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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 59 / 59 / 25 it is the complementary color CMYK 64 / 0 / 0 / 31. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 59 / 59 / 25. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 59 / 59 / 25: CMYK 0 / 60 / 63 / 23, CMYK 0 / 55 / 57 / 16, CMYK 0 / 50 / 52 / 10, CMYK 0 / 47 / 47 / 3 and CMYK 0 / 41 / 42 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 59 / 59 / 25. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 59 / 59 / 25: CMYK 0 / 59 / 59 / 25, CMYK 0 / 66 / 66 / 32, CMYK 0 / 73 / 75 / 38, CMYK 0 / 83 / 85 / 45 and CMYK 0 / 95 / 98 / 52

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 59 / 59 / 25

HEX #BF4E4E

RGB 191 78 78

HSL 0, 0.47%, 0.53%

LAB 48.35, 45.45, 23.34

 

Complementary color

CMYK 64 / 0 / 0 / 31

HEX #40B1B1

RGB 64 177 177

HSL 180, 0.47%, 0.47%

LAB 66.3, -31.1, -9.4

 

CMYK 0 / 60 / 63 / 23

HEX #C44E49

RGB 196 78 73

HSL 2.44, 0.51%, 0.53%

LAB 49.09, 46.88, 27.4

 

CMYK 0 / 55 / 57 / 16

HEX #D5605C

RGB 213 96 92

HSL 1.98, 0.59%, 0.6%

LAB 55.36, 45.78, 24.94

 

CMYK 0 / 50 / 52 / 10

HEX #E6726F

RGB 230 114 111

HSL 1.51, 0.7%, 0.67%

LAB 61.66, 44.64, 22.84

 

CMYK 0 / 47 / 47 / 3

HEX #F78482

RGB 247 132 130

HSL 1.03, 0.88%, 0.74%

LAB 67.94, 43.53, 21.02

 

CMYK 0 / 41 / 42 / 0

HEX #FF9695

RGB 255 150 149

HSL 0.57, 1%, 0.79%

LAB 73.05, 39.21, 17.67

 

CMYK 0 / 59 / 59 / 25

HEX #BF4E4E

RGB 191 78 78

HSL 0, 0.47%, 0.53%

LAB 48.35, 45.45, 23.34

 

CMYK 0 / 66 / 66 / 32

HEX #AE3C3B

RGB 174 60 59

HSL 0.52, 0.49%, 0.46%

LAB 42.07, 46.4, 26.14

 

CMYK 0 / 73 / 75 / 38

HEX #9D2A28

RGB 157 42 40

HSL 1.03, 0.59%, 0.39%

LAB 35.94, 47.01, 29.53

 

CMYK 0 / 83 / 85 / 45

HEX #8C1815

RGB 140 24 21

HSL 1.51, 0.74%, 0.32%

LAB 30.12, 46.92, 33.47

 

CMYK 0 / 95 / 98 / 52

HEX #7B0602

RGB 123 6 2

HSL 1.98, 0.97%, 0.25%

LAB 24.78, 45.55, 36.12

 

CMYK 0 / 59 / 59 / 25

HEX #BF4E4E

RGB 191 78 78

HSL 0, 0.47%, 0.53%

LAB 48.35, 45.45, 23.34

 

CMYK 0 / 49 / 59 / 25

HEX #BF614E

RGB 191 97 78

HSL 10.09, 0.47%, 0.53%

LAB 52.04, 35.98, 28.07

 

CMYK 0 / 39 / 59 / 25

HEX #BF744E

RGB 191 116 78

HSL 20.18, 0.47%, 0.53%

LAB 56.2, 25.79, 33.28

 

CMYK 0 / 29 / 59 / 25

HEX #BF874E

RGB 191 135 78

HSL 30.27, 0.47%, 0.53%

LAB 60.74, 15.32, 38.79

 

CMYK 0 / 20 / 59 / 25

HEX #BF994E

RGB 191 153 78

HSL 39.82, 0.47%, 0.53%

LAB 65.29, 5.44, 44.14

 

