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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BFE86A it is the complementary color #401795. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BFE86A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BFE86A shade: #C4E865, #D5FA78, #E6FF8B, #F7FF9E and #FFFFB1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BFE86A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BFE86A shade: #BFE86A, #AED657, #9DC444, #8CB231 and #7BA01E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BFE86A shade: #BEE869, #E1E869, #E8CD69, #E8AA69 and #E88869

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BFE86A shade: #BEE869, #9CE869, #7AE869, #69E87A and #69E89C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BFE86A shade matches the following richer shades: #BEE869 and #C3F65B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BFE86A shade: #BEE869, #BADA77, #B5CC85, #B0BE93 and #ABAFA1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BFE86A shade: #E8CC69, #E1E869, #C0E869, #9EE869 and #7CE869

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BFE86A shade: #9FDC22, #AFE245, #BEE869, #CEED8D and #DDF3B0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BFE86A shade: #BFE86A, #69E8AA and #DD69E8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BFE86A shade: #BFE86A, #69C0E8 and #E869C0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BFE86A shade: #BFE86A, #69E8AA, #9169E8 and #E869A6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BFE86A shade: #BFE86A, #69E8D0, #9169E8 and #E86980

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 0 / 54 / 9

HEX #BFE86A

RGB 191 232 106

HSL 79.52, 0.73%, 0.66%

LAB 86.91, -32.19, 56.08

 

Complementary color

CMYK 57 / 85 / 0 / 42

HEX #401795

RGB 64 23 149

HSL 259.52, 0.73%, 0.34%

LAB 23.25, 48.54, -60.67

 

CMYK 16 / 0 / 56 / 9

HEX #C4E865

RGB 196 232 101

HSL 76.49, 0.74%, 0.65%

LAB 87.19, -30.73, 58.7

 

CMYK 15 / 0 / 52 / 2

HEX #D5FA78

RGB 213 250 120

HSL 77.08, 0.93%, 0.73%

LAB 93.4, -30.98, 57.71

 

CMYK 10 / 0 / 45 / 0

HEX #E6FF8B

RGB 230 255 139

HSL 72.93, 1%, 0.77%

LAB 96.08, -25.11, 52.45

 

CMYK 3 / 0 / 38 / 0

HEX #F7FF9E

RGB 247 255 158

HSL 64.95, 1%, 0.81%

LAB 97.54, -16.73, 45.45

 

CMYK 0 / 0 / 31 / 0

HEX #FFFFB1

RGB 255 255 177

HSL 60, 1%, 0.85%

LAB 98.41, -11.56, 37.37

 

CMYK 18 / 0 / 54 / 9

HEX #BFE86A

RGB 191 232 106

HSL 79.52, 0.73%, 0.66%

LAB 86.91, -32.19, 56.08

 

CMYK 19 / 0 / 59 / 16

HEX #AED657

RGB 174 214 87

HSL 78.9, 0.61%, 0.59%

LAB 80.62, -31.95, 57.04

 

CMYK 20 / 0 / 65 / 23

HEX #9DC444

RGB 157 196 68

HSL 78.28, 0.52%, 0.52%

LAB 74.23, -31.61, 57.79

 

CMYK 21 / 0 / 72 / 30

HEX #8CB231

RGB 140 178 49

HSL 77.67, 0.57%, 0.45%

LAB 67.75, -31.15, 58.15

 

CMYK 23 / 0 / 81 / 37

HEX #7BA01E

RGB 123 160 30

HSL 77.08, 0.68%, 0.37%

LAB 61.17, -30.5, 57.78

 

CMYK 18 / 0 / 55 / 9

HEX #BEE869

RGB 190 232 105

HSL 79.84, 0.73%, 0.66%

LAB 86.84, -32.66, 56.43

 

CMYK 3 / 0 / 55 / 9

HEX #E1E869

RGB 225 232 105

HSL 63.31, 0.73%, 0.66%

LAB 89.27, -19.06, 59.86

 

