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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BF9D1D it is the complementary color #4062E2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BF9D1D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #BF9D1D: #C49D18, #D5AF2B, #E6C13E, #F7D351 and #FFE564

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BF9D1D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #BF9D1D: #BF9D1D, #AE8B0A, #9D7900, #8C6700 and #7B5500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 85 / 25

HEX #BF9D1D

RGB 191 157 29

HSL 47.41, 0.74%, 0.43%

LAB 65.97, 0.82, 64.41

 

Complementary color

CMYK 72 / 57 / 0 / 11

HEX #4062E2

RGB 64 98 226

HSL 227.41, 0.74%, 0.57%

LAB 46.06, 30.91, -68.71

 

CMYK 0 / 20 / 88 / 23

HEX #C49D18

RGB 196 157 24

HSL 46.4, 0.78%, 0.43%

LAB 66.46, 2.93, 66.26

 

CMYK 0 / 18 / 80 / 16

HEX #D5AF2B

RGB 213 175 43

HSL 46.59, 0.67%, 0.5%

LAB 72.88, 1.35, 67.13

 

CMYK 0 / 16 / 73 / 10

HEX #E6C13E

RGB 230 193 62

HSL 46.79, 0.77%, 0.57%

LAB 79.22, 0, 67.07

 

CMYK 0 / 15 / 67 / 3

HEX #F7D351

RGB 247 211 81

HSL 46.99, 0.91%, 0.64%

LAB 85.48, -1.16, 66.48

 

CMYK 0 / 10 / 61 / 0

HEX #FFE564

RGB 255 229 100

HSL 49.94, 1%, 0.7%

LAB 90.88, -5.83, 64.51

 

CMYK 0 / 18 / 85 / 25

HEX #BF9D1D

RGB 191 157 29

HSL 47.41, 0.74%, 0.43%

LAB 65.97, 0.82, 64.41

 

CMYK 0 / 20 / 94 / 32

HEX #AE8B0A

RGB 174 139 10

HSL 47.2, 0.89%, 0.36%

LAB 59.42, 2.55, 62.55

 

CMYK 0 / 23 / 100 / 38

HEX #9D7900

RGB 157 121 0

HSL 46.24, 1%, 0.31%

LAB 52.78, 4.58, 58.65

 

CMYK 0 / 26 / 100 / 45

HEX #8C6700

RGB 140 103 0

HSL 44.14, 1%, 0.27%

LAB 46.01, 6.86, 53.08

 

CMYK 0 / 31 / 100 / 52

HEX #7B5500

RGB 123 85 0

HSL 41.46, 1%, 0.24%

LAB 39.08, 9.27, 47.4

 

CMYK 0 / 18 / 85 / 25

HEX #BF9D1D

RGB 191 157 29

HSL 47.41, 0.74%, 0.43%

LAB 65.97, 0.82, 64.41

 

CMYK 0 / 4 / 85 / 25

HEX #BEB61C

RGB 190 182 28

HSL 57.04, 0.74%, 0.43%

LAB 72.55, -12.79, 70.07

 

CMYK 10 / 0 / 85 / 25

HEX #ABBE1C

RGB 171 190 28

HSL 67.04, 0.74%, 0.43%

LAB 73.26, -24.96, 70.04

 

CMYK 24 / 0 / 85 / 25

HEX #90BE1C

RGB 144 190 28

HSL 77.04, 0.74%, 0.43%

LAB 71.45, -36.02, 67.78

 

CMYK 38 / 0 / 85 / 25

HEX #75BE1C

RGB 117 190 28

HSL 87.04, 0.74%, 0.43%

LAB 69.96, -46.11, 65.91

 

CMYK 0 / 18 / 85 / 25

HEX #BF9D1D

RGB 191 157 29

HSL 47.41, 0.74%, 0.43%

LAB 65.97, 0.82, 64.41

 

CMYK 0 / 18 / 85 / 5

HEX #F2C725

RGB 242 199 37

HSL 47.41, 0.89%, 0.55%

LAB 81.76, 1.19, 77.48

 

CMYK 0 / 18 / 84 / 85

HEX #261F06

RGB 38 31 6

HSL 46.88, 0.73%, 0.09%

LAB 11.99, -0.41, 15.33

 

CMYK 0 / 18 / 84 / 65

HEX #59490E

RGB 89 73 14

HSL 47.2, 0.73%, 0.2%

LAB 31.63, 0.04, 35.21

 

CMYK 0 / 18 / 85 / 45

HEX #8C7315

RGB 140 115 21

HSL 47.39, 0.74%, 0.32%

LAB 49.36, 0.42, 50.58

 

