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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C02BC9 it is the complementary color #3FD436. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C02BC9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C02BC9 shade: #C52BC4, #D63DD7, #E74FEA, #F861FD and #FF73FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C02BC9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C02BC9 shade: #C02BC9, #AF19B6, #9E07A3, #8D0090 and #7C007D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C02BC9 shade: #C12BCA, #CA2BA8, #CA2B7D, #CA2B52 and #CA2B2B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C02BC9 shade: #C12BCA, #962BCA, #6B2BCA, #402BCA and #2B2BCA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C02BC9 shade matches the following richer shades: #C12BCA, #D217DE and #E403F2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C02BC9 shade: #C12BCA, #AF3FB6, #9E52A2, #8C668F and #7B7A7B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C02BC9 shade: #6A2BCA, #952BCA, #BF2BCA, #CA2BAA and #CA2B80

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C02BC9 shade: #801C86, #A024A8, #C12BCA, #D046D8 and #D868DF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C02BC9 shade: #C02BC9, #CA402B and #2BCA80

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C02BC9 shade: #C02BC9, #CABF2B and #2BCABF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C02BC9 shade: #C02BC9, #CA402B, #35CA2B and #2BB5CA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C02BC9 shade: #C02BC9, #CA702B, #35CA2B and #2B85CA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 79 / 0 / 21

HEX #C02BC9

RGB 192 43 201

HSL 296.58, 0.65%, 0.48%

LAB 48.45, 74.13, -49.9

 

Complementary color

CMYK 70 / 0 / 75 / 17

HEX #3FD436

RGB 63 212 54

HSL 116.58, 0.65%, 0.52%

LAB 75.08, -66.95, 62.64

 

CMYK 0 / 78 / 1 / 23

HEX #C52BC4

RGB 197 43 196

HSL 300.39, 0.64%, 0.47%

LAB 48.99, 74.31, -46.1

 

CMYK 0 / 72 / 0 / 16

HEX #D63DD7

RGB 214 61 215

HSL 299.61, 0.66%, 0.54%

LAB 54.6, 75.54, -47.92

 

CMYK 1 / 66 / 0 / 8

HEX #E74FEA

RGB 231 79 234

HSL 298.84, 0.79%, 0.61%

LAB 60.36, 76.12, -49.33

 

CMYK 2 / 62 / 0 / 1

HEX #F861FD

RGB 248 97 253

HSL 298.08, 0.98%, 0.69%

LAB 66.21, 76.26, -50.43

 

CMYK 0 / 55 / 0 / 0

HEX #FF73FF

RGB 255 115 255

HSL 300, 1%, 0.73%

LAB 69.99, 70.8, -45.51

 

CMYK 4 / 79 / 0 / 21

HEX #C02BC9

RGB 192 43 201

HSL 296.58, 0.65%, 0.48%

LAB 48.45, 74.13, -49.9

 

CMYK 4 / 86 / 0 / 29

HEX #AF19B6

RGB 175 25 182

HSL 297.32, 0.76%, 0.41%

LAB 43.04, 72.02, -47.62

 

CMYK 3 / 96 / 0 / 36

HEX #9E07A3

RGB 158 7 163

HSL 298.08, 0.92%, 0.33%

LAB 37.96, 68.66, -44.62

 

CMYK 2 / 100 / 0 / 44

HEX #8D0090

RGB 141 0 144

HSL 298.75, 1%, 0.28%

LAB 33.3, 63.69, -40.69

 

CMYK 1 / 100 / 0 / 51

HEX #7C007D

RGB 124 0 125

HSL 299.52, 1%, 0.25%

LAB 28.81, 57.77, -36.2

 

CMYK 4 / 79 / 0 / 21

HEX #C12BCA

RGB 193 43 202

HSL 296.6, 0.65%, 0.48%

LAB 48.67, 74.49, -50.11

 

CMYK 0 / 79 / 17 / 21

HEX #CA2BA8

RGB 202 43 168

HSL 312.83, 0.65%, 0.48%

LAB 48.4, 71.29, -30.57

 

