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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BF7E4E it is the complementary color #4081B1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BF7E4E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BF7E4E shade: #C47E49, #D5905C, #E6A26F, #F7B482 and #FFC695

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BF7E4E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BF7E4E shade: #BF7E4E, #AE6C3B, #9D5A28, #8C4815 and #7B3602

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BF7E4E shade: #BF7E4E, #BF604E and #BF4E4E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BF7E4E shade: #BF7E4E, #BF9D4E, #BFBB4E, #A5BF4E and #86BF4E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BF7E4E shade matches the following richer shades: #BF7E4E, #D27B3B, #E67828 and #F97514

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BF7E4E shade: #BF7E4E, #AC8162, #988475, #858788 and #718A9C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BF7E4E shade: #BF4E5B, #BF5F4E, #BF7D4E, #BF9B4E and #BFB94E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BF7E4E shade: #8A5731, #A86A3C, #BF7E4E, #CA946D and #D5AA8B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BF7E4E shade: #BF7E4E, #7ABF4E and #504EBF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BF7E4E shade: #BF7E4E, #4EBF7D and #7D4EBF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BF7E4E shade: #BF7E4E, #7ABF4E, #4E90BF and #944EBF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BF7E4E shade: #BF7E4E, #58BF4E, #4E90BF and #B64EBF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 34 / 59 / 25

HEX #BF7E4E

RGB 191 126 78

HSL 25.49, 0.47%, 0.53%

LAB 58.55, 20.29, 36.15

 

Complementary color

CMYK 64 / 27 / 0 / 31

HEX #4081B1

RGB 64 129 177

HSL 205.49, 0.47%, 0.47%

LAB 51.8, -5.63, -31.54

 

CMYK 0 / 36 / 63 / 23

HEX #C47E49

RGB 196 126 73

HSL 25.85, 0.51%, 0.53%

LAB 59.1, 22.04, 39.6

 

CMYK 0 / 32 / 57 / 16

HEX #D5905C

RGB 213 144 92

HSL 25.79, 0.59%, 0.6%

LAB 65.64, 20.73, 37.98

 

CMYK 0 / 30 / 52 / 10

HEX #E6A26F

RGB 230 162 111

HSL 25.71, 0.7%, 0.67%

LAB 72.1, 19.59, 36.45

 

CMYK 0 / 27 / 47 / 3

HEX #F7B482

RGB 247 180 130

HSL 25.64, 0.88%, 0.74%

LAB 78.48, 18.58, 35.03

 

CMYK 0 / 22 / 42 / 0

HEX #FFC695

RGB 255 198 149

HSL 27.74, 1%, 0.79%

LAB 83.87, 14.2, 32.34

 

CMYK 0 / 34 / 59 / 25

HEX #BF7E4E

RGB 191 126 78

HSL 25.49, 0.47%, 0.53%

LAB 58.55, 20.29, 36.15

 

CMYK 0 / 38 / 66 / 32

HEX #AE6C3B

RGB 174 108 59

HSL 25.57, 0.49%, 0.46%

LAB 51.88, 21.7, 37.84

 

CMYK 0 / 43 / 75 / 38

HEX #9D5A28

RGB 157 90 40

HSL 25.64, 0.59%, 0.39%

LAB 45.13, 23.35, 39.54

 

CMYK 0 / 49 / 85 / 45

HEX #8C4815

RGB 140 72 21

HSL 25.71, 0.74%, 0.32%

LAB 38.31, 25.27, 40.95

 

CMYK 0 / 56 / 98 / 52

HEX #7B3602

RGB 123 54 2

HSL 25.79, 0.97%, 0.25%

LAB 31.47, 27.41, 41.68

 

CMYK 0 / 34 / 59 / 25

HEX #BF7E4E

RGB 191 126 78

HSL 25.49, 0.47%, 0.53%

LAB 58.55, 20.29, 36.15

 

CMYK 0 / 50 / 59 / 25

HEX #BF604E

RGB 191 96 78

HSL 9.56, 0.47%, 0.53%

LAB 51.83, 36.5, 27.8

 

