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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BFCE39 it is the complementary color #4031C6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BFCE39. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BFCE39 shade: #C4CE34, #D5E047, #E6F25A, #F7FF6D and #FFFF80

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BFCE39. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BFCE39 shade: #BFCE39, #AEBC26, #9DAA13, #8C9800 and #7B8600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BFCE39 shade: #BFCE3B, #CEB53B, #CE8E3B, #CE663B and #CE3E3B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BFCE39 shade: #BFCE3B, #98CE3B, #70CE3B, #48CE3B and #3BCE56

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BFCE39 shade matches the following richer shades: #BFCE3B, #CFE227 and #DFF614

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BFCE39 shade: #BFCE3B, #AFBA4F, #A0A663, #909377 and #807F8A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BFCE39 shade: #CE8E3B, #CEB63B, #BFCE3B, #98CE3B and #71CE3B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BFCE39 shade: #879225, #A6B32D, #BFCE3B, #CAD65C and #D5DF7D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BFCE39 shade: #BFCE39, #3BCE67 and #A23BCE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BFCE39 shade: #BFCE39, #3BBFCE and #CE3BBF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BFCE39 shade: #BFCE39, #3BCE67, #4A3BCE and #CE3BA2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BFCE39 shade: #BFCE39, #3BCE93, #4A3BCE and #CE3B76

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 0 / 72 / 19

HEX #BFCE39

RGB 191 206 57

HSL 66.04, 0.6%, 0.52%

LAB 79.34, -23.28, 67.82

 

Complementary color

CMYK 68 / 75 / 0 / 22

HEX #4031C6

RGB 64 49 198

HSL 246.04, 0.6%, 0.48%

LAB 32.62, 50.69, -74.62

 

CMYK 5 / 0 / 75 / 19

HEX #C4CE34

RGB 196 206 52

HSL 63.9, 0.61%, 0.51%

LAB 79.69, -21.43, 69.93

 

CMYK 5 / 0 / 68 / 12

HEX #D5E047

RGB 213 224 71

HSL 64.31, 0.71%, 0.58%

LAB 85.96, -22.25, 69.91

 

CMYK 5 / 0 / 63 / 5

HEX #E6F25A

RGB 230 242 90

HSL 64.74, 0.85%, 0.65%

LAB 92.16, -22.93, 69.43

 

CMYK 3 / 0 / 57 / 0

HEX #F7FF6D

RGB 247 255 109

HSL 63.29, 1%, 0.71%

LAB 96.98, -21.13, 67.24

 

CMYK 0 / 0 / 50 / 0

HEX #FFFF80

RGB 255 255 128

HSL 60, 1%, 0.75%

LAB 97.77, -16.54, 59.98

 

CMYK 7 / 0 / 72 / 19

HEX #BFCE39

RGB 191 206 57

HSL 66.04, 0.6%, 0.52%

LAB 79.34, -23.28, 67.82

 

CMYK 7 / 0 / 80 / 26

HEX #AEBC26

RGB 174 188 38

HSL 65.6, 0.66%, 0.44%

LAB 72.96, -22.4, 67.39

 

CMYK 8 / 0 / 89 / 33

HEX #9DAA13

RGB 157 170 19

HSL 65.17, 0.8%, 0.37%

LAB 66.49, -21.32, 65.86

 

CMYK 8 / 0 / 100 / 40

HEX #8C9800

RGB 140 152 0

HSL 64.74, 1%, 0.3%

LAB 59.92, -20.03, 63.06

 

CMYK 8 / 0 / 100 / 47

HEX #7B8600

RGB 123 134 0

HSL 64.93, 1%, 0.26%

LAB 53.23, -18.41, 57.5

 

CMYK 7 / 0 / 71 / 19

HEX #BFCE3B

RGB 191 206 59

HSL 66.12, 0.6%, 0.52%

LAB 79.35, -23.18, 67.14

 

CMYK 0 / 12 / 71 / 19

HEX #CEB53B

RGB 206 181 59

HSL 49.8, 0.6%, 0.52%

LAB 73.86, -4.18, 62.19

 

