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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BF7AE5 it is the complementary color #40851A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BF7AE5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BF7AE5 shade: #C47AE0, #D58CF3, #E69EFF, #F7B0FF and #FFC2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BF7AE5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BF7AE5 shade: #BF7AE5, #AE68D2, #9D56BF, #8C44AC and #7B3299

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BF7AE5 shade: #BF7AE4, #DB7AE4, #E47AD1, #E47AB4 and #E47A98

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BF7AE5 shade: #BF7AE4, #A27AE4, #867AE4 and #7A7AE4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BF7AE5 shade matches the following richer shades: #BF7AE4, #C26EF1 and #C661FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BF7AE5 shade: #BF7AE4, #BB87D8, #B794CB, #B4A1BE and #B0AEB1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BF7AE5 shade: #857AE4, #A17AE4, #BE7AE4, #DA7AE4 and #E47AD3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BF7AE5 shade: #9E36D7, #AE58DE, #BF7AE4, #CF9DEB and #E0BFF2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BF7AE5 shade: #BF7AE5, #E47A8C and #7AE493

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BF7AE5 shade: #BF7AE5, #E4BE7A and #7AE4BE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BF7AE5 shade: #BF7AE5, #E47A8C, #A1E47A and #7AE4D3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BF7AE5 shade: #BF7AE5, #E4897A, #A1E47A and #7AD6E4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 47 / 0 / 10

HEX #BF7AE5

RGB 191 122 229

HSL 278.69, 0.67%, 0.69%

LAB 62.21, 45.48, -43.95

 

Complementary color

CMYK 52 / 0 / 80 / 48

HEX #40851A

RGB 64 133 26

HSL 98.69, 0.67%, 0.31%

LAB 49.42, -40.66, 47

 

CMYK 13 / 46 / 0 / 12

HEX #C47AE0

RGB 196 122 224

HSL 283.53, 0.62%, 0.68%

LAB 62.54, 45.84, -40.62

 

CMYK 12 / 42 / 0 / 5

HEX #D58CF3

RGB 213 140 243

HSL 282.52, 0.81%, 0.75%

LAB 69.02, 45.06, -40.83

 

CMYK 10 / 38 / 0 / 0

HEX #E69EFF

RGB 230 158 255

HSL 284.54, 1%, 0.81%

LAB 75.14, 42.91, -37.7

 

CMYK 3 / 31 / 0 / 0

HEX #F7B0FF

RGB 247 176 255

HSL 293.92, 1%, 0.85%

LAB 80.76, 38.57, -28.87

 

CMYK 0 / 24 / 0 / 0

HEX #FFC2FF

RGB 255 194 255

HSL 300, 1%, 0.88%

LAB 85.54, 31.62, -21.53

 

CMYK 17 / 47 / 0 / 10

HEX #BF7AE5

RGB 191 122 229

HSL 278.69, 0.67%, 0.69%

LAB 62.21, 45.48, -43.95

 

CMYK 17 / 50 / 0 / 18

HEX #AE68D2

RGB 174 104 210

HSL 279.62, 0.54%, 0.62%

LAB 55.64, 46.29, -43.78

 

CMYK 18 / 55 / 0 / 25

HEX #9D56BF

RGB 157 86 191

HSL 280.57, 0.45%, 0.54%

LAB 48.99, 47.08, -43.56

 

CMYK 19 / 60 / 0 / 33

HEX #8C44AC

RGB 140 68 172

HSL 281.54, 0.43%, 0.47%

LAB 42.29, 47.77, -43.22

 

CMYK 20 / 67 / 0 / 40

HEX #7B3299

RGB 123 50 153

HSL 282.52, 0.51%, 0.4%

LAB 35.58, 48.22, -42.7

 

CMYK 16 / 46 / 0 / 11

HEX #BF7AE4

RGB 191 122 228

HSL 279.06, 0.66%, 0.69%

LAB 62.17, 45.27, -43.47

 

CMYK 4 / 46 / 0 / 11

HEX #DB7AE4

RGB 219 122 228

HSL 294.91, 0.66%, 0.69%

LAB 65.42, 53.15, -38.14

 

