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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 46 / 39 / 11 it is the complementary color CMYK 79 / 0 / 11 / 48. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 46 / 39 / 11. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 46 / 39 / 11: CMYK 0 / 47 / 43 / 9, CMYK 0 / 43 / 39 / 2, CMYK 0 / 38 / 33 / 0, CMYK 0 / 31 / 25 / 0 and CMYK 0 / 24 / 18 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 46 / 39 / 11. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 46 / 39 / 11: CMYK 0 / 46 / 39 / 11, CMYK 0 / 50 / 43 / 18, CMYK 0 / 55 / 48 / 24, CMYK 0 / 61 / 54 / 31 and CMYK 0 / 68 / 61 / 38

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 46 / 39 / 11

HEX #E37B8A

RGB 227 123 138

HSL 351.35, 0.65%, 0.69%

LAB 63.62, 41.7, 10.09

 

Complementary color

CMYK 79 / 0 / 11 / 48

HEX #1C8475

RGB 28 132 117

HSL 171.35, 0.65%, 0.31%

LAB 49.54, -32.07, -0.09

 

CMYK 0 / 47 / 43 / 9

HEX #E87B85

RGB 232 123 133

HSL 354.5, 0.7%, 0.7%

LAB 64.17, 42.95, 13.81

 

CMYK 0 / 43 / 39 / 2

HEX #F98D98

RGB 249 141 152

HSL 353.89, 0.9%, 0.76%

LAB 70.49, 41.96, 12.32

 

CMYK 0 / 38 / 33 / 0

HEX #FF9FAB

RGB 255 159 171

HSL 352.5, 1%, 0.81%

LAB 75.45, 37.08, 8.95

 

CMYK 0 / 31 / 25 / 0

HEX #FFB1BE

RGB 255 177 190

HSL 350, 1%, 0.85%

LAB 79.85, 30.18, 4.92

 

CMYK 0 / 24 / 18 / 0

HEX #FFC3D1

RGB 255 195 209

HSL 346, 1%, 0.88%

LAB 84.43, 23.47, 1.33

 

CMYK 0 / 46 / 39 / 11

HEX #E37B8A

RGB 227 123 138

HSL 351.35, 0.65%, 0.69%

LAB 63.62, 41.7, 10.09

 

CMYK 0 / 50 / 43 / 18

HEX #D26977

RGB 210 105 119

HSL 352, 0.54%, 0.62%

LAB 57.21, 42.69, 11.66

 

CMYK 0 / 55 / 48 / 24

HEX #C15764

RGB 193 87 100

HSL 352.64, 0.46%, 0.55%

LAB 50.77, 43.69, 13.52

 

CMYK 0 / 61 / 54 / 31

HEX #B04551

RGB 176 69 81

HSL 353.27, 0.44%, 0.48%

LAB 44.35, 44.61, 15.75

 

CMYK 0 / 68 / 61 / 38

HEX #9F333E

RGB 159 51 62

HSL 353.89, 0.51%, 0.41%

LAB 38, 45.34, 18.53

 

CMYK 0 / 46 / 39 / 11

HEX #E37B8A

RGB 227 123 138

HSL 351.35, 0.65%, 0.69%

LAB 63.62, 41.7, 10.09

 

CMYK 0 / 44 / 45 / 11

HEX #E37E7C

RGB 227 126 124

HSL 1.17, 0.65%, 0.69%

LAB 63.92, 38.68, 18.47

 

CMYK 0 / 37 / 45 / 11

HEX #E38F7C

RGB 227 143 124

HSL 11.07, 0.65%, 0.69%

LAB 67.6, 29.76, 23.47

 

CMYK 0 / 30 / 45 / 11

HEX #E3A07C

RGB 227 160 124

HSL 20.97, 0.65%, 0.69%

LAB 71.51, 20.68, 28.68

 

CMYK 0 / 22 / 45 / 11

HEX #E3B17C

RGB 227 177 124

HSL 30.87, 0.65%, 0.69%

LAB 75.59, 11.6, 34.03

 