CMYK 0 / 31 / 71 / 19

HEX #CE8E3B

RGB 206 142 59

HSL 33.88, 0.6%, 0.52%

LAB 63.99, 16.72, 52.19

 

CMYK 0 / 50 / 71 / 19

HEX #CE663B

RGB 206 102 59

HSL 17.55, 0.6%, 0.52%

LAB 55.01, 38.07, 42.57

 

CMYK 0 / 70 / 71 / 19

HEX #CE3E3B

RGB 206 62 59

HSL 1.22, 0.6%, 0.52%

LAB 48.11, 56.21, 34.76

 

CMYK 7 / 0 / 71 / 19

HEX #BFCE3B

RGB 191 206 59

HSL 66.12, 0.6%, 0.52%

LAB 79.35, -23.18, 67.14

 

CMYK 26 / 0 / 71 / 19

HEX #98CE3B

RGB 152 206 59

HSL 82.04, 0.6%, 0.52%

LAB 76.76, -38.7, 63.72

 

CMYK 46 / 0 / 71 / 19

HEX #70CE3B

RGB 112 206 59

HSL 98.37, 0.6%, 0.52%

LAB 74.76, -52.53, 61.06

 

CMYK 65 / 0 / 71 / 19

HEX #48CE3B

RGB 72 206 59

HSL 114.69, 0.6%, 0.52%

LAB 73.44, -62.89, 59.29

 

CMYK 71 / 0 / 58 / 19

HEX #3BCE56

RGB 59 206 86

HSL 131.02, 0.6%, 0.52%

LAB 73.38, -62.54, 47.94

 

CMYK 7 / 0 / 71 / 19

HEX #BFCE3B

RGB 191 206 59

HSL 66.12, 0.6%, 0.52%

LAB 79.35, -23.18, 67.14

 

CMYK 8 / 0 / 83 / 11

HEX #CFE227

RGB 207 226 39

HSL 66.1, 0.76%, 0.52%

LAB 85.91, -26.96, 79.29

 

CMYK 9 / 0 / 92 / 4

HEX #DFF614

RGB 223 246 20

HSL 66.11, 0.93%, 0.52%

LAB 92.42, -30.2, 88.26

 

CMYK 7 / 0 / 71 / 19

HEX #BFCE3B

RGB 191 206 59

HSL 66.12, 0.6%, 0.52%

LAB 79.35, -23.18, 67.14

 

CMYK 6 / 0 / 58 / 27

HEX #AFBA4F

RGB 175 186 79

HSL 66.17, 0.44%, 0.52%

LAB 72.76, -18.65, 51.82

 

CMYK 4 / 0 / 40 / 35

HEX #A0A663

RGB 160 166 99

HSL 65.37, 0.27%, 0.52%

LAB 66.25, -12.64, 33.94

 

CMYK 2 / 0 / 19 / 42

HEX #909377

RGB 144 147 119

HSL 66.43, 0.11%, 0.52%

LAB 60, -6.12, 14.49

 

CMYK 7 / 8 / 0 / 46

HEX #807F8A

RGB 128 127 138

HSL 245.45, 0.04%, 0.52%

LAB 53.6, 2.64, -5.81

 

CMYK 0 / 31 / 71 / 19

HEX #CE8E3B

RGB 206 142 59

HSL 33.88, 0.6%, 0.52%

LAB 63.99, 16.72, 52.19

 

CMYK 0 / 12 / 71 / 19

HEX #CEB63B

RGB 206 182 59

HSL 50.2, 0.6%, 0.52%

LAB 74.12, -4.7, 62.45

 

CMYK 7 / 0 / 71 / 19

HEX #BFCE3B

RGB 191 206 59

HSL 66.12, 0.6%, 0.52%

LAB 79.35, -23.18, 67.14

 

CMYK 26 / 0 / 71 / 19

HEX #98CE3B

RGB 152 206 59

HSL 82.04, 0.6%, 0.52%

LAB 76.76, -38.7, 63.72

 

CMYK 45 / 0 / 71 / 19

HEX #71CE3B

RGB 113 206 59

HSL 97.96, 0.6%, 0.52%

LAB 74.81, -52.22, 61.12

 

