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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 45 / 0 / 53 / 25 it is the complementary color CMYK 9 / 61 / 0 / 35. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 45 / 0 / 53 / 25. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 45 / 0 / 53 / 25: CMYK 42 / 0 / 55 / 25, CMYK 39 / 0 / 50 / 18, CMYK 37 / 0 / 46 / 11, CMYK 34 / 0 / 42 / 4 and CMYK 30 / 0 / 37 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 45 / 0 / 53 / 25. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 45 / 0 / 53 / 25: CMYK 45 / 0 / 53 / 25, CMYK 49 / 0 / 59 / 32, CMYK 54 / 0 / 66 / 39, CMYK 61 / 0 / 76 / 46 and CMYK 69 / 0 / 88 / 53

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 0 / 53 / 25

HEX #69BF5A

RGB 105 191 90

HSL 111.09, 0.44%, 0.55%

LAB 70.18, -45.63, 42.6

 

Complementary color

CMYK 9 / 61 / 0 / 35

HEX #9640A5

RGB 150 64 165

HSL 291.09, 0.44%, 0.45%

LAB 42.56, 50.81, -38.55

 

CMYK 42 / 0 / 55 / 25

HEX #6EBF55

RGB 110 191 85

HSL 105.85, 0.45%, 0.54%

LAB 70.34, -44.68, 45.23

 

CMYK 39 / 0 / 50 / 18

HEX #7FD168

RGB 127 209 104

HSL 106.86, 0.53%, 0.61%

LAB 76.75, -44.66, 44.05

 

CMYK 37 / 0 / 46 / 11

HEX #90E37B

RGB 144 227 123

HSL 107.88, 0.65%, 0.69%

LAB 83.07, -44.55, 42.85

 

CMYK 34 / 0 / 42 / 4

HEX #A1F58E

RGB 161 245 142

HSL 108.93, 0.84%, 0.76%

LAB 89.32, -44.4, 41.66

 

CMYK 30 / 0 / 37 / 0

HEX #B2FFA1

RGB 178 255 161

HSL 109.15, 1%, 0.82%

LAB 93.26, -40.71, 37.6

 

CMYK 45 / 0 / 53 / 25

HEX #69BF5A

RGB 105 191 90

HSL 111.09, 0.44%, 0.55%

LAB 70.18, -45.63, 42.6

 

CMYK 49 / 0 / 59 / 32

HEX #58AD47

RGB 88 173 71

HSL 110, 0.42%, 0.48%

LAB 63.69, -45.56, 43.8

 

CMYK 54 / 0 / 66 / 39

HEX #479B34

RGB 71 155 52

HSL 108.93, 0.5%, 0.41%

LAB 57.1, -45.27, 44.82

 

CMYK 61 / 0 / 76 / 46

HEX #368921

RGB 54 137 33

HSL 107.88, 0.61%, 0.33%

LAB 50.44, -44.62, 45.4

 

CMYK 69 / 0 / 88 / 53

HEX #25770E

RGB 37 119 14

HSL 106.86, 0.79%, 0.26%

LAB 43.68, -43.37, 44.92

 

CMYK 45 / 0 / 53 / 25

HEX #69BF5A

RGB 105 191 90

HSL 111.09, 0.44%, 0.55%

LAB 70.18, -45.63, 42.6

 

CMYK 53 / 0 / 52 / 25

HEX #59BE5B

RGB 89 190 91

HSL 121.19, 0.44%, 0.55%

LAB 69.26, -49.63, 40.86

 

CMYK 53 / 0 / 43 / 25

HEX #59BE6C

RGB 89 190 108

HSL 131.29, 0.44%, 0.55%

LAB 69.49, -47.12, 32.62

 

CMYK 53 / 0 / 34 / 25

HEX #59BE7D

RGB 89 190 125

HSL 141.39, 0.44%, 0.55%

LAB 69.78, -44.17, 24.09

 

CMYK 53 / 0 / 26 / 25

HEX #59BE8D

RGB 89 190 141

HSL 150.89, 0.44%, 0.55%

LAB 70.09, -41, 15.94

 

