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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 206 142 59 it is the complementary color RGB 49 113 196. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 206 142 59. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 206 142 59 shade: RGB 211 142 54, RGB 228 160 73, RGB 245 178 92, RGB 255 196 111 and RGB 255 214 130

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 206 142 59. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 206 142 59 shade: RGB 206 142 59, RGB 189 124 40, RGB 172 106 21, RGB 155 88 2 and RGB 138 70 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 206 142 59 shade: RGB 206 142 59, RGB 206 102 59, RGB 206 62 59 and RGB 206 59 59

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 206 142 59 shade: RGB 206 142 59, RGB 206 181 59, RGB 190 206 59, RGB 151 206 59 and RGB 111 206 59

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 206 142 59 shade matches the following richer shades: RGB 206 142 59, RGB 225 144 39 and RGB 245 147 19

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 206 142 59 shade: RGB 206 142 59, RGB 186 139 78, RGB 166 136 98, RGB 146 134 118 and RGB 126 131 138

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 206 142 59 shade: RGB 206 61 59, RGB 206 100 59, RGB 206 139 59, RGB 206 179 59 and RGB 193 206 59

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 206 142 59 shade: RGB 146 98 36, RGB 179 120 44, RGB 206 142 59, RGB 214 161 92 and RGB 222 180 125

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 206 142 59 shade: RGB 206 142 59, RGB 95 206 59 and RGB 81 59 206

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 206 142 59 shade: RGB 206 142 59, RGB 59 206 139 and RGB 139 59 206

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 206 142 59 shade: RGB 206 142 59, RGB 95 206 59, RGB 59 125 206 and RGB 169 59 206

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 206 142 59 shade: RGB 206 142 59, RGB 59 206 66, RGB 59 125 206 and RGB 206 59 198

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 31 / 71 / 19

HEX #CE8E3B

RGB 206 142 59

HSL 33.88, 0.6%, 0.52%

LAB 63.99, 16.72, 52.19

 

Complementary color

CMYK 75 / 42 / 0 / 23

HEX #3171C4

RGB 49 113 196

HSL 213.88, 0.6%, 0.48%

LAB 47.56, 8.5, -49.21

 

CMYK 0 / 33 / 74 / 17

HEX #D38E36

RGB 211 142 54

HSL 33.63, 0.64%, 0.52%

LAB 64.53, 18.63, 55.12

 

CMYK 0 / 30 / 68 / 11

HEX #E4A049

RGB 228 160 73

HSL 33.68, 0.74%, 0.59%

LAB 70.95, 17.11, 53.97

 

CMYK 0 / 27 / 62 / 4

HEX #F5B25C

RGB 245 178 92

HSL 33.73, 0.88%, 0.66%

LAB 77.3, 15.8, 52.65

 

CMYK 0 / 23 / 56 / 0

HEX #FFC46F

RGB 255 196 111

HSL 35.42, 1%, 0.72%

LAB 82.85, 11.81, 50.27

 

CMYK 0 / 16 / 49 / 0

HEX #FFD682

RGB 255 214 130

HSL 40.32, 1%, 0.75%

LAB 87.47, 4.08, 46.59

 

CMYK 0 / 31 / 71 / 19

HEX #CE8E3B

RGB 206 142 59

HSL 33.88, 0.6%, 0.52%

LAB 63.99, 16.72, 52.19

 

CMYK 0 / 34 / 79 / 26

HEX #BD7C28

RGB 189 124 40

HSL 33.83, 0.65%, 0.45%

LAB 57.45, 18.36, 53.15

 

CMYK 0 / 38 / 88 / 33

HEX #AC6A15

RGB 172 106 21

HSL 33.77, 0.78%, 0.38%

LAB 50.84, 20.28, 53.35

 

CMYK 0 / 43 / 99 / 39

HEX #9B5802

RGB 155 88 2

HSL 33.73, 0.97%, 0.31%

LAB 44.16, 22.48, 52.28

 

CMYK 0 / 49 / 100 / 46

HEX #8A4600

RGB 138 70 0

HSL 30.43, 1%, 0.27%

LAB 37.45, 25.03, 47.4

 

