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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BF7F5B it is the complementary color #4080A4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BF7F5B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BF7F5B shade: #C47F56, #D59169, #E6A37C, #F7B58F and #FFC7A2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BF7F5B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BF7F5B shade: #BF7F5B, #AE6D48, #9D5B35, #8C4922 and #7B370F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BF7F5B shade: #BF7E5A, #BF635A and #BF5A5A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BF7F5B shade: #BF7E5A, #BF995A, #BFB55A, #AEBF5A and #92BF5A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BF7F5B shade matches the following richer shades: #BF7E5A, #D17947, #E47435 and #F66F22

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BF7F5B shade: #BF7E5A, #AC836C, #9A897F, #878E91 and #7493A4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BF7F5B shade: #BF5A6C, #BF625A, #BF7D5A, #BF985A and #BFB35A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BF7F5B shade: #8F5737, #AC6943, #BF7E5A, #CA9577 and #D6AC95

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BF7F5B shade: #BF7F5B, #87BF5A and #5A5FBF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BF7F5B shade: #BF7F5B, #5ABF7D and #7D5ABF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BF7F5B shade: #BF7F5B, #87BF5A, #5A9BBF and #915ABF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BF7F5B shade: #BF7F5B, #69BF5A, #5A9BBF and #B05ABF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 34 / 52 / 25

HEX #BF7F5B

RGB 191 127 91

HSL 21.6, 0.44%, 0.55%

LAB 58.98, 20.83, 29.61

 

Complementary color

CMYK 61 / 22 / 0 / 36

HEX #4080A4

RGB 64 128 164

HSL 201.6, 0.44%, 0.45%

LAB 50.93, -9.38, -25.36

 

CMYK 0 / 35 / 56 / 23

HEX #C47F56

RGB 196 127 86

HSL 22.36, 0.48%, 0.55%

LAB 59.51, 22.47, 33.15

 

CMYK 0 / 32 / 51 / 16

HEX #D59169

RGB 213 145 105

HSL 22.22, 0.56%, 0.62%

LAB 66.07, 21.3, 31.56

 

CMYK 0 / 29 / 46 / 10

HEX #E6A37C

RGB 230 163 124

HSL 22.08, 0.68%, 0.69%

LAB 72.54, 20.27, 30.11

 

CMYK 0 / 27 / 42 / 3

HEX #F7B58F

RGB 247 181 143

HSL 21.92, 0.87%, 0.76%

LAB 78.93, 19.36, 28.77

 

CMYK 0 / 22 / 36 / 0

HEX #FFC7A2

RGB 255 199 162

HSL 23.87, 1%, 0.82%

LAB 84.34, 15.11, 26.17

 

CMYK 0 / 34 / 52 / 25

HEX #BF7F5B

RGB 191 127 91

HSL 21.6, 0.44%, 0.55%

LAB 58.98, 20.83, 29.61

 

CMYK 0 / 37 / 59 / 32

HEX #AE6D48

RGB 174 109 72

HSL 21.76, 0.41%, 0.48%

LAB 52.29, 22.08, 31.27

 

CMYK 0 / 42 / 66 / 38

HEX #9D5B35

RGB 157 91 53

HSL 21.92, 0.5%, 0.41%

LAB 45.51, 23.54, 33.11

 

CMYK 0 / 48 / 76 / 45

HEX #8C4922

RGB 140 73 34

HSL 22.08, 0.61%, 0.34%

LAB 38.65, 25.23, 35.04

 

CMYK 0 / 55 / 88 / 52

HEX #7B370F

RGB 123 55 15

HSL 22.22, 0.78%, 0.27%

LAB 31.76, 27.17, 36.72

 

CMYK 0 / 34 / 53 / 25

HEX #BF7E5A

RGB 191 126 90

HSL 21.39, 0.44%, 0.55%

LAB 58.73, 21.29, 29.83

 

CMYK 0 / 48 / 53 / 25

HEX #BF635A

RGB 191 99 90

HSL 5.35, 0.44%, 0.55%

LAB 52.66, 35.92, 21.93

 

