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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 79 / 10 / 0 / 21 it is the complementary color CMYK 0 / 65 / 75 / 16. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 79 / 10 / 0 / 21. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 79 / 10 / 0 / 21: CMYK 76 / 8 / 0 / 23, CMYK 70 / 7 / 0 / 16, CMYK 65 / 7 / 0 / 8, CMYK 61 / 7 / 0 / 1 and CMYK 55 / 1 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 79 / 10 / 0 / 21. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 79 / 10 / 0 / 21: CMYK 79 / 10 / 0 / 21, CMYK 86 / 10 / 0 / 29, CMYK 95 / 11 / 0 / 36, CMYK 100 / 12 / 0 / 44 and CMYK 100 / 13 / 0 / 51

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 79 / 10 / 0 / 21

HEX #2AB5C9

RGB 42 181 201

HSL 187.55, 0.65%, 0.48%

LAB 67.84, -28.61, -20.38

 

Complementary color

CMYK 0 / 65 / 75 / 16

HEX #D54A36

RGB 213 74 54

HSL 7.55, 0.65%, 0.52%

LAB 51.05, 53.52, 41.19

 

CMYK 76 / 8 / 0 / 23

HEX #2FB5C4

RGB 47 181 196

HSL 186.04, 0.61%, 0.48%

LAB 67.75, -29.66, -17.75

 

CMYK 70 / 7 / 0 / 16

HEX #40C7D7

RGB 64 199 215

HSL 186.36, 0.65%, 0.55%

LAB 74.09, -30.61, -18.51

 

CMYK 65 / 7 / 0 / 8

HEX #51D9EA

RGB 81 217 234

HSL 186.67, 0.78%, 0.62%

LAB 80.36, -31.32, -19.2

 

CMYK 61 / 7 / 0 / 1

HEX #62EBFD

RGB 98 235 253

HSL 186.97, 0.97%, 0.69%

LAB 86.56, -31.87, -19.83

 

CMYK 55 / 1 / 0 / 0

HEX #73FDFF

RGB 115 253 255

HSL 180.86, 1%, 0.73%

LAB 92.18, -36.8, -12.37

 

CMYK 79 / 10 / 0 / 21

HEX #2AB5C9

RGB 42 181 201

HSL 187.55, 0.65%, 0.48%

LAB 67.84, -28.61, -20.38

 

CMYK 86 / 10 / 0 / 29

HEX #19A3B6

RGB 25 163 182

HSL 187.26, 0.76%, 0.41%

LAB 61.46, -27.17, -19.55

 

CMYK 95 / 11 / 0 / 36

HEX #0891A3

RGB 8 145 163

HSL 186.97, 0.91%, 0.34%

LAB 55.02, -25.3, -18.6

 

CMYK 100 / 12 / 0 / 44

HEX #007F90

RGB 0 127 144

HSL 187.08, 1%, 0.28%

LAB 48.5, -22.92, -17.53

 

CMYK 100 / 13 / 0 / 51

HEX #006D7D

RGB 0 109 125

HSL 187.68, 1%, 0.25%

LAB 41.87, -20.13, -16.35

 

CMYK 79 / 10 / 0 / 21

HEX #2AB5C9

RGB 42 181 201

HSL 187.55, 0.65%, 0.48%

LAB 67.84, -28.61, -20.38

 

CMYK 79 / 22 / 0 / 21

HEX #2A9CC9

RGB 42 156 201

HSL 196.98, 0.65%, 0.48%

LAB 60.33, -15.68, -31.94

 

CMYK 79 / 35 / 0 / 21

HEX #2A82C9

RGB 42 130 201

HSL 206.79, 0.65%, 0.48%

LAB 52.59, -0.86, -44.07

 

CMYK 79 / 49 / 0 / 21

HEX #2A67C9

RGB 42 103 201

HSL 216.98, 0.65%, 0.48%

LAB 44.81, 15.93, -56.5

 

CMYK 79 / 62 / 0 / 21

HEX #2A4DC9

RGB 42 77 201

HSL 226.79, 0.65%, 0.48%

LAB 37.87, 32.8, -67.78

 

