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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BF5589 it is the complementary color #40AA76. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BF5589. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #BF5589: #C45584, #D56797, #E679AA, #F78BBD and #FF9DD0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BF5589. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #BF5589: #BF5589, #AE4376, #9D3163, #8C1F50 and #7B0D3D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 55 / 28 / 25

HEX #BF5589

RGB 191 85 137

HSL 330.57, 0.45%, 0.54%

LAB 51.13, 48.22, -8.13

 

Complementary color

CMYK 62 / 0 / 31 / 33

HEX #40AA76

RGB 64 170 118

HSL 150.57, 0.45%, 0.46%

LAB 62.63, -42.73, 18.02

 

CMYK 0 / 57 / 33 / 23

HEX #C45584

RGB 196 85 132

HSL 334.59, 0.48%, 0.55%

LAB 51.72, 49.2, -4.18

 

CMYK 0 / 52 / 29 / 16

HEX #D56797

RGB 213 103 151

HSL 333.82, 0.57%, 0.62%

LAB 58.11, 48.49, -5.63

 

CMYK 0 / 47 / 26 / 10

HEX #E679AA

RGB 230 121 170

HSL 333.03, 0.69%, 0.69%

LAB 64.48, 47.71, -6.84

 

CMYK 0 / 44 / 23 / 3

HEX #F78BBD

RGB 247 139 189

HSL 332.22, 0.87%, 0.76%

LAB 70.81, 46.91, -7.89

 

CMYK 0 / 38 / 18 / 0

HEX #FF9DD0

RGB 255 157 208

HSL 328.78, 1%, 0.81%

LAB 76.03, 43.14, -10.51

 

CMYK 0 / 55 / 28 / 25

HEX #BF5589

RGB 191 85 137

HSL 330.57, 0.45%, 0.54%

LAB 51.13, 48.22, -8.13

 

CMYK 0 / 61 / 32 / 32

HEX #AE4376

RGB 174 67 118

HSL 331.4, 0.44%, 0.47%

LAB 44.69, 48.77, -6.54

 

CMYK 0 / 69 / 37 / 38

HEX #9D3163

RGB 157 49 99

HSL 332.22, 0.52%, 0.4%

LAB 38.31, 49, -4.52

 

CMYK 0 / 78 / 43 / 45

HEX #8C1F50

RGB 140 31 80

HSL 333.03, 0.64%, 0.34%

LAB 32.11, 48.6, -1.83

 

CMYK 0 / 89 / 50 / 52

HEX #7B0D3D

RGB 123 13 61

HSL 333.82, 0.81%, 0.27%

LAB 26.26, 47.03, 1.89

 

CMYK 0 / 55 / 28 / 25

HEX #BF5589

RGB 191 85 137

HSL 330.57, 0.45%, 0.54%

LAB 51.13, 48.22, -8.13

 

CMYK 0 / 56 / 37 / 25

HEX #BE5478

RGB 190 84 120

HSL 339.62, 0.45%, 0.54%

LAB 50.27, 46.24, 0.75

 

CMYK 0 / 56 / 46 / 25

HEX #BE5466

RGB 190 84 102

HSL 349.81, 0.45%, 0.54%

LAB 49.79, 44.29, 10.89

 

CMYK 0 / 56 / 56 / 25

HEX #BE5454

RGB 190 84 84

HSL 0, 0.45%, 0.54%

LAB 49.41, 42.67, 21.12

 

CMYK 0 / 46 / 56 / 25

HEX #BE6654

RGB 190 102 84

HSL 10.19, 0.45%, 0.54%

LAB 53.05, 33.43, 25.89

 

CMYK 0 / 55 / 28 / 25

HEX #BF5589

RGB 191 85 137

HSL 330.57, 0.45%, 0.54%

LAB 51.13, 48.22, -8.13

 

CMYK 0 / 55 / 28 / 5

HEX #F26CAE

RGB 242 108 174

HSL 330.45, 0.84%, 0.69%

LAB 63.88, 58.28, -9.83

 

CMYK 0 / 55 / 29 / 85

HEX #26111B

RGB 38 17 27

HSL 331.43, 0.38%, 0.11%

LAB 8.06, 12.65, -2.35

 

CMYK 0 / 55 / 28 / 65

HEX #592840

RGB 89 40 64

HSL 330.61, 0.38%, 0.25%

LAB 23.71, 25.73, -4.65

 

CMYK 0 / 56 / 29 / 45

HEX #8C3E64

RGB 140 62 100

HSL 330.77, 0.39%, 0.4%

LAB 37.74, 37.61, -6.32

 

CMYK 0 / 55 / 28 / 25

HEX #BF5589

RGB 191 85 137

HSL 330.57, 0.45%, 0.54%

LAB 51.13, 48.22, -8.13

 

CMYK 0 / 17 / 56 / 25

HEX #BE9E54

RGB 190 158 84

HSL 41.89, 0.45%, 0.54%

LAB 66.55, 2.77, 42.61

 

CMYK 56 / 6 / 0 / 25

HEX #54B3BE

RGB 84 179 190

HSL 186.23, 0.45%, 0.54%

LAB 67.9, -24.78, -14.12

 

CMYK 0 / 55 / 28 / 25

HEX #BF5589

RGB 191 85 137

HSL 330.57, 0.45%, 0.54%

LAB 51.13, 48.22, -8.13

 

CMYK 28 / 0 / 56 / 25

HEX #89BE54

RGB 137 190 84

HSL 90, 0.45%, 0.54%

LAB 71.41, -35.09, 47.3

 

CMYK 56 / 28 / 0 / 25

HEX #5489BE

RGB 84 137 190

HSL 210, 0.45%, 0.54%

LAB 55.58, -2.01, -33.02

 

CMYK 0 / 55 / 28 / 25

HEX #BF5589

RGB 191 85 137

HSL 330.57, 0.45%, 0.54%

LAB 51.13, 48.22, -8.13

 

CMYK 0 / 17 / 56 / 25

HEX #BE9E54

RGB 190 158 84

HSL 41.89, 0.45%, 0.54%

LAB 66.55, 2.77, 42.61

 

CMYK 56 / 0 / 28 / 25

HEX #54BE89

RGB 84 190 137

HSL 150, 0.45%, 0.54%

LAB 69.84, -43, 17.73

 

CMYK 56 / 39 / 0 / 25

HEX #5474BE

RGB 84 116 190

HSL 221.89, 0.45%, 0.54%

LAB 49.61, 10.56, -42.4

 

CMYK 0 / 55 / 28 / 25

HEX #BF5589

RGB 191 85 137

HSL 330.57, 0.45%, 0.54%

LAB 51.13, 48.22, -8.13

 

CMYK 0 / 0 / 56 / 25

HEX #BEBE54

RGB 190 190 84

HSL 60, 0.45%, 0.54%

LAB 75.09, -14.06, 52.48

 

CMYK 56 / 0 / 28 / 25

HEX #54BE89

RGB 84 190 137

HSL 150, 0.45%, 0.54%

LAB 69.84, -43, 17.73

 

CMYK 56 / 56 / 0 / 25

HEX #5454BE

RGB 84 84 190

HSL 240, 0.45%, 0.54%

LAB 41.13, 30.54, -55.98

 

Description

Color code: HEX #BF5589 | qconv.com Color code: HEX #BF5589 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 191 red, 85 green and 137 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
191 85 137 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 55 magenta, 28 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 55% 28% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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