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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #46C1C3 it is the complementary color #B93E3C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #46C1C3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #46C1C3 shade: #4BC1BE, #5CD3D1, #6DE5E4, #7EF7F7 and #8FFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #46C1C3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #46C1C3 shade: #46C1C3, #35AFB0, #249D9D, #138B8A and #027977

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #46C1C3 shade: #46C1C3, #469FC3, #467EC3, #465CC3 and #5246C3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #46C1C3 shade: #46C1C3, #469FC3, #467EC3, #465CC3 and #4646C3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #46C1C3 shade matches the following richer shades: #46C1C3, #32D4D7, #1FE7EB and #0BFBFE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #46C1C3 shade: #46C1C3, #5AAEAF, #6E9B9B, #828888 and #957474

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #46C1C3 shade: #46C380, #46C3A2, #46C3C3, #46A2C3 and #4680C3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #46C1C3 shade: #2D888A, #37A7A9, #46C1C3, #65CBCD and #84D6D7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #46C1C3 shade: #46C1C3, #5F46C3 and #C39146

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #46C1C3 shade: #46C1C3, #C346C3 and #C3C346

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #46C1C3 shade: #46C1C3, #5F46C3, #C34646 and #AAC346

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #46C1C3 shade: #46C1C3, #8546C3, #C34646 and #85C346

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 1 / 0 / 24

HEX #46C1C3

RGB 70 193 195

HSL 180.96, 0.51%, 0.52%

LAB 71.81, -32.69, -11.04

 

Complementary color

CMYK 0 / 66 / 68 / 27

HEX #B93E3C

RGB 185 62 60

HSL 0.96, 0.51%, 0.48%

LAB 44.36, 49.36, 28.79

 

CMYK 61 / 0 / 2 / 24

HEX #4BC1BE

RGB 75 193 190

HSL 178.47, 0.49%, 0.53%

LAB 71.79, -33.27, -8.33

 

CMYK 56 / 0 / 1 / 17

HEX #5CD3D1

RGB 92 211 209

HSL 178.99, 0.57%, 0.59%

LAB 78.15, -33.59, -9.11

 

CMYK 52 / 0 / 0 / 10

HEX #6DE5E4

RGB 109 229 228

HSL 179.5, 0.7%, 0.66%

LAB 84.43, -33.8, -9.82

 

CMYK 49 / 0 / 0 / 3

HEX #7EF7F7

RGB 126 247 247

HSL 180, 0.88%, 0.73%

LAB 90.63, -33.93, -10.49

 

CMYK 44 / 0 / 0 / 0

HEX #8FFFFF

RGB 143 255 255

HSL 180, 1%, 0.78%

LAB 93.7, -32.03, -10.01

 

CMYK 64 / 1 / 0 / 24

HEX #46C1C3

RGB 70 193 195

HSL 180.96, 0.51%, 0.52%

LAB 71.81, -32.69, -11.04

 

CMYK 70 / 1 / 0 / 31

HEX #35AFB0

RGB 53 175 176

HSL 180.49, 0.54%, 0.45%

LAB 65.4, -32.06, -10.21

 

CMYK 77 / 0 / 0 / 38

HEX #249D9D

RGB 36 157 157

HSL 180, 0.63%, 0.38%

LAB 58.9, -31.17, -9.28

 

CMYK 86 / 0 / 1 / 45

HEX #138B8A

RGB 19 139 138

HSL 179.5, 0.76%, 0.31%

LAB 52.33, -29.91, -8.22

 

CMYK 98 / 0 / 2 / 53

HEX #027977

RGB 2 121 119

HSL 178.99, 0.97%, 0.24%

LAB 45.66, -28.23, -7.03

 

CMYK 64 / 1 / 0 / 24

HEX #46C1C3

RGB 70 193 195

HSL 180.96, 0.51%, 0.52%

LAB 71.81, -32.69, -11.04

 

CMYK 64 / 18 / 0 / 24

HEX #469FC3

RGB 70 159 195

HSL 197.28, 0.51%, 0.52%

LAB 61.69, -15.47, -26.41

 

