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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BF432F it is the complementary color #40BCD0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BF432F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #BF432F: #C4432A, #D5553D, #E66750, #F77963 and #FF8B76

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BF432F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #BF432F: #BF432F, #AE311C, #9D1F09, #8C0D00 and #7B0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 65 / 75 / 25

HEX #BF432F

RGB 191 67 47

HSL 8.33, 0.61%, 0.47%

LAB 46.04, 48.66, 38.45

 

Complementary color

CMYK 69 / 10 / 0 / 18

HEX #40BCD0

RGB 64 188 208

HSL 188.33, 0.61%, 0.53%

LAB 70.6, -27.33, -19.99

 

CMYK 0 / 66 / 79 / 23

HEX #C4432A

RGB 196 67 42

HSL 9.74, 0.65%, 0.47%

LAB 46.87, 50.2, 42.26

 

CMYK 0 / 60 / 71 / 16

HEX #D5553D

RGB 213 85 61

HSL 9.47, 0.64%, 0.54%

LAB 52.93, 49.03, 39.48

 

CMYK 0 / 55 / 65 / 10

HEX #E66750

RGB 230 103 80

HSL 9.2, 0.75%, 0.61%

LAB 59.07, 47.75, 36.94

 

CMYK 0 / 51 / 60 / 3

HEX #F77963

RGB 247 121 99

HSL 8.92, 0.9%, 0.68%

LAB 65.24, 46.47, 34.67

 

CMYK 0 / 45 / 54 / 0

HEX #FF8B76

RGB 255 139 118

HSL 9.2, 1%, 0.73%

LAB 70.2, 41.91, 30.86

 

CMYK 0 / 65 / 75 / 25

HEX #BF432F

RGB 191 67 47

HSL 8.33, 0.61%, 0.47%

LAB 46.04, 48.66, 38.45

 

CMYK 0 / 72 / 84 / 32

HEX #AE311C

RGB 174 49 28

HSL 8.63, 0.72%, 0.4%

LAB 40.05, 49.55, 41.45

 

CMYK 0 / 80 / 94 / 38

HEX #9D1F09

RGB 157 31 9

HSL 8.92, 0.89%, 0.33%

LAB 34.33, 49.88, 43.89

 

CMYK 0 / 91 / 100 / 45

HEX #8C0D00

RGB 140 13 0

HSL 5.57, 1%, 0.27%

LAB 29.06, 49.11, 42.19

 

CMYK 0 / 100 / 100 / 52

HEX #7B0000

RGB 123 0 0

HSL 0, 1%, 0.24%

LAB 24.36, 46.7, 36.53

 

CMYK 0 / 65 / 75 / 25

HEX #BF432F

RGB 191 67 47

HSL 8.33, 0.61%, 0.47%

LAB 46.04, 48.66, 38.45

 

CMYK 0 / 53 / 76 / 25

HEX #C05A2E

RGB 192 90 46

HSL 18.08, 0.61%, 0.47%

LAB 50.35, 38.1, 43.59

 

CMYK 0 / 41 / 76 / 25

HEX #C0722E

RGB 192 114 46

HSL 27.95, 0.61%, 0.47%

LAB 55.52, 25.39, 48.85

 

CMYK 0 / 28 / 76 / 25

HEX #C08B2E

RGB 192 139 46

HSL 38.22, 0.61%, 0.47%

LAB 61.54, 11.65, 54.76

 

CMYK 0 / 15 / 76 / 25

HEX #C0A32E

RGB 192 163 46

HSL 48.08, 0.61%, 0.47%

LAB 67.72, -1.38, 60.65

 

CMYK 0 / 65 / 75 / 25

HEX #BF432F

RGB 191 67 47

HSL 8.33, 0.61%, 0.47%

LAB 46.04, 48.66, 38.45

 

CMYK 0 / 65 / 75 / 5

HEX #F2553C

RGB 242 85 60

HSL 8.24, 0.88%, 0.59%

LAB 57.75, 58.92, 46.69

 

CMYK 0 / 66 / 76 / 85

HEX #260D09

RGB 38 13 9

HSL 8.28, 0.62%, 0.09%

LAB 6.5, 12.3, 6.27

 

CMYK 0 / 65 / 75 / 65

HEX #591F16

RGB 89 31 22

HSL 8.06, 0.6%, 0.22%

LAB 20.68, 26.13, 19.76

 

CMYK 0 / 65 / 76 / 45

HEX #8C3122

RGB 140 49 34

HSL 8.49, 0.61%, 0.34%

LAB 33.75, 37.8, 29.75

 

CMYK 0 / 65 / 75 / 25

HEX #BF432F

RGB 191 67 47

HSL 8.33, 0.61%, 0.47%

LAB 46.04, 48.66, 38.45

 

CMYK 25 / 0 / 76 / 25

HEX #90C02E

RGB 144 192 46

HSL 79.73, 0.61%, 0.47%

LAB 72.11, -36.2, 63.47

 

CMYK 76 / 56 / 0 / 25

HEX #2E55C0

RGB 46 85 192

HSL 223.97, 0.61%, 0.47%

LAB 39.38, 24.64, -60.07

 

CMYK 0 / 65 / 75 / 25

HEX #BF432F

RGB 191 67 47

HSL 8.33, 0.61%, 0.47%

LAB 46.04, 48.66, 38.45

 

CMYK 76 / 0 / 66 / 25

HEX #2EC042

RGB 46 192 66

HSL 128.22, 0.61%, 0.47%

LAB 68.51, -62.21, 51.14

 

CMYK 66 / 76 / 0 / 25

HEX #422EC0

RGB 66 46 192

HSL 248.22, 0.61%, 0.47%

LAB 31.62, 50.62, -72.74

 

CMYK 0 / 65 / 75 / 25

HEX #BF432F

RGB 191 67 47

HSL 8.33, 0.61%, 0.47%

LAB 46.04, 48.66, 38.45

 

CMYK 25 / 0 / 76 / 25

HEX #90C02E

RGB 144 192 46

HSL 79.73, 0.61%, 0.47%

LAB 72.11, -36.2, 63.47

 

CMYK 76 / 10 / 0 / 25

HEX #2EADC0

RGB 46 173 192

HSL 187.81, 0.61%, 0.47%

LAB 65.18, -27.07, -19.45

 

CMYK 51 / 76 / 0 / 25

HEX #5F2EC0

RGB 95 46 192

HSL 260.14, 0.61%, 0.47%

LAB 34.38, 54.3, -68.1

 

CMYK 0 / 65 / 75 / 25

HEX #BF432F

RGB 191 67 47

HSL 8.33, 0.61%, 0.47%

LAB 46.04, 48.66, 38.45

 

CMYK 48 / 0 / 76 / 25

HEX #64C02E

RGB 100 192 46

HSL 97.81, 0.61%, 0.47%

LAB 69.9, -51.62, 60.58

 

CMYK 76 / 10 / 0 / 25

HEX #2EADC0

RGB 46 173 192

HSL 187.81, 0.61%, 0.47%

LAB 65.18, -27.07, -19.45

 

CMYK 28 / 76 / 0 / 25

HEX #8B2EC0

RGB 139 46 192

HSL 278.22, 0.61%, 0.47%

LAB 40, 61.57, -58.7

 

Description

Color code: HEX #BF432F | qconv.com Color code: HEX #BF432F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 191 red, 67 green and 47 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
191 67 47 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 65 magenta, 75 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 65% 75% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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