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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BFC348 it is the complementary color #403CB7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BFC348. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BFC348 shade: #C4C343, #D5D556, #E6E769, #F7F97C and #FFFF8F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BFC348. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BFC348 shade: #BFC348, #AEB135, #9D9F22, #8C8D0F and #7B7B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BFC348 shade: #BFC346, #C3A546, #C38446, #C36246 and #C34646

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BFC348 shade: #BFC346, #9DC346, #7CC346, #5AC346 and #46C354

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BFC348 shade matches the following richer shades: #BFC346, #D1D732, #E4EB1F and #F7FE0B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BFC348 shade: #BFC346, #ACAF5A, #9A9B6E, #878882 and #757495

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BFC348 shade: #C38346, #C3A446, #C1C346, #A0C346 and #7EC346

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BFC348 shade: #878A2D, #A5A937, #BFC346, #CACD65 and #D5D784

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BFC348 shade: #BFC348, #46C361 and #9346C3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BFC348 shade: #BFC348, #46C1C3 and #C346C1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BFC348 shade: #BFC348, #46C361, #4846C3 and #C346A8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BFC348 shade: #BFC348, #46C387, #4846C3 and #C34683

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 0 / 63 / 24

HEX #BFC348

RGB 191 195 72

HSL 61.95, 0.51%, 0.52%

LAB 76.42, -17.01, 59.2

 

Complementary color

CMYK 65 / 67 / 0 / 28

HEX #403CB7

RGB 64 60 183

HSL 241.95, 0.51%, 0.48%

LAB 33.44, 39.66, -64.45

 

CMYK 0 / 1 / 66 / 23

HEX #C4C343

RGB 196 195 67

HSL 59.53, 0.52%, 0.52%

LAB 76.78, -15.22, 61.73

 

CMYK 0 / 0 / 60 / 16

HEX #D5D556

RGB 213 213 86

HSL 60, 0.6%, 0.59%

LAB 83.13, -15.96, 61.02

 

CMYK 0 / 0 / 55 / 9

HEX #E6E769

RGB 230 231 105

HSL 60.48, 0.72%, 0.66%

LAB 89.39, -16.58, 60.1

 

CMYK 1 / 0 / 50 / 2

HEX #F7F97C

RGB 247 249 124

HSL 60.96, 0.91%, 0.73%

LAB 95.57, -17.09, 59.06

 

CMYK 0 / 0 / 44 / 0

HEX #FFFF8F

RGB 255 255 143

HSL 60, 1%, 0.78%

LAB 97.94, -15.21, 53.26

 

CMYK 2 / 0 / 63 / 24

HEX #BFC348

RGB 191 195 72

HSL 61.95, 0.51%, 0.52%

LAB 76.42, -17.01, 59.2

 

CMYK 2 / 0 / 70 / 31

HEX #AEB135

RGB 174 177 53

HSL 61.45, 0.54%, 0.45%

LAB 69.97, -16.23, 59.69

 

CMYK 1 / 0 / 79 / 38

HEX #9D9F22

RGB 157 159 34

HSL 60.96, 0.65%, 0.38%

LAB 63.41, -15.26, 59.54

 

CMYK 1 / 0 / 89 / 45

HEX #8C8D0F

RGB 140 141 15

HSL 60.48, 0.81%, 0.31%

LAB 56.74, -14.05, 58.19

 

CMYK 0 / 0 / 100 / 52

HEX #7B7B00

RGB 123 123 0

HSL 60, 1%, 0.24%

LAB 49.95, -12.57, 55.08

 

CMYK 2 / 0 / 64 / 24

HEX #BFC346

RGB 191 195 70

HSL 61.92, 0.51%, 0.52%

LAB 76.4, -17.14, 60.01

 

CMYK 0 / 15 / 64 / 24

HEX #C3A546

RGB 195 165 70

HSL 45.6, 0.51%, 0.52%

LAB 68.72, 0.14, 51.91

 

CMYK 0 / 32 / 64 / 24

HEX #C38446

RGB 195 132 70

HSL 29.76, 0.51%, 0.52%

LAB 60.38, 18.11, 42.6

 