CMYK 0 / 12 / 55 / 9

HEX #E8CD69

RGB 232 205 105

HSL 47.24, 0.73%, 0.66%

LAB 82.83, -2.71, 52.57

 

CMYK 0 / 27 / 55 / 9

HEX #E8AA69

RGB 232 170 105

HSL 30.71, 0.73%, 0.66%

LAB 74.14, 15.63, 42.15

 

CMYK 0 / 41 / 55 / 9

HEX #E88869

RGB 232 136 105

HSL 14.65, 0.73%, 0.66%

LAB 66.35, 33.66, 32.39

 

CMYK 18 / 0 / 55 / 9

HEX #BEE869

RGB 190 232 105

HSL 79.84, 0.73%, 0.66%

LAB 86.84, -32.66, 56.43

 

CMYK 33 / 0 / 55 / 9

HEX #9CE869

RGB 156 232 105

HSL 95.91, 0.73%, 0.66%

LAB 84.89, -44.86, 53.67

 

CMYK 47 / 0 / 55 / 9

HEX #7AE869

RGB 122 232 105

HSL 111.97, 0.73%, 0.66%

LAB 83.37, -55.42, 51.5

 

CMYK 55 / 0 / 47 / 9

HEX #69E87A

RGB 105 232 122

HSL 128.03, 0.73%, 0.66%

LAB 82.98, -57.66, 42.88

 

CMYK 55 / 0 / 33 / 9

HEX #69E89C

RGB 105 232 156

HSL 144.09, 0.73%, 0.66%

LAB 83.5, -52.08, 26.56

 

CMYK 18 / 0 / 55 / 9

HEX #BEE869

RGB 190 232 105

HSL 79.84, 0.73%, 0.66%

LAB 86.84, -32.66, 56.43

 

CMYK 21 / 0 / 63 / 4

HEX #C3F65B

RGB 195 246 91

HSL 79.74, 0.9%, 0.66%

LAB 90.9, -38.28, 66.99

 

CMYK 18 / 0 / 55 / 9

HEX #BEE869

RGB 190 232 105

HSL 79.84, 0.73%, 0.66%

LAB 86.84, -32.66, 56.43

 

CMYK 15 / 0 / 45 / 15

HEX #BADA77

RGB 186 218 119

HSL 79.39, 0.57%, 0.66%

LAB 82.87, -26.19, 45.06

 

CMYK 11 / 0 / 35 / 20

HEX #B5CC85

RGB 181 204 133

HSL 79.44, 0.41%, 0.66%

LAB 78.87, -19.56, 32.87

 

CMYK 7 / 0 / 23 / 25

HEX #B0BE93

RGB 176 190 147

HSL 79.53, 0.25%, 0.66%

LAB 74.93, -12.35, 20.15

 

CMYK 2 / 0 / 8 / 31

HEX #ABAFA1

RGB 171 175 161

HSL 77.14, 0.08%, 0.66%

LAB 70.8, -3.98, 6.68

 

CMYK 0 / 12 / 55 / 9

HEX #E8CC69

RGB 232 204 105

HSL 46.77, 0.73%, 0.66%

LAB 82.57, -2.2, 52.27

 

CMYK 3 / 0 / 55 / 9

HEX #E1E869

RGB 225 232 105

HSL 63.31, 0.73%, 0.66%

LAB 89.27, -19.06, 59.86

 

CMYK 17 / 0 / 55 / 9

HEX #C0E869

RGB 192 232 105

HSL 78.9, 0.73%, 0.66%

LAB 86.97, -31.91, 56.61

 

CMYK 32 / 0 / 55 / 9

HEX #9EE869

RGB 158 232 105

HSL 94.96, 0.73%, 0.66%

LAB 85, -44.18, 53.82

 

CMYK 47 / 0 / 55 / 9

HEX #7CE869

RGB 124 232 105

HSL 111.02, 0.73%, 0.66%

LAB 83.45, -54.86, 51.61

 