CMYK 0 / 31 / 71 / 19

HEX #CE8E3B

RGB 206 142 59

HSL 33.88, 0.6%, 0.52%

LAB 63.99, 16.72, 52.19

 

CMYK 0 / 50 / 71 / 19

HEX #CE663B

RGB 206 102 59

HSL 17.55, 0.6%, 0.52%

LAB 55.01, 38.07, 42.57

 

CMYK 0 / 70 / 71 / 19

HEX #CE3E3B

RGB 206 62 59

HSL 1.22, 0.6%, 0.52%

LAB 48.11, 56.21, 34.76

 

CMYK 0 / 71 / 71 / 19

HEX #CE3B3B

RGB 206 59 59

HSL 0, 0.6%, 0.52%

LAB 47.71, 57.32, 34.29

 

CMYK 0 / 31 / 71 / 19

HEX #CE8E3B

RGB 206 142 59

HSL 33.88, 0.6%, 0.52%

LAB 63.99, 16.72, 52.19

 

CMYK 0 / 12 / 71 / 19

HEX #CEB53B

RGB 206 181 59

HSL 49.8, 0.6%, 0.52%

LAB 73.86, -4.18, 62.19

 

CMYK 8 / 0 / 71 / 19

HEX #BECE3B

RGB 190 206 59

HSL 66.53, 0.6%, 0.52%

LAB 79.27, -23.59, 67.04

 

CMYK 27 / 0 / 71 / 19

HEX #97CE3B

RGB 151 206 59

HSL 82.45, 0.6%, 0.52%

LAB 76.7, -39.08, 63.65

 

CMYK 46 / 0 / 71 / 19

HEX #6FCE3B

RGB 111 206 59

HSL 98.78, 0.6%, 0.52%

LAB 74.72, -52.84, 61.01

 

CMYK 0 / 31 / 71 / 19

HEX #CE8E3B

RGB 206 142 59

HSL 33.88, 0.6%, 0.52%

LAB 63.99, 16.72, 52.19

 

CMYK 0 / 36 / 83 / 12

HEX #E19027

RGB 225 144 39

HSL 33.87, 0.76%, 0.52%

LAB 66.6, 22.97, 63.43

 

CMYK 0 / 40 / 92 / 4

HEX #F59313

RGB 245 147 19

HSL 33.98, 0.92%, 0.52%

LAB 69.7, 29.34, 72.25

 

CMYK 0 / 31 / 71 / 19

HEX #CE8E3B

RGB 206 142 59

HSL 33.88, 0.6%, 0.52%

LAB 63.99, 16.72, 52.19

 

CMYK 0 / 25 / 58 / 27

HEX #BA8B4E

RGB 186 139 78

HSL 33.89, 0.44%, 0.52%

LAB 61.18, 10.97, 39.18

 

CMYK 0 / 18 / 41 / 35

HEX #A68862

RGB 166 136 98

HSL 33.53, 0.28%, 0.52%

LAB 58.6, 6.05, 24.69

 

CMYK 0 / 8 / 19 / 43

HEX #928676

RGB 146 134 118

HSL 34.29, 0.11%, 0.52%

LAB 56.55, 1.75, 10.25

 

CMYK 9 / 5 / 0 / 46

HEX #7E838A

RGB 126 131 138

HSL 215, 0.05%, 0.52%

LAB 54.56, -0.38, -4.41

 

CMYK 0 / 70 / 71 / 19

HEX #CE3D3B

RGB 206 61 59

HSL 0.82, 0.6%, 0.52%

LAB 47.98, 56.59, 34.6

 

CMYK 0 / 51 / 71 / 19

HEX #CE643B

RGB 206 100 59

HSL 16.73, 0.6%, 0.52%

LAB 54.61, 39.09, 42.13

 

CMYK 0 / 33 / 71 / 19

HEX #CE8B3B

RGB 206 139 59

HSL 32.65, 0.6%, 0.52%

LAB 63.26, 18.35, 51.43

 

CMYK 0 / 13 / 71 / 19

HEX #CEB33B

RGB 206 179 59

HSL 48.98, 0.6%, 0.52%

LAB 73.34, -3.14, 61.67

 