CMYK 0 / 50 / 64 / 24

HEX #C36246

RGB 195 98 70

HSL 13.44, 0.51%, 0.52%

LAB 52.71, 36.46, 33.56

 

CMYK 0 / 64 / 64 / 24

HEX #C34646

RGB 195 70 70

HSL 0, 0.51%, 0.52%

LAB 47.53, 49.92, 27.16

 

CMYK 2 / 0 / 64 / 24

HEX #BFC346

RGB 191 195 70

HSL 61.92, 0.51%, 0.52%

LAB 76.4, -17.14, 60.01

 

CMYK 19 / 0 / 64 / 24

HEX #9DC346

RGB 157 195 70

HSL 78.24, 0.51%, 0.52%

LAB 73.96, -31, 56.68

 

CMYK 36 / 0 / 64 / 24

HEX #7CC346

RGB 124 195 70

HSL 94.08, 0.51%, 0.52%

LAB 72.07, -43.25, 54.08

 

CMYK 54 / 0 / 64 / 24

HEX #5AC346

RGB 90 195 70

HSL 110.4, 0.51%, 0.52%

LAB 70.63, -53.73, 52.09

 

CMYK 64 / 0 / 57 / 24

HEX #46C354

RGB 70 195 84

HSL 126.72, 0.51%, 0.52%

LAB 70.16, -56.92, 45.14

 

CMYK 2 / 0 / 64 / 24

HEX #BFC346

RGB 191 195 70

HSL 61.92, 0.51%, 0.52%

LAB 76.4, -17.14, 60.01

 

CMYK 3 / 0 / 77 / 16

HEX #D1D732

RGB 209 215 50

HSL 62.18, 0.67%, 0.52%

LAB 83.12, -20.48, 74.05

 

CMYK 3 / 0 / 87 / 8

HEX #E4EB1F

RGB 228 235 31

HSL 62.06, 0.84%, 0.52%

LAB 89.86, -22.79, 84.8

 

CMYK 3 / 0 / 96 / 0

HEX #F7FE0B

RGB 247 254 11

HSL 61.73, 0.99%, 0.52%

LAB 96.28, -24.28, 92.81

 

CMYK 2 / 0 / 64 / 24

HEX #BFC346

RGB 191 195 70

HSL 61.92, 0.51%, 0.52%

LAB 76.4, -17.14, 60.01

 

CMYK 2 / 0 / 49 / 31

HEX #ACAF5A

RGB 172 175 90

HSL 62.12, 0.35%, 0.52%

LAB 69.59, -13.33, 42.86

 

CMYK 1 / 0 / 29 / 39

HEX #9A9B6E

RGB 154 155 110

HSL 61.33, 0.18%, 0.52%

LAB 62.88, -7.84, 23.55

 

CMYK 1 / 0 / 4 / 47

HEX #878882

RGB 135 136 130

HSL 70, 0.02%, 0.52%

LAB 56.46, -1.53, 3.08

 

CMYK 21 / 22 / 0 / 42

HEX #757495

RGB 117 116 149

HSL 241.82, 0.13%, 0.52%

LAB 50.03, 7.78, -17.72

 

CMYK 0 / 33 / 64 / 24

HEX #C38346

RGB 195 131 70

HSL 29.28, 0.51%, 0.52%

LAB 60.14, 18.66, 42.32

 

CMYK 0 / 16 / 64 / 24

HEX #C3A446

RGB 195 164 70

HSL 45.12, 0.51%, 0.52%

LAB 68.46, 0.67, 51.63

 

CMYK 1 / 0 / 64 / 24

HEX #C1C346

RGB 193 195 70

HSL 60.96, 0.51%, 0.52%

LAB 76.56, -16.3, 60.22

 

CMYK 18 / 0 / 64 / 24

HEX #A0C346

RGB 160 195 70

HSL 76.8, 0.51%, 0.52%

LAB 74.16, -29.82, 56.95

 

