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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #69E8AA it is the complementary color #961755. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #69E8AA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #69E8AA shade: #6EE8A5, #7FFAB8, #90FFCB, #A1FFDE and #B2FFF1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #69E8AA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #69E8AA shade: #69E8AA, #58D697, #47C484, #36B271 and #25A05E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #69E8AA shade: #69E8AA, #69E888, #6CE869, #8FE869 and #B1E869

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #69E8AA shade: #69E8AA, #69E8CC, #69E1E8, #69BFE8 and #699DE8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #69E8AA shade matches the following richer shades: #69E8AA and #5BF6AA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #69E8AA shade: #69E8AA, #77DAA9, #85CCA9, #93BEA9 and #A1AFA8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #69E8AA shade: #6DE869, #69E887, #69E8A8, #69E8CA and #69E3E8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #69E8AA shade: #22DC81, #45E296, #69E8AA, #8DEDBE and #B0F3D2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #69E8AA shade: #69E8AA, #698FE8 and #E87669

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #69E8AA shade: #69E8AA, #A869E8 and #E8A869

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #69E8AA shade: #69E8AA, #698FE8, #E869A8 and #E8C269

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #69E8AA shade: #69E8AA, #6969E8, #E869A8 and #E8E869

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 0 / 27 / 9

HEX #69E8AA

RGB 105 232 170

HSL 150.71, 0.73%, 0.66%

LAB 83.77, -49.38, 19.69

 

Complementary color

CMYK 0 / 85 / 43 / 41

HEX #961755

RGB 150 23 85

HSL 330.71, 0.73%, 0.34%

LAB 33.46, 54.11, -2.88

 

CMYK 53 / 0 / 29 / 9

HEX #6EE8A5

RGB 110 232 165

HSL 147.05, 0.73%, 0.67%

LAB 83.83, -49.24, 22.4

 

CMYK 49 / 0 / 26 / 2

HEX #7FFAB8

RGB 127 250 184

HSL 147.8, 0.92%, 0.74%

LAB 90.02, -49.12, 21.26

 

CMYK 44 / 0 / 20 / 0

HEX #90FFCB

RGB 144 255 203

HSL 151.89, 1%, 0.78%

LAB 92.47, -43.34, 15.04

 

CMYK 37 / 0 / 13 / 0

HEX #A1FFDE

RGB 161 255 222

HSL 158.94, 1%, 0.82%

LAB 93.61, -35.03, 6.99

 

CMYK 30 / 0 / 5 / 0

HEX #B2FFF1

RGB 178 255 241

HSL 169.09, 1%, 0.85%

LAB 94.88, -26.41, -0.86

 

CMYK 55 / 0 / 27 / 9

HEX #69E8AA

RGB 105 232 170

HSL 150.71, 0.73%, 0.66%

LAB 83.77, -49.38, 19.69

 

CMYK 59 / 0 / 29 / 16

HEX #58D697

RGB 88 214 151

HSL 150, 0.61%, 0.59%

LAB 77.52, -49.37, 20.9

 

CMYK 64 / 0 / 33 / 23

HEX #47C484

RGB 71 196 132

HSL 149.28, 0.51%, 0.52%

LAB 71.2, -49.22, 22.22

 

CMYK 70 / 0 / 37 / 30

HEX #36B271

RGB 54 178 113

HSL 148.55, 0.53%, 0.45%

LAB 64.82, -48.88, 23.65

 

CMYK 77 / 0 / 41 / 37

HEX #25A05E

RGB 37 160 94

HSL 147.8, 0.62%, 0.39%

LAB 58.36, -48.21, 25.23

 

CMYK 55 / 0 / 27 / 9

HEX #69E8AA

RGB 105 232 170

HSL 150.71, 0.73%, 0.66%

LAB 83.77, -49.38, 19.69

 

CMYK 55 / 0 / 41 / 9

HEX #69E888

RGB 105 232 136

HSL 134.65, 0.73%, 0.66%

LAB 83.18, -55.53, 36.25

 

