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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C034A4 it is the complementary color #3FCB5B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C034A4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #C034A4: #C5349F, #D646B2, #E758C5, #F86AD8 and #FF7CEB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C034A4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #C034A4: #C034A4, #AF2291, #9E107E, #8D006B and #7C0058

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 73 / 15 / 25

HEX #C034A4

RGB 192 52 164

HSL 312, 0.57%, 0.48%

LAB 47.42, 65.8, -29.86

 

Complementary color

CMYK 69 / 0 / 55 / 20

HEX #3FCB5B

RGB 63 203 91

HSL 132, 0.57%, 0.52%

LAB 72.58, -60.19, 44.69

 

CMYK 0 / 74 / 19 / 23

HEX #C5349F

RGB 197 52 159

HSL 315.72, 0.58%, 0.49%

LAB 48.04, 66.3, -25.85

 

CMYK 0 / 67 / 17 / 16

HEX #D646B2

RGB 214 70 178

HSL 315, 0.64%, 0.56%

LAB 53.91, 66.87, -27.71

 

CMYK 0 / 62 / 15 / 9

HEX #E758C5

RGB 231 88 197

HSL 314.27, 0.75%, 0.63%

LAB 59.89, 66.94, -29.18

 

CMYK 0 / 57 / 13 / 3

HEX #F86AD8

RGB 248 106 216

HSL 313.52, 0.91%, 0.69%

LAB 65.92, 66.7, -30.38

 

CMYK 0 / 51 / 8 / 0

HEX #FF7CEB

RGB 255 124 235

HSL 309.16, 1%, 0.74%

LAB 70.65, 63.5, -33.53

 

CMYK 0 / 73 / 15 / 25

HEX #C034A4

RGB 192 52 164

HSL 312, 0.57%, 0.48%

LAB 47.42, 65.8, -29.86

 

CMYK 0 / 81 / 17 / 31

HEX #AF2291

RGB 175 34 145

HSL 312.77, 0.67%, 0.41%

LAB 41.69, 64.53, -27.61

 

CMYK 0 / 90 / 20 / 38

HEX #9E107E

RGB 158 16 126

HSL 313.52, 0.82%, 0.34%

LAB 36.26, 62.13, -24.62

 

CMYK 0 / 100 / 24 / 45

HEX #8D006B

RGB 141 0 107

HSL 314.47, 1%, 0.28%

LAB 31.17, 58.44, -20.78

 

CMYK 0 / 100 / 29 / 51

HEX #7C0058

RGB 124 0 88

HSL 317.42, 1%, 0.24%

LAB 26.71, 52.55, -15.59

 

CMYK 0 / 73 / 15 / 25

HEX #C034A4

RGB 192 52 164

HSL 312, 0.57%, 0.48%

LAB 47.42, 65.8, -29.86

 

CMYK 0 / 73 / 27 / 25

HEX #C0348D

RGB 192 52 141

HSL 321.86, 0.57%, 0.48%

LAB 46.43, 62.72, -17.62

 

CMYK 0 / 73 / 39 / 25

HEX #C03475

RGB 192 52 117

HSL 332.14, 0.57%, 0.48%

LAB 45.56, 59.96, -4.3

 

CMYK 0 / 73 / 51 / 25

HEX #C0345E

RGB 192 52 94

HSL 342, 0.57%, 0.48%

LAB 44.9, 57.8, 8.94

 

CMYK 0 / 73 / 63 / 25

HEX #C03447

RGB 192 52 71

HSL 351.86, 0.57%, 0.48%

LAB 44.4, 56.14, 22.46

 

CMYK 0 / 73 / 15 / 25

HEX #C034A4

RGB 192 52 164

HSL 312, 0.57%, 0.48%

LAB 47.42, 65.8, -29.86

 

CMYK 0 / 73 / 14 / 5

HEX #F342D0

RGB 243 66 208

HSL 311.86, 0.88%, 0.61%

LAB 59.44, 79.25, -36

 

CMYK 0 / 72 / 15 / 85

HEX #270B21

RGB 39 11 33

HSL 312.86, 0.56%, 0.1%

LAB 7.05, 18.06, -8.46

 

CMYK 0 / 73 / 14 / 65

HEX #5A184D

RGB 90 24 77

HSL 311.82, 0.58%, 0.22%

LAB 21.44, 36.39, -16.92

 

CMYK 0 / 73 / 15 / 45

HEX #8D2678

RGB 141 38 120

HSL 312.23, 0.58%, 0.35%

LAB 34.81, 51.59, -23.36

 

CMYK 0 / 73 / 15 / 25

HEX #C034A4

RGB 192 52 164

HSL 312, 0.57%, 0.48%

LAB 47.42, 65.8, -29.86

 

CMYK 0 / 44 / 73 / 25

HEX #C06C34

RGB 192 108 52

HSL 24, 0.57%, 0.48%

LAB 54.22, 28.92, 44.67

 

CMYK 73 / 0 / 15 / 25

HEX #34C0A4

RGB 52 192 164

HSL 168, 0.57%, 0.48%

LAB 70.25, -43.23, 3.55

 

CMYK 0 / 73 / 15 / 25

HEX #C034A4

RGB 192 52 164

HSL 312, 0.57%, 0.48%

LAB 47.42, 65.8, -29.86

 

CMYK 15 / 0 / 73 / 25

HEX #A4C034

RGB 164 192 52

HSL 72, 0.57%, 0.48%

LAB 73.44, -27.9, 63.19

 

CMYK 73 / 15 / 0 / 25

HEX #34A4C0

RGB 52 164 192

HSL 192, 0.57%, 0.48%

LAB 62.58, -21.78, -23.4

 

CMYK 0 / 73 / 15 / 25

HEX #C034A4

RGB 192 52 164

HSL 312, 0.57%, 0.48%

LAB 47.42, 65.8, -29.86

 

CMYK 0 / 44 / 73 / 25

HEX #C06C34

RGB 192 108 52

HSL 24, 0.57%, 0.48%

LAB 54.22, 28.92, 44.67

 

CMYK 73 / 0 / 58 / 25

HEX #34C050

RGB 52 192 80

HSL 132, 0.57%, 0.48%

LAB 68.76, -59.68, 45.25

 

CMYK 73 / 29 / 0 / 25

HEX #3488C0

RGB 52 136 192

HSL 204, 0.57%, 0.48%

LAB 54.18, -6.42, -36.43

 

CMYK 0 / 73 / 15 / 25

HEX #C034A4

RGB 192 52 164

HSL 312, 0.57%, 0.48%

LAB 47.42, 65.8, -29.86

 

CMYK 0 / 22 / 73 / 25

HEX #C09634

RGB 192 150 52

HSL 42, 0.57%, 0.48%

LAB 64.38, 5.91, 55.1

 

CMYK 73 / 0 / 58 / 25

HEX #34C050

RGB 52 192 80

HSL 132, 0.57%, 0.48%

LAB 68.76, -59.68, 45.25

 

CMYK 73 / 51 / 0 / 25

HEX #345EC0

RGB 52 94 192

HSL 222, 0.57%, 0.48%

LAB 42.06, 19.53, -55.72

 

Description

Color code: HEX #C034A4 | qconv.com Color code: HEX #C034A4 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 192 red, 52 green and 164 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
192 52 164 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 73 magenta, 15 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 73% 15% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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