CMYK 35 / 0 / 64 / 24

HEX #7EC346

RGB 126 195 70

HSL 93.12, 0.51%, 0.52%

LAB 72.17, -42.56, 54.22

 

CMYK 2 / 0 / 67 / 46

HEX #878A2D

RGB 135 138 45

HSL 61.94, 0.51%, 0.36%

LAB 55.6, -13.46, 47.38

 

CMYK 2 / 0 / 67 / 34

HEX #A5A937

RGB 165 169 55

HSL 62.11, 0.51%, 0.44%

LAB 67.01, -15.9, 55.73

 

CMYK 2 / 0 / 64 / 24

HEX #BFC346

RGB 191 195 70

HSL 61.92, 0.51%, 0.52%

LAB 76.4, -17.14, 60.01

 

CMYK 1 / 0 / 51 / 20

HEX #CACD65

RGB 202 205 101

HSL 61.73, 0.51%, 0.6%

LAB 80.27, -15.3, 50.82

 

CMYK 1 / 0 / 39 / 16

HEX #D5D784

RGB 213 215 132

HSL 61.45, 0.51%, 0.68%

LAB 84.18, -12.88, 40.71

 

CMYK 2 / 0 / 63 / 24

HEX #BFC348

RGB 191 195 72

HSL 61.95, 0.51%, 0.52%

LAB 76.42, -17.01, 59.2

 

CMYK 64 / 0 / 50 / 24

HEX #46C361

RGB 70 195 97

HSL 132.96, 0.51%, 0.52%

LAB 70.31, -55.14, 39.08

 

CMYK 25 / 64 / 0 / 24

HEX #9346C3

RGB 147 70 195

HSL 276.96, 0.51%, 0.52%

LAB 44.97, 53.53, -52.36

 

CMYK 2 / 0 / 63 / 24

HEX #BFC348

RGB 191 195 72

HSL 61.95, 0.51%, 0.52%

LAB 76.42, -17.01, 59.2

 

CMYK 64 / 1 / 0 / 24

HEX #46C1C3

RGB 70 193 195

HSL 180.96, 0.51%, 0.52%

LAB 71.81, -32.69, -11.04

 

CMYK 0 / 64 / 1 / 24

HEX #C346C1

RGB 195 70 193

HSL 300.96, 0.51%, 0.52%

LAB 51.65, 64.47, -40.17

 

CMYK 2 / 0 / 63 / 24

HEX #BFC348

RGB 191 195 72

HSL 61.95, 0.51%, 0.52%

LAB 76.42, -17.01, 59.2

 

CMYK 64 / 0 / 50 / 24

HEX #46C361

RGB 70 195 97

HSL 132.96, 0.51%, 0.52%

LAB 70.31, -55.14, 39.08

 

CMYK 63 / 64 / 0 / 24

HEX #4846C3

RGB 72 70 195

HSL 240.96, 0.51%, 0.52%

LAB 37.3, 38.75, -65.17

 

CMYK 0 / 64 / 14 / 24

HEX #C346A8

RGB 195 70 168

HSL 312.96, 0.51%, 0.52%

LAB 50.46, 60.5, -27.45

 

CMYK 2 / 0 / 63 / 24

HEX #BFC348

RGB 191 195 72

HSL 61.95, 0.51%, 0.52%

LAB 76.42, -17.01, 59.2

 

CMYK 64 / 0 / 31 / 24

HEX #46C387

RGB 70 195 135

HSL 151.2, 0.51%, 0.52%

LAB 70.93, -48.4, 20.24

 

CMYK 63 / 64 / 0 / 24

HEX #4846C3

RGB 72 70 195

HSL 240.96, 0.51%, 0.52%

LAB 37.3, 38.75, -65.17

 

CMYK 0 / 64 / 33 / 24

HEX #C34683

RGB 195 70 131

HSL 330.72, 0.51%, 0.52%

LAB 49.03, 55.49, -7.6

 

Description

Color code: HEX #BFC348 | qconv.com Color code: HEX #BFC348 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 191 red, 195 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
191 195 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, none magenta, 63 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 0% 63% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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