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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BFA0A4 it is the complementary color #405F5B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BFA0A4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BFA0A4 shade: #C4A09F, #D5B2B2, #E6C4C5, #F7D6D8 and #FFE8EB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BFA0A4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BFA0A4 shade: #BFA0A4, #AE8E91, #9D7C7E, #8C6A6B and #7B5858

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BFA0A4 shade: #BFA1A5 and #BFA1A1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BFA0A4 shade: #BFA1A5, #BFA1AD, #BFA1B5, #BFA1BD and #B9A1BF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BFA0A4 shade matches the following richer shades: #BFA1A5, #CC949B, #D98792, #E57B88 and #F26E7F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BFA0A4 shade: #BFA1A5, #B2AEAE, #A5BBB8, #99C7C1 and #8CD4CB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BFA0A4 shade: #BFA1B5, #BFA1AD, #BFA1A5, #BFA5A1 and #BFADA1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BFA0A4 shade: #9E7076, #AE888D, #BFA1A5, #D0B9BC and #E0D2D4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BFA0A4 shade: #BFA0A4, #BDBFA1 and #A1B1BF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BFA0A4 shade: #BFA0A4, #A5BFA1 and #A1A5BF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BFA0A4 shade: #BFA0A4, #BDBFA1, #A1BFBB and #A3A1BF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BFA0A4 shade: #BFA0A4, #B4BFA1, #A1BFBB and #ACA1BF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 16 / 14 / 25

HEX #BFA0A4

RGB 191 160 164

HSL 352.26, 0.19%, 0.69%

LAB 68.68, 12.06, 2.18

 

Complementary color

CMYK 33 / 0 / 4 / 63

HEX #405F5B

RGB 64 95 91

HSL 172.26, 0.19%, 0.31%

LAB 37.9, -12.32, -1.36

 

CMYK 0 / 18 / 19 / 23

HEX #C4A09F

RGB 196 160 159

HSL 1.62, 0.24%, 0.7%

LAB 69.03, 13.11, 5.53

 

CMYK 0 / 16 / 16 / 16

HEX #D5B2B2

RGB 213 178 178

HSL 0, 0.29%, 0.77%

LAB 75.58, 12.63, 4.72

 

CMYK 0 / 15 / 14 / 10

HEX #E6C4C5

RGB 230 196 197

HSL 358.24, 0.4%, 0.84%

LAB 82.02, 12.18, 3.96

 

CMYK 0 / 13 / 13 / 3

HEX #F7D6D8

RGB 247 214 216

HSL 356.36, 0.67%, 0.9%

LAB 88.36, 11.78, 3.25

 

CMYK 0 / 9 / 8 / 0

HEX #FFE8EB

RGB 255 232 235

HSL 352.17, 1%, 0.95%

LAB 93.87, 8.32, 1.38

 

CMYK 0 / 16 / 14 / 25

HEX #BFA0A4

RGB 191 160 164

HSL 352.26, 0.19%, 0.69%

LAB 68.68, 12.06, 2.18

 

CMYK 0 / 18 / 17 / 32

HEX #AE8E91

RGB 174 142 145

HSL 354.38, 0.16%, 0.62%

LAB 61.99, 12.54, 2.96

 

CMYK 0 / 21 / 20 / 38

HEX #9D7C7E

RGB 157 124 126

HSL 356.36, 0.14%, 0.55%

LAB 55.16, 13.09, 3.79

 

CMYK 0 / 24 / 24 / 45

HEX #8C6A6B

RGB 140 106 107

HSL 358.24, 0.14%, 0.48%

LAB 48.19, 13.72, 4.7

 

CMYK 0 / 28 / 28 / 52

HEX #7B5858

RGB 123 88 88

HSL 0, 0.17%, 0.41%

LAB 41.05, 14.46, 5.72

 

CMYK 0 / 16 / 14 / 25

HEX #BFA1A5

RGB 191 161 165

HSL 352, 0.19%, 0.69%

LAB 68.96, 11.67, 2.03

 