CMYK 0 / 53 / 53 / 25

HEX #BF5A5A

RGB 191 90 90

HSL 0, 0.44%, 0.55%

LAB 50.84, 40.55, 19.5

 

CMYK 0 / 34 / 53 / 25

HEX #BF7E5A

RGB 191 126 90

HSL 21.39, 0.44%, 0.55%

LAB 58.73, 21.29, 29.83

 

CMYK 0 / 20 / 53 / 25

HEX #BF995A

RGB 191 153 90

HSL 37.43, 0.44%, 0.55%

LAB 65.43, 6.43, 38.22

 

CMYK 0 / 5 / 53 / 25

HEX #BFB55A

RGB 191 181 90

HSL 54.06, 0.44%, 0.55%

LAB 72.8, -8.52, 47.06

 

CMYK 9 / 0 / 53 / 25

HEX #AEBF5A

RGB 174 191 90

HSL 70.1, 0.44%, 0.55%

LAB 74.19, -20.62, 48.34

 

CMYK 24 / 0 / 53 / 25

HEX #92BF5A

RGB 146 191 90

HSL 86.73, 0.44%, 0.55%

LAB 72.3, -31.59, 45.65

 

CMYK 0 / 34 / 53 / 25

HEX #BF7E5A

RGB 191 126 90

HSL 21.39, 0.44%, 0.55%

LAB 58.73, 21.29, 29.83

 

CMYK 0 / 42 / 66 / 18

HEX #D17947

RGB 209 121 71

HSL 21.74, 0.6%, 0.55%

LAB 59.6, 30, 41.65

 

CMYK 0 / 49 / 77 / 11

HEX #E47435

RGB 228 116 53

HSL 21.6, 0.76%, 0.55%

LAB 60.99, 39.3, 52.77

 

CMYK 0 / 55 / 86 / 4

HEX #F66F22

RGB 246 111 34

HSL 21.79, 0.92%, 0.55%

LAB 62.57, 48.05, 62.94

 

CMYK 0 / 34 / 53 / 25

HEX #BF7E5A

RGB 191 126 90

HSL 21.39, 0.44%, 0.55%

LAB 58.73, 21.29, 29.83

 

CMYK 0 / 24 / 37 / 33

HEX #AC836C

RGB 172 131 108

HSL 21.56, 0.28%, 0.55%

LAB 58.12, 12.57, 18.52

 

CMYK 0 / 11 / 18 / 40

HEX #9A897F

RGB 154 137 127

HSL 22.22, 0.12%, 0.55%

LAB 58.31, 4.68, 7.69

 

CMYK 7 / 2 / 0 / 43

HEX #878E91

RGB 135 142 145

HSL 198, 0.04%, 0.55%

LAB 58.55, -1.93, -2.48

 

CMYK 29 / 10 / 0 / 36

HEX #7493A4

RGB 116 147 164

HSL 201.25, 0.21%, 0.55%

LAB 59.21, -6.7, -12.48

 

CMYK 0 / 53 / 43 / 25

HEX #BF5A6C

RGB 191 90 108

HSL 349.31, 0.44%, 0.55%

LAB 51.23, 42.29, 9.34

 

CMYK 0 / 49 / 53 / 25

HEX #BF625A

RGB 191 98 90

HSL 4.75, 0.44%, 0.55%

LAB 52.45, 36.44, 21.66

 

CMYK 0 / 35 / 53 / 25

HEX #BF7D5A

RGB 191 125 90

HSL 20.79, 0.44%, 0.55%

LAB 58.49, 21.84, 29.53

 

CMYK 0 / 20 / 53 / 25

HEX #BF985A

RGB 191 152 90

HSL 36.83, 0.44%, 0.55%

LAB 65.18, 6.97, 37.91

 

CMYK 0 / 6 / 53 / 25

HEX #BFB35A

RGB 191 179 90

HSL 52.87, 0.44%, 0.55%

LAB 72.27, -7.48, 46.43

 