CMYK 0 / 79 / 38 / 21

HEX #CA2B7D

RGB 202 43 125

HSL 329.06, 0.65%, 0.48%

LAB 46.66, 66.2, -7.37

 

CMYK 0 / 79 / 59 / 21

HEX #CA2B52

RGB 202 43 82

HSL 345.28, 0.65%, 0.48%

LAB 45.49, 62.61, 17.47

 

CMYK 0 / 79 / 79 / 21

HEX #CA2B2B

RGB 202 43 43

HSL 0, 0.65%, 0.48%

LAB 44.88, 60.71, 40.05

 

CMYK 4 / 79 / 0 / 21

HEX #C12BCA

RGB 193 43 202

HSL 296.6, 0.65%, 0.48%

LAB 48.67, 74.49, -50.11

 

CMYK 26 / 79 / 0 / 21

HEX #962BCA

RGB 150 43 202

HSL 280.38, 0.65%, 0.48%

LAB 41.96, 66.64, -61.27

 

CMYK 47 / 79 / 0 / 21

HEX #6B2BCA

RGB 107 43 202

HSL 264.15, 0.65%, 0.48%

LAB 36.21, 59.88, -70.9

 

CMYK 68 / 79 / 0 / 21

HEX #402BCA

RGB 64 43 202

HSL 247.92, 0.65%, 0.48%

LAB 31.99, 54.9, -77.99

 

CMYK 79 / 79 / 0 / 21

HEX #2B2BCA

RGB 43 43 202

HSL 240, 0.65%, 0.48%

LAB 30.65, 53.32, -80.25

 

CMYK 4 / 79 / 0 / 21

HEX #C12BCA

RGB 193 43 202

HSL 296.6, 0.65%, 0.48%

LAB 48.67, 74.49, -50.11

 

CMYK 5 / 90 / 0 / 13

HEX #D217DE

RGB 210 23 222

HSL 296.38, 0.81%, 0.48%

LAB 51.37, 84.53, -57.1

 

CMYK 6 / 99 / 0 / 5

HEX #E403F2

RGB 228 3 242

HSL 296.49, 0.98%, 0.48%

LAB 55.04, 92.11, -62.32

 

CMYK 4 / 79 / 0 / 21

HEX #C12BCA

RGB 193 43 202

HSL 296.6, 0.65%, 0.48%

LAB 48.67, 74.49, -50.11

 

CMYK 4 / 65 / 0 / 29

HEX #AF3FB6

RGB 175 63 182

HSL 296.47, 0.49%, 0.48%

LAB 47.04, 60.59, -41.26

 

CMYK 2 / 49 / 0 / 36

HEX #9E52A2

RGB 158 82 162

HSL 297, 0.33%, 0.48%

LAB 46.86, 43.49, -29.93

 

CMYK 2 / 29 / 0 / 44

HEX #8C668F

RGB 140 102 143

HSL 295.61, 0.17%, 0.48%

LAB 48.34, 22.66, -16.56

 

CMYK 0 / 1 / 0 / 52

HEX #7B7A7B

RGB 123 122 123

HSL 300, 0%, 0.48%

LAB 51.34, 0.58, -0.42

 

CMYK 48 / 79 / 0 / 21

HEX #6A2BCA

RGB 106 43 202

HSL 263.77, 0.65%, 0.48%

LAB 36.09, 59.74, -71.1

 

CMYK 26 / 79 / 0 / 21

HEX #952BCA

RGB 149 43 202

HSL 280, 0.65%, 0.48%

LAB 41.82, 66.47, -61.51

 

CMYK 5 / 79 / 0 / 21

HEX #BF2BCA

RGB 191 43 202

HSL 295.85, 0.65%, 0.48%

LAB 48.35, 74.1, -50.65

 

CMYK 0 / 79 / 16 / 21

HEX #CA2BAA

RGB 202 43 170

HSL 312.08, 0.65%, 0.48%

LAB 48.49, 71.56, -31.61

 

CMYK 0 / 79 / 37 / 21

HEX #CA2B80

RGB 202 43 128

HSL 327.92, 0.65%, 0.48%

LAB 46.77, 66.51, -9.04

 

