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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BF4D9A it is the complementary color #40B265. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BF4D9A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BF4D9A shade: #C44D95, #D55FA8, #E671BB, #F783CE and #FF95E1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BF4D9A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BF4D9A shade: #BF4D9A, #AE3B87, #9D2974, #8C1761 and #7B054E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BF4D9A shade: #BF4F9B, #BF4F7D, #BF4F5E and #BF4F4F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BF4D9A shade: #BF4F9B, #BF4FB9, #A74FBF, #894FBF and #6B4FBF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BF4D9A shade matches the following richer shades: #BF4F9B, #D33BA2, #E628A9 and #FA15AF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BF4D9A shade: #BF4F9B, #AC6294, #99768D, #858987 and #729C80

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BF4D9A shade: #A74FBF, #BF4FBA, #BF4F9C, #BF4F7E and #BF4F60

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BF4D9A shade: #8A326D, #A83D85, #BF4F9B, #CA6DAC and #D58BBD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BF4D9A shade: #BF4D9A, #BF894F and #4FBFB6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BF4D9A shade: #BF4D9A, #9CBF4F and #4F9CBF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BF4D9A shade: #BF4D9A, #BF894F, #4FBF72 and #4F85BF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BF4D9A shade: #BF4D9A, #BFAB4F, #4FBF72 and #4F63BF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 60 / 19 / 25

HEX #BF4D9A

RGB 191 77 154

HSL 319.47, 0.47%, 0.53%

LAB 50.35, 54.32, -19.4

 

Complementary color

CMYK 64 / 0 / 43 / 30

HEX #40B265

RGB 64 178 101

HSL 139.47, 0.47%, 0.47%

LAB 64.86, -49.25, 30.11

 

CMYK 0 / 61 / 24 / 23

HEX #C44D95

RGB 196 77 149

HSL 323.7, 0.5%, 0.54%

LAB 50.94, 55.08, -15.48

 

CMYK 0 / 55 / 21 / 16

HEX #D55FA8

RGB 213 95 168

HSL 322.88, 0.58%, 0.6%

LAB 57.23, 54.63, -16.82

 

CMYK 0 / 51 / 19 / 10

HEX #E671BB

RGB 230 113 187

HSL 322.05, 0.7%, 0.67%

LAB 63.53, 54.03, -17.93

 

CMYK 0 / 47 / 17 / 3

HEX #F783CE

RGB 247 131 206

HSL 321.21, 0.88%, 0.74%

LAB 69.8, 53.34, -18.88

 

CMYK 0 / 42 / 12 / 0

HEX #FF95E1

RGB 255 149 225

HSL 316.98, 1%, 0.79%

LAB 74.95, 49.81, -21.45

 

CMYK 0 / 60 / 19 / 25

HEX #BF4D9A

RGB 191 77 154

HSL 319.47, 0.47%, 0.53%

LAB 50.35, 54.32, -19.4

 

CMYK 0 / 66 / 22 / 32

HEX #AE3B87

RGB 174 59 135

HSL 320.35, 0.49%, 0.46%

LAB 44.05, 54.49, -17.88

 

CMYK 0 / 74 / 26 / 38

HEX #9D2974

RGB 157 41 116

HSL 321.21, 0.59%, 0.39%

LAB 37.87, 54.14, -15.89

 

CMYK 0 / 84 / 31 / 45

HEX #8C1761

RGB 140 23 97

HSL 322.05, 0.72%, 0.32%

LAB 31.92, 52.88, -13.18

 

CMYK 0 / 96 / 37 / 52

HEX #7B054E

RGB 123 5 78

HSL 322.88, 0.92%, 0.25%

LAB 26.36, 50.25, -9.46

 

CMYK 0 / 59 / 19 / 25

HEX #BF4F9B

RGB 191 79 155

HSL 319.29, 0.47%, 0.53%

LAB 50.73, 53.56, -19.42

 

CMYK 0 / 59 / 35 / 25

HEX #BF4F7D

RGB 191 79 125

HSL 335.36, 0.47%, 0.53%

LAB 49.68, 49.54, -3.1

 

