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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BF6E7E it is the complementary color #409181. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BF6E7E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BF6E7E shade: #C46E79, #D5808C, #E6929F, #F7A4B2 and #FFB6C5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BF6E7E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BF6E7E shade: #BF6E7E, #AE5C6B, #9D4A58, #8C3845 and #7B2632

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BF6E7E shade: #BF6E7E and #BF6E6E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BF6E7E shade: #BF6E7E, #BF6E94, #BF6EAA, #BF6EBF and #A96EBF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BF6E7E shade matches the following richer shades: #BF6E7E, #D05D74, #E14C69 and #F23B5F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BF6E7E shade: #BF6E7E, #AE7F88, #9D9092, #8CA09C and #7CB1A7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BF6E7E shade: #BF6EA9, #BF6E94, #BF6E7E, #BF736E and #BF896E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BF6E7E shade: #984353, #B35164, #BF6E7E, #CC8A97 and #D8A7B1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BF6E7E shade: #BF6E7E, #BFBF6E and #6E9FBF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BF6E7E shade: #BF6E7E, #7EBF6E and #6E7EBF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BF6E7E shade: #BF6E7E, #BFBF6E, #6EBFAF and #6E6EBF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BF6E7E shade: #BF6E7E, #A7BF6E, #6EBFAF and #866EBF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 42 / 34 / 25

HEX #BF6E7E

RGB 191 110 126

HSL 348.15, 0.39%, 0.59%

LAB 55.82, 33.96, 5.25

 

Complementary color

CMYK 56 / 0 / 11 / 43

HEX #409181

RGB 64 145 129

HSL 168.15, 0.39%, 0.41%

LAB 55, -28.78, 1.03

 

CMYK 0 / 44 / 38 / 23

HEX #C46E79

RGB 196 110 121

HSL 352.33, 0.42%, 0.6%

LAB 56.36, 35.2, 9.02

 

CMYK 0 / 40 / 34 / 16

HEX #D5808C

RGB 213 128 140

HSL 351.53, 0.5%, 0.67%

LAB 62.91, 34.24, 7.69

 

CMYK 0 / 37 / 31 / 10

HEX #E6929F

RGB 230 146 159

HSL 350.71, 0.63%, 0.74%

LAB 69.39, 33.33, 6.52

 

CMYK 0 / 34 / 28 / 3

HEX #F7A4B2

RGB 247 164 178

HSL 349.88, 0.84%, 0.81%

LAB 75.79, 32.5, 5.47

 

CMYK 0 / 29 / 23 / 0

HEX #FFB6C5

RGB 255 182 197

HSL 347.67, 1%, 0.86%

LAB 81.15, 28.53, 3.01

 

CMYK 0 / 42 / 34 / 25

HEX #BF6E7E

RGB 191 110 126

HSL 348.15, 0.39%, 0.59%

LAB 55.82, 33.96, 5.25

 

CMYK 0 / 47 / 39 / 32

HEX #AE5C6B

RGB 174 92 107

HSL 349.02, 0.34%, 0.52%

LAB 49.15, 34.94, 6.64

 

CMYK 0 / 53 / 44 / 38

HEX #9D4A58

RGB 157 74 88

HSL 349.88, 0.36%, 0.45%

LAB 42.41, 35.95, 8.3

 

CMYK 0 / 60 / 51 / 45

HEX #8C3845

RGB 140 56 69

HSL 350.71, 0.43%, 0.38%

LAB 35.66, 36.93, 10.37

 

CMYK 0 / 69 / 59 / 52

HEX #7B2632

RGB 123 38 50

HSL 351.53, 0.53%, 0.32%

LAB 28.97, 37.68, 13.08

 

CMYK 0 / 42 / 34 / 25

HEX #BF6E7E

RGB 191 110 126

HSL 348.15, 0.39%, 0.59%

LAB 55.82, 33.96, 5.25

 