CMYK 8 / 0 / 75 / 43

HEX #879225

RGB 135 146 37

HSL 66.06, 0.6%, 0.36%

LAB 57.89, -18.12, 52.78

 

CMYK 7 / 0 / 75 / 30

HEX #A6B32D

RGB 166 179 45

HSL 65.82, 0.6%, 0.44%

LAB 69.85, -21.05, 62.19

 

CMYK 7 / 0 / 71 / 19

HEX #BFCE3B

RGB 191 206 59

HSL 66.12, 0.6%, 0.52%

LAB 79.35, -23.18, 67.14

 

CMYK 6 / 0 / 57 / 16

HEX #CAD65C

RGB 202 214 92

HSL 65.9, 0.6%, 0.6%

LAB 82.61, -20.49, 57.61

 

CMYK 4 / 0 / 44 / 13

HEX #D5DF7D

RGB 213 223 125

HSL 66.12, 0.6%, 0.68%

LAB 86.21, -17.6, 46.7

 

CMYK 7 / 0 / 72 / 19

HEX #BFCE39

RGB 191 206 57

HSL 66.04, 0.6%, 0.52%

LAB 79.34, -23.28, 67.82

 

CMYK 71 / 0 / 50 / 19

HEX #3BCE67

RGB 59 206 103

HSL 137.96, 0.6%, 0.52%

LAB 73.58, -60.2, 40.13

 

CMYK 21 / 71 / 0 / 19

HEX #A23BCE

RGB 162 59 206

HSL 282.04, 0.6%, 0.52%

LAB 46, 63.9, -56.97

 

CMYK 7 / 0 / 72 / 19

HEX #BFCE39

RGB 191 206 57

HSL 66.04, 0.6%, 0.52%

LAB 79.34, -23.28, 67.82

 

CMYK 71 / 7 / 0 / 19

HEX #3BBFCE

RGB 59 191 206

HSL 186.12, 0.6%, 0.52%

LAB 71.32, -30.07, -17.82

 

CMYK 0 / 71 / 7 / 19

HEX #CE3BBF

RGB 206 59 191

HSL 306.12, 0.6%, 0.52%

LAB 51.85, 70.71, -38.58

 

CMYK 7 / 0 / 72 / 19

HEX #BFCE39

RGB 191 206 57

HSL 66.04, 0.6%, 0.52%

LAB 79.34, -23.28, 67.82

 

CMYK 71 / 0 / 50 / 19

HEX #3BCE67

RGB 59 206 103

HSL 137.96, 0.6%, 0.52%

LAB 73.58, -60.2, 40.13

 

CMYK 64 / 71 / 0 / 19

HEX #4A3BCE

RGB 74 59 206

HSL 246.12, 0.6%, 0.52%

LAB 36.06, 48.94, -73.59

 

CMYK 0 / 71 / 21 / 19

HEX #CE3BA2

RGB 206 59 162

HSL 317.96, 0.6%, 0.52%

LAB 50.52, 66.6, -23.67

 

CMYK 7 / 0 / 72 / 19

HEX #BFCE39

RGB 191 206 57

HSL 66.04, 0.6%, 0.52%

LAB 79.34, -23.28, 67.82

 

CMYK 71 / 0 / 29 / 19

HEX #3BCE93

RGB 59 206 147

HSL 155.92, 0.6%, 0.52%

LAB 74.3, -52.09, 18.47

 

CMYK 64 / 71 / 0 / 19

HEX #4A3BCE

RGB 74 59 206

HSL 246.12, 0.6%, 0.52%

LAB 36.06, 48.94, -73.59

 

CMYK 0 / 71 / 43 / 19

HEX #CE3B76

RGB 206 59 118

HSL 335.92, 0.6%, 0.52%

LAB 48.96, 61.54, 0.36

 

Description

Color code: HEX #BFCE39 | qconv.com Color code: HEX #BFCE39 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 191 red, 206 green and 57 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
191 206 57 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, none magenta, 72 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 0% 72% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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