CMYK 0 / 18 / 85 / 25

HEX #BF9D1D

RGB 191 157 29

HSL 47.41, 0.74%, 0.43%

LAB 65.97, 0.82, 64.41

 

CMYK 84 / 0 / 85 / 25

HEX #1FBE1C

RGB 31 190 28

HSL 118.89, 0.74%, 0.43%

LAB 67.43, -66.29, 62.71

 

CMYK 53 / 85 / 0 / 25

HEX #5A1CBE

RGB 90 28 190

HSL 262.96, 0.74%, 0.43%

LAB 31.17, 60.29, -72.24

 

CMYK 0 / 18 / 85 / 25

HEX #BF9D1D

RGB 191 157 29

HSL 47.41, 0.74%, 0.43%

LAB 65.97, 0.82, 64.41

 

CMYK 85 / 0 / 18 / 25

HEX #1CBE9B

RGB 28 190 155

HSL 167.04, 0.74%, 0.43%

LAB 69.07, -47.14, 6.71

 

CMYK 18 / 85 / 0 / 25

HEX #9B1CBE

RGB 155 28 190

HSL 287.04, 0.74%, 0.43%

LAB 40.44, 69.33, -56.7

 

CMYK 0 / 18 / 85 / 25

HEX #BF9D1D

RGB 191 157 29

HSL 47.41, 0.74%, 0.43%

LAB 65.97, 0.82, 64.41

 

CMYK 84 / 0 / 85 / 25

HEX #1FBE1C

RGB 31 190 28

HSL 118.89, 0.74%, 0.43%

LAB 67.43, -66.29, 62.71

 

CMYK 85 / 67 / 0 / 25

HEX #1C3FBE

RGB 28 63 190

HSL 227.04, 0.74%, 0.43%

LAB 32.96, 36.62, -69.43

 

CMYK 1 / 85 / 0 / 25

HEX #BC1CBE

RGB 188 28 190

HSL 299.26, 0.74%, 0.43%

LAB 45.96, 75.05, -47.53

 

CMYK 0 / 18 / 85 / 25

HEX #BF9D1D

RGB 191 157 29

HSL 47.41, 0.74%, 0.43%

LAB 65.97, 0.82, 64.41

 

CMYK 85 / 0 / 61 / 25

HEX #1CBE4A

RGB 28 190 74

HSL 137.04, 0.74%, 0.43%

LAB 67.7, -62.75, 46.67

 

CMYK 85 / 67 / 0 / 25

HEX #1C3FBE

RGB 28 63 190

HSL 227.04, 0.74%, 0.43%

LAB 32.96, 36.62, -69.43

 

CMYK 0 / 85 / 24 / 25

HEX #BE1C90

RGB 190 28 144

HSL 317.04, 0.74%, 0.43%

LAB 43.93, 69.07, -23.31

 

Description

Color code: HEX #BF9D1D | qconv.com Color code: HEX #BF9D1D | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 191 red, 157 green and 29 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
191 157 29 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 85 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 18% 85% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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CMYK to PANTONE®

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HEX to RAL®

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HEX to HKS®

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RAL® to HEX

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RAL® to HKS®

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RAL® to PANTONE®

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RAL® to Sherwin Williams®

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RAL® to NCS®

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HKS® to RGB

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HKS® to CMYK

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HKS® to HEX

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HKS® to RAL®

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HKS® to PANTONE®

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HKS® to Sherwin Williams®

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PANTONE® to CMYK

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PANTONE® to HEX

convert from Pantone®-number (Pantone 0000) to #RRGGBB

PANTONE® to RAL®

convert from Pantone®-number (Pantone 0000) to RAL®-number (RAL 0000)

PANTONE® to HKS®

convert from Pantone®-number (Pantone 0000) to HKS®-number (HKS 00)

PANTONE® to Sherwin Williams®

convert from Pantone®-number (Pantone 0000) to Sherwin Williams®-number (SW 0000)

PANTONE® to NCS®

convert from Pantone®-number (Pantone 0000) to NCS-number (S0000-X00X)

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Sherwin Williams® to RGB

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Sherwin Williams® to RGBA

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Sherwin Williams® to CMYK

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Sherwin Williams® to HEX

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Sherwin Williams® to RAL®

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Sherwin Williams® to HKS®

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NCS® to RGB

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NCS® to RGBA

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NCS® to CMYK

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NCS® to HEX

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NCS® to RAL®

convert from NCS-number (S0000-X00X) to RAL®-number (RAL 0000)

NCS® to HKS®

convert from NCS-number (S0000-X00X) to HKS®-number (HKS 00)

NCS® to PANTONE®

convert from NCS-number (S0000-X00X) to Pantone®-number (Pantone 0000)

NCS® to Sherwin Williams®

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