CMYK 0 / 59 / 59 / 25

HEX #BF4E4E

RGB 191 78 78

HSL 0, 0.47%, 0.53%

LAB 48.35, 45.45, 23.34

 

CMYK 0 / 34 / 59 / 25

HEX #BF7E4E

RGB 191 126 78

HSL 25.49, 0.47%, 0.53%

LAB 58.55, 20.29, 36.15

 

CMYK 0 / 18 / 59 / 25

HEX #BF9D4E

RGB 191 157 78

HSL 41.95, 0.47%, 0.53%

LAB 66.32, 3.27, 45.34

 

CMYK 0 / 2 / 59 / 25

HEX #BFBB4E

RGB 191 187 78

HSL 57.88, 0.47%, 0.53%

LAB 74.3, -12.55, 54.33

 

CMYK 14 / 0 / 59 / 25

HEX #A5BF4E

RGB 165 191 78

HSL 73.81, 0.47%, 0.53%

LAB 73.42, -25.28, 52.81

 

CMYK 30 / 0 / 59 / 25

HEX #86BF4E

RGB 134 191 78

HSL 90.27, 0.47%, 0.53%

LAB 71.47, -37.22, 50.08

 

CMYK 0 / 34 / 59 / 25

HEX #BF7E4E

RGB 191 126 78

HSL 25.49, 0.47%, 0.53%

LAB 58.55, 20.29, 36.15

 

CMYK 0 / 41 / 72 / 18

HEX #D27B3B

RGB 210 123 59

HSL 25.43, 0.63%, 0.53%

LAB 60.05, 28.68, 48.2

 

CMYK 0 / 48 / 83 / 10

HEX #E67828

RGB 230 120 40

HSL 25.26, 0.79%, 0.53%

LAB 62.01, 37.63, 59.31

 

CMYK 0 / 53 / 92 / 2

HEX #F97514

RGB 249 117 20

HSL 25.41, 0.95%, 0.53%

LAB 64.09, 46.08, 68.36

 

CMYK 0 / 34 / 59 / 25

HEX #BF7E4E

RGB 191 126 78

HSL 25.49, 0.47%, 0.53%

LAB 58.55, 20.29, 36.15

 

CMYK 0 / 25 / 43 / 33

HEX #AC8162

RGB 172 129 98

HSL 25.14, 0.31%, 0.53%

LAB 57.42, 12.5, 23.24

 

CMYK 0 / 13 / 23 / 40

HEX #988475

RGB 152 132 117

HSL 25.71, 0.15%, 0.53%

LAB 56.55, 5.12, 10.89

 

CMYK 2 / 1 / 0 / 47

HEX #858788

RGB 133 135 136

HSL 200, 0.01%, 0.53%

LAB 56.18, -0.54, -0.8

 

CMYK 28 / 12 / 0 / 39

HEX #718A9C

RGB 113 138 156

HSL 205.12, 0.18%, 0.53%

LAB 56.18, -4.58, -12.49

 

CMYK 0 / 59 / 52 / 25

HEX #BF4E5B

RGB 191 78 91

HSL 353.1, 0.47%, 0.53%

LAB 48.61, 46.49, 15.89

 

CMYK 0 / 50 / 59 / 25

HEX #BF5F4E

RGB 191 95 78

HSL 9.03, 0.47%, 0.53%

LAB 51.62, 37.02, 27.54

 

CMYK 0 / 35 / 59 / 25

HEX #BF7D4E

RGB 191 125 78

HSL 24.96, 0.47%, 0.53%

LAB 58.31, 20.84, 35.86

 

CMYK 0 / 19 / 59 / 25

HEX #BF9B4E

RGB 191 155 78

HSL 40.88, 0.47%, 0.53%

LAB 65.8, 4.35, 44.74

 

CMYK 0 / 3 / 59 / 25

HEX #BFB94E

RGB 191 185 78

HSL 56.81, 0.47%, 0.53%

LAB 73.76, -11.53, 53.73

 