CMYK 0 / 59 / 59 / 25

HEX #BF4E4E

RGB 191 78 78

HSL 0, 0.47%, 0.53%

LAB 48.35, 45.45, 23.34

 

CMYK 0 / 59 / 59 / 5

HEX #F26363

RGB 242 99 99

HSL 0, 0.85%, 0.67%

LAB 60.52, 55.01, 28.49

 

CMYK 0 / 58 / 58 / 85

HEX #261010

RGB 38 16 16

HSL 0, 0.41%, 0.11%

LAB 7.41, 11.45, 4.31

 

CMYK 0 / 60 / 60 / 65

HEX #592424

RGB 89 36 36

HSL 0, 0.42%, 0.25%

LAB 21.99, 24.45, 12.04

 

CMYK 0 / 59 / 59 / 45

HEX #8C3939

RGB 140 57 57

HSL 0, 0.42%, 0.39%

LAB 35.59, 35.35, 17.89

 

CMYK 0 / 59 / 59 / 25

HEX #BF4E4E

RGB 191 78 78

HSL 0, 0.47%, 0.53%

LAB 48.35, 45.45, 23.34

 

CMYK 12 / 0 / 59 / 25

HEX #A8BF4E

RGB 168 191 78

HSL 72.21, 0.47%, 0.53%

LAB 73.63, -24.07, 53.1

 

CMYK 59 / 36 / 0 / 25

HEX #4E7BBF

RGB 78 123 191

HSL 216.11, 0.47%, 0.53%

LAB 51.32, 5.37, -40.29

 

CMYK 0 / 59 / 59 / 25

HEX #BF4E4E

RGB 191 78 78

HSL 0, 0.47%, 0.53%

LAB 48.35, 45.45, 23.34

 

CMYK 59 / 0 / 59 / 25

HEX #4EBF4E

RGB 78 191 78

HSL 120, 0.47%, 0.53%

LAB 69.06, -54.41, 46.69

 

CMYK 59 / 59 / 0 / 25

HEX #4E4EBF

RGB 78 78 191

HSL 240, 0.47%, 0.53%

LAB 39.29, 33.48, -59.56

 

CMYK 0 / 59 / 59 / 25

HEX #BF4E4E

RGB 191 78 78

HSL 0, 0.47%, 0.53%

LAB 48.35, 45.45, 23.34

 

CMYK 12 / 0 / 59 / 25

HEX #A8BF4E

RGB 168 191 78

HSL 72.21, 0.47%, 0.53%

LAB 73.63, -24.07, 53.1

 

CMYK 59 / 0 / 0 / 25

HEX #4EBFBF

RGB 78 191 191

HSL 180, 0.47%, 0.53%

LAB 71.31, -31.52, -9.59

 

CMYK 47 / 59 / 0 / 25

HEX #654EBF

RGB 101 78 191

HSL 252.21, 0.47%, 0.53%

LAB 41.18, 37.96, -56.41

 

CMYK 0 / 59 / 59 / 25

HEX #BF4E4E

RGB 191 78 78

HSL 0, 0.47%, 0.53%

LAB 48.35, 45.45, 23.34

 

CMYK 29 / 0 / 59 / 25

HEX #87BF4E

RGB 135 191 78

HSL 89.73, 0.47%, 0.53%

LAB 71.53, -36.86, 50.16

 

CMYK 59 / 0 / 0 / 25

HEX #4EBFBF

RGB 78 191 191

HSL 180, 0.47%, 0.53%

LAB 71.31, -31.52, -9.59

 

CMYK 29 / 59 / 0 / 25

HEX #874EBF

RGB 135 78 191

HSL 270.27, 0.47%, 0.53%

LAB 44.75, 45.71, -50.48

 

Description

Color code: CMYK 0 / 59 / 59 / 25 | qconv.com Color code: CMYK 0 / 59 / 59 / 25 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 191 red, 78 green and 78 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
191 78 78 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 59 magenta, 59 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 59% 59% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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