CMYK 0 / 16 / 16 / 25

HEX #BFA1A1

RGB 191 161 161

HSL 0, 0.19%, 0.69%

LAB 68.85, 11.01, 4.1

 

CMYK 0 / 16 / 14 / 25

HEX #BFA1A5

RGB 191 161 165

HSL 352, 0.19%, 0.69%

LAB 68.96, 11.67, 2.03

 

CMYK 0 / 16 / 9 / 25

HEX #BFA1AD

RGB 191 161 173

HSL 336, 0.19%, 0.69%

LAB 69.17, 13.03, -2.1

 

CMYK 0 / 16 / 5 / 25

HEX #BFA1B5

RGB 191 161 181

HSL 320, 0.19%, 0.69%

LAB 69.4, 14.45, -6.2

 

CMYK 0 / 16 / 1 / 25

HEX #BFA1BD

RGB 191 161 189

HSL 304, 0.19%, 0.69%

LAB 69.64, 15.93, -10.28

 

CMYK 3 / 16 / 0 / 25

HEX #B9A1BF

RGB 185 161 191

HSL 288, 0.19%, 0.69%

LAB 69.16, 14.25, -12.17

 

CMYK 0 / 16 / 14 / 25

HEX #BFA1A5

RGB 191 161 165

HSL 352, 0.19%, 0.69%

LAB 68.96, 11.67, 2.03

 

CMYK 0 / 27 / 24 / 20

HEX #CC949B

RGB 204 148 155

HSL 352.5, 0.35%, 0.69%

LAB 66.81, 22.09, 4.67

 

CMYK 0 / 38 / 33 / 15

HEX #D98792

RGB 217 135 146

HSL 351.95, 0.52%, 0.69%

LAB 65.09, 32.74, 7.46

 

CMYK 0 / 46 / 41 / 10

HEX #E57B88

RGB 229 123 136

HSL 352.64, 0.67%, 0.69%

LAB 63.84, 42.2, 11.57

 

CMYK 0 / 55 / 48 / 5

HEX #F26E7F

RGB 242 110 127

HSL 352.27, 0.84%, 0.69%

LAB 62.98, 52.21, 15.79

 

CMYK 0 / 16 / 14 / 25

HEX #BFA1A5

RGB 191 161 165

HSL 352, 0.19%, 0.69%

LAB 68.96, 11.67, 2.03

 

CMYK 0 / 2 / 2 / 30

HEX #B2AEAE

RGB 178 174 174

HSL 0, 0.03%, 0.69%

LAB 71.41, 1.42, 0.5

 

CMYK 12 / 0 / 2 / 27

HEX #A5BBB8

RGB 165 187 184

HSL 171.82, 0.14%, 0.69%

LAB 74.19, -8.1, -1.04

 

CMYK 23 / 0 / 3 / 22

HEX #99C7C1

RGB 153 199 193

HSL 172.17, 0.29%, 0.69%

LAB 76.96, -16.31, -1.95

 

CMYK 34 / 0 / 4 / 17

HEX #8CD4CB

RGB 140 212 203

HSL 172.5, 0.46%, 0.69%

LAB 80.17, -24.41, -2.7

 

CMYK 0 / 16 / 5 / 25

HEX #BFA1B5

RGB 191 161 181

HSL 320, 0.19%, 0.69%

LAB 69.4, 14.45, -6.2

 

CMYK 0 / 16 / 9 / 25

HEX #BFA1AD

RGB 191 161 173

HSL 336, 0.19%, 0.69%

LAB 69.17, 13.03, -2.1

 

CMYK 0 / 16 / 14 / 25

HEX #BFA1A5

RGB 191 161 165

HSL 352, 0.19%, 0.69%

LAB 68.96, 11.67, 2.03

 

CMYK 0 / 14 / 16 / 25

HEX #BFA5A1

RGB 191 165 161

HSL 8, 0.19%, 0.69%

LAB 69.87, 8.82, 5.57

 

CMYK 0 / 9 / 16 / 25

HEX #BFADA1

RGB 191 173 161

HSL 24, 0.19%, 0.69%

LAB 71.92, 4.47, 8.51

 