CMYK 0 / 39 / 62 / 44

HEX #8F5737

RGB 143 87 55

HSL 21.82, 0.44%, 0.39%

LAB 42.66, 19.89, 28.13

 

CMYK 0 / 39 / 61 / 33

HEX #AC6943

RGB 172 105 67

HSL 21.71, 0.44%, 0.47%

LAB 51.01, 23.08, 32.42

 

CMYK 0 / 34 / 53 / 25

HEX #BF7E5A

RGB 191 126 90

HSL 21.39, 0.44%, 0.55%

LAB 58.73, 21.29, 29.83

 

CMYK 0 / 26 / 41 / 21

HEX #CA9577

RGB 202 149 119

HSL 21.69, 0.44%, 0.63%

LAB 66.05, 16.09, 23.64

 

CMYK 0 / 20 / 30 / 16

HEX #D6AC95

RGB 214 172 149

HSL 21.23, 0.44%, 0.71%

LAB 73.53, 12.03, 17.64

 

CMYK 0 / 34 / 52 / 25

HEX #BF7F5B

RGB 191 127 91

HSL 21.6, 0.44%, 0.55%

LAB 58.98, 20.83, 29.61

 

CMYK 29 / 0 / 53 / 25

HEX #87BF5A

RGB 135 191 90

HSL 93.27, 0.44%, 0.55%

LAB 71.66, -35.64, 44.73

 

CMYK 53 / 50 / 0 / 25

HEX #5A5FBF

RGB 90 95 191

HSL 237.03, 0.44%, 0.55%

LAB 44.4, 25.23, -51.26

 

CMYK 0 / 34 / 52 / 25

HEX #BF7F5B

RGB 191 127 91

HSL 21.6, 0.44%, 0.55%

LAB 58.98, 20.83, 29.61

 

CMYK 53 / 0 / 35 / 25

HEX #5ABF7D

RGB 90 191 125

HSL 140.79, 0.44%, 0.55%

LAB 70.12, -44.35, 24.56

 

CMYK 35 / 53 / 0 / 25

HEX #7D5ABF

RGB 125 90 191

HSL 260.79, 0.44%, 0.55%

LAB 46.22, 36.53, -48.18

 

CMYK 0 / 34 / 52 / 25

HEX #BF7F5B

RGB 191 127 91

HSL 21.6, 0.44%, 0.55%

LAB 58.98, 20.83, 29.61

 

CMYK 29 / 0 / 53 / 25

HEX #87BF5A

RGB 135 191 90

HSL 93.27, 0.44%, 0.55%

LAB 71.66, -35.64, 44.73

 

CMYK 53 / 19 / 0 / 25

HEX #5A9BBF

RGB 90 155 191

HSL 201.39, 0.44%, 0.55%

LAB 61.11, -10.57, -24.99

 

CMYK 24 / 53 / 0 / 25

HEX #915ABF

RGB 145 90 191

HSL 272.67, 0.44%, 0.55%

LAB 48.38, 41.74, -44.62

 

CMYK 0 / 34 / 52 / 25

HEX #BF7F5B

RGB 191 127 91

HSL 21.6, 0.44%, 0.55%

LAB 58.98, 20.83, 29.61

 

CMYK 45 / 0 / 53 / 25

HEX #69BF5A

RGB 105 191 90

HSL 111.09, 0.44%, 0.55%

LAB 70.18, -45.63, 42.6

 

CMYK 53 / 19 / 0 / 25

HEX #5A9BBF

RGB 90 155 191

HSL 201.39, 0.44%, 0.55%

LAB 61.11, -10.57, -24.99

 

CMYK 8 / 53 / 0 / 25

HEX #B05ABF

RGB 176 90 191

HSL 291.09, 0.44%, 0.55%

LAB 52.18, 50.17, -38.36

 

Description

Color code: HEX #BF7F5B | qconv.com Color code: HEX #BF7F5B | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 191 red, 127 green and 91 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
191 127 91 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 34 magenta, 52 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 34% 52% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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