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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BFB399 it is the complementary color #404C66. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BFB399. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #BFB399: #C4B394, #D5C5A7, #E6D7BA, #F7E9CD and #FFFBE0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BFB399. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #BFB399: #BFB399, #AEA186, #9D8F73, #8C7D60 and #7B6B4D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 6 / 20 / 25

HEX #BFB399

RGB 191 179 153

HSL 41.05, 0.23%, 0.67%

LAB 73.3, -0, 14.83

 

Complementary color

CMYK 37 / 25 / 0 / 60

HEX #404C66

RGB 64 76 102

HSL 221.05, 0.23%, 0.33%

LAB 32.3, 2.36, -16.68

 

CMYK 0 / 9 / 24 / 23

HEX #C4B394

RGB 196 179 148

HSL 38.75, 0.29%, 0.67%

LAB 73.62, 1.17, 18.05

 

CMYK 0 / 8 / 22 / 16

HEX #D5C5A7

RGB 213 197 167

HSL 39.13, 0.35%, 0.75%

LAB 80.11, 0.84, 17.09

 

CMYK 0 / 7 / 19 / 10

HEX #E6D7BA

RGB 230 215 186

HSL 39.55, 0.47%, 0.82%

LAB 86.49, 0.55, 16.18

 

CMYK 0 / 6 / 17 / 3

HEX #F7E9CD

RGB 247 233 205

HSL 40, 0.72%, 0.89%

LAB 92.78, 0.28, 15.32

 

CMYK 0 / 2 / 12 / 0

HEX #FFFBE0

RGB 255 251 224

HSL 52.26, 1%, 0.94%

LAB 98.29, -3.1, 13.41

 

CMYK 0 / 6 / 20 / 25

HEX #BFB399

RGB 191 179 153

HSL 41.05, 0.23%, 0.67%

LAB 73.3, -0, 14.83

 

CMYK 0 / 7 / 23 / 32

HEX #AEA186

RGB 174 161 134

HSL 40.5, 0.2%, 0.6%

LAB 66.68, 0.3, 15.79

 

CMYK 0 / 9 / 27 / 38

HEX #9D8F73

RGB 157 143 115

HSL 40, 0.18%, 0.53%

LAB 59.93, 0.65, 16.82

 

CMYK 0 / 11 / 31 / 45

HEX #8C7D60

RGB 140 125 96

HSL 39.55, 0.19%, 0.46%

LAB 53.04, 1.07, 17.93

 

CMYK 0 / 13 / 37 / 52

HEX #7B6B4D

RGB 123 107 77

HSL 39.13, 0.23%, 0.39%

LAB 45.99, 1.58, 19.16

 

CMYK 0 / 6 / 20 / 25

HEX #BFB399

RGB 191 179 153

HSL 41.05, 0.23%, 0.67%

LAB 73.3, -0, 14.83

 

CMYK 0 / 3 / 21 / 25

HEX #BEB897

RGB 190 184 151

HSL 50.77, 0.23%, 0.67%

LAB 74.48, -3.34, 17.56

 

CMYK 1 / 0 / 21 / 25

HEX #BDBE97

RGB 189 190 151

HSL 61.54, 0.23%, 0.67%

LAB 76, -6.88, 19.64

 

CMYK 4 / 0 / 21 / 25

HEX #B7BE97

RGB 183 190 151

HSL 70.77, 0.23%, 0.67%

LAB 75.53, -9.13, 18.92

 

CMYK 7 / 0 / 21 / 25

HEX #B0BE97

RGB 176 190 151

HSL 81.54, 0.23%, 0.67%

LAB 75.01, -11.73, 18.12

 

CMYK 0 / 6 / 20 / 25

HEX #BFB399

RGB 191 179 153

HSL 41.05, 0.23%, 0.67%

LAB 73.3, -0, 14.83

 

CMYK 0 / 6 / 20 / 5

HEX #F2E3C2

RGB 242 227 194

HSL 41.25, 0.65%, 0.85%

LAB 90.65, -0.08, 17.97

 

CMYK 0 / 5 / 21 / 85

HEX #26241E

RGB 38 36 30

HSL 45, 0.12%, 0.13%

LAB 14.22, -0.4, 4.35

 

CMYK 0 / 7 / 20 / 65

HEX #595347

RGB 89 83 71

HSL 40, 0.11%, 0.31%

LAB 35.53, 0.17, 7.92

 

CMYK 0 / 6 / 20 / 45

HEX #8C8370

RGB 140 131 112

HSL 40.71, 0.11%, 0.49%

LAB 55.05, 0.08, 11.5

 

CMYK 0 / 6 / 20 / 25

HEX #BFB399

RGB 191 179 153

HSL 41.05, 0.23%, 0.67%

LAB 73.3, -0, 14.83

 

CMYK 18 / 0 / 21 / 25

HEX #9CBE97

RGB 156 190 151

HSL 112.31, 0.23%, 0.67%

LAB 73.63, -18.93, 15.99

 

CMYK 15 / 21 / 0 / 25

HEX #A297BE

RGB 162 151 190

HSL 256.92, 0.23%, 0.67%

LAB 64.59, 11.9, -18.7

 

CMYK 0 / 6 / 20 / 25

HEX #BFB399

RGB 191 179 153

HSL 41.05, 0.23%, 0.67%

LAB 73.3, -0, 14.83

 

CMYK 21 / 0 / 7 / 25

HEX #97BEB1

RGB 151 190 177

HSL 160, 0.23%, 0.67%

LAB 73.92, -15.69, 2.27

 

CMYK 7 / 21 / 0 / 25

HEX #B197BE

RGB 177 151 190

HSL 280, 0.23%, 0.67%

LAB 65.9, 16.9, -16.59

 

CMYK 0 / 6 / 20 / 25

HEX #BFB399

RGB 191 179 153

HSL 41.05, 0.23%, 0.67%

LAB 73.3, -0, 14.83

 

CMYK 18 / 0 / 21 / 25

HEX #9CBE97

RGB 156 190 151

HSL 112.31, 0.23%, 0.67%

LAB 73.63, -18.93, 15.99

 

CMYK 21 / 14 / 0 / 25

HEX #97A3BE

RGB 151 163 190

HSL 221.54, 0.23%, 0.67%

LAB 66.89, 1.61, -15.3

 

CMYK 3 / 21 / 0 / 25

HEX #B997BE

RGB 185 151 190

HSL 292.31, 0.23%, 0.67%

LAB 66.65, 19.61, -15.39

 

CMYK 0 / 6 / 20 / 25

HEX #BFB399

RGB 191 179 153

HSL 41.05, 0.23%, 0.67%

LAB 73.3, -0, 14.83

 

CMYK 21 / 0 / 17 / 25

HEX #97BE9E

RGB 151 190 158

HSL 130.77, 0.23%, 0.67%

LAB 73.46, -19.4, 11.93

 

CMYK 21 / 14 / 0 / 25

HEX #97A3BE

RGB 151 163 190

HSL 221.54, 0.23%, 0.67%

LAB 66.89, 1.61, -15.3

 

CMYK 0 / 21 / 4 / 25

HEX #BE97B7

RGB 190 151 183

HSL 310.77, 0.23%, 0.67%

LAB 66.9, 20, -11.05

 

Description

Color code: HEX #BFB399 | qconv.com Color code: HEX #BFB399 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 191 red, 179 green and 153 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
191 179 153 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 6 magenta, 20 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 6% 20% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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