CMYK 0 / 29 / 25 / 38

HEX #9E7076

RGB 158 112 118

HSL 352.17, 0.19%, 0.53%

LAB 52.02, 19.11, 3.95

 

CMYK 0 / 22 / 19 / 32

HEX #AE888D

RGB 174 136 141

HSL 352.11, 0.19%, 0.61%

LAB 60.36, 15.27, 2.88

 

CMYK 0 / 16 / 14 / 25

HEX #BFA1A5

RGB 191 161 165

HSL 352, 0.19%, 0.69%

LAB 68.96, 11.67, 2.03

 

CMYK 0 / 11 / 10 / 18

HEX #D0B9BC

RGB 208 185 188

HSL 352.17, 0.2%, 0.77%

LAB 77.12, 8.69, 1.47

 

CMYK 0 / 6 / 5 / 12

HEX #E0D2D4

RGB 224 210 212

HSL 351.43, 0.18%, 0.85%

LAB 85.35, 5.18, 0.74

 

CMYK 0 / 16 / 14 / 25

HEX #BFA0A4

RGB 191 160 164

HSL 352.26, 0.19%, 0.69%

LAB 68.68, 12.06, 2.18

 

CMYK 1 / 0 / 16 / 25

HEX #BDBFA1

RGB 189 191 161

HSL 64, 0.19%, 0.69%

LAB 76.47, -5.87, 14.93

 

CMYK 16 / 7 / 0 / 25

HEX #A1B1BF

RGB 161 177 191

HSL 208, 0.19%, 0.69%

LAB 71.41, -2.61, -9.01

 

CMYK 0 / 16 / 14 / 25

HEX #BFA0A4

RGB 191 160 164

HSL 352.26, 0.19%, 0.69%

LAB 68.68, 12.06, 2.18

 

CMYK 14 / 0 / 16 / 25

HEX #A5BFA1

RGB 165 191 161

HSL 112, 0.19%, 0.69%

LAB 74.72, -14.54, 12.21

 

CMYK 16 / 14 / 0 / 25

HEX #A1A5BF

RGB 161 165 191

HSL 232, 0.19%, 0.69%

LAB 68.2, 3.96, -13.81

 

CMYK 0 / 16 / 14 / 25

HEX #BFA0A4

RGB 191 160 164

HSL 352.26, 0.19%, 0.69%

LAB 68.68, 12.06, 2.18

 

CMYK 1 / 0 / 16 / 25

HEX #BDBFA1

RGB 189 191 161

HSL 64, 0.19%, 0.69%

LAB 76.47, -5.87, 14.93

 

CMYK 16 / 0 / 2 / 25

HEX #A1BFBB

RGB 161 191 187

HSL 172, 0.19%, 0.69%

LAB 75.09, -10.91, -1.38

 

CMYK 15 / 16 / 0 / 25

HEX #A3A1BF

RGB 163 161 191

HSL 244, 0.19%, 0.69%

LAB 67.31, 6.84, -15.14

 

CMYK 0 / 16 / 14 / 25

HEX #BFA0A4

RGB 191 160 164

HSL 352.26, 0.19%, 0.69%

LAB 68.68, 12.06, 2.18

 

CMYK 6 / 0 / 16 / 25

HEX #B4BFA1

RGB 180 191 161

HSL 82, 0.19%, 0.69%

LAB 75.78, -9.17, 13.87

 

CMYK 16 / 0 / 2 / 25

HEX #A1BFBB

RGB 161 191 187

HSL 172, 0.19%, 0.69%

LAB 75.09, -10.91, -1.38

 

CMYK 10 / 16 / 0 / 25

HEX #ACA1BF

RGB 172 161 191

HSL 262, 0.19%, 0.69%

LAB 68.04, 9.83, -13.97

 

Description

Color code: HEX #BFA0A4 | qconv.com Color code: HEX #BFA0A4 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 191 red, 160 green and 164 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
191 160 164 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 16 magenta, 14 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 16% 14% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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