CMYK 28 / 0 / 85 / 14

HEX #9FDC22

RGB 159 220 34

HSL 79.68, 0.73%, 0.5%

LAB 81.11, -43.33, 75.08

 

CMYK 23 / 0 / 69 / 11

HEX #AFE245

RGB 175 226 69

HSL 79.49, 0.73%, 0.58%

LAB 83.93, -38.32, 67.76

 

CMYK 18 / 0 / 55 / 9

HEX #BEE869

RGB 190 232 105

HSL 79.84, 0.73%, 0.66%

LAB 86.84, -32.66, 56.43

 

CMYK 13 / 0 / 41 / 7

HEX #CEED8D

RGB 206 237 141

HSL 79.38, 0.73%, 0.74%

LAB 89.68, -25.3, 43.14

 

CMYK 9 / 0 / 28 / 5

HEX #DDF3B0

RGB 221 243 176

HSL 79.7, 0.74%, 0.82%

LAB 92.84, -18.25, 29.99

 

CMYK 18 / 0 / 54 / 9

HEX #BFE86A

RGB 191 232 106

HSL 79.52, 0.73%, 0.66%

LAB 86.91, -32.19, 56.08

 

CMYK 55 / 0 / 27 / 9

HEX #69E8AA

RGB 105 232 170

HSL 150.71, 0.73%, 0.66%

LAB 83.77, -49.38, 19.69

 

CMYK 5 / 55 / 0 / 9

HEX #DD69E8

RGB 221 105 232

HSL 294.8, 0.73%, 0.66%

LAB 62.76, 62.62, -44.51

 

CMYK 18 / 0 / 54 / 9

HEX #BFE86A

RGB 191 232 106

HSL 79.52, 0.73%, 0.66%

LAB 86.91, -32.19, 56.08

 

CMYK 55 / 17 / 0 / 9

HEX #69C0E8

RGB 105 192 232

HSL 198.9, 0.73%, 0.66%

LAB 73.89, -15.14, -27.91

 

CMYK 0 / 55 / 17 / 9

HEX #E869C0

RGB 232 105 192

HSL 318.9, 0.73%, 0.66%

LAB 62.56, 59.11, -22.21

 

CMYK 18 / 0 / 54 / 9

HEX #BFE86A

RGB 191 232 106

HSL 79.52, 0.73%, 0.66%

LAB 86.91, -32.19, 56.08

 

CMYK 55 / 0 / 27 / 9

HEX #69E8AA

RGB 105 232 170

HSL 150.71, 0.73%, 0.66%

LAB 83.77, -49.38, 19.69

 

CMYK 38 / 55 / 0 / 9

HEX #9169E8

RGB 145 105 232

HSL 258.9, 0.73%, 0.66%

LAB 53.97, 43.65, -59.02

 

CMYK 0 / 55 / 28 / 9

HEX #E869A6

RGB 232 105 166

HSL 331.18, 0.73%, 0.66%

LAB 61.66, 55.55, -8.72

 

CMYK 18 / 0 / 54 / 9

HEX #BFE86A

RGB 191 232 106

HSL 79.52, 0.73%, 0.66%

LAB 86.91, -32.19, 56.08

 

CMYK 55 / 0 / 10 / 9

HEX #69E8D0

RGB 105 232 208

HSL 168.66, 0.73%, 0.66%

LAB 84.62, -40.96, 1

 

CMYK 38 / 55 / 0 / 9

HEX #9169E8

RGB 145 105 232

HSL 258.9, 0.73%, 0.66%

LAB 53.97, 43.65, -59.02

 

CMYK 0 / 55 / 45 / 9

HEX #E86980

RGB 232 105 128

HSL 349.13, 0.73%, 0.66%

LAB 60.62, 51.26, 11.7

 

Description

Color code: HEX #BFE86A | qconv.com Color code: HEX #BFE86A | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 191 red, 232 green and 106 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
191 232 106 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, none magenta, 54 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 0% 54% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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