CMYK 45 / 0 / 53 / 25

HEX #69BF5A

RGB 105 191 90

HSL 111.09, 0.44%, 0.55%

LAB 70.18, -45.63, 42.6

 

CMYK 45 / 0 / 53 / 5

HEX #85F272

RGB 133 242 114

HSL 111.09, 0.83%, 0.7%

LAB 86.85, -55.19, 51.63

 

CMYK 45 / 0 / 53 / 85

HEX #152612

RGB 21 38 18

HSL 111, 0.36%, 0.11%

LAB 13.17, -12.22, 10.96

 

CMYK 45 / 0 / 53 / 65

HEX #31592A

RGB 49 89 42

HSL 111.06, 0.36%, 0.26%

LAB 33.91, -24.63, 22.76

 

CMYK 45 / 0 / 53 / 45

HEX #4D8C42

RGB 77 140 66

HSL 111.08, 0.36%, 0.4%

LAB 52.65, -35.53, 33.06

 

CMYK 45 / 0 / 53 / 25

HEX #69BF5A

RGB 105 191 90

HSL 111.09, 0.44%, 0.55%

LAB 70.18, -45.63, 42.6

 

CMYK 53 / 3 / 0 / 25

HEX #59B9BE

RGB 89 185 190

HSL 182.97, 0.44%, 0.55%

LAB 69.85, -26.76, -11.18

 

CMYK 0 / 53 / 24 / 25

HEX #BE5991

RGB 190 89 145

HSL 326.73, 0.44%, 0.55%

LAB 51.99, 47.06, -11.6

 

CMYK 45 / 0 / 53 / 25

HEX #69BF5A

RGB 105 191 90

HSL 111.09, 0.44%, 0.55%

LAB 70.18, -45.63, 42.6

 

CMYK 53 / 45 / 0 / 25

HEX #5968BE

RGB 89 104 190

HSL 231.09, 0.44%, 0.55%

LAB 46.63, 19.08, -47.11

 

CMYK 0 / 53 / 45 / 25

HEX #BE5968

RGB 190 89 104

HSL 351.09, 0.44%, 0.55%

LAB 50.79, 42.02, 11.09

 

CMYK 45 / 0 / 53 / 25

HEX #69BF5A

RGB 105 191 90

HSL 111.09, 0.44%, 0.55%

LAB 70.18, -45.63, 42.6

 

CMYK 53 / 3 / 0 / 25

HEX #59B9BE

RGB 89 185 190

HSL 182.97, 0.44%, 0.55%

LAB 69.85, -26.76, -11.18

 

CMYK 8 / 53 / 0 / 25

HEX #AF59BE

RGB 175 89 190

HSL 291.09, 0.44%, 0.55%

LAB 51.81, 50.2, -38.37

 

CMYK 0 / 51 / 53 / 25

HEX #BE5E59

RGB 190 94 89

HSL 2.97, 0.44%, 0.55%

LAB 51.47, 38.05, 20.9

 

CMYK 45 / 0 / 53 / 25

HEX #69BF5A

RGB 105 191 90

HSL 111.09, 0.44%, 0.55%

LAB 70.18, -45.63, 42.6

 

CMYK 53 / 18 / 0 / 25

HEX #599BBE

RGB 89 155 190

HSL 200.79, 0.44%, 0.55%

LAB 61.03, -11.1, -24.56

 

CMYK 8 / 53 / 0 / 25

HEX #AF59BE

RGB 175 89 190

HSL 291.09, 0.44%, 0.55%

LAB 51.81, 50.2, -38.37

 

CMYK 0 / 34 / 53 / 25

HEX #BE7D59

RGB 190 125 89

HSL 21.39, 0.44%, 0.55%

LAB 58.35, 21.34, 29.88

 

Description

Color code: CMYK 45 / 0 / 53 / 25 | qconv.com Color code: CMYK 45 / 0 / 53 / 25 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 105 red, 191 green and 90 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
105 191 90 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, none magenta, 53 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 0% 53% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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