CMYK 0 / 42 / 42 / 25

HEX #BF6E6E

RGB 191 110 110

HSL 0, 0.39%, 0.59%

LAB 55.44, 32.05, 14.04

 

CMYK 0 / 42 / 34 / 25

HEX #BF6E7E

RGB 191 110 126

HSL 348.15, 0.39%, 0.59%

LAB 55.82, 33.96, 5.25

 

CMYK 0 / 42 / 23 / 25

HEX #BF6E94

RGB 191 110 148

HSL 331.85, 0.39%, 0.59%

LAB 56.45, 37.01, -6.67

 

CMYK 0 / 42 / 11 / 25

HEX #BF6EAA

RGB 191 110 170

HSL 315.56, 0.39%, 0.59%

LAB 57.2, 40.51, -18.3

 

CMYK 0 / 42 / 0 / 25

HEX #BF6EBF

RGB 191 110 191

HSL 300, 0.39%, 0.59%

LAB 58.03, 44.23, -29.08

 

CMYK 12 / 42 / 0 / 25

HEX #A96EBF

RGB 169 110 191

HSL 283.7, 0.39%, 0.59%

LAB 55.43, 37.55, -33.32

 

CMYK 0 / 42 / 34 / 25

HEX #BF6E7E

RGB 191 110 126

HSL 348.15, 0.39%, 0.59%

LAB 55.82, 33.96, 5.25

 

CMYK 0 / 55 / 44 / 18

HEX #D05D74

RGB 208 93 116

HSL 348, 0.55%, 0.59%

LAB 54.55, 47.59, 9.64

 

CMYK 0 / 66 / 53 / 12

HEX #E14C69

RGB 225 76 105

HSL 348.32, 0.71%, 0.59%

LAB 54.23, 59.65, 16.13

 

CMYK 0 / 76 / 61 / 5

HEX #F23B5F

RGB 242 59 95

HSL 348.2, 0.88%, 0.59%

LAB 54.9, 69.87, 23.47

 

CMYK 0 / 42 / 34 / 25

HEX #BF6E7E

RGB 191 110 126

HSL 348.15, 0.39%, 0.59%

LAB 55.82, 33.96, 5.25

 

CMYK 0 / 27 / 22 / 32

HEX #AE7F88

RGB 174 127 136

HSL 348.51, 0.22%, 0.59%

LAB 57.99, 19.55, 2.32

 

CMYK 0 / 8 / 7 / 38

HEX #9D9092

RGB 157 144 146

HSL 350.77, 0.06%, 0.59%

LAB 60.95, 5.19, 0.68

 

CMYK 13 / 0 / 2 / 37

HEX #8CA09C

RGB 140 160 156

HSL 168, 0.1%, 0.59%

LAB 64.26, -7.83, -0.3

 

CMYK 30 / 0 / 6 / 31

HEX #7CB1A7

RGB 124 177 167

HSL 168.68, 0.25%, 0.59%

LAB 68.4, -19.59, -0.48

 

CMYK 0 / 42 / 12 / 25

HEX #BF6EA9

RGB 191 110 169

HSL 316.3, 0.39%, 0.59%

LAB 57.17, 40.34, -17.78

 

CMYK 0 / 42 / 23 / 25

HEX #BF6E94

RGB 191 110 148

HSL 331.85, 0.39%, 0.59%

LAB 56.45, 37.01, -6.67

 

CMYK 0 / 42 / 34 / 25

HEX #BF6E7E

RGB 191 110 126

HSL 348.15, 0.39%, 0.59%

LAB 55.82, 33.96, 5.25

 

CMYK 0 / 40 / 42 / 25

HEX #BF736E

RGB 191 115 110

HSL 3.7, 0.39%, 0.59%

LAB 56.55, 29.34, 15.58

 

CMYK 0 / 28 / 42 / 25

HEX #BF896E

RGB 191 137 110

HSL 20, 0.39%, 0.59%

LAB 61.73, 17.23, 22.64

 