CMYK 0 / 59 / 51 / 25

HEX #BF4F5E

RGB 191 79 94

HSL 351.96, 0.47%, 0.53%

LAB 48.85, 46.28, 14.42

 

CMYK 0 / 59 / 59 / 25

HEX #BF4F4F

RGB 191 79 79

HSL 0, 0.47%, 0.53%

LAB 48.55, 45.05, 23

 

CMYK 0 / 59 / 19 / 25

HEX #BF4F9B

RGB 191 79 155

HSL 319.29, 0.47%, 0.53%

LAB 50.73, 53.56, -19.42

 

CMYK 0 / 59 / 3 / 25

HEX #BF4FB9

RGB 191 79 185

HSL 303.21, 0.47%, 0.53%

LAB 52.03, 58.33, -34.98

 

CMYK 13 / 59 / 0 / 25

HEX #A74FBF

RGB 167 79 191

HSL 287.14, 0.47%, 0.53%

LAB 48.97, 53.19, -43.51

 

CMYK 28 / 59 / 0 / 25

HEX #894FBF

RGB 137 79 191

HSL 271.07, 0.47%, 0.53%

LAB 45.18, 45.67, -49.77

 

CMYK 44 / 59 / 0 / 25

HEX #6B4FBF

RGB 107 79 191

HSL 255, 0.47%, 0.53%

LAB 41.97, 38.66, -55.11

 

CMYK 0 / 59 / 19 / 25

HEX #BF4F9B

RGB 191 79 155

HSL 319.29, 0.47%, 0.53%

LAB 50.73, 53.56, -19.42

 

CMYK 0 / 72 / 23 / 17

HEX #D33BA2

RGB 211 59 162

HSL 319.34, 0.63%, 0.53%

LAB 51.37, 67.84, -22.3

 

CMYK 0 / 83 / 27 / 10

HEX #E628A9

RGB 230 40 169

HSL 319.26, 0.79%, 0.53%

LAB 53.17, 78.25, -23.37

 

CMYK 0 / 92 / 30 / 2

HEX #FA15AF

RGB 250 21 175

HSL 319.65, 0.96%, 0.53%

LAB 56.04, 86.06, -22.16

 

CMYK 0 / 59 / 19 / 25

HEX #BF4F9B

RGB 191 79 155

HSL 319.29, 0.47%, 0.53%

LAB 50.73, 53.56, -19.42

 

CMYK 0 / 43 / 14 / 33

HEX #AC6294

RGB 172 98 148

HSL 319.46, 0.31%, 0.53%

LAB 51.43, 36.91, -14.45

 

CMYK 0 / 23 / 8 / 40

HEX #99768D

RGB 153 118 141

HSL 320.57, 0.15%, 0.53%

LAB 53.66, 17.63, -7.22

 

CMYK 3 / 0 / 1 / 46

HEX #858987

RGB 133 137 135

HSL 150, 0.02%, 0.53%

LAB 56.71, -1.87, 0.55

 

CMYK 27 / 0 / 18 / 39

HEX #729C80

RGB 114 156 128

HSL 140, 0.18%, 0.53%

LAB 60.7, -20.3, 10.1

 

CMYK 13 / 59 / 0 / 25

HEX #A74FBF

RGB 167 79 191

HSL 287.14, 0.47%, 0.53%

LAB 48.97, 53.19, -43.51

 

CMYK 0 / 59 / 3 / 25

HEX #BF4FBA

RGB 191 79 186

HSL 302.68, 0.47%, 0.53%

LAB 52.08, 58.5, -35.48

 

CMYK 0 / 59 / 18 / 25

HEX #BF4F9C

RGB 191 79 156

HSL 318.75, 0.47%, 0.53%

LAB 50.77, 53.71, -19.95

 

CMYK 0 / 59 / 34 / 25

HEX #BF4F7E

RGB 191 79 126

HSL 334.82, 0.47%, 0.53%

LAB 49.71, 49.66, -3.66

 

CMYK 0 / 59 / 50 / 25

HEX #BF4F60

RGB 191 79 96

HSL 350.89, 0.47%, 0.53%

LAB 48.9, 46.46, 13.27

 