CMYK 4 / 79 / 0 / 47

HEX #801C86

RGB 128 28 134

HSL 296.6, 0.65%, 0.32%

LAB 32.13, 54.21, -36.51

 

CMYK 5 / 79 / 0 / 34

HEX #A024A8

RGB 160 36 168

HSL 296.36, 0.65%, 0.4%

LAB 40.51, 64.32, -43.51

 

CMYK 4 / 79 / 0 / 21

HEX #C12BCA

RGB 193 43 202

HSL 296.6, 0.65%, 0.48%

LAB 48.67, 74.49, -50.11

 

CMYK 4 / 68 / 0 / 15

HEX #D046D8

RGB 208 70 216

HSL 296.71, 0.65%, 0.56%

LAB 54.81, 71.33, -48.21

 

CMYK 3 / 53 / 0 / 13

HEX #D868DF

RGB 216 104 223

HSL 296.47, 0.65%, 0.64%

LAB 61.5, 60.16, -41.51

 

CMYK 4 / 79 / 0 / 21

HEX #C02BC9

RGB 192 43 201

HSL 296.58, 0.65%, 0.48%

LAB 48.45, 74.13, -49.9

 

CMYK 0 / 68 / 79 / 21

HEX #CA402B

RGB 202 64 43

HSL 7.92, 0.65%, 0.48%

LAB 47.49, 53.49, 42.72

 

CMYK 79 / 0 / 37 / 21

HEX #2BCA80

RGB 43 202 128

HSL 152.08, 0.65%, 0.48%

LAB 72.44, -56.57, 25.9

 

CMYK 4 / 79 / 0 / 21

HEX #C02BC9

RGB 192 43 201

HSL 296.58, 0.65%, 0.48%

LAB 48.45, 74.13, -49.9

 

CMYK 0 / 5 / 79 / 21

HEX #CABF2B

RGB 202 191 43

HSL 55.85, 0.65%, 0.48%

LAB 76.06, -11.74, 69.57

 

CMYK 79 / 0 / 5 / 21

HEX #2BCABF

RGB 43 202 191

HSL 175.85, 0.65%, 0.48%

LAB 73.88, -41.32, -5.85

 

CMYK 4 / 79 / 0 / 21

HEX #C02BC9

RGB 192 43 201

HSL 296.58, 0.65%, 0.48%

LAB 48.45, 74.13, -49.9

 

CMYK 0 / 68 / 79 / 21

HEX #CA402B

RGB 202 64 43

HSL 7.92, 0.65%, 0.48%

LAB 47.49, 53.49, 42.72

 

CMYK 74 / 0 / 79 / 21

HEX #35CA2B

RGB 53 202 43

HSL 116.23, 0.65%, 0.48%

LAB 71.67, -66.21, 62.75

 

CMYK 79 / 10 / 0 / 21

HEX #2BB5CA

RGB 43 181 202

HSL 187.92, 0.65%, 0.48%

LAB 67.89, -28.2, -20.86

 

CMYK 4 / 79 / 0 / 21

HEX #C02BC9

RGB 192 43 201

HSL 296.58, 0.65%, 0.48%

LAB 48.45, 74.13, -49.9

 

CMYK 0 / 45 / 79 / 21

HEX #CA702B

RGB 202 112 43

HSL 26.04, 0.65%, 0.48%

LAB 56.41, 30.54, 51.51

 

CMYK 74 / 0 / 79 / 21

HEX #35CA2B

RGB 53 202 43

HSL 116.23, 0.65%, 0.48%

LAB 71.67, -66.21, 62.75

 

CMYK 79 / 34 / 0 / 21

HEX #2B85CA

RGB 43 133 202

HSL 206.04, 0.65%, 0.48%

LAB 53.55, -2.17, -43.12

 

Description

Color code: HEX #C02BC9 | qconv.com Color code: HEX #C02BC9 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 192 red, 43 green and 201 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
192 43 201 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, 79 magenta, none yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 79% 0% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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