HEX #8F4C09

RGB 143 76 9

HSL 30, 0.88%, 0.3%

LAB 39.63, 24.04, 46.41

 

CMYK 94 / 0 / 94 / 44

HEX #098F09

RGB 9 143 9

HSL 120, 0.88%, 0.3%

LAB 51.52, -55.12, 52.59

 

CMYK 94 / 47 / 0 / 44

HEX #094C8F

RGB 9 76 143

HSL 210, 0.88%, 0.3%

LAB 32.28, 7.82, -42.37

 

Description

Color code: HEX #8D0A8C | qconv.com Color code: HEX #8D0A8C | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 141 red, 10 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
141 10 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 93 magenta, 1 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 93% 1% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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