CMYK 6 / 0 / 71 / 19

HEX #C1CE3B

RGB 193 206 59

HSL 65.31, 0.6%, 0.52%

LAB 79.5, -22.35, 67.34

 

CMYK 0 / 33 / 75 / 43

HEX #926224

RGB 146 98 36

HSL 33.82, 0.6%, 0.36%

LAB 45.6, 13.64, 41.5

 

CMYK 0 / 33 / 75 / 30

HEX #B3782C

RGB 179 120 44

HSL 33.78, 0.61%, 0.44%

LAB 55.28, 16.35, 48.95

 

CMYK 0 / 31 / 71 / 19

HEX #CE8E3B

RGB 206 142 59

HSL 33.88, 0.6%, 0.52%

LAB 63.99, 16.72, 52.19

 

CMYK 0 / 25 / 57 / 16

HEX #D6A15C

RGB 214 161 92

HSL 33.93, 0.6%, 0.6%

LAB 69.87, 11.96, 43.13

 

CMYK 0 / 19 / 44 / 13

HEX #DEB47D

RGB 222 180 125

HSL 34.02, 0.6%, 0.68%

LAB 75.86, 8.09, 33.75

 

CMYK 0 / 31 / 71 / 19

HEX #CE8E3B

RGB 206 142 59

HSL 33.88, 0.6%, 0.52%

LAB 63.99, 16.72, 52.19

 

CMYK 54 / 0 / 71 / 19

HEX #5FCE3B

RGB 95 206 59

HSL 105.31, 0.6%, 0.52%

LAB 74.12, -57.43, 60.2

 

CMYK 61 / 71 / 0 / 19

HEX #513BCE

RGB 81 59 206

HSL 248.98, 0.6%, 0.52%

LAB 36.62, 49.83, -72.65

 

CMYK 0 / 31 / 71 / 19

HEX #CE8E3B

RGB 206 142 59

HSL 33.88, 0.6%, 0.52%

LAB 63.99, 16.72, 52.19

 

CMYK 71 / 0 / 33 / 19

HEX #3BCE8B

RGB 59 206 139

HSL 152.65, 0.6%, 0.52%

LAB 74.15, -53.78, 22.48

 

CMYK 33 / 71 / 0 / 19

HEX #8B3BCE

RGB 139 59 206

HSL 272.65, 0.6%, 0.52%

LAB 42.87, 59.4, -62.18

 

CMYK 0 / 31 / 71 / 19

HEX #CE8E3B

RGB 206 142 59

HSL 33.88, 0.6%, 0.52%

LAB 63.99, 16.72, 52.19

 

CMYK 54 / 0 / 71 / 19

HEX #5FCE3B

RGB 95 206 59

HSL 105.31, 0.6%, 0.52%

LAB 74.12, -57.43, 60.2

 

CMYK 71 / 39 / 0 / 19

HEX #3B7DCE

RGB 59 125 206

HSL 213.06, 0.6%, 0.52%

LAB 51.9, 6.1, -47.98

 

CMYK 18 / 71 / 0 / 19

HEX #A93BCE

RGB 169 59 206

HSL 284.9, 0.6%, 0.52%

LAB 47, 65.31, -55.31

 

CMYK 0 / 31 / 71 / 19

HEX #CE8E3B

RGB 206 142 59

HSL 33.88, 0.6%, 0.52%

LAB 63.99, 16.72, 52.19

 

CMYK 71 / 0 / 68 / 19

HEX #3BCE42

RGB 59 206 66

HSL 122.86, 0.6%, 0.52%

LAB 73.2, -64.72, 56.28

 

CMYK 71 / 39 / 0 / 19

HEX #3B7DCE

RGB 59 125 206

HSL 213.06, 0.6%, 0.52%

LAB 51.9, 6.1, -47.98

 

CMYK 0 / 71 / 4 / 19

HEX #CE3BC6

RGB 206 59 198

HSL 303.27, 0.6%, 0.52%

LAB 52.2, 71.79, -42.06

 

Description

Color code: RGB 206 142 59 | qconv.com Color code: RGB 206 142 59 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 142 green and 59 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 142 59 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 31 magenta, 71 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 31% 71% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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