CMYK 0 / 46 / 8 / 11

HEX #E47AD1

RGB 228 122 209

HSL 310.75, 0.66%, 0.69%

LAB 65.76, 52.45, -26.93

 

CMYK 0 / 46 / 21 / 11

HEX #E47AB4

RGB 228 122 180

HSL 327.17, 0.66%, 0.69%

LAB 64.73, 47.95, -12.17

 

CMYK 0 / 46 / 33 / 11

HEX #E47A98

RGB 228 122 152

HSL 343.02, 0.66%, 0.69%

LAB 63.9, 44.2, 2.53

 

CMYK 16 / 46 / 0 / 11

HEX #BF7AE4

RGB 191 122 228

HSL 279.06, 0.66%, 0.69%

LAB 62.17, 45.27, -43.47

 

CMYK 29 / 46 / 0 / 11

HEX #A27AE4

RGB 162 122 228

HSL 262.64, 0.66%, 0.69%

LAB 59.16, 37.34, -48.41

 

CMYK 41 / 46 / 0 / 11

HEX #867AE4

RGB 134 122 228

HSL 246.79, 0.66%, 0.69%

LAB 56.67, 30.17, -52.52

 

CMYK 46 / 46 / 0 / 11

HEX #7A7AE4

RGB 122 122 228

HSL 240, 0.66%, 0.69%

LAB 55.74, 27.32, -54.05

 

CMYK 16 / 46 / 0 / 11

HEX #BF7AE4

RGB 191 122 228

HSL 279.06, 0.66%, 0.69%

LAB 62.17, 45.27, -43.47

 

CMYK 20 / 54 / 0 / 5

HEX #C26EF1

RGB 194 110 241

HSL 278.47, 0.82%, 0.69%

LAB 60.76, 55.06, -52.9

 

CMYK 22 / 62 / 0 / 0

HEX #C661FE

RGB 198 97 254

HSL 278.6, 0.99%, 0.69%

LAB 59.63, 65.02, -61.87

 

CMYK 16 / 46 / 0 / 11

HEX #BF7AE4

RGB 191 122 228

HSL 279.06, 0.66%, 0.69%

LAB 62.17, 45.27, -43.47

 

CMYK 13 / 38 / 0 / 15

HEX #BB87D8

RGB 187 135 216

HSL 278.52, 0.51%, 0.69%

LAB 64.04, 34.48, -33.89

 

CMYK 10 / 27 / 0 / 20

HEX #B794CB

RGB 183 148 203

HSL 278.18, 0.35%, 0.69%

LAB 66.18, 23.25, -23.37

 

CMYK 5 / 15 / 0 / 25

HEX #B4A1BE

RGB 180 161 190

HSL 279.31, 0.18%, 0.69%

LAB 68.69, 12.34, -12.37

 

CMYK 1 / 2 / 0 / 31

HEX #B0AEB1

RGB 176 174 177

HSL 280, 0.02%, 0.69%

LAB 71.33, 1.28, -1.29

 

CMYK 42 / 46 / 0 / 11

HEX #857AE4

RGB 133 122 228

HSL 246.23, 0.66%, 0.69%

LAB 56.59, 29.93, -52.65

 

CMYK 29 / 46 / 0 / 11

HEX #A17AE4

RGB 161 122 228

HSL 262.08, 0.66%, 0.69%

LAB 59.06, 37.07, -48.57

 

CMYK 17 / 46 / 0 / 11

HEX #BE7AE4

RGB 190 122 228

HSL 278.49, 0.66%, 0.69%

LAB 62.06, 44.99, -43.65

 

CMYK 4 / 46 / 0 / 11

HEX #DA7AE4

RGB 218 122 228

HSL 294.34, 0.66%, 0.69%

LAB 65.3, 52.87, -38.33

 

CMYK 0 / 46 / 7 / 11

HEX #E47AD3

RGB 228 122 211

HSL 309.62, 0.66%, 0.69%

LAB 65.84, 52.78, -27.93

 