CMYK 0 / 37 / 64 / 46

HEX #8A5731

RGB 138 87 49

HSL 25.62, 0.48%, 0.37%

LAB 41.91, 17.21, 30.46

 

CMYK 0 / 37 / 64 / 34

HEX #A86A3C

RGB 168 106 60

HSL 25.56, 0.47%, 0.45%

LAB 50.64, 20.3, 35.67

 

CMYK 0 / 34 / 59 / 25

HEX #BF7E4E

RGB 191 126 78

HSL 25.49, 0.47%, 0.53%

LAB 58.55, 20.29, 36.15

 

CMYK 0 / 27 / 46 / 21

HEX #CA946D

RGB 202 148 109

HSL 25.16, 0.47%, 0.61%

LAB 65.62, 15.57, 28.57

 

CMYK 0 / 20 / 35 / 16

HEX #D5AA8B

RGB 213 170 139

HSL 25.14, 0.47%, 0.69%

LAB 72.73, 11.44, 21.96

 

CMYK 0 / 34 / 59 / 25

HEX #BF7E4E

RGB 191 126 78

HSL 25.49, 0.47%, 0.53%

LAB 58.55, 20.29, 36.15

 

CMYK 36 / 0 / 59 / 25

HEX #7ABF4E

RGB 122 191 78

HSL 96.64, 0.47%, 0.53%

LAB 70.84, -41.47, 49.19

 

CMYK 58 / 59 / 0 / 25

HEX #504EBF

RGB 80 78 191

HSL 241.06, 0.47%, 0.53%

LAB 39.44, 33.84, -59.31

 

CMYK 0 / 34 / 59 / 25

HEX #BF7E4E

RGB 191 126 78

HSL 25.49, 0.47%, 0.53%

LAB 58.55, 20.29, 36.15

 

CMYK 59 / 0 / 35 / 25

HEX #4EBF7D

RGB 78 191 125

HSL 144.96, 0.47%, 0.53%

LAB 69.73, -47.14, 23.96

 

CMYK 35 / 59 / 0 / 25

HEX #7D4EBF

RGB 125 78 191

HSL 264.96, 0.47%, 0.53%

LAB 43.61, 43.33, -52.37

 

CMYK 0 / 34 / 59 / 25

HEX #BF7E4E

RGB 191 126 78

HSL 25.49, 0.47%, 0.53%

LAB 58.55, 20.29, 36.15

 

CMYK 36 / 0 / 59 / 25

HEX #7ABF4E

RGB 122 191 78

HSL 96.64, 0.47%, 0.53%

LAB 70.84, -41.47, 49.19

 

CMYK 59 / 25 / 0 / 25

HEX #4E90BF

RGB 78 144 191

HSL 204.96, 0.47%, 0.53%

LAB 57.39, -6.96, -30.78

 

CMYK 23 / 59 / 0 / 25

HEX #944EBF

RGB 148 78 191

HSL 277.17, 0.47%, 0.53%

LAB 46.32, 48.9, -47.87

 

CMYK 0 / 34 / 59 / 25

HEX #BF7E4E

RGB 191 126 78

HSL 25.49, 0.47%, 0.53%

LAB 58.55, 20.29, 36.15

 

CMYK 54 / 0 / 59 / 25

HEX #58BF4E

RGB 88 191 78

HSL 114.69, 0.47%, 0.53%

LAB 69.39, -51.89, 47.15

 

CMYK 59 / 25 / 0 / 25

HEX #4E90BF

RGB 78 144 191

HSL 204.96, 0.47%, 0.53%

LAB 57.39, -6.96, -30.78

 

CMYK 5 / 59 / 0 / 25

HEX #B64EBF

RGB 182 78 191

HSL 295.22, 0.47%, 0.53%

LAB 50.87, 57.49, -40.37

 

Description

Color code: HEX #BF7E4E | qconv.com Color code: HEX #BF7E4E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 191 red, 126 green and 78 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
191 126 78 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 34 magenta, 59 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 34% 59% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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