CMYK 53 / 0 / 55 / 9

HEX #6CE869

RGB 108 232 105

HSL 118.58, 0.73%, 0.66%

LAB 82.87, -59.16, 50.78

 

CMYK 38 / 0 / 55 / 9

HEX #8FE869

RGB 143 232 105

HSL 102.05, 0.73%, 0.66%

LAB 84.26, -49.12, 52.77

 

CMYK 24 / 0 / 55 / 9

HEX #B1E869

RGB 177 232 105

HSL 85.98, 0.73%, 0.66%

LAB 86.05, -37.48, 55.31

 

CMYK 55 / 0 / 27 / 9

HEX #69E8AA

RGB 105 232 170

HSL 150.71, 0.73%, 0.66%

LAB 83.77, -49.38, 19.69

 

CMYK 55 / 0 / 12 / 9

HEX #69E8CC

RGB 105 232 204

HSL 166.77, 0.73%, 0.66%

LAB 84.52, -41.92, 2.96

 

CMYK 55 / 3 / 0 / 9

HEX #69E1E8

RGB 105 225 232

HSL 183.31, 0.73%, 0.66%

LAB 83.27, -31.63, -13.68

 

CMYK 55 / 18 / 0 / 9

HEX #69BFE8

RGB 105 191 232

HSL 199.37, 0.73%, 0.66%

LAB 73.6, -14.61, -28.34

 

CMYK 55 / 32 / 0 / 9

HEX #699DE8

RGB 105 157 232

HSL 215.43, 0.73%, 0.66%

LAB 64.12, 4.13, -43.08

 

CMYK 55 / 0 / 27 / 9

HEX #69E8AA

RGB 105 232 170

HSL 150.71, 0.73%, 0.66%

LAB 83.77, -49.38, 19.69

 

CMYK 63 / 0 / 31 / 4

HEX #5BF6AA

RGB 91 246 170

HSL 150.58, 0.9%, 0.66%

LAB 87.5, -57.81, 24.78

 

CMYK 55 / 0 / 27 / 9

HEX #69E8AA

RGB 105 232 170

HSL 150.71, 0.73%, 0.66%

LAB 83.77, -49.38, 19.69

 

CMYK 45 / 0 / 22 / 15

HEX #77DAA9

RGB 119 218 169

HSL 150.3, 0.57%, 0.66%

LAB 80.14, -40.2, 15.23

 

CMYK 35 / 0 / 17 / 20

HEX #85CCA9

RGB 133 204 169

HSL 150.42, 0.41%, 0.66%

LAB 76.7, -29.86, 10.46

 

CMYK 23 / 0 / 11 / 25

HEX #93BEA9

RGB 147 190 169

HSL 150.7, 0.25%, 0.66%

LAB 73.48, -18.61, 5.95

 

CMYK 8 / 0 / 4 / 31

HEX #A1AFA8

RGB 161 175 168

HSL 150, 0.08%, 0.66%

LAB 70.22, -6.24, 1.9

 

CMYK 53 / 0 / 55 / 9

HEX #6DE869

RGB 109 232 105

HSL 118.11, 0.73%, 0.66%

LAB 82.91, -58.9, 50.83

 

CMYK 55 / 0 / 42 / 9

HEX #69E887

RGB 105 232 135

HSL 134.17, 0.73%, 0.66%

LAB 83.16, -55.69, 36.73

 

CMYK 55 / 0 / 28 / 9

HEX #69E8A8

RGB 105 232 168

HSL 149.76, 0.73%, 0.66%

LAB 83.73, -49.78, 20.68

 

CMYK 55 / 0 / 13 / 9

HEX #69E8CA

RGB 105 232 202

HSL 165.83, 0.73%, 0.66%

LAB 84.47, -42.39, 3.94

 

CMYK 55 / 2 / 0 / 9

HEX #69E3E8

RGB 105 227 232

HSL 182.36, 0.73%, 0.66%

LAB 83.84, -32.58, -12.82

 