CMYK 0 / 64 / 21 / 46

HEX #8A326D

RGB 138 50 109

HSL 319.77, 0.47%, 0.37%

LAB 35.57, 44.14, -15.3

 

CMYK 0 / 64 / 21 / 34

HEX #A83D85

RGB 168 61 133

HSL 319.63, 0.47%, 0.45%

LAB 43.29, 51.65, -17.92

 

CMYK 0 / 59 / 19 / 25

HEX #BF4F9B

RGB 191 79 155

HSL 319.29, 0.47%, 0.53%

LAB 50.73, 53.56, -19.42

 

CMYK 0 / 46 / 15 / 21

HEX #CA6DAC

RGB 202 109 172

HSL 319.35, 0.47%, 0.61%

LAB 58.48, 44.93, -17.37

 

CMYK 0 / 35 / 11 / 16

HEX #D58BBD

RGB 213 139 189

HSL 319.46, 0.47%, 0.69%

LAB 66.74, 35.53, -14.41

 

CMYK 0 / 60 / 19 / 25

HEX #BF4D9A

RGB 191 77 154

HSL 319.47, 0.47%, 0.53%

LAB 50.35, 54.32, -19.4

 

CMYK 0 / 28 / 59 / 25

HEX #BF894F

RGB 191 137 79

HSL 31.07, 0.47%, 0.53%

LAB 61.25, 14.3, 38.87

 

CMYK 59 / 0 / 5 / 25

HEX #4FBFB6

RGB 79 191 182

HSL 175.18, 0.47%, 0.53%

LAB 71.08, -33.78, -5.01

 

CMYK 0 / 60 / 19 / 25

HEX #BF4D9A

RGB 191 77 154

HSL 319.47, 0.47%, 0.53%

LAB 50.35, 54.32, -19.4

 

CMYK 18 / 0 / 59 / 25

HEX #9CBF4F

RGB 156 191 79

HSL 78.75, 0.47%, 0.53%

LAB 72.82, -28.78, 51.52

 

CMYK 59 / 18 / 0 / 25

HEX #4F9CBF

RGB 79 156 191

HSL 198.75, 0.47%, 0.53%

LAB 60.96, -13.44, -25.26

 

CMYK 0 / 60 / 19 / 25

HEX #BF4D9A

RGB 191 77 154

HSL 319.47, 0.47%, 0.53%

LAB 50.35, 54.32, -19.4

 

CMYK 0 / 28 / 59 / 25

HEX #BF894F

RGB 191 137 79

HSL 31.07, 0.47%, 0.53%

LAB 61.25, 14.3, 38.87

 

CMYK 59 / 0 / 40 / 25

HEX #4FBF72

RGB 79 191 114

HSL 138.75, 0.47%, 0.53%

LAB 69.57, -48.93, 29.54

 

CMYK 59 / 30 / 0 / 25

HEX #4F85BF

RGB 79 133 191

HSL 211.07, 0.47%, 0.53%

LAB 54.24, -0.4, -35.7

 

CMYK 0 / 60 / 19 / 25

HEX #BF4D9A

RGB 191 77 154

HSL 319.47, 0.47%, 0.53%

LAB 50.35, 54.32, -19.4

 

CMYK 0 / 10 / 59 / 25

HEX #BFAB4F

RGB 191 171 79

HSL 49.29, 0.47%, 0.53%

LAB 70.01, -4.15, 49.08

 

CMYK 59 / 0 / 40 / 25

HEX #4FBF72

RGB 79 191 114

HSL 138.75, 0.47%, 0.53%

LAB 69.57, -48.93, 29.54

 

CMYK 59 / 48 / 0 / 25

HEX #4F63BF

RGB 79 99 191

HSL 229.29, 0.47%, 0.53%

LAB 44.73, 20.46, -50.78

 

Description

Color code: HEX #BF4D9A | qconv.com Color code: HEX #BF4D9A | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 191 red, 77 green and 154 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
191 77 154 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 60 magenta, 19 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 60% 19% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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