CMYK 64 / 35 / 0 / 24

HEX #467EC3

RGB 70 126 195

HSL 213.12, 0.51%, 0.52%

LAB 52.02, 3.39, -41.49

 

CMYK 64 / 53 / 0 / 24

HEX #465CC3

RGB 70 92 195

HSL 229.44, 0.51%, 0.52%

LAB 42.61, 24.63, -56.54

 

CMYK 58 / 64 / 0 / 24

HEX #5246C3

RGB 82 70 195

HSL 245.76, 0.51%, 0.52%

LAB 38.05, 40.33, -63.91

 

CMYK 64 / 1 / 0 / 24

HEX #46C1C3

RGB 70 193 195

HSL 180.96, 0.51%, 0.52%

LAB 71.81, -32.69, -11.04

 

CMYK 64 / 18 / 0 / 24

HEX #469FC3

RGB 70 159 195

HSL 197.28, 0.51%, 0.52%

LAB 61.69, -15.47, -26.41

 

CMYK 64 / 35 / 0 / 24

HEX #467EC3

RGB 70 126 195

HSL 213.12, 0.51%, 0.52%

LAB 52.02, 3.39, -41.49

 

CMYK 64 / 53 / 0 / 24

HEX #465CC3

RGB 70 92 195

HSL 229.44, 0.51%, 0.52%

LAB 42.61, 24.63, -56.54

 

CMYK 64 / 64 / 0 / 24

HEX #4646C3

RGB 70 70 195

HSL 240, 0.51%, 0.52%

LAB 37.16, 38.45, -65.4

 

CMYK 64 / 1 / 0 / 24

HEX #46C1C3

RGB 70 193 195

HSL 180.96, 0.51%, 0.52%

LAB 71.81, -32.69, -11.04

 

CMYK 77 / 1 / 0 / 16

HEX #32D4D7

RGB 50 212 215

HSL 181.09, 0.67%, 0.52%

LAB 77.68, -38.3, -13.13

 

CMYK 87 / 2 / 0 / 8

HEX #1FE7EB

RGB 31 231 235

HSL 181.18, 0.84%, 0.52%

LAB 83.67, -42.44, -14.81

 

CMYK 96 / 1 / 0 / 0

HEX #0BFBFE

RGB 11 251 254

HSL 180.74, 0.99%, 0.52%

LAB 89.96, -46.42, -15.34

 

CMYK 64 / 1 / 0 / 24

HEX #46C1C3

RGB 70 193 195

HSL 180.96, 0.51%, 0.52%

LAB 71.81, -32.69, -11.04

 

CMYK 49 / 1 / 0 / 31

HEX #5AAEAF

RGB 90 174 175

HSL 180.71, 0.35%, 0.52%

LAB 66.17, -25.12, -8.39

 

CMYK 29 / 0 / 0 / 39

HEX #6E9B9B

RGB 110 155 155

HSL 180, 0.18%, 0.52%

LAB 60.89, -15.1, -4.91

 

CMYK 4 / 0 / 0 / 47

HEX #828888

RGB 130 136 136

HSL 180, 0.02%, 0.52%

LAB 56.22, -2.2, -0.77

 

CMYK 0 / 22 / 22 / 42

HEX #957474

RGB 149 116 116

HSL 0, 0.13%, 0.52%

LAB 52, 12.94, 4.96

 

CMYK 64 / 0 / 34 / 24

HEX #46C380

RGB 70 195 128

HSL 147.84, 0.51%, 0.52%

LAB 70.8, -49.81, 23.78

 

CMYK 64 / 0 / 17 / 24

HEX #46C3A2

RGB 70 195 162

HSL 164.16, 0.51%, 0.52%

LAB 71.51, -42.31, 6.5

 

CMYK 64 / 0 / 0 / 24

HEX #46C3C3

RGB 70 195 195

HSL 180, 0.51%, 0.52%

LAB 72.41, -33.64, -10.15

 

CMYK 64 / 17 / 0 / 24

HEX #46A2C3

RGB 70 162 195

HSL 195.84, 0.51%, 0.52%

LAB 62.58, -17.08, -25.04

 

