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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 56 / 45 / 40 it is the complementary color CMYK 46 / 0 / 9 / 26. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 56 / 45 / 40. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 56 / 45 / 40: CMYK 0 / 58 / 50 / 38, CMYK 0 / 51 / 44 / 31, CMYK 0 / 46 / 39 / 25, CMYK 0 / 42 / 35 / 18 and CMYK 0 / 38 / 31 / 11

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 56 / 45 / 40. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 56 / 45 / 40: CMYK 0 / 56 / 45 / 40, CMYK 0 / 64 / 52 / 47, CMYK 0 / 74 / 61 / 53, CMYK 0 / 87 / 74 / 60 and CMYK 0 / 100 / 91 / 67

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 56 / 45 / 40

HEX #994354

RGB 153 67 84

HSL 348.14, 0.39%, 0.43%

LAB 40.29, 37.66, 7.7

 

Complementary color

CMYK 46 / 0 / 9 / 26

HEX #66BCAB

RGB 102 188 171

HSL 168.14, 0.39%, 0.57%

LAB 70.69, -30.16, 0.53

 

CMYK 0 / 58 / 50 / 38

HEX #9E434F

RGB 158 67 79

HSL 352.09, 0.4%, 0.44%

LAB 40.97, 38.98, 11.89

 

CMYK 0 / 51 / 44 / 31

HEX #AF5562

RGB 175 85 98

HSL 351.33, 0.36%, 0.51%

LAB 47.61, 37.97, 9.9

 

CMYK 0 / 46 / 39 / 25

HEX #C06775

RGB 192 103 117

HSL 350.56, 0.41%, 0.58%

LAB 54.23, 36.96, 8.27

 

CMYK 0 / 42 / 35 / 18

HEX #D17988

RGB 209 121 136

HSL 349.77, 0.49%, 0.65%

LAB 60.79, 35.98, 6.88

 

CMYK 0 / 38 / 31 / 11

HEX #E28B9B

RGB 226 139 155

HSL 348.97, 0.6%, 0.72%

LAB 67.28, 35.06, 5.67

 

CMYK 0 / 56 / 45 / 40

HEX #994354

RGB 153 67 84

HSL 348.14, 0.39%, 0.43%

LAB 40.29, 37.66, 7.7

 

CMYK 0 / 64 / 52 / 47

HEX #883141

RGB 136 49 65

HSL 348.97, 0.47%, 0.36%

LAB 33.59, 38.51, 9.96

 

CMYK 0 / 74 / 61 / 53

HEX #771F2E

RGB 119 31 46

HSL 349.77, 0.59%, 0.29%

LAB 27.02, 38.98, 12.99

 

CMYK 0 / 87 / 74 / 60

HEX #660D1B

RGB 102 13 27

HSL 350.56, 0.77%, 0.23%

LAB 20.8, 38.49, 17.2

 

CMYK 0 / 100 / 91 / 67

HEX #550008

RGB 85 0 8

HSL 354.35, 1%, 0.17%

LAB 15.22, 36.27, 20.43

 

CMYK 0 / 56 / 45 / 40

HEX #994354

RGB 153 67 84

HSL 348.14, 0.39%, 0.43%

LAB 40.29, 37.66, 7.7

 

CMYK 0 / 57 / 55 / 40

HEX #984245

RGB 152 66 69

HSL 357.91, 0.39%, 0.43%

LAB 39.58, 36.33, 16.05

 

CMYK 0 / 49 / 57 / 40

HEX #984E42

RGB 152 78 66

HSL 8.37, 0.39%, 0.43%

LAB 42.03, 29.69, 21.12

 

CMYK 0 / 39 / 57 / 40

HEX #985C42

RGB 152 92 66

HSL 18.14, 0.39%, 0.43%

LAB 45.25, 21.83, 25.26

 

CMYK 0 / 30 / 57 / 40

HEX #986A42

RGB 152 106 66

HSL 27.91, 0.39%, 0.43%

LAB 48.73, 13.78, 29.61

 