CMYK 0 / 46 / 39 / 11

HEX #E37B8A

RGB 227 123 138

HSL 351.35, 0.65%, 0.69%

LAB 63.62, 41.7, 10.09

 

CMYK 0 / 48 / 39 / 91

HEX #170C0E

RGB 23 12 14

HSL 349.09, 0.31%, 0.07%

LAB 4.31, 4.54, 0.59

 

CMYK 0 / 46 / 39 / 71

HEX #4A282D

RGB 74 40 45

HSL 351.18, 0.3%, 0.22%

LAB 20.68, 16.61, 3.66

 

CMYK 0 / 46 / 39 / 51

HEX #7D444C

RGB 125 68 76

HSL 351.58, 0.3%, 0.38%

LAB 36.02, 25.43, 6.07

 

CMYK 0 / 46 / 39 / 31

HEX #B05F6B

RGB 176 95 107

HSL 351.11, 0.34%, 0.53%

LAB 50.07, 34.08, 7.98

 

CMYK 0 / 46 / 39 / 11

HEX #E37B8A

RGB 227 123 138

HSL 351.35, 0.65%, 0.69%

LAB 63.62, 41.7, 10.09

 

CMYK 2 / 0 / 45 / 11

HEX #DEE37C

RGB 222 227 124

HSL 62.91, 0.65%, 0.69%

LAB 87.93, -16.15, 49.45

 

CMYK 45 / 20 / 0 / 11

HEX #7CB5E3

RGB 124 181 227

HSL 206.8, 0.65%, 0.69%

LAB 71.47, -6.44, -28.83

 

CMYK 0 / 46 / 39 / 11

HEX #E37B8A

RGB 227 123 138

HSL 351.35, 0.65%, 0.69%

LAB 63.62, 41.7, 10.09

 

CMYK 39 / 0 / 45 / 11

HEX #8BE37C

RGB 139 227 124

HSL 111.26, 0.65%, 0.69%

LAB 82.85, -45.99, 42.03

 

CMYK 45 / 39 / 0 / 11

HEX #7C8BE3

RGB 124 139 227

HSL 231.26, 0.65%, 0.69%

LAB 60.16, 17.43, -46.48

 

CMYK 0 / 46 / 39 / 11

HEX #E37B8A

RGB 227 123 138

HSL 351.35, 0.65%, 0.69%

LAB 63.62, 41.7, 10.09

 

CMYK 2 / 0 / 45 / 11

HEX #DEE37C

RGB 222 227 124

HSL 62.91, 0.65%, 0.69%

LAB 87.93, -16.15, 49.45

 

CMYK 45 / 0 / 7 / 11

HEX #7CE3D3

RGB 124 227 211

HSL 170.68, 0.65%, 0.69%

LAB 83.93, -33.83, -1.52

 

CMYK 43 / 45 / 0 / 11

HEX #817CE3

RGB 129 124 227

HSL 242.91, 0.65%, 0.69%

LAB 56.71, 27.5, -51.92

 

CMYK 0 / 46 / 39 / 11

HEX #E37B8A

RGB 227 123 138

HSL 351.35, 0.65%, 0.69%

LAB 63.62, 41.7, 10.09

 

CMYK 16 / 0 / 45 / 11

HEX #BFE37C

RGB 191 227 124

HSL 80.97, 0.65%, 0.69%

LAB 85.74, -28.05, 46.26

 

CMYK 45 / 0 / 7 / 11

HEX #7CE3D3

RGB 124 227 211

HSL 170.68, 0.65%, 0.69%

LAB 83.93, -33.83, -1.52

 

CMYK 30 / 45 / 0 / 11

HEX #A07CE3

RGB 160 124 227

HSL 260.97, 0.65%, 0.69%

LAB 59.37, 35.43, -47.53

 

Description

Color code: CMYK 0 / 46 / 39 / 11 | qconv.com Color code: CMYK 0 / 46 / 39 / 11 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 227 red, 123 green and 138 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
227 123 138 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 46 magenta, 39 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 46% 39% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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