CMYK 64 / 34 / 0 / 24

HEX #4680C3

RGB 70 128 195

HSL 212.16, 0.51%, 0.52%

LAB 52.6, 2.19, -40.58

 

CMYK 67 / 1 / 0 / 46

HEX #2D888A

RGB 45 136 138

HSL 181.29, 0.51%, 0.36%

LAB 51.84, -25.4, -8.91

 

CMYK 67 / 1 / 0 / 34

HEX #37A7A9

RGB 55 167 169

HSL 181.05, 0.51%, 0.44%

LAB 62.77, -29.98, -10.23

 

CMYK 64 / 1 / 0 / 24

HEX #46C1C3

RGB 70 193 195

HSL 180.96, 0.51%, 0.52%

LAB 71.81, -32.69, -11.04

 

CMYK 51 / 1 / 0 / 20

HEX #65CBCD

RGB 101 203 205

HSL 181.15, 0.51%, 0.6%

LAB 76, -29.04, -10.12

 

CMYK 39 / 0 / 0 / 16

HEX #84D6D7

RGB 132 214 215

HSL 180.72, 0.51%, 0.68%

LAB 80.69, -24.68, -8.39

 

CMYK 64 / 1 / 0 / 24

HEX #46C1C3

RGB 70 193 195

HSL 180.96, 0.51%, 0.52%

LAB 71.81, -32.69, -11.04

 

CMYK 51 / 64 / 0 / 24

HEX #5F46C3

RGB 95 70 195

HSL 252, 0.51%, 0.52%

LAB 39.16, 42.61, -62.04

 

CMYK 0 / 26 / 64 / 24

HEX #C39146

RGB 195 145 70

HSL 36, 0.51%, 0.52%

LAB 63.59, 10.97, 46.24

 

CMYK 64 / 1 / 0 / 24

HEX #46C1C3

RGB 70 193 195

HSL 180.96, 0.51%, 0.52%

LAB 71.81, -32.69, -11.04

 

CMYK 0 / 64 / 0 / 24

HEX #C346C3

RGB 195 70 195

HSL 300, 0.51%, 0.52%

LAB 51.75, 64.8, -41.16

 

CMYK 0 / 0 / 64 / 24

HEX #C3C346

RGB 195 195 70

HSL 60, 0.51%, 0.52%

LAB 76.72, -15.46, 60.44

 

CMYK 64 / 1 / 0 / 24

HEX #46C1C3

RGB 70 193 195

HSL 180.96, 0.51%, 0.52%

LAB 71.81, -32.69, -11.04

 

CMYK 51 / 64 / 0 / 24

HEX #5F46C3

RGB 95 70 195

HSL 252, 0.51%, 0.52%

LAB 39.16, 42.61, -62.04

 

CMYK 0 / 64 / 64 / 24

HEX #C34646

RGB 195 70 70

HSL 0, 0.51%, 0.52%

LAB 47.53, 49.92, 27.16

 

CMYK 13 / 0 / 64 / 24

HEX #AAC346

RGB 170 195 70

HSL 72, 0.51%, 0.52%

LAB 74.84, -25.8, 57.87

 

CMYK 64 / 1 / 0 / 24

HEX #46C1C3

RGB 70 193 195

HSL 180.96, 0.51%, 0.52%

LAB 71.81, -32.69, -11.04

 

CMYK 32 / 64 / 0 / 24

HEX #8546C3

RGB 133 70 195

HSL 270.24, 0.51%, 0.52%

LAB 43.22, 50.39, -55.27

 

CMYK 0 / 64 / 64 / 24

HEX #C34646

RGB 195 70 70

HSL 0, 0.51%, 0.52%

LAB 47.53, 49.92, 27.16

 

CMYK 32 / 0 / 64 / 24

HEX #85C346

RGB 133 195 70

HSL 89.76, 0.51%, 0.52%

LAB 72.53, -40.07, 54.72

 

Description

Color code: HEX #46C1C3 | qconv.com Color code: HEX #46C1C3 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 70 red, 193 green and 195 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
70 193 195 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, 1 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 1% 0% 24% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

34% - 中国工商银行中国网站
Link: http://www.icbc.com.cn

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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