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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 23 / 0 / 3 / 22 it is the complementary color CMYK 0 / 45 / 39 / 60. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 23 / 0 / 3 / 22. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 23 / 0 / 3 / 22: CMYK 21 / 0 / 6 / 22, CMYK 19 / 0 / 5 / 15, CMYK 18 / 0 / 4 / 8, CMYK 17 / 0 / 3 / 1 and CMYK 11 / 0 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 23 / 0 / 3 / 22. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 23 / 0 / 3 / 22: CMYK 23 / 0 / 3 / 22, CMYK 25 / 0 / 4 / 29, CMYK 27 / 0 / 5 / 36, CMYK 30 / 0 / 6 / 43 and CMYK 33 / 0 / 8 / 50

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 0 / 3 / 22

HEX #99C7C1

RGB 153 199 193

HSL 172.17, 0.29%, 0.69%

LAB 76.96, -16.31, -1.95

 

Complementary color

CMYK 0 / 45 / 39 / 60

HEX #66383E

RGB 102 56 62

HSL 352.17, 0.29%, 0.31%

LAB 29.41, 21.19, 5.25

 

CMYK 21 / 0 / 6 / 22

HEX #9EC7BC

RGB 158 199 188

HSL 163.9, 0.27%, 0.7%

LAB 77.13, -15.8, 1.03

 

CMYK 19 / 0 / 5 / 15

HEX #AFD9CF

RGB 175 217 207

HSL 165.71, 0.36%, 0.77%

LAB 83.57, -15.7, 0.38

 

CMYK 18 / 0 / 4 / 8

HEX #C0EBE2

RGB 192 235 226

HSL 167.44, 0.52%, 0.84%

LAB 89.91, -15.61, -0.24

 

CMYK 17 / 0 / 3 / 1

HEX #D1FDF5

RGB 209 253 245

HSL 169.09, 0.92%, 0.91%

LAB 96.16, -15.54, -0.85

 

CMYK 11 / 0 / 0 / 0

HEX #E2FFFF

RGB 226 255 255

HSL 180, 1%, 0.94%

LAB 98, -9.32, -3.18

 

CMYK 23 / 0 / 3 / 22

HEX #99C7C1

RGB 153 199 193

HSL 172.17, 0.29%, 0.69%

LAB 76.96, -16.31, -1.95

 

CMYK 25 / 0 / 4 / 29

HEX #88B5AE

RGB 136 181 174

HSL 170.67, 0.23%, 0.62%

LAB 70.41, -16.43, -1.32

 

CMYK 27 / 0 / 5 / 36

HEX #77A39B

RGB 119 163 155

HSL 169.09, 0.19%, 0.55%

LAB 63.74, -16.57, -0.66

 

CMYK 30 / 0 / 6 / 43

HEX #669188

RGB 102 145 136

HSL 167.44, 0.17%, 0.48%

LAB 56.93, -16.73, 0.04

 

CMYK 33 / 0 / 8 / 50

HEX #557F75

RGB 85 127 117

HSL 165.71, 0.2%, 0.42%

LAB 49.97, -16.91, 0.79

 

CMYK 23 / 0 / 3 / 22

HEX #99C7C1

RGB 153 199 193

HSL 172.17, 0.29%, 0.69%

LAB 76.96, -16.31, -1.95

 

CMYK 23 / 1 / 0 / 22

HEX #99C5C6

RGB 153 197 198

HSL 181.33, 0.28%, 0.69%

LAB 76.55, -14.19, -5.26

 

CMYK 23 / 5 / 0 / 22

HEX #99BDC6

RGB 153 189 198

HSL 192, 0.28%, 0.69%

LAB 74.35, -10.02, -8.52

 

CMYK 23 / 8 / 0 / 22

HEX #99B6C6

RGB 153 182 198

HSL 201.33, 0.28%, 0.69%

LAB 72.43, -6.3, -11.38

 

CMYK 23 / 12 / 0 / 22

HEX #99AEC6

RGB 153 174 198

HSL 212, 0.28%, 0.69%

LAB 70.26, -1.97, -14.64

 