CMYK 79 / 10 / 0 / 21

HEX #2AB5C9

RGB 42 181 201

HSL 187.55, 0.65%, 0.48%

LAB 67.84, -28.61, -20.38

 

CMYK 79 / 10 / 0 / 1

HEX #35E3FC

RGB 53 227 252

HSL 187.54, 0.97%, 0.6%

LAB 83.3, -34, -24.33

 

CMYK 79 / 10 / 0 / 81

HEX #0A2B30

RGB 10 43 48

HSL 187.89, 0.66%, 0.11%

LAB 15.52, -9.81, -6.75

 

CMYK 79 / 10 / 0 / 61

HEX #155963

RGB 21 89 99

HSL 187.69, 0.65%, 0.24%

LAB 34.41, -16.71, -11.74

 

CMYK 79 / 10 / 0 / 41

HEX #1F8796

RGB 31 135 150

HSL 187.56, 0.66%, 0.35%

LAB 51.63, -22.93, -16.23

 

CMYK 79 / 10 / 0 / 21

HEX #2AB5C9

RGB 42 181 201

HSL 187.55, 0.65%, 0.48%

LAB 67.84, -28.61, -20.38

 

CMYK 54 / 79 / 0 / 21

HEX #5D2AC9

RGB 93 42 201

HSL 259.25, 0.65%, 0.48%

LAB 34.4, 58.19, -73.35

 

CMYK 0 / 22 / 79 / 21

HEX #C99C2A

RGB 201 156 42

HSL 43.02, 0.65%, 0.48%

LAB 66.8, 6.2, 61.54

 

CMYK 79 / 10 / 0 / 21

HEX #2AB5C9

RGB 42 181 201

HSL 187.55, 0.65%, 0.48%

LAB 67.84, -28.61, -20.38

 

CMYK 0 / 79 / 9 / 21

HEX #C92AB7

RGB 201 42 183

HSL 306.79, 0.65%, 0.48%

LAB 48.87, 73.42, -38.67

 

CMYK 9 / 0 / 79 / 21

HEX #B7C92A

RGB 183 201 42

HSL 66.79, 0.65%, 0.48%

LAB 77.29, -24.81, 70.37

 

CMYK 79 / 10 / 0 / 21

HEX #2AB5C9

RGB 42 181 201

HSL 187.55, 0.65%, 0.48%

LAB 67.84, -28.61, -20.38

 

CMYK 54 / 79 / 0 / 21

HEX #5D2AC9

RGB 93 42 201

HSL 259.25, 0.65%, 0.48%

LAB 34.4, 58.19, -73.35

 

CMYK 0 / 70 / 79 / 21

HEX #C93D2A

RGB 201 61 42

HSL 7.17, 0.65%, 0.48%

LAB 46.87, 54.3, 42.56

 

CMYK 25 / 0 / 79 / 21

HEX #97C92A

RGB 151 201 42

HSL 78.87, 0.65%, 0.48%

LAB 75.15, -37.73, 67.65

 

CMYK 79 / 10 / 0 / 21

HEX #2AB5C9

RGB 42 181 201

HSL 187.55, 0.65%, 0.48%

LAB 67.84, -28.61, -20.38

 

CMYK 30 / 79 / 0 / 21

HEX #8C2AC9

RGB 140 42 201

HSL 276.98, 0.65%, 0.48%

LAB 40.33, 65.07, -63.41

 

CMYK 0 / 70 / 79 / 21

HEX #C93D2A

RGB 201 61 42

HSL 7.17, 0.65%, 0.48%

LAB 46.87, 54.3, 42.56

 

CMYK 49 / 0 / 79 / 21

HEX #67C92A

RGB 103 201 42

HSL 96.98, 0.65%, 0.48%

LAB 72.78, -54.38, 64.59

 

Description

Color code: CMYK 79 / 10 / 0 / 21 | qconv.com Color code: CMYK 79 / 10 / 0 / 21 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 42 red, 181 green and 201 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
42 181 201 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 79 cyan, 10 magenta, none yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
79% 10% 0% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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