CMYK 0 / 56 / 45 / 40

HEX #994354

RGB 153 67 84

HSL 348.14, 0.39%, 0.43%

LAB 40.29, 37.66, 7.7

 

CMYK 0 / 56 / 45 / 20

HEX #CC5970

RGB 204 89 112

HSL 348, 0.53%, 0.57%

LAB 53.12, 47.73, 9.89

 

CMYK 0 / 0 / 0 / 100

HEX #000000

RGB 0 0 0

HSL 0, 0%, 0%

LAB 0, 0, 0

 

CMYK 0 / 57 / 45 / 80

HEX #33161C

RGB 51 22 28

HSL 347.59, 0.4%, 0.14%

LAB 11.7, 15.39, 2.48

 

CMYK 0 / 56 / 45 / 60

HEX #662D38

RGB 102 45 56

HSL 348.42, 0.39%, 0.29%

LAB 26.7, 26.85, 5.36

 

CMYK 0 / 56 / 45 / 40

HEX #994354

RGB 153 67 84

HSL 348.14, 0.39%, 0.43%

LAB 40.29, 37.66, 7.7

 

CMYK 0 / 0 / 57 / 40

HEX #989842

RGB 152 152 66

HSL 60, 0.39%, 0.43%

LAB 61.24, -11.9, 44.39

 

CMYK 57 / 22 / 0 / 40

HEX #427698

RGB 66 118 152

HSL 203.72, 0.39%, 0.43%

LAB 47.47, -7.08, -23.69

 

CMYK 0 / 56 / 45 / 40

HEX #994354

RGB 153 67 84

HSL 348.14, 0.39%, 0.43%

LAB 40.29, 37.66, 7.7

 

CMYK 45 / 0 / 57 / 40

HEX #539842

RGB 83 152 66

HSL 108.14, 0.39%, 0.43%

LAB 56.77, -38.87, 38.06

 

CMYK 57 / 45 / 0 / 40

HEX #425398

RGB 66 83 152

HSL 228.14, 0.39%, 0.43%

LAB 37.14, 14.68, -39.93

 

CMYK 0 / 56 / 45 / 40

HEX #994354

RGB 153 67 84

HSL 348.14, 0.39%, 0.43%

LAB 40.29, 37.66, 7.7

 

CMYK 0 / 0 / 57 / 40

HEX #989842

RGB 152 152 66

HSL 60, 0.39%, 0.43%

LAB 61.24, -11.9, 44.39

 

CMYK 57 / 0 / 11 / 40

HEX #429887

RGB 66 152 135

HSL 168.14, 0.39%, 0.43%

LAB 57.43, -30.18, 1.14

 

CMYK 57 / 57 / 0 / 40

HEX #424298

RGB 66 66 152

HSL 240, 0.39%, 0.43%

LAB 32.53, 25.78, -47.33

 

CMYK 0 / 56 / 45 / 40

HEX #994354

RGB 153 67 84

HSL 348.14, 0.39%, 0.43%

LAB 40.29, 37.66, 7.7

 

CMYK 17 / 0 / 57 / 40

HEX #7E9842

RGB 126 152 66

HSL 78.14, 0.39%, 0.43%

LAB 59.24, -22.92, 41.57

 

CMYK 57 / 0 / 11 / 40

HEX #429887

RGB 66 152 135

HSL 168.14, 0.39%, 0.43%

LAB 57.43, -30.18, 1.14

 

CMYK 39 / 57 / 0 / 40

HEX #5C4298

RGB 92 66 152

HSL 258.14, 0.39%, 0.43%

LAB 34.88, 31.72, -43.42

 

Description

Color code: CMYK 0 / 56 / 45 / 40 | qconv.com Color code: CMYK 0 / 56 / 45 / 40 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 67 green and 84 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 67 84 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 56 magenta, 45 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 56% 45% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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