CMYK 27 / 75 / 0 / 16

HEX #9E36D7

RGB 158 54 215

HSL 278.76, 0.67%, 0.53%

LAB 45.38, 66.88, -63.17

 

CMYK 22 / 60 / 0 / 13

HEX #AE58DE

RGB 174 88 222

HSL 278.51, 0.67%, 0.61%

LAB 53.22, 57.01, -54.41

 

CMYK 16 / 46 / 0 / 11

HEX #BF7AE4

RGB 191 122 228

HSL 279.06, 0.66%, 0.69%

LAB 62.17, 45.27, -43.47

 

CMYK 12 / 33 / 0 / 8

HEX #CF9DEB

RGB 207 157 235

HSL 278.46, 0.66%, 0.77%

LAB 71.81, 32.49, -32.17

 

CMYK 7 / 21 / 0 / 5

HEX #E0BFF2

RGB 224 191 242

HSL 278.82, 0.66%, 0.85%

LAB 81.58, 20.83, -20.87

 

CMYK 17 / 47 / 0 / 10

HEX #BF7AE5

RGB 191 122 229

HSL 278.69, 0.67%, 0.69%

LAB 62.21, 45.48, -43.95

 

CMYK 0 / 46 / 39 / 11

HEX #E47A8C

RGB 228 122 140

HSL 349.81, 0.66%, 0.69%

LAB 63.6, 42.79, 8.93

 

CMYK 46 / 0 / 36 / 11

HEX #7AE493

RGB 122 228 147

HSL 134.15, 0.66%, 0.69%

LAB 82.77, -47.83, 30.28

 

CMYK 17 / 47 / 0 / 10

HEX #BF7AE5

RGB 191 122 229

HSL 278.69, 0.67%, 0.69%

LAB 62.21, 45.48, -43.95

 

CMYK 0 / 17 / 46 / 11

HEX #E4BE7A

RGB 228 190 122

HSL 38.49, 0.66%, 0.69%

LAB 78.88, 4.93, 39.3

 

CMYK 46 / 0 / 17 / 11

HEX #7AE4BE

RGB 122 228 190

HSL 158.49, 0.66%, 0.69%

LAB 83.62, -39.52, 9.11

 

CMYK 17 / 47 / 0 / 10

HEX #BF7AE5

RGB 191 122 229

HSL 278.69, 0.67%, 0.69%

LAB 62.21, 45.48, -43.95

 

CMYK 0 / 46 / 39 / 11

HEX #E47A8C

RGB 228 122 140

HSL 349.81, 0.66%, 0.69%

LAB 63.6, 42.79, 8.93

 

CMYK 29 / 0 / 46 / 11

HEX #A1E47A

RGB 161 228 122

HSL 97.92, 0.66%, 0.69%

LAB 84.21, -39.5, 44.94

 

CMYK 46 / 0 / 7 / 11

HEX #7AE4D3

RGB 122 228 211

HSL 170.38, 0.66%, 0.69%

LAB 84.14, -34.76, -1.22

 

CMYK 17 / 47 / 0 / 10

HEX #BF7AE5

RGB 191 122 229

HSL 278.69, 0.67%, 0.69%

LAB 62.21, 45.48, -43.95

 

CMYK 0 / 40 / 46 / 11

HEX #E4897A

RGB 228 137 122

HSL 8.49, 0.66%, 0.69%

LAB 66.36, 33.12, 22.93

 

CMYK 29 / 0 / 46 / 11

HEX #A1E47A

RGB 161 228 122

HSL 97.92, 0.66%, 0.69%

LAB 84.21, -39.5, 44.94

 

CMYK 46 / 6 / 0 / 11

HEX #7AD6E4

RGB 122 214 228

HSL 187.92, 0.66%, 0.69%

LAB 80.65, -23.79, -15.43

 

Description

Color code: HEX #BF7AE5 | qconv.com Color code: HEX #BF7AE5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 191 red, 122 green and 229 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
191 122 229 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, 47 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 47% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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