CMYK 23 / 0 / 3 / 22

HEX #99C7C1

RGB 153 199 193

HSL 172.17, 0.29%, 0.69%

LAB 76.96, -16.31, -1.95

 

CMYK 23 / 0 / 3 / 2

HEX #C0FAF2

RGB 192 250 242

HSL 171.72, 0.85%, 0.87%

LAB 94.31, -19.77, -2.13

 

CMYK 24 / 0 / 2 / 82

HEX #232E2D

RGB 35 46 45

HSL 174.55, 0.14%, 0.16%

LAB 17.92, -4.95, -0.91

 

CMYK 23 / 0 / 3 / 62

HEX #4B615E

RGB 75 97 94

HSL 171.82, 0.13%, 0.34%

LAB 39.33, -8.96, -1.02

 

CMYK 23 / 0 / 3 / 42

HEX #729490

RGB 114 148 144

HSL 172.94, 0.14%, 0.51%

LAB 58.76, -12.65, -1.77

 

CMYK 23 / 0 / 3 / 22

HEX #99C7C1

RGB 153 199 193

HSL 172.17, 0.29%, 0.69%

LAB 76.96, -16.31, -1.95

 

CMYK 21 / 23 / 0 / 22

HEX #9C99C6

RGB 156 153 198

HSL 244, 0.28%, 0.69%

LAB 64.91, 10.66, -22.74

 

CMYK 0 / 12 / 23 / 22

HEX #C6AE99

RGB 198 174 153

HSL 28, 0.28%, 0.69%

LAB 72.61, 5.35, 13.96

 

CMYK 23 / 0 / 3 / 22

HEX #99C7C1

RGB 153 199 193

HSL 172.17, 0.29%, 0.69%

LAB 76.96, -16.31, -1.95

 

CMYK 3 / 23 / 0 / 22

HEX #C099C6

RGB 192 153 198

HSL 292, 0.28%, 0.69%

LAB 68.07, 22.43, -17.63

 

CMYK 0 / 3 / 23 / 22

HEX #C6C099

RGB 198 192 153

HSL 52, 0.28%, 0.69%

LAB 77.28, -4.22, 20.46

 

CMYK 23 / 0 / 3 / 22

HEX #99C7C1

RGB 153 199 193

HSL 172.17, 0.29%, 0.69%

LAB 76.96, -16.31, -1.95

 

CMYK 21 / 23 / 0 / 22

HEX #9C99C6

RGB 156 153 198

HSL 244, 0.28%, 0.69%

LAB 64.91, 10.66, -22.74

 

CMYK 0 / 23 / 20 / 22

HEX #C6999F

RGB 198 153 159

HSL 352, 0.28%, 0.69%

LAB 67.5, 17.71, 3.34

 

CMYK 2 / 0 / 23 / 22

HEX #C3C699

RGB 195 198 153

HSL 64, 0.28%, 0.69%

LAB 78.63, -8.48, 22.27

 

CMYK 23 / 0 / 3 / 22

HEX #99C7C1

RGB 153 199 193

HSL 172.17, 0.29%, 0.69%

LAB 76.96, -16.31, -1.95

 

CMYK 15 / 23 / 0 / 22

HEX #A999C6

RGB 169 153 198

HSL 261.33, 0.28%, 0.69%

LAB 65.98, 14.82, -21.01

 

CMYK 0 / 23 / 20 / 22

HEX #C6999F

RGB 198 153 159

HSL 352, 0.28%, 0.69%

LAB 67.5, 17.71, 3.34

 

CMYK 8 / 0 / 23 / 22

HEX #B6C699

RGB 182 198 153

HSL 81.33, 0.28%, 0.69%

LAB 77.66, -13.32, 20.78

 

Description

Color code: CMYK 23 / 0 / 3 / 22 | qconv.com Color code: CMYK 23 / 0 / 3 / 22 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 199 green and 193 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 199 193 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, none magenta, 3 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 0% 3% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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