CMYK 0 / 56 / 45 / 40

HEX #984353

RGB 152 67 83

HSL 348.71, 0.39%, 0.43%

LAB 40.1, 37.19, 8.04

 

CMYK 0 / 55 / 44 / 30

HEX #B35164

RGB 179 81 100

HSL 348.37, 0.39%, 0.51%

LAB 47.48, 41.67, 8.59

 

CMYK 0 / 42 / 34 / 25

HEX #BF6E7E

RGB 191 110 126

HSL 348.15, 0.39%, 0.59%

LAB 55.82, 33.96, 5.25

 

CMYK 0 / 32 / 26 / 20

HEX #CC8A97

RGB 204 138 151

HSL 348.18, 0.39%, 0.67%

LAB 64.36, 26.98, 3.39

 

CMYK 0 / 23 / 18 / 15

HEX #D8A7B1

RGB 216 167 177

HSL 347.76, 0.39%, 0.75%

LAB 73.16, 19.51, 1.81

 

CMYK 0 / 42 / 34 / 25

HEX #BF6E7E

RGB 191 110 126

HSL 348.15, 0.39%, 0.59%

LAB 55.82, 33.96, 5.25

 

CMYK 0 / 0 / 42 / 25

HEX #BFBF6E

RGB 191 191 110

HSL 60, 0.39%, 0.59%

LAB 75.74, -11.79, 40.75

 

CMYK 42 / 17 / 0 / 25

HEX #6E9FBF

RGB 110 159 191

HSL 203.7, 0.39%, 0.59%

LAB 63.24, -7.93, -21.65

 

CMYK 0 / 42 / 34 / 25

HEX #BF6E7E

RGB 191 110 126

HSL 348.15, 0.39%, 0.59%

LAB 55.82, 33.96, 5.25

 

CMYK 34 / 0 / 42 / 25

HEX #7EBF6E

RGB 126 191 110

HSL 108.15, 0.39%, 0.59%

LAB 71.43, -36.25, 34.41

 

CMYK 42 / 34 / 0 / 25

HEX #6E7EBF

RGB 110 126 191

HSL 228.15, 0.39%, 0.59%

LAB 54.03, 11.07, -35.91

 

CMYK 0 / 42 / 34 / 25

HEX #BF6E7E

RGB 191 110 126

HSL 348.15, 0.39%, 0.59%

LAB 55.82, 33.96, 5.25

 

CMYK 0 / 0 / 42 / 25

HEX #BFBF6E

RGB 191 191 110

HSL 60, 0.39%, 0.59%

LAB 75.74, -11.79, 40.75

 

CMYK 42 / 0 / 8 / 25

HEX #6EBFAF

RGB 110 191 175

HSL 168.15, 0.39%, 0.59%

LAB 72.01, -28.64, 0.31

 

CMYK 42 / 42 / 0 / 25

HEX #6E6EBF

RGB 110 110 191

HSL 240, 0.39%, 0.59%

LAB 49.77, 20.73, -42.61

 

CMYK 0 / 42 / 34 / 25

HEX #BF6E7E

RGB 191 110 126

HSL 348.15, 0.39%, 0.59%

LAB 55.82, 33.96, 5.25

 

CMYK 13 / 0 / 42 / 25

HEX #A7BF6E

RGB 167 191 110

HSL 77.78, 0.39%, 0.59%

LAB 73.94, -21.32, 38.1

 

CMYK 42 / 0 / 8 / 25

HEX #6EBFAF

RGB 110 191 175

HSL 168.15, 0.39%, 0.59%

LAB 72.01, -28.64, 0.31

 

CMYK 30 / 42 / 0 / 25

HEX #866EBF

RGB 134 110 191

HSL 257.78, 0.39%, 0.59%

LAB 51.82, 27.24, -39.24

 

Description

Color code: HEX #BF6E7E | qconv.com Color code: HEX #BF6E7E | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 191 red, 110 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
191 110 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 42 magenta, 34 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 42% 34% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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