CMYK 85 / 0 / 41 / 14

HEX #22DC81

RGB 34 220 129

HSL 150.65, 0.73%, 0.5%

LAB 77.94, -63.67, 32.66

 

CMYK 69 / 0 / 34 / 11

HEX #45E296

RGB 69 226 150

HSL 150.96, 0.73%, 0.58%

LAB 80.66, -57.73, 25.64

 

CMYK 55 / 0 / 27 / 9

HEX #69E8AA

RGB 105 232 170

HSL 150.71, 0.73%, 0.66%

LAB 83.77, -49.38, 19.69

 

CMYK 41 / 0 / 20 / 7

HEX #8DEDBE

RGB 141 237 190

HSL 150.63, 0.73%, 0.74%

LAB 86.97, -38.71, 13.98

 

CMYK 28 / 0 / 14 / 5

HEX #B0F3D2

RGB 176 243 210

HSL 150.45, 0.74%, 0.82%

LAB 90.77, -27.56, 9.22

 

CMYK 55 / 0 / 27 / 9

HEX #69E8AA

RGB 105 232 170

HSL 150.71, 0.73%, 0.66%

LAB 83.77, -49.38, 19.69

 

CMYK 55 / 38 / 0 / 9

HEX #698FE8

RGB 105 143 232

HSL 222.05, 0.73%, 0.66%

LAB 60.31, 12.3, -49.08

 

CMYK 0 / 49 / 55 / 9

HEX #E87669

RGB 232 118 105

HSL 6.14, 0.73%, 0.66%

LAB 62.62, 42.89, 27.55

 

CMYK 55 / 0 / 27 / 9

HEX #69E8AA

RGB 105 232 170

HSL 150.71, 0.73%, 0.66%

LAB 83.77, -49.38, 19.69

 

CMYK 28 / 55 / 0 / 9

HEX #A869E8

RGB 168 105 232

HSL 269.76, 0.73%, 0.66%

LAB 56.34, 49.16, -55.1

 

CMYK 0 / 28 / 55 / 9

HEX #E8A869

RGB 232 168 105

HSL 29.76, 0.73%, 0.66%

LAB 73.66, 16.69, 41.56

 

CMYK 55 / 0 / 27 / 9

HEX #69E8AA

RGB 105 232 170

HSL 150.71, 0.73%, 0.66%

LAB 83.77, -49.38, 19.69

 

CMYK 55 / 38 / 0 / 9

HEX #698FE8

RGB 105 143 232

HSL 222.05, 0.73%, 0.66%

LAB 60.31, 12.3, -49.08

 

CMYK 0 / 55 / 28 / 9

HEX #E869A8

RGB 232 105 168

HSL 330.24, 0.73%, 0.66%

LAB 61.73, 55.81, -9.77

 

CMYK 0 / 16 / 55 / 9

HEX #E8C269

RGB 232 194 105

HSL 42.05, 0.73%, 0.66%

LAB 80.04, 2.98, 49.28

 

CMYK 55 / 0 / 27 / 9

HEX #69E8AA

RGB 105 232 170

HSL 150.71, 0.73%, 0.66%

LAB 83.77, -49.38, 19.69

 

CMYK 55 / 55 / 0 / 9

HEX #6969E8

RGB 105 105 232

HSL 240, 0.73%, 0.66%

LAB 50.61, 35.13, -64.61

 

CMYK 0 / 55 / 28 / 9

HEX #E869A8

RGB 232 105 168

HSL 330.24, 0.73%, 0.66%

LAB 61.73, 55.81, -9.77

 

CMYK 0 / 0 / 55 / 9

HEX #E8E869

RGB 232 232 105

HSL 60, 0.73%, 0.66%

LAB 89.81, -16.26, 60.61

 

Description

Color code: HEX #69E8AA | qconv.com Color code: HEX #69E8AA | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 105 red, 232 green and 170 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
105 232 170 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, none magenta, 27 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 0% 27% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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